Pittsburgh Public Theatre is currently casting Equity actors for two roles in its upcoming production of “Equus,” the drama by Peter Shaffer, which won the Tony Award for Best Play in 1975. Headed by casting directors Pat McCorkle and Katja Zarolinski (McCorkle Casting), the team will hold by-appointment auditions in New York City on June 14 and 15. For consideration, all interested candidates should email a headshot and resume to submission.mccorklecasting@gmail.com by June 13. The production, featuring direction by Ted Pappas, is casting male actors for two roles. The first, Alan Strang, is a 17-year-old, working-class British man, who commits an “act of horrific violence” by blinding six horses and is subsequently committed to a mental hospital for observation. A male actor aged 18 or older is sought for the part, which will require full nudity in one scene. The second role being cast is Frank Strang, Alan’s father, who is 45–50 years old,...
- 6/7/2017
- backstage.com
"In Hartford Connecticut, the Mayor is Puerto Rican. But in TheaterWorks production of my play in Hartford—the 2 lead Puerto Rican characters are played by white actors.… Nothing against the actors cast, but this is indefensible bullshit," posted "The Motherfucker With the Hat" playwright Stephen Adly Guirgis on Facebook toward the end of last year. The scribe was not alone in raising concern over the casting of non-Hispanic actors in the roles of Latino characters.The Hispanic Organization of Latin Actors also chastised the casting of non-Latino actors Ben Cole and Clea Alsip in the Hispanic-specific roles of Jackie and Veronica in the TheaterWorks production. Hola said in a written statement that it was "contacted by audience members for TheaterWorks' production who were outraged at the casting choices that resulted in the casting efforts made by the theater, the play's director and the production's casting agency, Pat McCorkle, C.S.
- 1/18/2012
- by help@backstage.com (Frank Nestor)
- backstage.com
Camera’s will begin rolling on Wednesday, November 17 in Fort Lee, NJ as Tony Glazer’s Junction, gears up for a six week shoot, including large Swat scene complete with helicopters and sirens, which is scheduled to shoot December 11 & 12.
Junction follows four strung-out meth-addicts who discover a dark secret about a homeowner during a burglary, pitting them not only against the police but against each other. And as they spiral out of control toward the explosive climax the lines blur between right and wrong until the final unexpected twist is revealed.
The Junction cast includes: David Zayas as Lt. Tarelli (SAG Award Winner, Oz), Michael O'Keefe as Walters (Academy Award Nominee Golden Globe Nominee), Anthony Rapp as Connor (Broadway’s "Rent"), Anthony Ruivivaar as Tai, Harris Doran as Spot, Tom Pelphrey as David (Two-time Emmy Award Winner for Guiding Light), Neal Bledsoe (Gossip Girl; As The World Turns), Summer Crockett Mooore as Kari,...
Junction follows four strung-out meth-addicts who discover a dark secret about a homeowner during a burglary, pitting them not only against the police but against each other. And as they spiral out of control toward the explosive climax the lines blur between right and wrong until the final unexpected twist is revealed.
The Junction cast includes: David Zayas as Lt. Tarelli (SAG Award Winner, Oz), Michael O'Keefe as Walters (Academy Award Nominee Golden Globe Nominee), Anthony Rapp as Connor (Broadway’s "Rent"), Anthony Ruivivaar as Tai, Harris Doran as Spot, Tom Pelphrey as David (Two-time Emmy Award Winner for Guiding Light), Neal Bledsoe (Gossip Girl; As The World Turns), Summer Crockett Mooore as Kari,...
- 11/16/2010
- by We Love Soaps TV
- We Love Soaps
David BridelAssociate Professor of Theatre Practice and Associate Director and Head of Movement, Mfa Acting Program, University of Southern California School of TheatreWe aim for actors to leave our programs with open hearts, flexible bodies, inquiring minds, and powerful voices. During their studies with us, they have accumulated experience on stage, on camera, and in the voiceover studio, and they enter the profession equipped to tackle everything from classical drama to soap opera to video-game characterization. Our emphasis on adaptability encourages willingness, patience, and risk-taking—key ingredients in post-school life as actors struggle to find their feet in the industry.In the final year of training, we offer Business of the Business classes. Topics covered include auditioning for screen, stage, and voiceover; headshot and résumé preparation; interaction with producers, casting directors, agents, and managers; financial advice; and Web presence. Our actors audition for major theaters prior to graduation, and of...
