Film at Lincoln Center and African Film Festival Inc. have revealed the slate for the 31st New York African Film Festival, a lineup that includes more than 50 films hailing from over 25 countries.
The festival, running from May 8-14, will open with the North American premiere of Over the Bridge, director Tolu Ajayi’s narrative feature set in Lagos, Nigeria. The closing-night slot goes to Dilli Dark, directed by Dibakar Das Roy, a narrative feature about a Nigerian Mba student in Delhi, India. Nigerian actor Samuel Abiola Robinson stars in the role of Michael Okeke.
“The whole intent behind it is to not just talk about Africans in Delhi,” Roy told Outlook India. “The intent is to talk about anyone who feels like an outsider in society today, that could be in India, America, or any other place. Michael Okeke is a metaphor for every outsider, whether he is an Indian or foreigner in any society.
The festival, running from May 8-14, will open with the North American premiere of Over the Bridge, director Tolu Ajayi’s narrative feature set in Lagos, Nigeria. The closing-night slot goes to Dilli Dark, directed by Dibakar Das Roy, a narrative feature about a Nigerian Mba student in Delhi, India. Nigerian actor Samuel Abiola Robinson stars in the role of Michael Okeke.
“The whole intent behind it is to not just talk about Africans in Delhi,” Roy told Outlook India. “The intent is to talk about anyone who feels like an outsider in society today, that could be in India, America, or any other place. Michael Okeke is a metaphor for every outsider, whether he is an Indian or foreigner in any society.
- 4/3/2024
- by Matthew Carey
- Deadline Film + TV
Horace Ové, director of “Pressure” (1976), the first full-length Black British film, died on Sept. 16. He was 86.
Ové’s son Zak posted on Facebook: “Our loving father Horace, took his last breath at 4.30 this morning, while sleeping peacefully. I hope his spirit is free now after many years of suffering with Alzheimer’s. You are forever missed, and forever loved. Rest in Peace Pops, and thank you for everything.”
Born in Trinidad in 1936, Ové’s moved to London in 1960 to study interior design. A stint in Rome, during which he worked as a film extra including on Joseph Mankiewicz’s “Cleopatra” (1963), he was exposed to the work of Federico Fellini and Vittorio De Sica, who would become infuences. He returned to Britain in 1965 and covered social and political events in the country while being a student at the London Film School. During the 1960s and 1970s he was one of the...
Ové’s son Zak posted on Facebook: “Our loving father Horace, took his last breath at 4.30 this morning, while sleeping peacefully. I hope his spirit is free now after many years of suffering with Alzheimer’s. You are forever missed, and forever loved. Rest in Peace Pops, and thank you for everything.”
Born in Trinidad in 1936, Ové’s moved to London in 1960 to study interior design. A stint in Rome, during which he worked as a film extra including on Joseph Mankiewicz’s “Cleopatra” (1963), he was exposed to the work of Federico Fellini and Vittorio De Sica, who would become infuences. He returned to Britain in 1965 and covered social and political events in the country while being a student at the London Film School. During the 1960s and 1970s he was one of the...
- 9/17/2023
- by Naman Ramachandran
- Variety Film + TV
The work of pioneering Black British filmmaker Horace Ové will be celebrated this fall with a BFI Southbank retrospective season titled Power to the People: Horace Ové’s Radical Vision.
A 4K restored version of “Pressure” (1976), the first full-length Black British film, which is an exploration of the concerns faced by emerging second-generation West Indians in Britain, will receive a joint restoration world premiere at the BFI London Film Festival and the New York Film Festival on Oct. 11. This precedes the film’s U.K.-wide cinema release by BFI Distribution and on BFI Player on Nov. 3.
The restoration, funded by the BFI Production Board and conducted by the BFI National Archive and The Film Foundation, was made possible with contributions from the Hobson/Lucas Family Foundation and the BFI philanthropy Pioneers of Black British Filmmaking consortium. It was accomplished in collaboration with the Ové family and producer Robert Buckler,...
A 4K restored version of “Pressure” (1976), the first full-length Black British film, which is an exploration of the concerns faced by emerging second-generation West Indians in Britain, will receive a joint restoration world premiere at the BFI London Film Festival and the New York Film Festival on Oct. 11. This precedes the film’s U.K.-wide cinema release by BFI Distribution and on BFI Player on Nov. 3.
The restoration, funded by the BFI Production Board and conducted by the BFI National Archive and The Film Foundation, was made possible with contributions from the Hobson/Lucas Family Foundation and the BFI philanthropy Pioneers of Black British Filmmaking consortium. It was accomplished in collaboration with the Ové family and producer Robert Buckler,...
