2023 was a feast for gamers who love the horror genre. With RE4, Dead Space, Dead Island 2, and the anticipated Alan Wake sequel, we’ve had our fill-off “Why are you running?” meme-worthy moments. This year, though, things have seemed a little too quiet on the spooky front. But it looks like we’ll be quivering soon enough with releases like Hellblade 2 and Little Nightmares 3.
Alan Wake 2 was a mind-boggling hit with its twisted and intricate story.
There is another, set for a June release, that seems to have players on the edge of their seats- Still Wakes the Deep. Labeled a disaster story, the game takes place in a contained space on an oil rig. While many horror games provide a vast map or a larger premise of a property (like The Quarry or Until Dawn), developer Chinese Room wants to push the envelope and provide players with a true...
Alan Wake 2 was a mind-boggling hit with its twisted and intricate story.
There is another, set for a June release, that seems to have players on the edge of their seats- Still Wakes the Deep. Labeled a disaster story, the game takes place in a contained space on an oil rig. While many horror games provide a vast map or a larger premise of a property (like The Quarry or Until Dawn), developer Chinese Room wants to push the envelope and provide players with a true...
- 5/7/2024
- by Divyashree Shashidhar
- FandomWire
Delayed due to Covid-19 concerns, the Newport Beach Film Festival is still intent on bringing attention to innovation in the film industry. The virtual event, scheduled to take place Oct. 1-11, follows a drive-in opening night film screening that took place Aug. 13. “A Life of Endless Summers: The Bruce Brown Story” unspooled in a parking lot in Fashion Island mall between Bloomingdales and Nordstrom.
While organizers are still ironing out some details, here is what else is in store for the festival.
Recreating the Experience Virtually
Among the conversations and panels online is Cinematography From Set to Screen, presented by Panavision. The conversation will include Dp Don Burgess, known for his work on the likes of “Forrest Gump” and “Cast Away,” and Corinne Bogdanowicz, a senior colorist at Light Iron. Both Burgess and Bogdanowicz have worked on “Allied,” “Wonder” and “The Christmas Chronicles” and will discuss the process of recording...
While organizers are still ironing out some details, here is what else is in store for the festival.
Recreating the Experience Virtually
Among the conversations and panels online is Cinematography From Set to Screen, presented by Panavision. The conversation will include Dp Don Burgess, known for his work on the likes of “Forrest Gump” and “Cast Away,” and Corinne Bogdanowicz, a senior colorist at Light Iron. Both Burgess and Bogdanowicz have worked on “Allied,” “Wonder” and “The Christmas Chronicles” and will discuss the process of recording...
- 10/1/2020
- by Eli Countryman
- Variety Film + TV
HBO’s “Game of Thrones” made a major splash with a record 32 Emmy nominations in July for its eighth and final season, bringing the show’s ultimate total to 161. One of those 32 bids is for Best One-Hour Single-Camera Cinematography, a category the show has never won. Can it finally do it this year with director of photography Jonathan Freeman, who is nominated for shooting the series finale “The Iron Throne”?
“Thrones” wasn’t able to break into this race until 2013 for its third season, but has since nabbed eight additional noms to become the most nominated show in this category. If anyone can now finally get it across the finish line, it’s Freeman, a three-time Emmy winner for another HBO show, “Boardwalk Empire”, and previous nominee for “Thrones” (in 2014 for the episode “Two Swords”). He’s also won five out of eight times at the American Society of Cinematographer Awards,...
“Thrones” wasn’t able to break into this race until 2013 for its third season, but has since nabbed eight additional noms to become the most nominated show in this category. If anyone can now finally get it across the finish line, it’s Freeman, a three-time Emmy winner for another HBO show, “Boardwalk Empire”, and previous nominee for “Thrones” (in 2014 for the episode “Two Swords”). He’s also won five out of eight times at the American Society of Cinematographer Awards,...
- 9/13/2019
- by Luca Giliberti
- Gold Derby
IndieWire reached out to this year’s nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited Series or Movie, and asked them which cameras and lenses they used — but even more important: Why were these these the right tools to create the look of their series?
