“Es ist eine schwimmende Plattform!” Here’s something for committed Sci-fi followers, a lavish German production with big drama, big emotions, and impressive, ambitious special effects. Hans Albers makes sure his pal Paul Hartmann’s artificial mid-Atlantic airport becomes reality, only to lose his new girlfriend Sybille Schmitz to him. The Murnau Foundation’s superb restoration makes the giant Flugplatform seem real. UfA produced the show in three languages with three different casts; Kino’s handsome disc gives us excellent renderings of two of them. Plus glorious German songs about the joy of flying!
F.P. 1 Doesn’t Answer
Blu-ray
Kino Classics
1932 / B&w / 1:19 Ar / 112 min. / Street Date August 10, 2021 / available through Kino Lorber / 29.95
Starring: Hans Albers, Sybille Schmitz, Paul Hartmann, Peter Lorre, Georg John, Hermann Speelmans, Erik Ode, Werner Schott.
Cinematography: Otto Baecker, Konstantin Irmen-Tschet, Günther Rittau
Production Designer: Erich Kettlehut
Film Editor: Willy Zeyn
Special Effects: Konstantin Irmen-Tschet,...
F.P. 1 Doesn’t Answer
Blu-ray
Kino Classics
1932 / B&w / 1:19 Ar / 112 min. / Street Date August 10, 2021 / available through Kino Lorber / 29.95
Starring: Hans Albers, Sybille Schmitz, Paul Hartmann, Peter Lorre, Georg John, Hermann Speelmans, Erik Ode, Werner Schott.
Cinematography: Otto Baecker, Konstantin Irmen-Tschet, Günther Rittau
Production Designer: Erich Kettlehut
Film Editor: Willy Zeyn
Special Effects: Konstantin Irmen-Tschet,...
- 8/7/2021
- by Glenn Erickson
- Trailers from Hell
The name talent attached makes this late- Weimar thriller a must-see proposition: Billy Wilder, Robert & Curt Siodmak, Franz Waxman. Their dark murder farce resembles what would later become the self-aware Black Comedy. The trouble begins when a suicidal nice guy can’t pull the trigger, and hires a crook to do the job for him. The satire is clever but the execution is awkward — the filmmakers set up big laughs that the heavy German filming style doesn’t deliver. Just the same, the situations seem extremely progressive, ahead of their time.
The Man in Search of his Murderer
Blu-ray
Kino Lorber Kino Classics Kino Repertory
1931 / B&w / 1:33 flat / 97 min. / Der Mann, der seinen Mörder sucht; Jim, der Mann mit der Narbe, Looking for his Murderer / Street Date April 6, 2021 / available through Kino Lorber / 29.95
Starring: Heinz Rühmann, Lien Deyers, Raimund Janitschek, Hans Leibelt, Hermann Speelmans, Friedrich Hollaender, Gerhard Bienert, Roland Varno.
The Man in Search of his Murderer
Blu-ray
Kino Lorber Kino Classics Kino Repertory
1931 / B&w / 1:33 flat / 97 min. / Der Mann, der seinen Mörder sucht; Jim, der Mann mit der Narbe, Looking for his Murderer / Street Date April 6, 2021 / available through Kino Lorber / 29.95
Starring: Heinz Rühmann, Lien Deyers, Raimund Janitschek, Hans Leibelt, Hermann Speelmans, Friedrich Hollaender, Gerhard Bienert, Roland Varno.
- 4/13/2021
- by Glenn Erickson
- Trailers from Hell
A Look Back: Murnau’s ‘Faust’A fun evening with friends including my friend Christa Lang Fuller, who introduced me to the 96 year old former actress Noreen Nash, (see blog) not too long ago. Christa hosted an evening with Justin from the Academy Museum, from next door and French American producer Martine Melloul and me to watch the vintage film ‘Faust’.
Christa is my age, German born, and was a young actress in Paris when she met the director Sam Fuller. At 23 she married him and eventually they left Paris for the U.S. They had a daughter, Samantha and she has a daughter, Samia. Sam died in 1997 and so the three women live in a beautiful warm and welcoming home on Woodrow Wilson Drive.
Christa has a sort of salon and along with her stories she feeds us food in abundance. This time Justin from the Academy Museum brought...
Christa is my age, German born, and was a young actress in Paris when she met the director Sam Fuller. At 23 she married him and eventually they left Paris for the U.S. They had a daughter, Samantha and she has a daughter, Samia. Sam died in 1997 and so the three women live in a beautiful warm and welcoming home on Woodrow Wilson Drive.
Christa has a sort of salon and along with her stories she feeds us food in abundance. This time Justin from the Academy Museum brought...
- 7/30/2019
- by Sydney Levine
- Sydney's Buzz
A story of childhood sexual abuse starring Laura Dern and Elizabeth Debicki; an Indian-German drama about eight women gathered in Goa to celebrate a wedding; and a Dutch-Japanese-Canadian co-production set during the Tokyo War Crime Tribunal.
Jennifer Fox’s The Tale, Pan Nalin’s Angry Indian Goddess and Tokyo Trial from directors Rob W. King and Pieter Verhoeff are just three of the scores of features and series that have come out of Trans Atlantic Partners, the Canadian-German training and network program that is celebrating its 10th anniversary at Tiff.
The collaboration between Berlin’s Erich Pommer Institut and the Canadian Media Producers ...
Jennifer Fox’s The Tale, Pan Nalin’s Angry Indian Goddess and Tokyo Trial from directors Rob W. King and Pieter Verhoeff are just three of the scores of features and series that have come out of Trans Atlantic Partners, the Canadian-German training and network program that is celebrating its 10th anniversary at Tiff.
The collaboration between Berlin’s Erich Pommer Institut and the Canadian Media Producers ...
A story of childhood sexual abuse starring Laura Dern and Elizabeth Debicki; an Indian-German drama about eight women gathered in Goa to celebrate a wedding; and a Dutch-Japanese-Canadian co-production set during the Tokyo War Crime Tribunal.
Jennifer Fox’s The Tale, Pan Nalin’s Angry Indian Goddess and Tokyo Trial from directors Rob W. King and Pieter Verhoeff are just three of the scores of features and series that have come out of Trans Atlantic Partners, the Canadian-German training and network program that is celebrating its 10th anniversary at Tiff.
The collaboration between Berlin’s Erich Pommer Institut and the Canadian Media Producers ...
Jennifer Fox’s The Tale, Pan Nalin’s Angry Indian Goddess and Tokyo Trial from directors Rob W. King and Pieter Verhoeff are just three of the scores of features and series that have come out of Trans Atlantic Partners, the Canadian-German training and network program that is celebrating its 10th anniversary at Tiff.
The collaboration between Berlin’s Erich Pommer Institut and the Canadian Media Producers ...
The cream of German Expressionist filmmaking of the 1920s is increasingly accessible to modern audiences. The curated restoration of F.W. Murnau’s expressionist masterpiece is a beauty — we finally can experience the film in its full original form.
The Last Laugh
Blu-ray
Kino Lorber Kino Classics
1924 / B&W / 1:37 flat full frame / 90 min. / Der letze mann / Street Date November 14, 2017 / available through Kino Lorber / 29.95 Starring: Emil Jannings, Georg John.
Cinematography: Karl Freund
Film Editor: Elfi Böttrich
Production Design: Edgar G. Ulmer
Original Music: Giuseppe Becce
Written by Carl Mayer
Produced by Erich Pommer
Directed by F. W. Murnau
Back in the early 1970s film school professors had limited resources. They lectured, assigned readings from a short list of authoritative film scholars and screened 16mm prints of renowned world classics. The only problem is that it was often difficult to correlate the classics described in the texts with the ragged film prints available.
The Last Laugh
Blu-ray
Kino Lorber Kino Classics
1924 / B&W / 1:37 flat full frame / 90 min. / Der letze mann / Street Date November 14, 2017 / available through Kino Lorber / 29.95 Starring: Emil Jannings, Georg John.
Cinematography: Karl Freund
Film Editor: Elfi Böttrich
Production Design: Edgar G. Ulmer
Original Music: Giuseppe Becce
Written by Carl Mayer
Produced by Erich Pommer
Directed by F. W. Murnau
Back in the early 1970s film school professors had limited resources. They lectured, assigned readings from a short list of authoritative film scholars and screened 16mm prints of renowned world classics. The only problem is that it was often difficult to correlate the classics described in the texts with the ragged film prints available.
- 11/14/2017
- by Glenn Erickson
- Trailers from Hell
At last, an expressionist silent classic that takes full advantage of cinematic principles. The legendary E.A. Dupont goes in for subjective-emotional effects of which Hitchcock would approve, and cameraman Karl Freund and effects wizard Eugen Schüfftan pull off spectacular visuals and special effects. No wonder this was a huge hit in America, it’s way ahead of its time (and ours, in some ways).
Varieté
Blu-ray
Kino Classics
1925 / Color tinted / 1:33 Silent Ap / 95 min. / Street Date August 22, 2017 / available through Kino Lorber / 29.95
Starring: Emil Jannings, Maly Delschaft, Lya De Putti, Warwick Ward, Alice Hechy, Georg John, Kurt Gerron.
Cinematography: Karl Freund, Karl Hoffman
Art Director: Alfred Junge, Oscar Friedrich Werndorff
Visual Effects: Eugen Schüfftan
Original Music: Erno Rapee
From the book Der Eid des Stephan Huller by Felix Hollaender
Produced by Erich Pommer
Written and Directed by E. A. Dupont
We carefully studied this show in film school, in a mangled...
Varieté
Blu-ray
Kino Classics
1925 / Color tinted / 1:33 Silent Ap / 95 min. / Street Date August 22, 2017 / available through Kino Lorber / 29.95
Starring: Emil Jannings, Maly Delschaft, Lya De Putti, Warwick Ward, Alice Hechy, Georg John, Kurt Gerron.
Cinematography: Karl Freund, Karl Hoffman
Art Director: Alfred Junge, Oscar Friedrich Werndorff
Visual Effects: Eugen Schüfftan
Original Music: Erno Rapee
From the book Der Eid des Stephan Huller by Felix Hollaender
Produced by Erich Pommer
Written and Directed by E. A. Dupont
We carefully studied this show in film school, in a mangled...