- 8/21/2023
- by Naman Ramachandran
- Variety Film + TV
Eric Dane, Odeya Rush, Ray Liotta and Saffron Burrows are set to star in “Dangerous Waters” from Signature Films.
Directed by and based on a story from John Barr (“Blood and Money”), with a script by Mark Jackson, the Dominican Republic-shot film centers on a sailing holiday that spirals out of control when a teenage daughter (“Cha Cha Real Smooth” star Rush) uncovers the dark past of her mother’s new boyfriend.
Producers include Rio Luna Films’ Suza Horvat and Signature Films’ Marc Goldberg. Executive producers are Capstone Global’s Christian Mercuri and Signature’s Sarah Gabriel and Gareth Williams, as well as co-producers Brianna Johnson and Ben Jacques.
Capstone Global will handle worldwide sales and introduce the film to buyers in Cannes later this month.
The project is the second feature film from Barr, who previously directed “Blood and Money” with Tom Berenger, and worked as a cinematographer on...
Directed by and based on a story from John Barr (“Blood and Money”), with a script by Mark Jackson, the Dominican Republic-shot film centers on a sailing holiday that spirals out of control when a teenage daughter (“Cha Cha Real Smooth” star Rush) uncovers the dark past of her mother’s new boyfriend.
Producers include Rio Luna Films’ Suza Horvat and Signature Films’ Marc Goldberg. Executive producers are Capstone Global’s Christian Mercuri and Signature’s Sarah Gabriel and Gareth Williams, as well as co-producers Brianna Johnson and Ben Jacques.
Capstone Global will handle worldwide sales and introduce the film to buyers in Cannes later this month.
The project is the second feature film from Barr, who previously directed “Blood and Money” with Tom Berenger, and worked as a cinematographer on...
- 5/5/2022
- by Manori Ravindran
- Variety Film + TV
The 1990s weren’t ready for Ngozi Onwurah’s futuristic fable in which black people must live in an official ghetto, but its time may now have come
The centrist 90s weren’t ready for Ngozi Onwurah’s Welcome II the Terrordome – a confrontational and experimental futurist thriller or hip-hop dystopia, envisioning a Britain whose bigotries have further metastasised in a lawless failed state created by the cruelties of the past.
Related: Has Terrordome's time come? How a black British film found its moment...
The centrist 90s weren’t ready for Ngozi Onwurah’s Welcome II the Terrordome – a confrontational and experimental futurist thriller or hip-hop dystopia, envisioning a Britain whose bigotries have further metastasised in a lawless failed state created by the cruelties of the past.
Related: Has Terrordome's time come? How a black British film found its moment...
- 8/4/2021
- by Peter Bradshaw
- The Guardian - Film News
The November 2020 lineup for The Criterion Channel has been unveiled, toplined by a Claire Denis retrospective, including the brand-new restoration of Beau travail, along with Chocolat, No Fear, No Die, Nenette and Boni, Towards Mathilde, 35 Shots of Rum, and White Material.
There will also be a series celebrating 30 years of The Film Foundation, featuring a new interview with Martin Scorsese by Ari Aster, as well as a number of their most essential restorations, including films by Jia Zhangke, Ritwik Ghatak, Luchino Visconti, Shirley Clarke, Med Hondo, and more.
There’s also David Lynch’s new restoration of The Elephant Man, retrospectives dedicated to Ngozi Onwurah, Nadav Lapid, and Terence Nance, a new edition of the series Queersighted titled Queer Fear, featuring a new conversation between series programmer Michael Koresky and filmmaker and critic Farihah Zaman, and much more.
See the lineup below and learn more on the official site.
There will also be a series celebrating 30 years of The Film Foundation, featuring a new interview with Martin Scorsese by Ari Aster, as well as a number of their most essential restorations, including films by Jia Zhangke, Ritwik Ghatak, Luchino Visconti, Shirley Clarke, Med Hondo, and more.
There’s also David Lynch’s new restoration of The Elephant Man, retrospectives dedicated to Ngozi Onwurah, Nadav Lapid, and Terence Nance, a new edition of the series Queersighted titled Queer Fear, featuring a new conversation between series programmer Michael Koresky and filmmaker and critic Farihah Zaman, and much more.
See the lineup below and learn more on the official site.
- 10/27/2020
- by Leonard Pearce
- The Film Stage
The dystopian sci-fi film was dismissed by critics for its nihilistic view of race relations when it was released in 1995. But, 25 years on, it chimes with our times
Reissues and revivals are not uncommon in cinema, but it is not often that a film has the chance of a total critical makeover. That seems to be what is under way for Welcome II the Terrordome, a micro-budget dystopian sci-fi which, in 1995, became the first feature directed by a black British woman in UK cinemas.