- 11/4/2010
- backstage.com
I despise thieves of thespians and the shadow these delinquents cast upon honest professionals.Despite having been an actor prior to jumping the audition table to directing and casting, it wasn't until the release of my book, as well as teaching and writing for various publications—when my visibility went from 'that guy behind the audition table' to 'that Paul Russell behind the audition table'—that I fully realized just how cautious actors are about relatively unknown-to-them casting, representation and/or educational opportunities. My anonymity, which I greatly enjoy, and career stature had lulled me into a false sense of security that actors were trusting of entertainment professionals. Wrong. Oops. My bad naïveté. Colleagues of mine—reputable agents, veteran casting directors, established teachers and other long-career-termed entertainment professionals—and I are suspect to a segment of the acting community. Why? Several reasons. First and foremost is because younger and/or...
- 3/15/2010
- backstage.com
CALIFORNIALa Jolla PlayhouseP.O. Box 12039La Jolla, CA 92039(858) 550-1070, fax (858) 550-1075information@ljp.orgwww.lajollaplayhouse.orgChristopher Ashley, artistic directorEquity Lort B contractNon-EquityCasting: Casts productions in-house and through independent casting directors by invitation only. Send pix and resumes to above address, attn: Casting. See website for more information. Internships availableSeason: June - September. Shows: "Surf Report" (June); "A Gentleman's Guide to Love and Murder" (September); "Ruined" (November); "A Midsummer Night's Dream" (July); "Notes From the Underground" (September)Marin Shakespeare CompanyP.O. Box 4053San Rafael, CA 94913(415) 499-4485, fax (415) 499-1492management@marinshakespeare.orgwww.marinshakespeare.orgRobert S. Currier, artistic director; Lesley Currier, managing directorEquity Loa referenced to Lort contractNon-EquityCasting: Casts productions in-house. Send pix and resumes to Robert Currier. Please see website for specific audition dates and information.Internships and/or apprenticeships available.Season: July - September. Shows: "Travesties" (July 2-Aug. 15); "The Taming of the Shrew" (July 16-Sep. 26); "Antony and Cleopatra" (Aug. 20-Sep. 25)Pcpa Theaterfest800 S.
- 2/25/2010
- backstage.com
As the founder and CEO of McCorkle Casting, Patricia McCorkle has worked on hundreds of projects for stage and screen since 1979. She cast a pool of undiscovered young actors in Stanley Jaffe's film "School Ties"—including Ben Affleck, Matt Damon, Brendan Fraser, and Chris O'Donnell—and has tagged a long list of actors early in their careers, from Holly Hunter and Samuel L. Jackson to Kelsey Grammer and Calista Flockhart. Her film and TV credits include "Ghost Town," "Funny Money," the remake of "The Thomas Crown Affair," "Die Hard: With a Vengeance," "Splash," "All the Right Moves," "Californication," "The L Word," "Strangers With Candy," and "Hack." Her Broadway credits include Martin McDonagh's "The Lieutenant of Inishmore," two revivals of "The Glass Menagerie" (one starring Jessica Lange and one starring Julie Harris), Arthur Miller's "The Ride Down Mt. Morgan," "Blood Brothers," Aaron Sorkin's "A Few Good Men,...
- 12/3/2009
- backstage.com
Casting directors came out from behind the curtain to be honored by their peers last night at the 25th Annual Artios Awards. The bi-coastal awards, which were held simultaneously at the new Times Center in New York City and the Hyatt Regency Century Plaza Hotel in Los Angeles, are presented yearly for outstanding achievement in casting in theater, film, and television categories on the criteria of originality, creativity, and contribution of casting to the overall quality of a project.Celebrity awards presenters in New York were Patrick Wilson ("Little Children," "Angels in America"), Carrie Preston ("True Blood"), Michael Shannon ("Revolutionary Road"), Jennifer Morrison ("House"), Bill Pullman ("Oleanna"), Christine Ebersole ("Grey Gardens"), Vincent Kartheiser ("Mad Men"), and Elizabeth Reaser ("Twilight"). Stanley Tucci and producer Daryl Roth presented the New York Big Apple Award to Nora Ephron and Delia Ephron, whose "Love, Loss and What I Wore" recently opened Off-Broadway to rave reviews.
- 11/3/2009
- backstage.com
Producer Laura Ziskin, writer-director Nora Ephron, writer Delia Ephron and casting director John Frank Levey will be honored at the Casting Society of America's 24th annual Artios Awards.
Simultaneous awards ceremonies will be held in at the Hyatt Regency Century Plaza in Los Angeles and the New York Times Building in New York on Nov. 2.
Ziskin is set to receive the group's Career Achievement Award. The New York Apple Award will be presented to Nora and Delia Ephron. Levy is this year's recipient of the Hoyt Bowers Award.