Single Camera Series (One Hour)
The 2019 Emmy nominees for outstanding cinematography in this category are Jonathan Freeman (“Game of Thrones”), Zoë White (“The Handmaid’s Tale”), Colin Watkinson (“The Handmaid’s Tale”), Dana Gonzales (“Hanna”), Gonzalo Amat (“The Man In The High Castle”), M. David Mullen (“The Marvelous Mrs. Maisel”), and Robert McLachlan (“Ray Donovan”).
2018 Emmy Winner: Adriano Goldman for “The Crown”
2017 Emmy Winner: Colin Watkinson for “The Handmaid’s Tale.”
“Game Of Thrones”
Nominated Episode: “The Iron Throne”
Format: 3.2K Pro-Res and Arriraw 1:78
Camera: Alexa Sxt Plus, Mini; Red Epic-m Dragon (for some VFX work)
Lens: Cooke S-4, Angenieux Optimo Zooms,...
Single Camera Series (One Hour)
The 2019 Emmy nominees for outstanding cinematography in this category are Jonathan Freeman (“Game of Thrones”), Zoë White (“The Handmaid’s Tale”), Colin Watkinson (“The Handmaid’s Tale”), Dana Gonzales (“Hanna”), Gonzalo Amat (“The Man In The High Castle”), M. David Mullen (“The Marvelous Mrs. Maisel”), and Robert McLachlan (“Ray Donovan”).
2018 Emmy Winner: Adriano Goldman for “The Crown”
2017 Emmy Winner: Colin Watkinson for “The Handmaid’s Tale.”
“Game Of Thrones”
Nominated Episode: “The Iron Throne”
Format: 3.2K Pro-Res and Arriraw 1:78
Camera: Alexa Sxt Plus, Mini; Red Epic-m Dragon (for some VFX work)
Lens: Cooke S-4, Angenieux Optimo Zooms,...
- 8/20/2019
- by Chris O'Falt
- Indiewire
The Battle of Winterfell arrived on Sunday and a victor was crowned in Game of Thrones. The fight scenes between both humans and monsters were epic, and a ton of fun to watch, but there was one issue that many people took with the episode, and that’s that it was too dark. Literally.
Viewers had trouble making out what was going on for a good portion of the battle and are a bit angry that the lighting did its job a little too well. We get it; it takes place at night, there’s snow everywhere and flashlights haven’t been invented yet. But when staging such an epic fight and one that’s arguably going to be one of the biggest set pieces of the season, it would’ve been nice to have been able to see it a bit more clearly.
That being said, there’s a...
Viewers had trouble making out what was going on for a good portion of the battle and are a bit angry that the lighting did its job a little too well. We get it; it takes place at night, there’s snow everywhere and flashlights haven’t been invented yet. But when staging such an epic fight and one that’s arguably going to be one of the biggest set pieces of the season, it would’ve been nice to have been able to see it a bit more clearly.
That being said, there’s a...
- 4/30/2019
- by Matt Joseph
- We Got This Covered
Back in 2017, Scream Factory released Willard (1971) and its sequel, Ben (1972) on respective Blu-rays, and back in November, they announced a new Blu-ray release for 2003's Willard, starring Crispin Glover as a man with a special connection to rats and a strong desire for vengeance against the humans that wronged him. Ahead of the Blu-ray's February 26th release, we've been provided with the full list of bonus features, including two new audio commentaries.
From the Press Release: "Crispin Glover leads the pack in Willard, a skin-crawling thriller that takes an unforgettable journey into the mind of a madman! Making its Blu-ray debut February 26th, 2019 from Scream Factory, the 2003 version of the classic 70s film comes loaded with new bonus features, including a new 2K scan of the original film elements, new interviews with writer/director Glen Morgan and director of photography Robert McLachlan, a new audio commentary with writer/director Glen...
From the Press Release: "Crispin Glover leads the pack in Willard, a skin-crawling thriller that takes an unforgettable journey into the mind of a madman! Making its Blu-ray debut February 26th, 2019 from Scream Factory, the 2003 version of the classic 70s film comes loaded with new bonus features, including a new 2K scan of the original film elements, new interviews with writer/director Glen Morgan and director of photography Robert McLachlan, a new audio commentary with writer/director Glen...