- 7/4/2017
- by Glenn Erickson
- Trailers from Hell
Jim Knipfel Feb 26, 2019
The Cabinet of Dr. Caligari is almost a hundred years old, yet still casts a long shadow over all the genres it invented.
At its heart, is The Cabinet of Dr. Caligari an anti-authoritarian call for rebellion, an object lesson in conformity, or an allegory about how we are all mere pawns lost in a culture gone completely mad? That’s up to you to decide. What’s interesting is that nearly a century after it was first released, the film’s backstory remains such a swirl of misinformation, conflicting memories, urban legends, shaky recordkeeping, and contradictory ego trips. It’s impossible to pin down any solid truth.
How the script originated, how the production went, who decided to tack on the framing story at the last minute, what the framing story means, who decided to go with the Expressionist design, and what sort of critical and...
The Cabinet of Dr. Caligari is almost a hundred years old, yet still casts a long shadow over all the genres it invented.
At its heart, is The Cabinet of Dr. Caligari an anti-authoritarian call for rebellion, an object lesson in conformity, or an allegory about how we are all mere pawns lost in a culture gone completely mad? That’s up to you to decide. What’s interesting is that nearly a century after it was first released, the film’s backstory remains such a swirl of misinformation, conflicting memories, urban legends, shaky recordkeeping, and contradictory ego trips. It’s impossible to pin down any solid truth.
How the script originated, how the production went, who decided to tack on the framing story at the last minute, what the framing story means, who decided to go with the Expressionist design, and what sort of critical and...
- 2/24/2017
- Den of Geek
He's back and more diabolically ruthless than ever! Berlin cowers under the influence of a gambler-mastermind, the secret architect of an 'Empire of Crime.' Restored to near its full length (4.5 hours!), Fritz Lang's monumental pulp masterpiece is a Euro-classic lover's delight. Dr. Mabuse The Gambler Blu-ray Kino Lorber Classics 1922 / B&W / 1:33 flat Full Frame / 270 min. / Street Date September 13, 2016 / available through Kino Lorber / 29.95 Starring Rudolf Klein-Rogge, Alfred Abel, Aud Egede Nissen, Gertrude Welcker, Bernhard Goetzke, Robert Forster-Larrinaga, Paul Richter Cinematography Carl Hoffmann Art Direction Otto Hunte, Erich Kettelhut, Karl Stahl-Urach, Karl Vollbrecht Writing credits Fritz Lang, Thea von Harbou & Norbert Jacques from the novel by Norbert Jacques Produced by Erich Pommer Directed by Fritz Lang
Reviewed by Glenn Erickson
Fritz Lang really upped his game, directing-wise, between his 1921 fantasy epic Destiny and his next thriller extravaganza Dr. Mabuse The Gambler. Transcending contemporary notions of a popular release, the...
Reviewed by Glenn Erickson
Fritz Lang really upped his game, directing-wise, between his 1921 fantasy epic Destiny and his next thriller extravaganza Dr. Mabuse The Gambler. Transcending contemporary notions of a popular release, the...
- 9/12/2016
- by Glenn Erickson
- Trailers from Hell
When Fritz Lang began in film he was a better writer than director. This lavish two-part thriller sees him concocting a multi-genre mashup, shoehorning cowboy action thrills and an exotic lost Incan civilization into dagger-and-poison serial skullduggery. The Spiders Blu-ray Kino Classics 1919 / B&W / 1:33 flat / 173 min. / Street Date August 23, 2016 / Die Spinnen / available through Kino Classics / 29.95 Starring Carl de Vogt, Ressel Orla, Lil Dagover, Georg John. Cinematography Karl Freund Designers Otto Hunte, Carl Ludwig Kirmse, Heinrich Umlauff, Hermann Warm Music (2012) Ben Model Produced by Erich Pommer Written and Directed by Fritz Lang There appears to be nothing new under the sun, even if lovers of Indiana Jones don't realize that most everything he did, had been done long before in silent serials. I have a lazy habit here of claiming that Fritz Lang invented most of the basic ideas we see in every adventure genre except the western. But these...
- 8/13/2016
- by Glenn Erickson
- Trailers from Hell
Death doesn't take a holiday in this, the granddaddy of movies about the woeful duties of the Grim Reaper. Fritz Lang's heavy-duty Expressionist fable is as German as they get -- a morbid folk tale with an emotionally powerful finish. Destiny Blu-ray Kino Classics 1921 / B&W / 1:33 flat / 98 min. / Street Date August 30, 2016 / Der müde Tod / available through Kino Lorber / 29.95 Starring Lil Dagover, Walter Janssen, Bernhard Goetzke, Rudolf Klein-Rogge, Georg John. Cinematography Bruno Mondi, Erich Nitzschmann, Herrmann Saalfrank, Bruno Timm, Fritz Arno Wagner Film Editor Fritz Lang Written by Fritz Lang, Thea von Harbou Produced by Erich Pommer Directed by Fritz Lang
Reviewed by Glenn Erickson
The Cabinet of Dr. Caligari takes the prize for the most influential work of early German Expressionism, but coming in a close second is the film in which Fritz Lang first got his act (completely) together, 1921's Destiny (Der müde Tod). A wholly cinematic...
Reviewed by Glenn Erickson
The Cabinet of Dr. Caligari takes the prize for the most influential work of early German Expressionism, but coming in a close second is the film in which Fritz Lang first got his act (completely) together, 1921's Destiny (Der müde Tod). A wholly cinematic...
- 8/6/2016
- by Glenn Erickson
- Trailers from Hell
Alumni on film and TV programme include producers of The Lunchbox, Bullhead and The Book Of Negroes.
Film and TV drama co-production training programme Trans Atlantic Partners (Tap) has revelaed its 2016 line-up of 25 producers from across Europe, Canada, and the USA as well as India and South Africa.
Experts taking part in the scheme include producer René Bastian (Cold In July), Matthias Nitschke, senior vice president of business & legal affairs, Studiocanal, Germany, and producer Ilann Girard (Lebanon).
Tap provides case studies of successful trans-Atlantic projects, market intelligence, legal framework and information on sales and distribution. The programme is directed at producers at career mid-level who have produced at least one feature film or TV series.
The two training modules take place in Munich (June 24 – 29) and Halifax, Canada (September 12– 18) where Tap producers will also participate in the Atlantic Film Festival’s Strategic Partners international co-production market.
Previous alumni of the scheme include Guneet Monga (The Lunchbox), [link...
Film and TV drama co-production training programme Trans Atlantic Partners (Tap) has revelaed its 2016 line-up of 25 producers from across Europe, Canada, and the USA as well as India and South Africa.
Experts taking part in the scheme include producer René Bastian (Cold In July), Matthias Nitschke, senior vice president of business & legal affairs, Studiocanal, Germany, and producer Ilann Girard (Lebanon).
Tap provides case studies of successful trans-Atlantic projects, market intelligence, legal framework and information on sales and distribution. The programme is directed at producers at career mid-level who have produced at least one feature film or TV series.
The two training modules take place in Munich (June 24 – 29) and Halifax, Canada (September 12– 18) where Tap producers will also participate in the Atlantic Film Festival’s Strategic Partners international co-production market.
Previous alumni of the scheme include Guneet Monga (The Lunchbox), [link...
- 6/22/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Guns! Bombs! Assassinations! Blackmail! Fritz Lang invents the escapist super-spy thriller! To seize a set of political documents the evil Haghi dispatches the seductive agents Kitty and Sonya to neutralize a Japanese security man and our own top spy No. 236. (that's 007 x 33,714.2857!) It's a top-rank silent winner from the maker of Metropolis. Spies (Spione) Blu-ray Kino Classics 1928 / B&W /1:33 Silent Aperture / 150 min. / Street Date February 23, 2016 / available through Kino Lorber / 29.95 Starring Rudolf Klein-Rogge, Gerda Maurus, Lien Deyers, Willy Fritsch, Lupu Pick, Hertha von Walther, Fritz Rasp, Craighall Sherry, Hans Heinrich von Twardowsky, Gustl Gstettenbaur. Cinematography Fritz Arno Wagner Art Directors Otto Hunte, Karl Vollbrecht Set Designer Edgar G. Ulmer (reported) Original Music Werner R. Heymann (original) Neil Brand piano score on this disc. Written by Fritz Lang and Thea von Harbou from her novel Produced by Erich Pommer Directed by Fritz Lang
Reviewed by Glenn Erickson
How did Fritz Lang...
Reviewed by Glenn Erickson
How did Fritz Lang...
- 3/19/2016
- by Glenn Erickson
- Trailers from Hell
The latest restoration of a German silent classic is F.W. Murnau's lavishly mounted version of the Goethe tale, starring Emil Jannings as Mephisto. It's an impressive drama but also has a sense of (Teutonic) humor here and there. Most every shot is a fantastic visuals, and the bigger scenes use visual designs worthy of fine art. Faust Blu-ray + DVD Kino Classics 1926 / B&W / 1:33 flat full frame / 106, 116 min / Street Date November 17, 2015 / available through Kino Lorber / 34.96 Starring Gösta Ekman, Emil Jannings, Camilla Horn, Frida Richard, William Dieterle, Yvette Guilbert, Eric Barclay, Hanna Ralph, Werner Fuetterer. Cinematography Carl Hoffman Production Design Robert Herlth, Walter Röhrig Film Editor Elfi Böttrich Written by Gerhart Hauptmann, Hans Kyser from plays by Johann Wolfgang Goethe, Christopher Marlowe Produced by Erich Pommer Directed by F.W. Murnau
Reviewed by Glenn Erickson
Back in film school, lecturers on cinema art of the 1920s claimed that Germany had an edge over Hollywood.
Reviewed by Glenn Erickson
Back in film school, lecturers on cinema art of the 1920s claimed that Germany had an edge over Hollywood.
- 1/1/2016
- by Glenn Erickson
- Trailers from Hell
Maureen O’Hara, an actress whose career stretched beyond film and television to the world of business, has died at the age of 95.O’Hara, born Maureen FitzSimons to Charles and Marguerite in Dublin in 1920, showed an aptitude for acting from a young age. She began training in drama, music and dance at the age of six, learning stage craft at the Abbey Theatre from 14. Her experience led to a screen test with a film studio in London, but despite a failure there, she was spotted by actor Charles Laughton, who saw star quality in her.Laughton, along with business partner Erich Pommer, offered her a contract with their company Mayflower Pictures, resulting in her film debut in 1938 in two films, The Playboy and Little Miss Molly. But she scored her first big role (and a surname) change with Jamaica Inn, directed by Alfred Hitchcock. Delighted with her performance in the film,...