Representing 425 members in the United States, Canada, England and Australia, Cas also announced its nominees in film TV and theater on Thursday.
In the category of big budget feature drama, Ellen Chenoweth scored two noms for "Changeling" and "Duplicity." The category nominees are John Papsidera for "The Dark Knight"; April Webster and Alyssa Weisberg for "Star Trek" and Avy Kaufman for "State of Play.
Simultaneous awards ceremonies will be held in at the Hyatt Regency Century Plaza in Los Angeles and the New York Times Building in New York on Nov. 2.
Ziskin is set to receive the group's Career Achievement Award. The New York Apple Award will be presented to Nora and Delia Ephron. Levy is this year's recipient of the Hoyt Bowers Award.
Representing 425 members in the United States, Canada, England and Australia, Cas also announced its nominees in film TV and theater on Thursday.
In the category of big budget feature drama, Ellen Chenoweth scored two noms for "Changeling" and "Duplicity." The category nominees are John Papsidera for "The Dark Knight"; April Webster and Alyssa Weisberg for "Star Trek" and Avy Kaufman for "State of Play.
- 9/17/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
For Equity contract information, refer to our complete listings online at www.backstage.com/spotlight. If your company is not listed but you would like to be included in next year's list, contact Laura A. Butler, Research Editor, at Back Stage, at lbutler@backstage.com.California La Jolla Playhouse P.O. Box 12039 La Jolla, CA 92039 (858) 550-1070, fax (858) 550-1075 www.lajollaplayhouse.org Christopher Ashley, artistic director Casting: Casts productions in-house and through independent casting directors by invitation only. Send pix & resumes to above address, Attn: Casting. See website for more information. Internships available. Season: Mandell Weiss Forum Theatre: Continuous City (March 19 - 22). Future schedule Tba. Marin Shakespeare Company P.O. Box 4053 San Rafael, CA 94913 (415) 499-4485, fax (415) 499-1492 management@marinshakespeare.org www.marinshakespeare.org Robert S. Currier, artistic director Casting: Casts productions in-house. Send pix & resumes to: Robert Currier. Please see website for specific audition dates and information. Internships and/or apprenticeships available.
- 2/26/2009
- backstage.com
Chevy Chase returns to center screen and Bucharest backlots play Hoboken, N.J., in "Funny Money". The laugher about a meek middle manager who finds a life-changing fortune takes a while to hit its stride, but in its best stretches, it offers deliriously spirited farce. The cast, along with the promotional efforts of timeshare operator Consolidated Resorts, could entice older audiences to theaters, but the film, which never quite shakes off a flat, low-budget look, will find its true payday in video.
The animated credits that open "Money" set the tone of retro silliness for this comedy without an agenda. Chase still is game, and a perfect fit, as milquetoast Henry Perkins, a longtime employee of the Feldman Wax Fruit Co. Henry's not bitter that Feldman himself (Robert Loggia) shot down his visionary bruised-banana concept a decade earlier. He's not angry that his wife, Carol Penelope Ann Miller), mocks him in couples therapy for being a creature of habit. A sharper shrink might note a bit of projecting on her part: Repressed and proper, Carol's the sculptor of voluptuous, oversize nudes that she's afraid to submit to galleries. But however uncomplaining Henry may be, after a subway jostle with a Romanian thug makes him the possessor of a briefcase containing $5 million in cash, he doesn't hesitate for a second to plan his and Carol's getaway to distant shores.
Besides Carol's reluctance to break the rules, Henry's imminent birthday celebration complicates their would-be escape. The couple and their best friends, Vic and Gina (the well-cast Christopher McDonald, Alex Meneses), attempt to pass themselves off in fictional configurations to a couple of comical cops nipping at their heels. The ultra-slow-dawning Slater (a very funny Kevin Sussman) arrives on behalf of the NYPD to tell the inebriated Carol that her dead husband and his briefcase have been found in the East River. Armand Assante, who should do more comedy, all but steals the show as the toothpick-chewing Genero, a crooked Hoboken detective who thinks the cash-rich Henry is a male prostitute.
The comedy of errors grows more tangled as dozens of party guests pour into the Perkins townhouse, a palatial pad whose size is more a function of genre requirements than a reflection of real estate reality. There's plenty of fine comic timing and deliciously deadpan delivery on display, but not all the supporting performances are up to par. Among the central roles, Miller's drunk ditz would have been far funnier if she had started off on a quieter note. But helmer Leslie Greif lets her mug it up well before her character starts boozing it up.
Adapting Ray Cooney's London stage hit, Greif ("Keys to Tulsa") and his co-scripter, Harry Basil, keep the action light and swift-moving. But the most inspired notion here -- the idea of covering up the convoluted charade as a murder-mystery party game -- could have been mined for more laughs.
