In filmmaker Andrew Balasia’s comedy drama Souvenirs a friend-for-hire balances his time with his peculiar clientele as he prepares for his most challenging assignment to date, becoming a father. Balasia tells his story across a series of scenes in which his protagonist plays out the different roles required of him with clients, who vary in their degrees of being wonderfully weird. During these scenes, Balasia is able to narratively break down the fundamentals of human interactions whilst stylistically managing to highlight each encounter through a hazy, dreamlike atmosphere comprised of a vivid colour palette and serene cinematography. Dn had the pleasure of speaking with Balasia about his desire to explore the basis of human interactions, the real-world story his film is based on, and the technical production behind his almost-psychedelic aesthetic.
What did the beginning of Souvenirs as a project look like?
I read an article in The Atlantic...
What did the beginning of Souvenirs as a project look like?
I read an article in The Atlantic...
- 8/25/2022
- by James Maitre
- Directors Notes
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