- 10/25/2015
- EmpireOnline
Jan Miller is a connector – and she loves doing it! Supporting producers around the world is in her DNA. After she invited us to speak at the second Strategic Partners in Halifax, (which she created and directed for 15 years), we would then meet Jan regularly in Cuba, Berlin and Cannes where she is a regular moderator at the Producers’ Network Breakfasts. Cartegena was also on her regular beat. She is in demand everywhere as a trainer for directors, writers and producers of pitching and content development as well as an international consultant, from regular events like Poland’s ScriptEast, to Guangzhou, Manaus, Capetown, Glasgow, Yellowknife and most recently, Tehran to name just a few of the more exotic locales.
After bringing the stars in alignment to launch Canada’s first national film school, the National Screen Institute and its highly regarded Features First and Drama Prize programs almost three decades ago, Jan moved from Canada’s west to the east coast where she launched Strategic Partners, Canada’s premiere international co-production market.
In Sp’s 10th year, Jan was approached by Nadja Radojevic of the The Erich Pommer Institut – Epi to partner on a brand new training concept Trans Atlantic Partners (Tap) where Jan Miller serves as its Head of Studies. Together they have developed the program in to one-of-a-kind training that brings together experienced producers from Europe, Canada and the U.S. with a team of Experts, to develop projects for international co-production and co-venturing. Tap is co-presented by the Erich Pommer Institut and the Canadian Media Production Association – Cmpa. Industry partners are Telefilm Canada and Canada Media Fund.
Always responding to the industry, Tap began with only European and Canadian involvement but both Nadja and Jan realized bringing U.S. indie producers into the mix would take the program to a whole other level. Each year, three additional producers from beyond these three ‘regions’ are also selected to participate in this two-module program.
The Tap 2015 line-up includes producers from India, Australia and Mexico. And now in its 7th year, Tap, responding to the industry needs, has opened its program to independent producers with international television series projects in development as well.
This year’s expert line-up of award winning producers include Belladonna’s René Bastian of Belladonna Productions whose film “ Cold in July” is directed by Jim Mickie, and whose newest film “Live Cargo” was presented at Ifp’s No Borders and Us in Progress this past month, K5’s Oliver Simon, Dynamic Television’s Klaus Zimmermann (“100 Code”, “Borgia”, “Death In Paradise”, “The Transporter”), international television consultant Lorri Faughan (“Pillars Of The Earth”), and Buffalo Gal’s Phyllis Laing, (“Aloft”, “Keyhole”, Heaven is for Real”) of Buffalo Gal Pictures, Canada, who was herself a Tap’er in its very first year.
Jan says that they often draw on previous Tap producer talent to come back as resources as so many have remarkable track records.
The Erich Pommer Institut of Germany is a leading training provider in the European media industry dealing with cutting-edge legal and economic topics. Nadja Radojevic, has recently moved into the CEO and Director of Training.
Epi was founded in 1998. Erich Pommer himself was the producer of “Metropolis” and “The Blue Angel”. He left Germany in the war and his grandson, Erich Pommer is a Los Angeles entertainment attorney. The Institute’s core business is advanced professional training in film and media. Aside from Trans Atlantic Partners which is held in Berlin in June and in Halifax in September post Tiff, Epi hosts a European TV Drama Series Lab following the American model with top showrunners and Scandinavian trainers. Now in its fourth edition - former editions featured Showrunners James Manos (“Sopranos”), Carol Flint (“West Wing”, “Emergency Room”), Frank Spotnitz (“The X-Files”), Simon Mirren (“Criminal Minds”) and Glen Mazzara of “Walking Dead” – David Semel, Executive Producer “Madam Secretary”, Co-Executive Producer “House MD” and Director of “The Man in the High Castle”, “Hannibal”, Hemlock Grove”, “Homeland”, “Heroes”will be trainer amongst others.
Epi also hosts Essential Legal Framework, a program consisting of three independent workshops for European professionals on negotiating, European coproduction and digital strategies. A national section for German speakers only, runs four hours a day with 20-30 seminars per year. Its focus is on media law and deals with television, film production, labor and tax revisions which – one of their best-selling seminars as there have recently been quite a lot of changes in tax law in Germany. Classes in film financing and film funding are also popular.
There is also a Copyright Policy Congress, Writers Room Simulation and other conventions featuring various current topics relevant to the media industry. In fall Epi is pioneering with Epi e:training starting with a course on European Co-Production. Epi e:training is offering crucial knowledge and business insights by top-level experts online – at your own pace and wherever and whenever you want. “We developed the online training program according to the demands of today’s media industry. It offers more flexibility and adapts to individual preferences," comments Nadja Radojevic. Epi is located at the historic Babelsberg Studios and can be found at www.epi-medieninstitut.de
Trans Atlantic Partners (Tap) is designed for experienced film and television producers from Europe, Canada and the U.S. including 3 additional seats for International producers. The 24 Tap 2015 producers below were selected by the Erich Pommer Institut (Epi) (Germany) and the Canadian Media Production Association (Cmpa) (Canada).
European Producers
-Simon Amberger, Germany (Producer, "Eastalgia", Molodist Int. Ff 2012, Tallinn Int. Ff 2013 | Producer, Blockbustaz, 2014, Winner ZDFneo TV Lab 2014 | Producer, Ada, 2014)
-Sebastien Aubert, France ("Patardzlebi" (Brides), 2014, Berlinale 2014, 3rd Audience Award)
-Rudolf Biermann, Czech Republic (Producer, "Kawasaki's Rose," 2009, Berlinale 2010, Ecumenical Award Panorama Section, Czech Lion 2010 | Executive Producer, "I Served the King of England," 2006, Berlinale 2006, Fipresci Critics Award | Producer, "Garden," 1995, Karlovy Vary Iff 1995, Jury Award)
-Jacqueline de Goeij, Belgium (Producer, "Allez, Eddy!," 2012, Chemnitz Ff, Main Prize & Diamant Award For Most Convincing Acting Performance Of A Child, Palm Springs Best of the Fest Selection | Producer, "Zus & Zo," 2002, Academy Awards, Nominee Best Foreign Language Film, Dutch Ff, Golden Calf Best Actor)
-Sylvia Günthner, Germany (Producer, "Bela Kiss: Prologue," 2013, Twisted Celluloid Ff Ireland 2013, Audi Festival of German Films Australia 2014)
-Martin Heisler, Germany (Producer, "Houston," 2013, Sundance Ff 2013, Independent Ff Boston 2013, Special Prize of the Jury | Producer "Forget Me Not," 2012, Ff Locarno, Settima Della Critica 2012, Best film | Producer "David Wants to Fly," 2010, Berlinale 2010)
-Rachel Lysaght, Ireland (Producer, "Patrick's Day," 2015, Ifta 2014, Best Script, Best Actor in a Leading Role, Best Sound | Producer, "One Million Dubliners," 2014, TV Award Sandford Saint Martin Trust, UK, Irish Ff Boston 2015, Director's Choice, Galway Film Fleadh Ireland 2014, Best Feature Documentary)
-Christof Neracher, Switzerland (Producer, "War" (Chrieg), 2014, San Sebastian Ff 2014, Max Ophüls 2014, Max Ophüls Prize | Producer Vitus, 2006, Shortlist Academy Awards Best Foreign Language Film 2006, Berlinale 2006, AFI Fest 2006, Audience Award)
-Diarmid Scrimshaw, UK (Producer / Production Co., "Tyrannosaur," 2012, Sundance 2011, Best Director, Satellite Awards 2011, Best First Feature)
Canadian Producers
-Coral Aiken, Canada (Producer, Big Muddy, 2014, Toronto Iff 2014, Arizona Iff 2015 | Producer, "The People Garden")
-Patrick Banister, Canada (Executive Producer, "Bitten," 2014 | Executive Producer, "Whistler," 2006)
-John Barbisan, Canada (Executive Producer, "Bitten," 2014 | Executive Producer, "Whistler," 2006)
-Amy Belling, Canada (Producer / DoP / Cam Op / Post Supervisor, Songs She Wrote About People She Knows, 2014, Toronto Iff 2014, Santa Barbara Iff 2015 | Producer / DoP / Cam Op / Post Super, Stress Position, 2013, Sci Fi London 2013, Las Vegas Ff 2013, Best Cinematography / Best Supporting Actor)
-Isaac Clements, Canada (Senior Production Executive, "The Pinkertons," 2014-15 | Production Executive, "Sunnyside,"2014-15 | Associate Producer, "Silent Night," 2012)
-Jeff Kopas, Canada (Producer / Director / Writer, "An Insignificant Harvey," 2011, Busan Iff 2012, Audience Award)
-Linda Ludwick, Canada (Exec. Producer/Producer: "Mohawk Girls Season 2," 2014, Yorkton Ff 2015, Banff Media Festival 2015 | Exec. Producer/Producer, "Smoke Traders," 2012, Yorkton Ff 2013 | Exec. Producer/Producer, "Reel Injun," 2009, 3 Gemini awards 2010 | Exec. Producer/Producer, "Moose TV," 2006, "Cfpta" 2008)
-Robyn Wiener, Canada (Producer, "Numb," 2015 | Producer, "Black Fly," 2014, Viff 2014 , Marché du Film Telefilm Perspective Canada Cannes 2015| Co-Producer / Line Producer, "Lawrence & Holoman," 2013, "Viff" 2013, Best Director | Co-Producer / Line Producer, "American Mary," 2012, London Fright Ff 2012)
American Producers
-Mollye Asher, USA (Producer, "Fort Tilden," 2015, SXSW 2014 Grand Jury Prize | Producer, "She's Lost Control," Independent Spirit Award Nominee 2015, Berlinale 2014 | Producer, "Songs My Brother Taught Me," 2015, Sundance 2015, Cannes 2015)
-Diane Houslin, USA (Producer, "Yelling to the Sky," 2011)
-Tommy Oliver, USA (Producer, 1982, 2015, Toronto Ff 2013, Austin Ff 2013, Marquee Audience Award | Producer, "The Perfect Guy," 2015 | Producer, "Kinyarwanda," 2011, Sundance Ff 2011, World Audience Award, AFI Fest 2011, Audience Award)
-Riel Roch Decter, USA (Producer, "The Wait," 2014, South by Southwest 2013, Deauville 2013 | Producer, "Bottled Up," 2014, Tribeca Film Festival 2013 | Producer, "Life After Death from Above 1979," 2014.