FUNNY MONEY
ThinkFilm
An FWE Picture Co. production in association with Tobebo Film Produktion GmbH & Co. KG
Credits:
Director: Leslie Greif
Screenwriters: Harry Basil, Leslie Greif
Based on the play by: Ray Cooney
Producers: Herb Nanas, Brad Siegel, Leslie Greif
Executive producers: Jeff Franklin, Philip von Alvensleben, Harry Basil, Ray Cooney
Director of photography: Bill Butler
Production designer: Stephen J. Lineweaver
Music: Andrea Morricone
Co-producers: Pat McCorkle, Peter Perotta
Costume designer: Donna Zakowska
Editors: Stephen Adrianson, Terry Kelley, Stephen Lovejoy
Cast:
Henry Perkins: Chevy Chase
Carol Perkins: Penelope Ann Miller
Genero: Armand Assante
Sol Feldman: Robert Loggia
Vic: Christopher McDonald
Gina: Alex Meneses
Detective Slater: Kevin Sussman
Angel: Guy Torry
MM Virginia: Rebecca Wisocky.
Running time -- 95 minutes
No MPAA rating...
The animated credits that open "Money" set the tone of retro silliness for this comedy without an agenda. Chase still is game, and a perfect fit, as milquetoast Henry Perkins, a longtime employee of the Feldman Wax Fruit Co. Henry's not bitter that Feldman himself (Robert Loggia) shot down his visionary bruised-banana concept a decade earlier. He's not angry that his wife, Carol Penelope Ann Miller), mocks him in couples therapy for being a creature of habit. A sharper shrink might note a bit of projecting on her part: Repressed and proper, Carol's the sculptor of voluptuous, oversize nudes that she's afraid to submit to galleries. But however uncomplaining Henry may be, after a subway jostle with a Romanian thug makes him the possessor of a briefcase containing $5 million in cash, he doesn't hesitate for a second to plan his and Carol's getaway to distant shores.
Besides Carol's reluctance to break the rules, Henry's imminent birthday celebration complicates their would-be escape. The couple and their best friends, Vic and Gina (the well-cast Christopher McDonald, Alex Meneses), attempt to pass themselves off in fictional configurations to a couple of comical cops nipping at their heels. The ultra-slow-dawning Slater (a very funny Kevin Sussman) arrives on behalf of the NYPD to tell the inebriated Carol that her dead husband and his briefcase have been found in the East River. Armand Assante, who should do more comedy, all but steals the show as the toothpick-chewing Genero, a crooked Hoboken detective who thinks the cash-rich Henry is a male prostitute.
The comedy of errors grows more tangled as dozens of party guests pour into the Perkins townhouse, a palatial pad whose size is more a function of genre requirements than a reflection of real estate reality. There's plenty of fine comic timing and deliciously deadpan delivery on display, but not all the supporting performances are up to par. Among the central roles, Miller's drunk ditz would have been far funnier if she had started off on a quieter note. But helmer Leslie Greif lets her mug it up well before her character starts boozing it up.
Adapting Ray Cooney's London stage hit, Greif ("Keys to Tulsa") and his co-scripter, Harry Basil, keep the action light and swift-moving. But the most inspired notion here -- the idea of covering up the convoluted charade as a murder-mystery party game -- could have been mined for more laughs.
FUNNY MONEY
ThinkFilm
An FWE Picture Co. production in association with Tobebo Film Produktion GmbH & Co. KG
Credits:
Director: Leslie Greif
Screenwriters: Harry Basil, Leslie Greif
Based on the play by: Ray Cooney
Producers: Herb Nanas, Brad Siegel, Leslie Greif
Executive producers: Jeff Franklin, Philip von Alvensleben, Harry Basil, Ray Cooney
Director of photography: Bill Butler
Production designer: Stephen J. Lineweaver
Music: Andrea Morricone
Co-producers: Pat McCorkle, Peter Perotta
Costume designer: Donna Zakowska
Editors: Stephen Adrianson, Terry Kelley, Stephen Lovejoy
Cast:
Henry Perkins: Chevy Chase
Carol Perkins: Penelope Ann Miller
Genero: Armand Assante
Sol Feldman: Robert Loggia
Vic: Christopher McDonald
Gina: Alex Meneses
Detective Slater: Kevin Sussman
Angel: Guy Torry
MM Virginia: Rebecca Wisocky.
Running time -- 95 minutes
No MPAA rating...
- 1/26/2007
- The Hollywood Reporter - Movie News
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