“I call this my ‘angry film’,” says its director, Ngozi Onwurah, on the phone from Los Angeles, her gentle geordie accent unchanged by 12 years in the US. “Debates around race are meant to be measured and always have an entry point for white people; I’m not saying that’s wrong. I’m just saying I made it because I wasn’t in the mood for tempered debate.
Reissues and revivals are not uncommon in cinema, but it is not often that a film has the chance of a total critical makeover. That seems to be what is under way for Welcome II the Terrordome, a micro-budget dystopian sci-fi which, in 1995, became the first feature directed by a black British woman in UK cinemas.
“I call this my ‘angry film’,” says its director, Ngozi Onwurah, on the phone from Los Angeles, her gentle geordie accent unchanged by 12 years in the US. “Debates around race are meant to be measured and always have an entry point for white people; I’m not saying that’s wrong. I’m just saying I made it because I wasn’t in the mood for tempered debate.
- 7/23/2020
- by Ellen E Jones
- The Guardian - Film News
As part of its Black Star season, the BFI is shining a light on British-Nigerian filmmaker, Ngozi Onwurah and her ground-breaking films. From her short film debut, “Coffee Coloured Children” in 1988, to her feature debut, “Welcome II the Terrordome”… Continue Reading →...
- 11/10/2016
- by shadowandact
- ShadowAndAct
Ashley Clark, who's curated Space Is the Place: Afrofuturism on Film, the series that opened at New York's BAMcinématek yesterday and runs through April 15, picks out a few highlights for the Guardian, including John Coney's Space Is the Place with Sun Ra, Ngozi Onwurah's Welcome II the Terrordome, John Akomfrah's The Last Angel of History and Terence Nance's An Oversimplification of Her Beauty. Also, more on Walerian Borowczyk, an overview of the career of producer and director James B. Harris, a major Frederick Wiseman retrospective in Chicago, noir westerns such as Robert Wise's Blood on the Moon and Budd Boetticher's The Tall T in San Francisco and films by Gregory J. Markopoulos in Los Angeles. » - David Hudson...
- 4/4/2015
- Fandor: Keyframe
Ashley Clark, who's curated Space Is the Place: Afrofuturism on Film, the series that opened at New York's BAMcinématek yesterday and runs through April 15, picks out a few highlights for the Guardian, including John Coney's Space Is the Place with Sun Ra, Ngozi Onwurah's Welcome II the Terrordome, John Akomfrah's The Last Angel of History and Terence Nance's An Oversimplification of Her Beauty. Also, more on Walerian Borowczyk, an overview of the career of producer and director James B. Harris, a major Frederick Wiseman retrospective in Chicago, noir westerns such as Robert Wise's Blood on the Moon and Budd Boetticher's The Tall T in San Francisco and films by Gregory J. Markopoulos in Los Angeles. » - David Hudson...
- 4/4/2015
- Keyframe
"Whenever I think about it, everything bad that has ever happened to me has involved a black person." Those words are the very first spoken by the main character, Joe, in the controversial BBC Films production, Shoot The Messenger. S&A faves David Oyelowo and Nikki Amuka-Bird star in the lead roles of Joe and Heather. Written by Sharon Foster, and directed by Ngozi Onwurah, Shoot The Messenger is a well-crafted, thought-provoking drama about Joe, a black professional who, after learning about a need for more black male teachers in his community, gives up his It career to become a teacher. What ensues is a sequence of events that turn Joe's life upside down. After...
- 5/26/2013
- by Emmanuel Akitobi
- ShadowAndAct
James Cameron in Los Angeles with 70Mm prints of "Aliens" and "The Abyss"?!?! The Dardenne brothers in New York for a career retrospective?!?! The instant cult classic "The Room" with Tommy Wiseau live in Austin?!?! Be still my heart. There's something for all tastes this summer on the West Coast, the East Coast and as you'll notice, the Third Coast on our calendar of the must-see events on the repertory theater circuit in May, June and July. And don't miss our look at the indie films that are hitting theaters or headed to online, VOD or DVD premiere this summer.
Anthology Film Archives
With the New York Polish Film Festival (May 6-10) and first-runs of the docs "Ice People" (May 1-7) and "Audience of One" (May 8-14) and Ken Jacobs' reinvention of his 1969 work "Tom, Tom, The Piper's Son" with the 3D "Anaglyph Tom" (May 15-21) taking up the Anthology's screens,...
Anthology Film Archives
With the New York Polish Film Festival (May 6-10) and first-runs of the docs "Ice People" (May 1-7) and "Audience of One" (May 8-14) and Ken Jacobs' reinvention of his 1969 work "Tom, Tom, The Piper's Son" with the 3D "Anaglyph Tom" (May 15-21) taking up the Anthology's screens,...
- 5/5/2009
- by Stephen Saito
- ifc.com
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