International Producers
-Vivek Kajaria, India (Producer, "Fandry," 2014, Indian Ff of La 2014, Grand Jury Prize Best Film, Fipresci India 2014, Film Critic Award Best Indian Film 2013 | Presenter, "Anumati," 2013, National Film Award for Best Actor 2013, New York Indian Ff 2013, Best Film Award | Producer, "Siddhant," 2015, Mumbai 2014)
-Ozcar Ramirez Gonzalez, Mexico (Producer, "Ciclo," 2013, DocsDF 2012, Vancouver Latino Iff 2013, Audience Award | Producer, "The Compass is Carried by the Dead Man," 2013, Tokyo Iff 2011, La Iff 2012 | Producer, "Days of Grace," 2012, Cannes Iff 2011, Guadalajara Iff 2012, Best Director, Best Score, Press Award)
-Lisa Shaunessy, Australia (Executive Producer, "Killing Ground," 2016 | Co-Producer, "Black & White & Sex," 2012, Iff Rotterdam 2012, Sydney Ff 2011, Best Experimental Film | Producer, "Hipsters," Sbs Australia, 2015)
Who is Jan Miller and how did she arrange such an organization?
It’s in Jan’s nature to look for opportunities to support the individual filmmaker, her local industry and work internationally as well. Most recently Jan served as an international consultant for the Canadian Media Production Association helping to develop their international strategy and contributing to Cmpa led delegations to Berlin and Rio de Janeiro. In March she led a delegation of 18 production companies to the Hk Filmart for Creative BC and Cmpa BC.
Jan divides her time on Tap, on international contracts, on teaching and on Wift-at.
How do you see the place of women in the film industry?
Recognizing that there was a real need in Atlantic Canada for women to come together and support, celebrate and learn from each other in the industry, I started Women in Film and Television - Atlantic which I headed up as Founding Chair and architect for six years. During this time I was working with a remarkable team to launch Women Making Waves an annual Conference that brings in the best female talent to offer master classes, panels, conversations and networking opportunities to men and women in the industry. I continue as one of the organization’s primary resources and mentors. And most recently, strongly believing that women in the industry need to strengthen their entrepreneurial skills and business strategies, I worked with Mount Saint Vincent University’s Centre for Women in Business, to launch Wift-at’s first six month Advanced Management and Mentoring Program.
Can you explain your connection to the music business?
Close to a decade ago, I was approached by Canada’s vibrant east coast music industry to adapt my pitching workshop into a program that has become “export readiness for the music industry”... During this intensive workshop I work with artists, bands and managers to develop their communication and pitch skills to present their work to international music supervisors, festival programrs and tour managers in 1-2-1 meetings. It was a very steep learning curve, but I loved the challenge of redesigning her training to fit a new market.
Can you explain your connection to romance writers?
When the Music Export Readiness workshops took off, other disciplines began approaching me to ask if I could adapt her teaching for a workshop for Romance Writers wanting to pitch to potential film and TV producers and then theatre practitioners wanting to pitch their properties internationally. My un-designed career path came full circle!
How did you come into the film world?
I first came into the entertainment industry through my theatre troupe that performed clown and mask shows internationally for 10 years as one of Canada’s cultural calling cards. During this period I successfully auditioned for a short film and the seed was planted …
What do you do in Nova Scotia? (or What did you do?)
Amazingly I call home Nova Scotia. Living 40 feet from the ocean, I connect daily to the world and travel the world almost as often. I am an international resource for the local industry and mentor talent both for the short term and long term as the demand requires. My husband and I also breed standard poodles!
How would you sum up your “portfolio”?
I am an initiator, a passionate connector devoted to helping people do what they want to do well.
After bringing the stars in alignment to launch Canada’s first national film school, the National Screen Institute and its highly regarded Features First and Drama Prize programs almost three decades ago, Jan moved from Canada’s west to the east coast where she launched Strategic Partners, Canada’s premiere international co-production market.
In Sp’s 10th year, Jan was approached by Nadja Radojevic of the The Erich Pommer Institut – Epi to partner on a brand new training concept Trans Atlantic Partners (Tap) where Jan Miller serves as its Head of Studies. Together they have developed the program in to one-of-a-kind training that brings together experienced producers from Europe, Canada and the U.S. with a team of Experts, to develop projects for international co-production and co-venturing. Tap is co-presented by the Erich Pommer Institut and the Canadian Media Production Association – Cmpa. Industry partners are Telefilm Canada and Canada Media Fund.
Always responding to the industry, Tap began with only European and Canadian involvement but both Nadja and Jan realized bringing U.S. indie producers into the mix would take the program to a whole other level. Each year, three additional producers from beyond these three ‘regions’ are also selected to participate in this two-module program.
The Tap 2015 line-up includes producers from India, Australia and Mexico. And now in its 7th year, Tap, responding to the industry needs, has opened its program to independent producers with international television series projects in development as well.
This year’s expert line-up of award winning producers include Belladonna’s René Bastian of Belladonna Productions whose film “ Cold in July” is directed by Jim Mickie, and whose newest film “Live Cargo” was presented at Ifp’s No Borders and Us in Progress this past month, K5’s Oliver Simon, Dynamic Television’s Klaus Zimmermann (“100 Code”, “Borgia”, “Death In Paradise”, “The Transporter”), international television consultant Lorri Faughan (“Pillars Of The Earth”), and Buffalo Gal’s Phyllis Laing, (“Aloft”, “Keyhole”, Heaven is for Real”) of Buffalo Gal Pictures, Canada, who was herself a Tap’er in its very first year.
Jan says that they often draw on previous Tap producer talent to come back as resources as so many have remarkable track records.
The Erich Pommer Institut of Germany is a leading training provider in the European media industry dealing with cutting-edge legal and economic topics. Nadja Radojevic, has recently moved into the CEO and Director of Training.
Epi was founded in 1998. Erich Pommer himself was the producer of “Metropolis” and “The Blue Angel”. He left Germany in the war and his grandson, Erich Pommer is a Los Angeles entertainment attorney. The Institute’s core business is advanced professional training in film and media. Aside from Trans Atlantic Partners which is held in Berlin in June and in Halifax in September post Tiff, Epi hosts a European TV Drama Series Lab following the American model with top showrunners and Scandinavian trainers. Now in its fourth edition - former editions featured Showrunners James Manos (“Sopranos”), Carol Flint (“West Wing”, “Emergency Room”), Frank Spotnitz (“The X-Files”), Simon Mirren (“Criminal Minds”) and Glen Mazzara of “Walking Dead” – David Semel, Executive Producer “Madam Secretary”, Co-Executive Producer “House MD” and Director of “The Man in the High Castle”, “Hannibal”, Hemlock Grove”, “Homeland”, “Heroes”will be trainer amongst others.
Epi also hosts Essential Legal Framework, a program consisting of three independent workshops for European professionals on negotiating, European coproduction and digital strategies. A national section for German speakers only, runs four hours a day with 20-30 seminars per year. Its focus is on media law and deals with television, film production, labor and tax revisions which – one of their best-selling seminars as there have recently been quite a lot of changes in tax law in Germany. Classes in film financing and film funding are also popular.
There is also a Copyright Policy Congress, Writers Room Simulation and other conventions featuring various current topics relevant to the media industry. In fall Epi is pioneering with Epi e:training starting with a course on European Co-Production. Epi e:training is offering crucial knowledge and business insights by top-level experts online – at your own pace and wherever and whenever you want. “We developed the online training program according to the demands of today’s media industry. It offers more flexibility and adapts to individual preferences," comments Nadja Radojevic. Epi is located at the historic Babelsberg Studios and can be found at www.epi-medieninstitut.de
Trans Atlantic Partners (Tap) is designed for experienced film and television producers from Europe, Canada and the U.S. including 3 additional seats for International producers. The 24 Tap 2015 producers below were selected by the Erich Pommer Institut (Epi) (Germany) and the Canadian Media Production Association (Cmpa) (Canada).