- 1/17/2019
- by Derek Anderson
- DailyDead
Roger Deakins, Asc, Bsc claimed the coveted Theatrical Award for best cinematography in a motion picture for his work on “Blade Runner 2049” at the 32nd Annual American Society of Cinematographers (Asc) Awards for Outstanding Achievement. Mart Taniel, Esc was given the Spotlight Award for “November.” In the TV categories, winners included Adriano Goldman, Asc, ABC for “The Crown;” Boris Mojsovski, Csc for “12 Monkeys;” and Mathias Herndl, Aac for “Genius.” The awards ceremony took place tonight in the Ray Dolby Ballroom at Hollywood & Highland. The complete list of winners and nominees follows: Theatrical Release Category (presented by Emmanuel Lubezki, Asc, AMC and Matthew Libatique, Asc) Roger Deakins, Asc, Bsc for “Blade Runner 2049” – Winner Bruno Delbonnel, Asc, Afc for “Darkest Hour” Hoyte van Hoytema, Asc, Fsf, Nsc for “Dunkirk” Dan Laustsen, Asc, Dff for “The Shape of Water” Rachel Morrison, Asc for “Mudbound” Spotlight Award Category (presented by John Bailey,...
- 2/18/2018
- by HollywoodNews.com
- Hollywoodnews.com
The 32nd annual American Society of Cinematographers Awards took place on Feb. 17 at the Ray Dolby Ballroom at Hollywood & Highland and were emceed by Turner Classic Movies’ Ben Mankiewicz. Over the years, the Asc has predicted 128 of the 160 Oscar nominees (80%), including all five of this year’s contenders: Roger Deakins (“Blade Runner 2049”), Bruno Delbonnel (“Darkest Hour”), Dan Laustsen (“The Shape of Water”), Rachel Morrison (“Mudbound”) and Hoyte van Hoytema (“Dunkirk”). But it has only previewed 13 of the last 31 winners of the Oscar for Best Cinematography; that is a a success rate of just 41%.
Deakins, who is the Oscar frontrunner for Best Cinematography, won for the fourth time from 15 bids with the Asc. His previous wins were for “The Shawkshank Redemption” (1994), “The Man Who Wasn’t There” (2001) and “Skyfall” (2012). He has yet to translate any of those victories into an Oscar, where he is 0 for 13.
Morrison made history as the...
Deakins, who is the Oscar frontrunner for Best Cinematography, won for the fourth time from 15 bids with the Asc. His previous wins were for “The Shawkshank Redemption” (1994), “The Man Who Wasn’t There” (2001) and “Skyfall” (2012). He has yet to translate any of those victories into an Oscar, where he is 0 for 13.
Morrison made history as the...
- 2/18/2018
- by Zach Laws
- Gold Derby
— The American Society of Cinematographers (Asc) has announced the nominees in all categories of the 32nd Annual Asc Awards for Outstanding Achievement. Winners will be revealed at the organization’s February 17 ceremony, which will be emceed this year by Ben Mankiewicz, a longtime host on Turner Classic Movies (TCM). The event will be held at the Ray Dolby Ballroom at Hollywood & Highland. This year’s nominees are: Theatrical Release • Roger Deakins, Asc, Bsc for Blade Runner 2049 • Bruno Delbonnel, Asc, Afc for Darkest Hour • Hoyte van Hoytema, Asc, Fsf, Nsc for Dunkirk • Dan Laustsen, Asc, Dff for The Shape of Water • Rachel Morrison, Asc for Mudbound Spotlight Award • Máté Herbai, Hsc for On Body and Soul • Mikhail Krichman, Rgc for Loveless • Mart Taniel, Esc for November Episode of a Series for Non-Commercial Television • Gonzalo Amat for The Man in the High Castle (“Land O’ Smiles”) on Amazon • Adriano Goldman, Asc,...
- 1/14/2018
- by HollywoodNews.com
- Hollywoodnews.com
The 2018 Asc Awards will be held on February 17.
‘Mudbound’
The American Society of Cinematographers (Asc) has unveiled nominations for its 32nd annual Asc Awards for Outstanding Achievement in Cinematography.
Nominations were announced in five categories, and include familiar names like Roger Deakins who received his 15th nomination for Blade Runner 2049.
Deakins is joined in the theatrical release category by Mudbound cinematographer Rachel Morrison, Bruno Delbonnel for Darkest Hour, Hoyte Van Hoytema for Dunkirk, and Dan Laustsen for The Shape Of Water.
