Honestly, I'm not a fan of comedies or sci-fi films. However, although this spin-off of a cult TV series (here in Quebec) is a disposable entertainment material, the film will make you laugh. Of course, it's easy to accept it provided that you sometimes accept the film's blatant silliness.
In 2039, Earth is gradually becoming hostile for human life because of pollution. For that matter, the ozone layer had been completely destroyed. This is why the world has turned itself to Canada since 2034 because it has a highly developed space program and it's the first world super power. As always, the crew on the Romano Fafard led by Capt. Charles Patenaude (Guy Jodoin) tries to find a planet where humanity can move once and for all.
Instead of solely sticking to their mission, the crew wants to deport Brad Spitfire (Stéphane Crête), the most hated member of the crew, on the...
In 2039, Earth is gradually becoming hostile for human life because of pollution. For that matter, the ozone layer had been completely destroyed. This is why the world has turned itself to Canada since 2034 because it has a highly developed space program and it's the first world super power. As always, the crew on the Romano Fafard led by Capt. Charles Patenaude (Guy Jodoin) tries to find a planet where humanity can move once and for all.
Instead of solely sticking to their mission, the crew wants to deport Brad Spitfire (Stéphane Crête), the most hated member of the crew, on the...
- 8/6/2009
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
You want to take a quick trip through cinema history? Not a lot of better places to start that Quebecois film maker Olivier Asselin’s Un Capitalisme Sentimental. The opening night film of the ongoing Festival du Nouveau Cinema in Montreal the film spins through a variety of styles, from classic American noir to German expressionism to the rise of 70s indie cinema and much, much more. The story? Here’s an excerpt from the Fnc description:
Fernande Bouvier (Lucille Fluet) meets Max Bauer (Paul Ahmarani) who introduces her to modern art, and Maria Rozanova (Sylvie Moreau) who teaches her to be wary of men. Meanwhile, in New York’s business circles, three men are also investing in the future: Victor Feldman (Alex Bisping), a stock market speculator, Charles Wilson (Frank Fontaine), a mine operator, and George Buchanan (Harry Standjofski), who works in the porcelain toilet trade. “It’s not the supply that matters,...
Fernande Bouvier (Lucille Fluet) meets Max Bauer (Paul Ahmarani) who introduces her to modern art, and Maria Rozanova (Sylvie Moreau) who teaches her to be wary of men. Meanwhile, in New York’s business circles, three men are also investing in the future: Victor Feldman (Alex Bisping), a stock market speculator, Charles Wilson (Frank Fontaine), a mine operator, and George Buchanan (Harry Standjofski), who works in the porcelain toilet trade. “It’s not the supply that matters,...
- 10/14/2008
- by Todd Brown
- Screen Anarchy
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