European Producers
-Simon Amberger, Germany (Producer, "Eastalgia", Molodist Int. Ff 2012, Tallinn Int. Ff 2013 | Producer, Blockbustaz, 2014, Winner ZDFneo TV Lab 2014 | Producer, Ada, 2014)
-Sebastien Aubert, France ("Patardzlebi" (Brides), 2014, Berlinale 2014, 3rd Audience Award)
-Rudolf Biermann, Czech Republic (Producer, "Kawasaki's Rose," 2009, Berlinale 2010, Ecumenical Award Panorama Section, Czech Lion 2010 | Executive Producer, "I Served the King of England," 2006, Berlinale 2006, Fipresci Critics Award | Producer, "Garden," 1995, Karlovy Vary Iff 1995, Jury Award)
-Jacqueline de Goeij, Belgium (Producer, "Allez, Eddy!," 2012, Chemnitz Ff, Main Prize & Diamant Award For Most Convincing Acting Performance Of A Child, Palm Springs Best of the Fest Selection | Producer, "Zus & Zo," 2002, Academy Awards, Nominee Best Foreign Language Film, Dutch Ff, Golden Calf Best Actor)
-Sylvia Günthner, Germany (Producer, "Bela Kiss: Prologue," 2013, Twisted Celluloid Ff Ireland 2013, Audi Festival of German Films Australia 2014)
-Martin Heisler, Germany (Producer, "Houston," 2013, Sundance Ff 2013, Independent Ff Boston 2013, Special Prize of the Jury | Producer "Forget Me Not," 2012, Ff Locarno, Settima Della Critica 2012, Best film | Producer "David Wants to Fly," 2010, Berlinale 2010)
-Rachel Lysaght, Ireland (Producer, "Patrick's Day," 2015, Ifta 2014, Best Script, Best Actor in a Leading Role, Best Sound | Producer, "One Million Dubliners," 2014, TV Award Sandford Saint Martin Trust, UK, Irish Ff Boston 2015, Director's Choice, Galway Film Fleadh Ireland 2014, Best Feature Documentary)
-Christof Neracher, Switzerland (Producer, "War" (Chrieg), 2014, San Sebastian Ff 2014, Max Ophüls 2014, Max Ophüls Prize | Producer Vitus, 2006, Shortlist Academy Awards Best Foreign Language Film 2006, Berlinale 2006, AFI Fest 2006, Audience Award)
-Diarmid Scrimshaw, UK (Producer / Production Co., "Tyrannosaur," 2012, Sundance 2011, Best Director, Satellite Awards 2011, Best First Feature)
Canadian Producers
-Coral Aiken, Canada (Producer, Big Muddy, 2014, Toronto Iff 2014, Arizona Iff 2015 | Producer, "The People Garden")
-Patrick Banister, Canada (Executive Producer, "Bitten," 2014 | Executive Producer, "Whistler," 2006)
-John Barbisan, Canada (Executive Producer, "Bitten," 2014 | Executive Producer, "Whistler," 2006)
-Amy Belling, Canada (Producer / DoP / Cam Op / Post Supervisor, Songs She Wrote About People She Knows, 2014, Toronto Iff 2014, Santa Barbara Iff 2015 | Producer / DoP / Cam Op / Post Super, Stress Position, 2013, Sci Fi London 2013, Las Vegas Ff 2013, Best Cinematography / Best Supporting Actor)
-Isaac Clements, Canada (Senior Production Executive, "The Pinkertons," 2014-15 | Production Executive, "Sunnyside,"2014-15 | Associate Producer, "Silent Night," 2012)
-Jeff Kopas, Canada (Producer / Director / Writer, "An Insignificant Harvey," 2011, Busan Iff 2012, Audience Award)
-Linda Ludwick, Canada (Exec. Producer/Producer: "Mohawk Girls Season 2," 2014, Yorkton Ff 2015, Banff Media Festival 2015 | Exec. Producer/Producer, "Smoke Traders," 2012, Yorkton Ff 2013 | Exec. Producer/Producer, "Reel Injun," 2009, 3 Gemini awards 2010 | Exec. Producer/Producer, "Moose TV," 2006, "Cfpta" 2008)
-Robyn Wiener, Canada (Producer, "Numb," 2015 | Producer, "Black Fly," 2014, Viff 2014 , Marché du Film Telefilm Perspective Canada Cannes 2015| Co-Producer / Line Producer, "Lawrence & Holoman," 2013, "Viff" 2013, Best Director | Co-Producer / Line Producer, "American Mary," 2012, London Fright Ff 2012)
American Producers
-Mollye Asher, USA (Producer, "Fort Tilden," 2015, SXSW 2014 Grand Jury Prize | Producer, "She's Lost Control," Independent Spirit Award Nominee 2015, Berlinale 2014 | Producer, "Songs My Brother Taught Me," 2015, Sundance 2015, Cannes 2015)
-Diane Houslin, USA (Producer, "Yelling to the Sky," 2011)
-Tommy Oliver, USA (Producer, 1982, 2015, Toronto Ff 2013, Austin Ff 2013, Marquee Audience Award | Producer, "The Perfect Guy," 2015 | Producer, "Kinyarwanda," 2011, Sundance Ff 2011, World Audience Award, AFI Fest 2011, Audience Award)
-Riel Roch Decter, USA (Producer, "The Wait," 2014, South by Southwest 2013, Deauville 2013 | Producer, "Bottled Up," 2014, Tribeca Film Festival 2013 | Producer, "Life After Death from Above 1979," 2014.
International Producers
-Vivek Kajaria, India (Producer, "Fandry," 2014, Indian Ff of La 2014, Grand Jury Prize Best Film, Fipresci India 2014, Film Critic Award Best Indian Film 2013 | Presenter, "Anumati," 2013, National Film Award for Best Actor 2013, New York Indian Ff 2013, Best Film Award | Producer, "Siddhant," 2015, Mumbai 2014)
-Ozcar Ramirez Gonzalez, Mexico (Producer, "Ciclo," 2013, DocsDF 2012, Vancouver Latino Iff 2013, Audience Award | Producer, "The Compass is Carried by the Dead Man," 2013, Tokyo Iff 2011, La Iff 2012 | Producer, "Days of Grace," 2012, Cannes Iff 2011, Guadalajara Iff 2012, Best Director, Best Score, Press Award)
-Lisa Shaunessy, Australia (Executive Producer, "Killing Ground," 2016 | Co-Producer, "Black & White & Sex," 2012, Iff Rotterdam 2012, Sydney Ff 2011, Best Experimental Film | Producer, "Hipsters," Sbs Australia, 2015)
Who is Jan Miller and how did she arrange such an organization?
It’s in Jan’s nature to look for opportunities to support the individual filmmaker, her local industry and work internationally as well. Most recently Jan served as an international consultant for the Canadian Media Production Association helping to develop their international strategy and contributing to Cmpa led delegations to Berlin and Rio de Janeiro. In March she led a delegation of 18 production companies to the Hk Filmart for Creative BC and Cmpa BC.
Jan divides her time on Tap, on international contracts, on teaching and on Wift-at.
How do you see the place of women in the film industry?
Recognizing that there was a real need in Atlantic Canada for women to come together and support, celebrate and learn from each other in the industry, I started Women in Film and Television - Atlantic which I headed up as Founding Chair and architect for six years. During this time I was working with a remarkable team to launch Women Making Waves an annual Conference that brings in the best female talent to offer master classes, panels, conversations and networking opportunities to men and women in the industry. I continue as one of the organization’s primary resources and mentors. And most recently, strongly believing that women in the industry need to strengthen their entrepreneurial skills and business strategies, I worked with Mount Saint Vincent University’s Centre for Women in Business, to launch Wift-at’s first six month Advanced Management and Mentoring Program.
Can you explain your connection to the music business?
Close to a decade ago, I was approached by Canada’s vibrant east coast music industry to adapt my pitching workshop into a program that has become “export readiness for the music industry”... During this intensive workshop I work with artists, bands and managers to develop their communication and pitch skills to present their work to international music supervisors, festival programrs and tour managers in 1-2-1 meetings. It was a very steep learning curve, but I loved the challenge of redesigning her training to fit a new market.
Can you explain your connection to romance writers?
When the Music Export Readiness workshops took off, other disciplines began approaching me to ask if I could adapt her teaching for a workshop for Romance Writers wanting to pitch to potential film and TV producers and then theatre practitioners wanting to pitch their properties internationally. My un-designed career path came full circle!
How did you come into the film world?
I first came into the entertainment industry through my theatre troupe that performed clown and mask shows internationally for 10 years as one of Canada’s cultural calling cards. During this period I successfully auditioned for a short film and the seed was planted …
What do you do in Nova Scotia? (or What did you do?)
Amazingly I call home Nova Scotia. Living 40 feet from the ocean, I connect daily to the world and travel the world almost as often. I am an international resource for the local industry and mentor talent both for the short term and long term as the demand requires. My husband and I also breed standard poodles!
How would you sum up your “portfolio”?
I am an initiator, a passionate connector devoted to helping people do what they want to do well.
- 6/22/2015
- by Sydney Levine
- Sydney's Buzz
Sebastian Schipper’s Victoria was the big winner at this year’s German Film Awards, taking home six statuettes from its seven nominations including the Golden Lolas for Best Film, Best Director, and Best Lead Actor.
Schipper’s one-shot thriller set during a breathless night on the streets of Berlin also picked up Lolas for the Spanish actress Laia Costa, the title character, and the Danish cinematographer Sturla Brandth Grøvlen.
Victoria premiered in the Berlinale’s main competition last February where Grøvlen received a Silver Bear, was released in German cinemas on 11 June and is being handled internationally by The Match Factory.
The Silver Lola for Best Film was awarded by the members of the German Film Academy to Edward Berger’s social-realist drama Jack, with the Bronze Lola going to Johannes Naber’s black comedy Age Of Cannibals which deservedly also received the Lola for Best Screenplay for the searing dialogues by the author Stefan Weigl.
Both...
Schipper’s one-shot thriller set during a breathless night on the streets of Berlin also picked up Lolas for the Spanish actress Laia Costa, the title character, and the Danish cinematographer Sturla Brandth Grøvlen.
Victoria premiered in the Berlinale’s main competition last February where Grøvlen received a Silver Bear, was released in German cinemas on 11 June and is being handled internationally by The Match Factory.
The Silver Lola for Best Film was awarded by the members of the German Film Academy to Edward Berger’s social-realist drama Jack, with the Bronze Lola going to Johannes Naber’s black comedy Age Of Cannibals which deservedly also received the Lola for Best Screenplay for the searing dialogues by the author Stefan Weigl.
Both...
- 6/22/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Exclusive: 24 producers from across Europe, Canada, Us and beyond to take part in this year’s training programme.
Internationally renowned training programme Trans Atlantic Partners (Tap) has unveiled its participants for this year’s edition.
The 24 producers were selected by the Erich Pommer Institut (Epi) (Germany) and partner Canadian Media Production Association (Cmpa) (Canada).
Although designed for independent producers from Europe, Canada, and the Us, Tap also offers three positions for producers from all over the world, which this year come from India, Australia and Mexico.
Tap’s seventh edition will be incorporated into two training modules taking place in Berlin (June 16-21) and Halifax (Sept 14-20), and the producers will also participate as full delegates at the Atlantic Film Festival’s Strategic Partners co-pro market.
For the first time, Tap has included TV drama projects in addition to its traditional feature film focus.
Experts for this year’s edition include Belladona Productions’ René Bastian (Cold In July); [link...
Internationally renowned training programme Trans Atlantic Partners (Tap) has unveiled its participants for this year’s edition.
The 24 producers were selected by the Erich Pommer Institut (Epi) (Germany) and partner Canadian Media Production Association (Cmpa) (Canada).
Although designed for independent producers from Europe, Canada, and the Us, Tap also offers three positions for producers from all over the world, which this year come from India, Australia and Mexico.
Tap’s seventh edition will be incorporated into two training modules taking place in Berlin (June 16-21) and Halifax (Sept 14-20), and the producers will also participate as full delegates at the Atlantic Film Festival’s Strategic Partners co-pro market.
For the first time, Tap has included TV drama projects in addition to its traditional feature film focus.