In the TV categories, Game Of Thrones and 12 Monkeys have multiple nominations. Streamers Amazon and Netflix are represented on the nominations list with Man In The High Castle, and The Crown and Mindhunter, respectively.
Winners will be announced at a ceremony held on February 17 at the Ray Dolby Ballroom at Hollywood & Highland.
The 2018 Asc Award nominees are:
Theatrical Release
Blade Runner 2049, Roger Deakins, Asc, Bsc
Darkest Hour, Bruno Delbonnel, Asc, Afc...
‘Mudbound’
The American Society of Cinematographers (Asc) has unveiled nominations for its 32nd annual Asc Awards for Outstanding Achievement in Cinematography.
Nominations were announced in five categories, and include familiar names like Roger Deakins who received his 15th nomination for Blade Runner 2049.
Deakins is joined in the theatrical release category by Mudbound cinematographer Rachel Morrison, Bruno Delbonnel for Darkest Hour, Hoyte Van Hoytema for Dunkirk, and Dan Laustsen for The Shape Of Water.
In the TV categories, Game Of Thrones and 12 Monkeys have multiple nominations. Streamers Amazon and Netflix are represented on the nominations list with Man In The High Castle, and The Crown and Mindhunter, respectively.
Winners will be announced at a ceremony held on February 17 at the Ray Dolby Ballroom at Hollywood & Highland.
The 2018 Asc Award nominees are:
Theatrical Release
Blade Runner 2049, Roger Deakins, Asc, Bsc
Darkest Hour, Bruno Delbonnel, Asc, Afc...
- 1/9/2018
- by Elbert Wyche
- ScreenDaily
The 2018 Asc Awards will be held on February 17.
‘Mudbound’
The American Society of Cinematographers (Asc) has unveiled nominations for its 32nd annual Asc Awards for Outstanding Achievement in Cinematography.
Nominations were announced in five categories, and include familiar names like Roger Deakins who received his 15th nomination for Blade Runner 2049.
Deakins is joined in the theatrical release category by Mudbound cinematographer Rachel Morrison, Bruno Delbonnel for Darkest Hour, Hoyte Van Hoytema for Dunkirk, and Dan Laustsen for The Shape Of Water.
In the TV categories, Game Of Thrones and 12 Monkeys have multiple nominations. Streamers Amazon and Netflix are represented on the nominations list with Man In The High Castle, and The Crown and Mindhunter, respectively.
Winners will be announced at a ceremony held on February 17 at the Ray Dolby Ballroom at Hollywood & Highland.
The 2018 Asc Award nominees are:
Theatrical Release
Blade Runner 2049, Roger Deakins, Asc, Bsc
Darkest Hour, Bruno Delbonnel, Asc, Afc...
‘Mudbound’
The American Society of Cinematographers (Asc) has unveiled nominations for its 32nd annual Asc Awards for Outstanding Achievement in Cinematography.
Nominations were announced in five categories, and include familiar names like Roger Deakins who received his 15th nomination for Blade Runner 2049.
Deakins is joined in the theatrical release category by Mudbound cinematographer Rachel Morrison, Bruno Delbonnel for Darkest Hour, Hoyte Van Hoytema for Dunkirk, and Dan Laustsen for The Shape Of Water.
In the TV categories, Game Of Thrones and 12 Monkeys have multiple nominations. Streamers Amazon and Netflix are represented on the nominations list with Man In The High Castle, and The Crown and Mindhunter, respectively.
Winners will be announced at a ceremony held on February 17 at the Ray Dolby Ballroom at Hollywood & Highland.
The 2018 Asc Award nominees are:
Theatrical Release
Blade Runner 2049, Roger Deakins, Asc, Bsc
Darkest Hour, Bruno Delbonnel, Asc, Afc...
- 1/9/2018
- by Elbert Wyche
- ScreenDaily
The American Society of Cinematographers (Asc) feature film nominees tends to lean toward big-scale movies, and this year is no exception. Their top five include frontrunner Roger Deakins for his stunning visuals in “Blade Runner 2049” as well as Rachel Morrison, who photographed “Mudbound.” Left out were viable but smaller-scale contenders “Call Me By Your Name” and “The Post.”
