Above: Hungarian poster for The Sleeping Car Murders. Designer: Sándor Benkő.Last summer I wrote about my discovery of Hungarian movie poster design and featured a number of posters for very well known films from The Wizard of Oz to The Elephant Man. Those posters highlighted the distinctly different graphic approaches taken by Hungarian designers compared to their country-of-origin counterparts. But while delving deeper into the world of Hungarian poster design—mostly via the auction site Bedo—I have come across many even more remarkable designs for films that are less well known. The fifteen posters that I’ve chosen to highlight here were all made in the ’60s and ’70s and there is a distinct pop art sensibility at work: a lot of bold, primary colors and almost cartoonish illustrations, but always in the service of bold, striking graphics. Distinctly upbeat, while perhaps not expressly joyful, they do give...
- 1/21/2021
- MUBI
Browse all the sections of the 58th London Film Festival (Oct 8-18) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Opening Night
The Imitation Game (UK-us)
dir. Morten Tyldum
Closing Night
Fury (Us)
dir. David Ayer
GalasTitlePremFoxcatcher (Us)
dir. Bennett MillerUKWhiplash (Us)
dir. Damien ChazelleUKMen, Women And Children (Us)
dir. Jason ReitmanEPWild (Us)
dir. Jean-Marc ValleeEPTestament Of Youth (UK)
dir. James KentWPMr. Turner (UK)
dir. Mike LeighUKThe Battles Of Coronel And Falkland Islands (UK)
dir. Walter Summers Rosewater (Us)
dir. Jon StewartEPMommy (Can)
dir. Xavier DolanUKA Little Chaos (UK)
dir. Alan RickmanEPWild Tales (Arg)
dir. Damián SzifrónUKThe Salvation (Den)
dir. Kristian Levring The White Haired Witch Of Lunar Kingdom (Chi)
dir. Jacob CheungIPWinter Sleep (Tur)
dir. Nuri Bilge CeylanUKBjork: Biophilia Live (UK)
dir. Nick Fenton, Peter StricklandUKSong Of The Sea (Ire)
dir. Tomm MooreEPOfficial...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Opening Night
The Imitation Game (UK-us)
dir. Morten Tyldum
Closing Night
Fury (Us)
dir. David Ayer
GalasTitlePremFoxcatcher (Us)
dir. Bennett MillerUKWhiplash (Us)
dir. Damien ChazelleUKMen, Women And Children (Us)
dir. Jason ReitmanEPWild (Us)
dir. Jean-Marc ValleeEPTestament Of Youth (UK)
dir. James KentWPMr. Turner (UK)
dir. Mike LeighUKThe Battles Of Coronel And Falkland Islands (UK)
dir. Walter Summers Rosewater (Us)
dir. Jon StewartEPMommy (Can)
dir. Xavier DolanUKA Little Chaos (UK)
dir. Alan RickmanEPWild Tales (Arg)
dir. Damián SzifrónUKThe Salvation (Den)
dir. Kristian Levring The White Haired Witch Of Lunar Kingdom (Chi)
dir. Jacob CheungIPWinter Sleep (Tur)
dir. Nuri Bilge CeylanUKBjork: Biophilia Live (UK)
dir. Nick Fenton, Peter StricklandUKSong Of The Sea (Ire)
dir. Tomm MooreEPOfficial...
- 9/3/2014
- ScreenDaily
Above: Sophia Loren, this year's Guest of Honor, in Vittorio De Sica's Marriage Italian Style
The following films comprise this year's slate of Cannes Classics:
Marriage Italian Style (Vittorio De Sica)
A Fistful of Dollars (Sergio Leone)
Paris, Texas (Wim Wenders)
Regards sur une revolution: Comment Yukong déplaça les montagnes (Marceline Loridan & Joris Ivens)
Cruel Story of Youth (Nagisa Oshima)
Wooden Crosses (Raymond Bernard)
Overlord (Stuart Cooper)
Fear (Roberto Rossellini)
Blind Chance (Krzysztof Kieslowski)
The Last Metro (François Truffaut)
Dragon Inn (King Hu)
Daybreak (Marcel Carné)
The Color of Pomegranates (Sergei Parajanov)
Gracious Living (Jean-Paul Rappeneau)
Jamaica Inn (Alfred Hitchcock)
Les violons du bal (Michel Drach)
Blue Mountains (Eldar Shengelaia)
Lost Horizon (Frank Capra)
La chienne (Jean Renoir)
Tokyo Olympiad (Kon Ichikawa)
8½ (Federico Fellini)
Two Documentaries about Cinema:
Life Itself (Steve James)
The Go-Go Boys: The Inside Story of Cannon Films (Hilla Medalia)
None of these films will be presented on film.