Experts for this year’s edition include Belladona Productions’ René Bastian (Cold In July); [link...
- 6/12/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Jamaica Inn
Written by Sidney Gilliat and Joan Harrison
Directed by Alfred Hitchcock
UK, 1939
With 23 feature films to his credit, by 1939, Alfred Hitchcock was the most famous director in England. And with his celebrity and his reputation for quality motion pictures, he had attained a degree of creative control unmatched in the British film industry at the time. When it comes to Jamaica Inn, for more than three decades the last film he would fully shoot in his native land, this reputation and this independence would be thoroughly tested. Available now on a stunning new Blu-ray from Cohen Film Collection, which greatly improves the murky visuals and distorted sound marring all previous home video versions, Jamaica Inn had the renowned Charles Laughton as supervising star and producer. Predictably, he and Hitchcock did not always see eye to eye as they jockeyed for authority on set. The result is a contentious...
Written by Sidney Gilliat and Joan Harrison
Directed by Alfred Hitchcock
UK, 1939
With 23 feature films to his credit, by 1939, Alfred Hitchcock was the most famous director in England. And with his celebrity and his reputation for quality motion pictures, he had attained a degree of creative control unmatched in the British film industry at the time. When it comes to Jamaica Inn, for more than three decades the last film he would fully shoot in his native land, this reputation and this independence would be thoroughly tested. Available now on a stunning new Blu-ray from Cohen Film Collection, which greatly improves the murky visuals and distorted sound marring all previous home video versions, Jamaica Inn had the renowned Charles Laughton as supervising star and producer. Predictably, he and Hitchcock did not always see eye to eye as they jockeyed for authority on set. The result is a contentious...
- 5/19/2015
- by Jeremy Carr
- SoundOnSight
The Cabinet of Dr. Caligari
Directed by Robert Wiene
Written by Carl Mayer and Hans Janowitz
Germany, 1920
In the period of Germany’s Weimar Republic, a unique and volatile pre- and post-war era within a window of less than 20 years, the German people were experiencing a torrent of new ideological, social, and political shifts. What was once traditional and normal was giving way to the modern and unusual. What was typically viewed as quintessentially German was now being inundated by outside influences, by strange and foreign people and their imported cultural baggage. Whether or not these elements were as directly and obviously portrayed in movies as some like Siegfreid Kracauer and Lotte Eisner would argue (quite convincingly in many ways), there can be little doubt that film was influenced to one degree or another by this state of the German populous. The times were surely changing, and in no film...
Directed by Robert Wiene
Written by Carl Mayer and Hans Janowitz
Germany, 1920
In the period of Germany’s Weimar Republic, a unique and volatile pre- and post-war era within a window of less than 20 years, the German people were experiencing a torrent of new ideological, social, and political shifts. What was once traditional and normal was giving way to the modern and unusual. What was typically viewed as quintessentially German was now being inundated by outside influences, by strange and foreign people and their imported cultural baggage. Whether or not these elements were as directly and obviously portrayed in movies as some like Siegfreid Kracauer and Lotte Eisner would argue (quite convincingly in many ways), there can be little doubt that film was influenced to one degree or another by this state of the German populous. The times were surely changing, and in no film...
- 11/22/2014
- by Jeremy Carr
- SoundOnSight
Slovenian film Karpotrotter wins best documentary; No One’s Child gets audience awardScroll down for full list of winners
The 12th Zagreb Film Festival (Oct 19-26) ended with Georgian director Levan Koguashvili’s Blind Dates winning the main award of the festival, the Golden Pram and €4,000.
The Berlinale title, which also scooped prizes at Wiesbaden and Sofia, beat ten other first or second films by their directors.
Zeresenay Berhane Mehari’s Difret and Benedikt Erlingsson’s Of Horses And Men received special mentions from the jury comprised of producer Čedomir Kolar, director Konstantin Bojanov, and cinematographer Cesar Charlone.
The same jury also awarded Romania’s Andrei Creţulescu the Golden Pram for Best Short Film and €1,000 euro for his 18-minute Kowalski.
In the documentary competition, the jury made up of film theoretician Alice Bardan, and directors Željka Suková and Petra Seliškar, gave the Golden Pram for Best Documentary and €1,000 to Slovenian film-maker Matjaž Ivanišin’s Karpotrotter, a lyrical...
The 12th Zagreb Film Festival (Oct 19-26) ended with Georgian director Levan Koguashvili’s Blind Dates winning the main award of the festival, the Golden Pram and €4,000.
The Berlinale title, which also scooped prizes at Wiesbaden and Sofia, beat ten other first or second films by their directors.
Zeresenay Berhane Mehari’s Difret and Benedikt Erlingsson’s Of Horses And Men received special mentions from the jury comprised of producer Čedomir Kolar, director Konstantin Bojanov, and cinematographer Cesar Charlone.
The same jury also awarded Romania’s Andrei Creţulescu the Golden Pram for Best Short Film and €1,000 euro for his 18-minute Kowalski.
In the documentary competition, the jury made up of film theoretician Alice Bardan, and directors Željka Suková and Petra Seliškar, gave the Golden Pram for Best Documentary and €1,000 to Slovenian film-maker Matjaž Ivanišin’s Karpotrotter, a lyrical...
- 10/25/2014
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Accompanied by a strong presence of Tap producers at this year’s Tiff line-up, Trans Atlantic Partners (Tap), renowned international co-production training and networking program launches Module 2 of the 2014 edition in Halifax September 8th. Tap Producers will tackle a vast range of training topics and networking opportunities leading into the international coproduction market Strategic Partners, as part of the program.
Potsdam, Germany – After completing Module 1 in Berlin in June, The Erich Pommer Institut – Epi (Germany), new Presenting Partner Canadian Media Production Association – Cmpa (Canada), and the Independent Filmmaker Project – Ifp (USA) proudly present Module 2 of their annual intensive training and networking program for established producers from Europe, Canada, and the United States, in Halifax, Nova Scotia, September 8th- 14th. 22 experienced producers were selected from the target countries including, the UK, Germany, Czech Republic, Bulgaria, Greece, Denmark, Canada and USA to participate in the 6th edition.
Looking forward to the upcoming training unit, Tap Head of Studies, Jan Miller, comments, “With the strong presence of Tap producers at Tiff this year, we’re seeing tangible evidence that the training program in Berlin and Halifax is supporting the best in international producer talent.”
The Tap producers’ highlight list of films that premiere at Tiff include:
"Bang Bang Baby" produced by Daniel Bekerman (Tap 2013)
"Big Muddy"produced by Bob Crowe (Tap 2009)
"Cub" produced by Peter De Maegd (Tap 2009) and co-produced by Femke Wolting (Tap 2011)
"Dukhtar" co-produced by Shrihari Sathe (Tap 2013)
"Guidance" produced by Mike MacMillan (Tap 2014)
"Hole" produced by Laura Perlmutter and Andrew Nicholas McCann Smith (both Tap 2014)
"Shelter" produced by Katie Mustard (Tap 2014)
"Tigers" produced by Guneet Monga (Tap 2011)
"Voice Over" co-produced by Nicolas Comeau (Tap 2014)
"Wet Bum" produced by Paula Devonshire and Lauren Grant (both Tap 2013)
In Module 2, producers take part in a multi-facetted training programme including up-to-date topics on marketing and distribution and case studies. The list of experts and trainers is broad: Susan Shopmaker (Susan Shopmaker Casting, USA), Mark Horowitz (H20 Motion Pictures, USA), Mia Bays (Missing In Action Films, UK), Evan Schwartz (FilmBuff, USA), Jay van Hoy (Parts and Labor Films, USA), Marc Almon (Story Engine Pictures), Andrew Noble (Filmoption International) and Belgium producer Jean-Yves Roubin (Frakas Productions) as well as Phyllis Laing (Buffalo Gal Pictures). The Tap training leads directly into Strategic Partners where producers will participate in 3 days of b2b meetings, panels and keynote speakers at one of the world’s pre-eminent international co-production markets.
About Trans Atlantic Partners
Tap offers a unique combination of intensive, hands-on training with effective networking among potential partners, and targeted project feedback from resource trainers.
Tap alumni include internationally acclaimed producers such as Sol Bondy, Germany (Youth – bfi Award-nomination 2013), Peter Bouckaert, Belgium (Bullhead – Oscar®-nomination 2012), Marc- Daniel Dichant, Germany (In Darkness – Oscar®-nomination 2012), Anne-Marie Gelinas, Canada (Mars and Avril – Canadian Screen Awards 4 nominations 2013), Alexandra Johnes, USA (The House I Live in – Sundance Grand Jury Prize 2012), Bob Moore, Canada (China Heavyweight – Sundance Grand Jury Prize nomination 2012), Guneet Monga, India (Gangs of Wasseypur– Toronto & Cannes 2012, The Lunchbox – 2013 Cannes Critics’ Week Grand Rail d’ Or), and Ryan Zacharias, USA (I Used to Be Darker – Sundance & Berlin 2013). Presenting
Partners
The Erich Pommer Institut (Epi) is one of the leading centers in Europe for media law, media management, and media research. As a non-profit independent institute, our curriculum follows the process of media convergence through research, consultation and advanced training. Each year, Epi organizes and hosts close to 40 seminars, workshops, conferences and panels – for the German as well as the European media industry. www.epi-medieninstitut.de
The Canadian Media Production Association (Cmpa) is Canada's leading trade association for independent producers. The Cmpa represents more than 350 companies engaged in the production and distribution of English-language television programs, feature films and digital media. Together, the production sector generates almost $6 billion of activity annually and sustains 127,700 high-quality, full-time jobs. The Cmpa works on behalf of members to promote and stimulate the Canadian production industry to ensure the continued success of Canada's independent production sector and a future for Canadian content. www.cmpa.ca
The Independent Filmmaker Project (Ifp) is the U.S.'s oldest and largest not-for-profit advocacy organization for independent filmmakers. Ifp represents a network of 10,000 filmmakers in New York City and around the world, with a mission of ensuring that independent films enrich the universal language of cinema, seeding the global culture with new ideas, kindling awareness and fostering activism. www.ifp.org
Tap is supported by Telefilm Canada, Vff (Verwertungsgesellschaft der Film- und Fernsehproduzenten mbH) Germany, and Creative BC, Canada. Associate partner: Strategic Partners...
