For Season 1 of Ryan Murphy’s first responder procedural series 9-1-1, Mark Vanselow took on as much as any stunt coordinator could: an oceanic plane crash, apex predator attacks, bloody motorcycle wrecks and more.
Learning Murphy’s process while working on American Horror Story: Cult, Vanselow went into the producer’s latest series as part of a large team of disaster manufacturers, collaborating closely in bringing each of its visual terrors to the screen.
Joining forces with production designer Jeffrey Mossa, special effects coordinator James Lorimer, fellow stunt coordinator Tim Davison and the artists at FuseFX, Vanselow was able to help bring top-drawer cinematic spectacle to the small screen, judging how each of the series’ myriad stunts should be executed, and what should be realized in post.
“Everybody’s constantly trying to push the envelope as far as what we can do, but everybody, particularly from Ryan’s team,...
Learning Murphy’s process while working on American Horror Story: Cult, Vanselow went into the producer’s latest series as part of a large team of disaster manufacturers, collaborating closely in bringing each of its visual terrors to the screen.
Joining forces with production designer Jeffrey Mossa, special effects coordinator James Lorimer, fellow stunt coordinator Tim Davison and the artists at FuseFX, Vanselow was able to help bring top-drawer cinematic spectacle to the small screen, judging how each of the series’ myriad stunts should be executed, and what should be realized in post.
“Everybody’s constantly trying to push the envelope as far as what we can do, but everybody, particularly from Ryan’s team,...
- 6/11/2018
- by Matt Grobar
- Deadline Film + TV
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