So far, neither the Asc nor the cinematography branch of the Academy has ever nominated a woman for a feature film. So Morrison’s nomination is a big deal. (Next up for Morrison: Marvel Cinematic Universe’s “Black Panther.”) According to a study by the Center for the Study of Women in Television & Film, women made up 5 percent of cinematographers on the top 250 domestic-grossing films in 2016.
Read More:‘Mudbound’: Why Rachel Morrison Deserves to Be the First Female Cinematographer Nominated for an Oscar
The Asc awarded Nancy Schreiber its 2017 Presidents award,...
So far, neither the Asc nor the cinematography branch of the Academy has ever nominated a woman for a feature film. So Morrison’s nomination is a big deal. (Next up for Morrison: Marvel Cinematic Universe’s “Black Panther.”) According to a study by the Center for the Study of Women in Television & Film, women made up 5 percent of cinematographers on the top 250 domestic-grossing films in 2016.
Read More:‘Mudbound’: Why Rachel Morrison Deserves to Be the First Female Cinematographer Nominated for an Oscar
The Asc awarded Nancy Schreiber its 2017 Presidents award,...
- 1/9/2018
- by Anne Thompson
- Thompson on Hollywood
The American Society of Cinematographers (Asc) feature film nominees tends to lean toward big-scale movies, and this year is no exception. Their top five include frontrunner Roger Deakins for his stunning visuals in “Blade Runner 2049” as well as Rachel Morrison, who photographed “Mudbound.” Left out were viable but smaller-scale contenders “Call Me By Your Name” and “The Post.”
So far, neither the Asc nor the cinematography branch of the Academy has ever nominated a woman for a feature film. So Morrison’s nomination is a big deal. (Next up for Morrison: Marvel Cinematic Universe’s “Black Panther.”) According to a study by the Center for the Study of Women in Television & Film, women made up 5 percent of cinematographers on the top 250 domestic-grossing films in 2016.
Read More:‘Mudbound’: Why Rachel Morrison Deserves to Be the First Female Cinematographer Nominated for an Oscar
The Asc awarded Nancy Schreiber its 2017 Presidents award,...
So far, neither the Asc nor the cinematography branch of the Academy has ever nominated a woman for a feature film. So Morrison’s nomination is a big deal. (Next up for Morrison: Marvel Cinematic Universe’s “Black Panther.”) According to a study by the Center for the Study of Women in Television & Film, women made up 5 percent of cinematographers on the top 250 domestic-grossing films in 2016.
Read More:‘Mudbound’: Why Rachel Morrison Deserves to Be the First Female Cinematographer Nominated for an Oscar
The Asc awarded Nancy Schreiber its 2017 Presidents award,...
- 1/9/2018
- by Anne Thompson
- Indiewire
By Cooper Peltz
The cinematographer of Game of Thrones, Westworld, and Ray Donovan has photographed some of the biggest TV moments of the decade. It's time we take notice.
The article Robert McLachlan: The Invisible Hand Behind Your Favorite Show appeared first on Film School Rejects.
The cinematographer of Game of Thrones, Westworld, and Ray Donovan has photographed some of the biggest TV moments of the decade. It's time we take notice.
The article Robert McLachlan: The Invisible Hand Behind Your Favorite Show appeared first on Film School Rejects.
- 8/22/2017
- by Cooper Peltz
- FilmSchoolRejects.com
For most Game of Thrones fans last week's episode 'Spoils of War' was easily one of the most action-packed episodes the series has ever aired. But if you were one of those fans that who thought last Sunday's fiery dragon battle was the best, be prepared for something better next week. That's because Vancouver-raised cinematographer Robert McLachlan says this Sunday's episode will blow you away.
"When I saw the rough cuts of both Sunday night's episode and this upcoming one, most of us actually... liked the upcoming one better than the battle scene one.""Having said that, the battle one wasn't put together and all the elements weren't in place and the music wasn't there and so forth. But as a really solid, satisfying episode, I actually like (the upcoming) episode 5."That's all I can tell you or else HBO will come and chop my head off if...
"When I saw the rough cuts of both Sunday night's episode and this upcoming one, most of us actually... liked the upcoming one better than the battle scene one.""Having said that, the battle one wasn't put together and all the elements weren't in place and the music wasn't there and so forth. But as a really solid, satisfying episode, I actually like (the upcoming) episode 5."That's all I can tell you or else HBO will come and chop my head off if...