Potsdam, Germany – After completing Module 1 in Berlin in June, The Erich Pommer Institut – Epi (Germany), new Presenting Partner Canadian Media Production Association – Cmpa (Canada), and the Independent Filmmaker Project – Ifp (USA) proudly present Module 2 of their annual intensive training and networking program for established producers from Europe, Canada, and the United States, in Halifax, Nova Scotia, September 8th- 14th. 22 experienced producers were selected from the target countries including, the UK, Germany, Czech Republic, Bulgaria, Greece, Denmark, Canada and USA to participate in the 6th edition.
Looking forward to the upcoming training unit, Tap Head of Studies, Jan Miller, comments, “With the strong presence of Tap producers at Tiff this year, we’re seeing tangible evidence that the training program in Berlin and Halifax is supporting the best in international producer talent.”
The Tap producers’ highlight list of films that premiere at Tiff include:
"Bang Bang Baby" produced by Daniel Bekerman (Tap 2013)
"Big Muddy"produced by Bob Crowe (Tap 2009)
"Cub" produced by Peter De Maegd (Tap 2009) and co-produced by Femke Wolting (Tap 2011)
"Dukhtar" co-produced by Shrihari Sathe (Tap 2013)
"Guidance" produced by Mike MacMillan (Tap 2014)
"Hole" produced by Laura Perlmutter and Andrew Nicholas McCann Smith (both Tap 2014)
"Shelter" produced by Katie Mustard (Tap 2014)
"Tigers" produced by Guneet Monga (Tap 2011)
"Voice Over" co-produced by Nicolas Comeau (Tap 2014)
"Wet Bum" produced by Paula Devonshire and Lauren Grant (both Tap 2013)
In Module 2, producers take part in a multi-facetted training programme including up-to-date topics on marketing and distribution and case studies. The list of experts and trainers is broad: Susan Shopmaker (Susan Shopmaker Casting, USA), Mark Horowitz (H20 Motion Pictures, USA), Mia Bays (Missing In Action Films, UK), Evan Schwartz (FilmBuff, USA), Jay van Hoy (Parts and Labor Films, USA), Marc Almon (Story Engine Pictures), Andrew Noble (Filmoption International) and Belgium producer Jean-Yves Roubin (Frakas Productions) as well as Phyllis Laing (Buffalo Gal Pictures). The Tap training leads directly into Strategic Partners where producers will participate in 3 days of b2b meetings, panels and keynote speakers at one of the world’s pre-eminent international co-production markets.
About Trans Atlantic Partners
Tap offers a unique combination of intensive, hands-on training with effective networking among potential partners, and targeted project feedback from resource trainers.
Tap alumni include internationally acclaimed producers such as Sol Bondy, Germany (Youth – bfi Award-nomination 2013), Peter Bouckaert, Belgium (Bullhead – Oscar®-nomination 2012), Marc- Daniel Dichant, Germany (In Darkness – Oscar®-nomination 2012), Anne-Marie Gelinas, Canada (Mars and Avril – Canadian Screen Awards 4 nominations 2013), Alexandra Johnes, USA (The House I Live in – Sundance Grand Jury Prize 2012), Bob Moore, Canada (China Heavyweight – Sundance Grand Jury Prize nomination 2012), Guneet Monga, India (Gangs of Wasseypur– Toronto & Cannes 2012, The Lunchbox – 2013 Cannes Critics’ Week Grand Rail d’ Or), and Ryan Zacharias, USA (I Used to Be Darker – Sundance & Berlin 2013). Presenting
Partners
The Erich Pommer Institut (Epi) is one of the leading centers in Europe for media law, media management, and media research. As a non-profit independent institute, our curriculum follows the process of media convergence through research, consultation and advanced training. Each year, Epi organizes and hosts close to 40 seminars, workshops, conferences and panels – for the German as well as the European media industry. www.epi-medieninstitut.de
The Canadian Media Production Association (Cmpa) is Canada's leading trade association for independent producers. The Cmpa represents more than 350 companies engaged in the production and distribution of English-language television programs, feature films and digital media. Together, the production sector generates almost $6 billion of activity annually and sustains 127,700 high-quality, full-time jobs. The Cmpa works on behalf of members to promote and stimulate the Canadian production industry to ensure the continued success of Canada's independent production sector and a future for Canadian content. www.cmpa.ca
The Independent Filmmaker Project (Ifp) is the U.S.'s oldest and largest not-for-profit advocacy organization for independent filmmakers. Ifp represents a network of 10,000 filmmakers in New York City and around the world, with a mission of ensuring that independent films enrich the universal language of cinema, seeding the global culture with new ideas, kindling awareness and fostering activism. www.ifp.org
Tap is supported by Telefilm Canada, Vff (Verwertungsgesellschaft der Film- und Fernsehproduzenten mbH) Germany, and Creative BC, Canada. Associate partner: Strategic Partners...
- 9/7/2014
- by Sydney Levine
- Sydney's Buzz
Ifp will advise international film and TV productions “in the areas of film financing and the provision of technical services with a special focus on Germany”.
Former Deutsche Bank executive Bernie Stampfer and outgoing Bavaria Film Partners (Bfp) managing director Markus Vogelbacher [pictured] have joined forces to launch the film financing broker and consultancy International Film Partners (Ifp) Entertainment.
According to Stampfer and Vogelbacher, Ifp will advise international film and TV productions “in the areas of film financing and the provision of technical services with a special focus on Germany”.
The new company will have a presence in Munich, Berlin, London, Los Angeles, Moscow and Hong Kong thanks to the partners’ wide network of contacts.
With the establishment of Ifp, Munich-based Bavaria Film closed down operations of its 100% subsidiary Bfp at the end of last month.
Bfp had been managed by Vogelbacher since being set up in February 2011 specifically to attract international service-driven co-productions to Germany and to...
Former Deutsche Bank executive Bernie Stampfer and outgoing Bavaria Film Partners (Bfp) managing director Markus Vogelbacher [pictured] have joined forces to launch the film financing broker and consultancy International Film Partners (Ifp) Entertainment.
According to Stampfer and Vogelbacher, Ifp will advise international film and TV productions “in the areas of film financing and the provision of technical services with a special focus on Germany”.
The new company will have a presence in Munich, Berlin, London, Los Angeles, Moscow and Hong Kong thanks to the partners’ wide network of contacts.
With the establishment of Ifp, Munich-based Bavaria Film closed down operations of its 100% subsidiary Bfp at the end of last month.
Bfp had been managed by Vogelbacher since being set up in February 2011 specifically to attract international service-driven co-productions to Germany and to...
- 9/7/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The Erich Pommer Institut (Epi) in association with MediaXchange presents the European TV Drama Series Lab (TV Lab) for its third edition starting yesterday in Berlin. The nominated participants – top writers, producers and broadcasters from across Europe – will get valuable insights into the latest trends and up-to-date success stories of the TV series industry by internationally acclaimed TV experts.
The Erich Pommer Institut and MediaXchange designed and established the European TV Drama Series Lab to become one of the major international TV training programs, which hit the nerve of the industry. It annually generates new potential and ideas. No wonder, the line-up of confirmed speakers for July 2014 consists of a range of renowned TV experts who are willing to share their experiences and expertise: Glen Mazzara, Executive Producer "The Walking Dead,""Hawthorne"and "The Shield," U.S.; Nicolas Brown, Director, Film & TV - Neal Street Productions (formerly Director, UK Drama Production BBC); Peter Nadermann, Executive Producer "The Bridge" I, II, III, "The Team", CEO, NadCon-Film GmbH, Germany; Zak Shaikh, Head of U.S Consultancy, Attentional, U.S; Jean Philippe De Tender, Director Television, Vrt, Belgium.
Already in prior years, top industry players were part of the TV Lab. Some of the figures : Piv Bernth ("Borgen") Denmark; Anne Bjørnstad ("Lilyhammer"), Norway; Carol Flint ( "The West Wing","ER".), USA; James Manos Jr. ("Dexter", "The Sopranos"); U.S, Simon Mirren ("Criminal Minds", "Without a Trace"), U.K/Us; Frank Spotnitz (The X-Files,), U.S/U.K.
The TV Lab is aimed at screenwriters, producers and commissioning editors and examines the components that are essential for a successful TV series. Think Tanks provide the participants with the opportunity to apply their gained knowledge to the European market. Brand new European case studies will pave the way to innovative and successful series formats. Moreover, the participants will profit from an excellent networking opportunity – an essential factor for success. The program is supported by the Media 2007 Program of the EU and the Medienboard Berlin-Brandenburg.
An Open Session will be held on July 3, 2014 for the local industry and reporting journalists and is organized in co-operation with the Creative Europe Desk Berlin-Brandenburg and the Medienboard Berlin-Brandenburg.
The Erich Pommer Institut and MediaXchange designed and established the European TV Drama Series Lab to become one of the major international TV training programs, which hit the nerve of the industry. It annually generates new potential and ideas. No wonder, the line-up of confirmed speakers for July 2014 consists of a range of renowned TV experts who are willing to share their experiences and expertise: Glen Mazzara, Executive Producer "The Walking Dead,""Hawthorne"and "The Shield," U.S.; Nicolas Brown, Director, Film & TV - Neal Street Productions (formerly Director, UK Drama Production BBC); Peter Nadermann, Executive Producer "The Bridge" I, II, III, "The Team", CEO, NadCon-Film GmbH, Germany; Zak Shaikh, Head of U.S Consultancy, Attentional, U.S; Jean Philippe De Tender, Director Television, Vrt, Belgium.
Already in prior years, top industry players were part of the TV Lab. Some of the figures : Piv Bernth ("Borgen") Denmark; Anne Bjørnstad ("Lilyhammer"), Norway; Carol Flint ( "The West Wing","ER".), USA; James Manos Jr. ("Dexter", "The Sopranos"); U.S, Simon Mirren ("Criminal Minds", "Without a Trace"), U.K/Us; Frank Spotnitz (The X-Files,), U.S/U.K.
The TV Lab is aimed at screenwriters, producers and commissioning editors and examines the components that are essential for a successful TV series. Think Tanks provide the participants with the opportunity to apply their gained knowledge to the European market. Brand new European case studies will pave the way to innovative and successful series formats. Moreover, the participants will profit from an excellent networking opportunity – an essential factor for success. The program is supported by the Media 2007 Program of the EU and the Medienboard Berlin-Brandenburg.