The following films comprise this year's slate of Cannes Classics:
Marriage Italian Style (Vittorio De Sica)
A Fistful of Dollars (Sergio Leone)
Paris, Texas (Wim Wenders)
Regards sur une revolution: Comment Yukong déplaça les montagnes (Marceline Loridan & Joris Ivens)
Cruel Story of Youth (Nagisa Oshima)
Wooden Crosses (Raymond Bernard)
Overlord (Stuart Cooper)
Fear (Roberto Rossellini)
Blind Chance (Krzysztof Kieslowski)
The Last Metro (François Truffaut)
Dragon Inn (King Hu)
Daybreak (Marcel Carné)
The Color of Pomegranates (Sergei Parajanov)
Gracious Living (Jean-Paul Rappeneau)
Jamaica Inn (Alfred Hitchcock)
Les violons du bal (Michel Drach)
Blue Mountains (Eldar Shengelaia)
Lost Horizon (Frank Capra)
La chienne (Jean Renoir)
Tokyo Olympiad (Kon Ichikawa)
8½ (Federico Fellini)
Two Documentaries about Cinema:
Life Itself (Steve James)
The Go-Go Boys: The Inside Story of Cannon Films (Hilla Medalia)
None of these films will be presented on film.
- 5/1/2014
- by Notebook
- MUBI
Sophia Loren named guest of honour and Kieslowski returns to Cannes Film Festival. No 35mm prints to be screened for the first time.
The Cannes Classics line-up of film masterpieces, presented in restored prints, has been announced. The programme comprises 22 features and two documentaries, screened in either 2K or 4K. But for the first time no 35mm print will be screened at Cannes Classics “with regret for some or with celebration for others”, according to a statement.
Guest of honour will be Sophia Loren, who won the award for Best Actress at Cannes in 1961 and was president of the jury in 1966. She will be present at the screening of La Voce Humana (2014), directed by Edoardo Ponti, which marks her return to movies.
That same evening, a 4K restoration of 1964 film Marriage Italian Style (Matrimonio all’italiana) by Vittorio De Sica will be screened.
Loren has also accepted to give a masterclass - a conversation which will take...
The Cannes Classics line-up of film masterpieces, presented in restored prints, has been announced. The programme comprises 22 features and two documentaries, screened in either 2K or 4K. But for the first time no 35mm print will be screened at Cannes Classics “with regret for some or with celebration for others”, according to a statement.
Guest of honour will be Sophia Loren, who won the award for Best Actress at Cannes in 1961 and was president of the jury in 1966. She will be present at the screening of La Voce Humana (2014), directed by Edoardo Ponti, which marks her return to movies.
That same evening, a 4K restoration of 1964 film Marriage Italian Style (Matrimonio all’italiana) by Vittorio De Sica will be screened.
Loren has also accepted to give a masterclass - a conversation which will take...
- 4/30/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Selection includes competition titles, a focus on Southeast Asia and a ‘Top 10’ compiled by director Rithy Panh.
The selection for the 26th Idfa (International Documentary Film Festival Amsterdam) has been unveiled and includes 288 titles – selected from more than 3,000 submissions – of which 100 will receive their world premiere during the festival (Nov 20 – Dec 1).
There will be a strand dedicated to documentaries from Southeast Asia titled Emerging Voices from Southeast Asia.
This year’s Idfa Top 10 is compiled by Cambodian director Rithy Panh, and a retrospective of his work will be screening at the festival.
Panh, whose doc The Missing Picture won the Un Certain Regard strand at Cannes in May, has selected:
Alone
Wang Bing (Hong Kong/France, 2012)Don’t Look Back
D.A. Pennebaker (USA, 1967)Farrebique - The Four Seasons
Georges Rouquier (France, 1946)The Football Incident
Joris Ivens/Marceline Loridan-Ivens (France, 1976)I Am Cuba
Mikheil Kalatozishvili (Cuba/Russia, 1964)In Vanda’s Room
Pedro Costa (Portugal, 2000)A Man Vanishes...
The selection for the 26th Idfa (International Documentary Film Festival Amsterdam) has been unveiled and includes 288 titles – selected from more than 3,000 submissions – of which 100 will receive their world premiere during the festival (Nov 20 – Dec 1).
There will be a strand dedicated to documentaries from Southeast Asia titled Emerging Voices from Southeast Asia.
This year’s Idfa Top 10 is compiled by Cambodian director Rithy Panh, and a retrospective of his work will be screening at the festival.