- 8/10/2017
- by Kristian Odland
- GeekTyrant
Emmy®-nominee Robert McLachlan talks to Awards Daily TV about filming the gorgeous vistas and clinical interiors of HBO’s acclaimed Westworld. You likely don’t know Robert McLachlan, but you should.
- 6/16/2017
- by Clarence Moye
- AwardsDaily.com
Game of Thrones may be out of the awards conversation this year, but never mind that. Wrapping up his work on the series’ new season in December, Emmy-nominated cinematographer Robert McLachlan has kept himself plenty busy, between Ray Donovan and another HBO smash, Westworld. Approaching the latter series, McLachlan was intrigued by the idea of working on an updated version of a film he had watched as a child—and equally, the opportunity to work out of La for the first…...
- 6/2/2017
- Deadline TV
Generally speaking, stories about Hollywood personalities tend to focus on players with larger than life egos, who used their bravado to make things happen, or the stars whose luminous quailty made them legends. There is nothing that makes for a more page-turning read or a compelling documentary than juicy behind the scenes stories, and the outsized rumors that linger around them. But you won't find anything salacious in "No Subtitles Necessary: Laszlo & Vilmos," which makes it all the more refreshing and endearing. This is the kind of Hollywood story we don't hear often enough, one of true friendship and collaboration, of two likeminded souls whose dedication to each other and respect for the craft made them true legends in the field.
If you don't know much about the personal lives of celebrated and revered cinematographers Laszlo Kovacs and Vilmos Zsigmond, your appreciation of 'No Subtitles Necessary' will be even greater.
If you don't know much about the personal lives of celebrated and revered cinematographers Laszlo Kovacs and Vilmos Zsigmond, your appreciation of 'No Subtitles Necessary' will be even greater.
- 2/27/2012
- by Kevin Jagernauth
- The Playlist
There's some promising new smallscreen fare headed our way this January. Fox upcoming series "Human Target" is going to be one of the most prominent comic book (DC Comics) projects on television in 2010. Their new series is shot in Vancouver, B.C. and looks to be a quality effort from series Executive-Producer McG ("Terminator Salvation") and the premiere episode is directed by Simon West ("Con Air," "Lara Croft: Tomb Raider") "Jericho" co-creator Jon Steinberg penned the premiere episode. "Harper's Island" Dp Robert McLachlan is also this series' premiere cinematographer. Here's a great interview from Cbr News with Steinberg about this series. "Human Target" premieres on Sunday, January 17, 2010 The synopsis sent over from Fox...
- 1/4/2010
- by April MacIntyre
- Monsters and Critics
In the spirit of Halloween '09, we're breaking out reviews (some new, some old) of some Fall Frights you may want to work into your monthly viewing.
Willard - Fangoria Archives: Originally Published 2/28/03
Willard is, of course, a remake of the 1971 cult classic, but it belongs equally to a just slightly older tradition—’60s movies like What Ever Happened To Baby Jane? and Hush…Hush, Sweet Charlotte, which mixed grande dames with Grand Guignol to turn horror into high Gothic melodrama. Everything in Willard is heightened or exaggerated to some degree, but writer/director Glen Morgan never allows it tip over into camp, combining enough intentional humor with serious squirm-inducing moments to make it a scary/funny good time.
The not-so-secret weapon that holds it all together is Crispin Glover, who is so absolutely right for the title role that it’s astonishing to learn that the studio wanted anyone else.
Willard - Fangoria Archives: Originally Published 2/28/03
Willard is, of course, a remake of the 1971 cult classic, but it belongs equally to a just slightly older tradition—’60s movies like What Ever Happened To Baby Jane? and Hush…Hush, Sweet Charlotte, which mixed grande dames with Grand Guignol to turn horror into high Gothic melodrama. Everything in Willard is heightened or exaggerated to some degree, but writer/director Glen Morgan never allows it tip over into camp, combining enough intentional humor with serious squirm-inducing moments to make it a scary/funny good time.
The not-so-secret weapon that holds it all together is Crispin Glover, who is so absolutely right for the title role that it’s astonishing to learn that the studio wanted anyone else.
- 10/3/2009
- by no-reply@fangoria.com (Michael Gingold)
- Fangoria
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