Redcat’s season of performances, screenings, and exhibitions features
Genre-defying music from Dorian Wood, Joy Guidry, inti figgis-vizueta;
The Wooster Group with a new production of Bertolt Brecht;
New work from artists Lemi Ponifasio, Okwui Okpokwasili, and Monty Cole;
An exhibition by visual artist and performer Lisa Alvarado;
New York Times-bestselling author Stephen Graham Jones;
The last film of Jean-Luc Godard;
And much more…
Members Of The Press Are Invited To Attend
For Review And Consideration
Redcat Announces Its
Winter/Spring 2023 SeasonOkwui Okpokwasili. Photo by Oresti Tsonopoulos.Redcat’s season of performances, screenings, and exhibitions featuresGenre-defying music from Dorian Wood, Joy Guidry, inti figgis-vizueta;The Wooster Group with a new production of Bertolt Brecht;New work from artists Lemi Ponifasio, Okwui Okpokwasili, and Monty Cole;An exhibition by visual artist and performer Lisa Alvarado;New York Times-bestselling author Stephen Graham Jones;The last film of Jean-Luc Godard;And much more…...
Genre-defying music from Dorian Wood, Joy Guidry, inti figgis-vizueta;
The Wooster Group with a new production of Bertolt Brecht;
New work from artists Lemi Ponifasio, Okwui Okpokwasili, and Monty Cole;
An exhibition by visual artist and performer Lisa Alvarado;
New York Times-bestselling author Stephen Graham Jones;
The last film of Jean-Luc Godard;
And much more…
Members Of The Press Are Invited To Attend
For Review And Consideration
Redcat Announces Its
Winter/Spring 2023 SeasonOkwui Okpokwasili. Photo by Oresti Tsonopoulos.Redcat’s season of performances, screenings, and exhibitions featuresGenre-defying music from Dorian Wood, Joy Guidry, inti figgis-vizueta;The Wooster Group with a new production of Bertolt Brecht;New work from artists Lemi Ponifasio, Okwui Okpokwasili, and Monty Cole;An exhibition by visual artist and performer Lisa Alvarado;New York Times-bestselling author Stephen Graham Jones;The last film of Jean-Luc Godard;And much more…...
- 12/13/2022
- by Martin Cid Magazine
- Martin Cid Music
It’s hard to get a bead on exactly what Minneapolis-based Jeremy Nutzman is up to with Neon Brown, his second LP as Velvet Negroni, which is part of why it’s good. You could almost call its dreamy trap-soul “new age” if that didn’t suggest a yin-yoga chill at odds with couplets like “Don’t fight your boy on the payphone/la la, I burst to flames like it’s Waco” and “Ultra fusion handsome dish/Feed them LSD like I’m Charlie Manson, bitch.” But Nutzman’s...
- 8/30/2019
- by Will Hermes
- Rollingstone.com
Paul Simon‘s upcoming 14th solo album, In the Blue Light, features the iconic songwriter’s deep cuts reworked, rearranged and rethought. On three of its tracks, Simon appears alongside New York chamber ensemble yMusic, a sextet notable for blurring the lines between classical-minded indie rockers and accessible bouts of 21st-century composition. Now in their 10th year, yMusic perform as both composers and accompanists, comfortable with collaborators like Sufjan Stevens, Ben Folds, St. Vincent and Dirty Projectors as well as acclaimed young composers like Timo Andres, Nico Muhly and Richard Reed Perry.
- 8/7/2018
- by Christopher R. Weingarten
- Rollingstone.com
Music and Sex: Scenes from a life - A novel in progress by Roman AkLeff (first installment can be read here; second here; third here; fourth here; fifth here).
[Warning: the chapter below contains "adult situations." Seriously, this one's not for the faint-hearted.]
Walter’s new home, Carman Hall, was an utterly soulless pile of cinder blocks. No effort at all had been made, during its design and construction two decades earlier, to build in anything conveying the slightest sense of warmth. No carpeting in either the halls or in the suites, no wood anywhere except the doors, no decorative touches, nothing but bare straight lines. One imagined it had been designed so it could be hosed down with minimum effort between school years to as to be literally as well as aesthetically antiseptic. There was not even any accommodation made for cooking; not only were there no kitchen nooks, even hotplates were forbidden (though, given that they were horrific fire hazards, that made sense,...
[Warning: the chapter below contains "adult situations." Seriously, this one's not for the faint-hearted.]
Walter’s new home, Carman Hall, was an utterly soulless pile of cinder blocks. No effort at all had been made, during its design and construction two decades earlier, to build in anything conveying the slightest sense of warmth. No carpeting in either the halls or in the suites, no wood anywhere except the doors, no decorative touches, nothing but bare straight lines. One imagined it had been designed so it could be hosed down with minimum effort between school years to as to be literally as well as aesthetically antiseptic. There was not even any accommodation made for cooking; not only were there no kitchen nooks, even hotplates were forbidden (though, given that they were horrific fire hazards, that made sense,...
- 6/16/2015
- by RomanAkLeff
- www.culturecatch.com
April 24, 2008 -- On Wednesday morning I became seduced by the idea that I would, after all, somehow turn up at the festival. I would get there by ambulance, limo, MediVan, who knows what? But at the present I can't take a step with my fractured hip, so it would have taken two physical therapists to essentially haul me around. Thinking about it overnight, I decided it would be a great gesture to turn up and wave to my friends, but at what cost of pain and medical risk? The logistics just didn't add up. So while the festival unwinds in Urbana-Champaign, I will continue therapy at this end.
Chaz told me lots of people with experience of hip injuries advised her a six-hour round trip by whatever means would likely be very painful. (Flashback to old Trevor Howard story: "Right you are, old chap! Bloody difficult! Damned painful! No sense in my going!
Chaz told me lots of people with experience of hip injuries advised her a six-hour round trip by whatever means would likely be very painful. (Flashback to old Trevor Howard story: "Right you are, old chap! Bloody difficult! Damned painful! No sense in my going!
- 5/11/2008
- by Roger Ebert
- blogs.suntimes.com/ebert
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