Panh, whose doc The Missing Picture won the Un Certain Regard strand at Cannes in May, has selected:
Alone
Wang Bing (Hong Kong/France, 2012)Don’t Look Back
D.A. Pennebaker (USA, 1967)Farrebique - The Four Seasons
Georges Rouquier (France, 1946)The Football Incident
Joris Ivens/Marceline Loridan-Ivens (France, 1976)I Am Cuba
Mikheil Kalatozishvili (Cuba/Russia, 1964)In Vanda’s Room
Pedro Costa (Portugal, 2000)A Man Vanishes...
- 10/11/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Chicago – The summer of 1960 was another time, on another planet. And Paris was another planet itself, with everyone blissfully smoking cigarettes. All of the oddness, alienation and personality of this peculiar time and place comes alive in the Blu-ray release of Jean Rouch and Edgar Morin’s French new wave documentary, “Chronicle of a Summer.”
Blu-Ray Rating: 4.0/5.0
At first, the film is striking as something that can occur on a regular basis today. Conversation with friends, “recorded” for posterity. But what distinguishes this is of course the radical nature in recording naturalistic conversation during a time where film was primarily used for fiction. Shot originally with newly lightweight 16mm cameras (one step up from home movies), the effort to do so was much more labor intensive, and the filmmakers were fortunate to find the right subjects to handle what had to be the in-your-face nature of the shoot. The result becomes fascinating and completely voyeuristic.
Blu-Ray Rating: 4.0/5.0
At first, the film is striking as something that can occur on a regular basis today. Conversation with friends, “recorded” for posterity. But what distinguishes this is of course the radical nature in recording naturalistic conversation during a time where film was primarily used for fiction. Shot originally with newly lightweight 16mm cameras (one step up from home movies), the effort to do so was much more labor intensive, and the filmmakers were fortunate to find the right subjects to handle what had to be the in-your-face nature of the shoot. The result becomes fascinating and completely voyeuristic.
- 3/24/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
1961’s Chronicle of a Summer is generally credited with inspiring what became known as Cinéma-vérité; a style of narrative filmmaking that both copied and utilized techniques of documentary production to create films of heightened realism. Of course, documentaries have been around as long as motion picture cameras but in the first half of the 20th century the genre’s chief subjects were exotic travelogues and political propaganda. Chronicle of a Summer was one of the first documentaries with the stated aim of capturing the lives and interactions of “real people,” and gaining a clearer understanding of the public mood through random sampling.
Not surprisingly, Chronicle of a Summer was conceived by two men who valued science over aesthetics: sociologist Edgar Morin and anthropologist Jean Rouch. While Rouch had spent a decade documenting tribal life in Africa through a series of influential short films, Morin was a novice at filmmaking. Their innocent,...
Not surprisingly, Chronicle of a Summer was conceived by two men who valued science over aesthetics: sociologist Edgar Morin and anthropologist Jean Rouch. While Rouch had spent a decade documenting tribal life in Africa through a series of influential short films, Morin was a novice at filmmaking. Their innocent,...
- 2/26/2013
- by David Anderson
- IONCINEMA.com
Blu-ray & DVD Release Date: Feb. 26, 2013
Price: DVD $29.95, Blu-ray $39.95
Studio: Criterion
The 1961 French documentary Chronicle of a Summer is the fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch (Moi, un noir) and sociologist Edgar Morin.
An influential vanguard work of what Morin would term cinéma verité is an undeniably well-conceived and realized sociopolitical diagnosis of the early sixties in France. By simply interviewing a group of Paris residents in the summer of 1960—beginning with the provocative and eternal question “Are you happy?” and expanding to political issues, including the ongoing Algerian War—Rouch and Morin reveal the hopes and dreams of a wide array of people, from artists to factory workers, from an Italian émigré to an African student.
Ultimately, Chronicle of a Summer’s penetrative approach ultimately delivers a document of a time and place with extraordinary depth and substance. Not surprisingly, the film is now a staple in...
Price: DVD $29.95, Blu-ray $39.95
Studio: Criterion
The 1961 French documentary Chronicle of a Summer is the fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch (Moi, un noir) and sociologist Edgar Morin.
An influential vanguard work of what Morin would term cinéma verité is an undeniably well-conceived and realized sociopolitical diagnosis of the early sixties in France. By simply interviewing a group of Paris residents in the summer of 1960—beginning with the provocative and eternal question “Are you happy?” and expanding to political issues, including the ongoing Algerian War—Rouch and Morin reveal the hopes and dreams of a wide array of people, from artists to factory workers, from an Italian émigré to an African student.
Ultimately, Chronicle of a Summer’s penetrative approach ultimately delivers a document of a time and place with extraordinary depth and substance. Not surprisingly, the film is now a staple in...
- 1/14/2013
- by Laurence
- Disc Dish
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