An Open Session will be held on July 3, 2014 for the local industry and reporting journalists and is organized in co-operation with the Creative Europe Desk Berlin-Brandenburg and the Medienboard Berlin-Brandenburg.
- 7/2/2014
- by Sydney Levine
- Sydney's Buzz
Exclusive: 22 producers from across Europe, Canada and the Us to take part in this year’s training programme.
Internationally renowned training programme Trans Atlantic Partners (Tap) has unveiled its participants for this year’s edition.
The 22 producers from across Europe, Canada and the Us were selected by the Erich Pommer Institut (Epi) (Germany), new presenting partner Canadian Media Production Association (Cmpa) (Canada) and The Independent Filmmaker Project (USA).
Tap’s sixth edition will be incorporated into two training modules taking place in Berlin (June 17-22) and Halifax (Sept 8-14), and the producers will also participate as full delegates at the Atlantic Film Festival’s Strategic Partners.
Nadja Radojevic, Epi’s head of international training, commented: “Thanks to the excellent collaboration among the three Presenting Partners we can once more include a great line-up of experts, seminars and workshops. And of course, we are delighted to have acquired so many talented and experienced producers.
Experts for this...
Internationally renowned training programme Trans Atlantic Partners (Tap) has unveiled its participants for this year’s edition.
The 22 producers from across Europe, Canada and the Us were selected by the Erich Pommer Institut (Epi) (Germany), new presenting partner Canadian Media Production Association (Cmpa) (Canada) and The Independent Filmmaker Project (USA).
Tap’s sixth edition will be incorporated into two training modules taking place in Berlin (June 17-22) and Halifax (Sept 8-14), and the producers will also participate as full delegates at the Atlantic Film Festival’s Strategic Partners.
Nadja Radojevic, Epi’s head of international training, commented: “Thanks to the excellent collaboration among the three Presenting Partners we can once more include a great line-up of experts, seminars and workshops. And of course, we are delighted to have acquired so many talented and experienced producers.
Experts for this...
- 6/12/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Case studies on Nymphomanic and The Monuments Men will run alongside sessions with experts from HBO, NBC Universal and Sony Pictures Entertainment among others.
The Erich Pommer Institut has unveiled its line-up of speakers for its four-day event Clearing Rights for Film and TV.
The seminar, which will run from April 9-13 on Mallorca, will aim to share information on identifying and clearing rights fast and effectively through case studies demonstrating best practice and strategies.
Case studies will focus on Nymphomaniac, The Monuments Men, The Bourne Supremacy, The King’s Speech, Borat and Italian for Beginners.
The expert line-up includes:
Henning Brehm, Design Tourist, GermanyDr. Martin Diesbach, Noerr Llp, Germany (Head of Studies)Sylvia Hess LL.M., Red Bull Media House, AustriaCaroline Kean, Wiggin Llp, UKAnders Kjærhauge, Zentropa, DenmarkGillian M. Lusins, NBC Universal, USKai May, Unverzagt von Have, GermanyChris Newton, Principia Underwriting, UKStephen Sass, HBO, USAimée Wolfson, Sony Pictures Entertainment, Us
Topics...
The Erich Pommer Institut has unveiled its line-up of speakers for its four-day event Clearing Rights for Film and TV.
The seminar, which will run from April 9-13 on Mallorca, will aim to share information on identifying and clearing rights fast and effectively through case studies demonstrating best practice and strategies.
Case studies will focus on Nymphomaniac, The Monuments Men, The Bourne Supremacy, The King’s Speech, Borat and Italian for Beginners.
The expert line-up includes:
Henning Brehm, Design Tourist, GermanyDr. Martin Diesbach, Noerr Llp, Germany (Head of Studies)Sylvia Hess LL.M., Red Bull Media House, AustriaCaroline Kean, Wiggin Llp, UKAnders Kjærhauge, Zentropa, DenmarkGillian M. Lusins, NBC Universal, USKai May, Unverzagt von Have, GermanyChris Newton, Principia Underwriting, UKStephen Sass, HBO, USAimée Wolfson, Sony Pictures Entertainment, Us
Topics...
- 3/11/2014
- ScreenDaily
The Canadian Media Production Association partners on training programming.
International co-production training and networking program Trans Atlantic Partners (Tap) has secured the Canadian Media Production Association (Cmpa) as its new Canadian Presenting Partner.
The move is intended to expand Tap’s network within the Canadian independent production market, where Cmpa represents around 350 indies.
Previous Canadian Presenting Partner, the Atlantic Film Festival’s Strategic Partners, will continue to build on its five-year collaboration by remaining an integral part of the Tap programme.
Cmpa joins the Erich Pommer Institut (Germany) and Ifp (Us) as Presenting Partners for Tap 2014.
The international coproduction market Strategic Partners will remain a key component of Module 2 in Halifax, Nova Scotia, continuing to offer Tap producers access to the world market as part of the annual Tap program.
The three-module training programme is for producers with co-production and co-venture projects in development.
International co-production training and networking program Trans Atlantic Partners (Tap) has secured the Canadian Media Production Association (Cmpa) as its new Canadian Presenting Partner.
The move is intended to expand Tap’s network within the Canadian independent production market, where Cmpa represents around 350 indies.
Previous Canadian Presenting Partner, the Atlantic Film Festival’s Strategic Partners, will continue to build on its five-year collaboration by remaining an integral part of the Tap programme.
Cmpa joins the Erich Pommer Institut (Germany) and Ifp (Us) as Presenting Partners for Tap 2014.
The international coproduction market Strategic Partners will remain a key component of Module 2 in Halifax, Nova Scotia, continuing to offer Tap producers access to the world market as part of the annual Tap program.
The three-module training programme is for producers with co-production and co-venture projects in development.
- 11/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Exclusive: Participants include Germany’s Sol Bondy, Jennifer Fox [pictured] from the Us, and Canada’s Lauren Grant.
Trans Atlantic Partners (Tap), the intensive training and networking programme for European Canadian and American producers, has announced the 26 participants selected for this year’s programme.
Partners on the initiative, which is now four years old, are the Erich Pommer Institut in Potsdam, Germany (the creator of Tap), Strategic Partners in Halifax, Canada and Ifp in New York. The scheme also includes observer producers from India and Mexico.
Tap is supported by the Media Mundus Programme of the European Union, by Telefilm Canada, and Vff (Verwertungsgesellschaft der Film- und Fernsehproduzenten mbH) Germany.
The three training modules are taking place in Berlin, Halifax and New York City between June and September 2013. The selected producers also participate in the Atlantic Film Festival’s Strategic Partners and the Ifp’s Independent Film Week in New York.
Nadja Radojevic...
Trans Atlantic Partners (Tap), the intensive training and networking programme for European Canadian and American producers, has announced the 26 participants selected for this year’s programme.
Partners on the initiative, which is now four years old, are the Erich Pommer Institut in Potsdam, Germany (the creator of Tap), Strategic Partners in Halifax, Canada and Ifp in New York. The scheme also includes observer producers from India and Mexico.
Tap is supported by the Media Mundus Programme of the European Union, by Telefilm Canada, and Vff (Verwertungsgesellschaft der Film- und Fernsehproduzenten mbH) Germany.
The three training modules are taking place in Berlin, Halifax and New York City between June and September 2013. The selected producers also participate in the Atlantic Film Festival’s Strategic Partners and the Ifp’s Independent Film Week in New York.
Nadja Radojevic...
- 6/13/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
So Independent Film Week is finally around the corner…coming to you from Halifax, Nova Scotia, Canada within Strategic Partners, the second module of the Taps program 2011.
After a superb week in Berlin, back in June, on module one with the Erich Pommer Institut, expectations are high!
I am attending all three modules with our third project, feature fiction adventure Hector & Himself, a Dickensian style contemporary fable, which finds the protagonist, 25-year-old Hector, setting foot outside his attic room for the first time, after dreaming up an imaginary friend, Henry. His deranged mother has kept him drugged and locked up after his baby twin brother was snatched by a rabid fox in the dead of the night.
The project is in early pre-production and I am excited to meet future potential collaborators to progress into production.
With that in mind, my focus and drive for Ifp is on further sales interest,...
After a superb week in Berlin, back in June, on module one with the Erich Pommer Institut, expectations are high!
I am attending all three modules with our third project, feature fiction adventure Hector & Himself, a Dickensian style contemporary fable, which finds the protagonist, 25-year-old Hector, setting foot outside his attic room for the first time, after dreaming up an imaginary friend, Henry. His deranged mother has kept him drugged and locked up after his baby twin brother was snatched by a rabid fox in the dead of the night.
The project is in early pre-production and I am excited to meet future potential collaborators to progress into production.
With that in mind, my focus and drive for Ifp is on further sales interest,...
- 9/18/2011
- by Helen Alexander
- Filmmaker Magazine - Blog
Twenty-four producers from Canada, Europe and the United States have been selected to participate in Trans Atlantic Partners, co-presented by Canada’s Strategic Partners, Germany’s Erich Pommer Institut and New York’s Independent Filmmaker Project. The 2011 event is an intensive, three-module film training program for producers seeking co-production and co-venture professional development. It kicks off in Berlin in June before moving to Halifax and New York in September. The Strategic Partners’ call for producer applications and industry registrations is now open. Deadline is July 11. Apply online at http://www.atlanticfilm.com/sp Some of the highlights: - Canadians Karyn Edwards, Brightlight Pictures, Vancouver (Fifty…...
- 5/12/2011
- Sydney's Buzz
Toronto -- Canadian indie producer Impatient Pictures has turned two European feature film projects into international co-production deals with Canuck financing and creative elements.
While attending the Trans Atlantic Partners co-production conference in Berlin, Impatient's Gregory MacKenzie transformed "Dreamland," a futuristic Bulgarian film written and produced by Svetoslav Doytchinov, into a 50-50 co-production.
The movie will be shot in Sofia, Bulgaria with a mix of Canadian and Bulgarian talent and financing, before posting in Canada.
MacKenzie also partnered with British producer Jamie Nuttgens ("Red Riding," "The Bill") to co-produce "Birthday Girl," a family comedy to be shot in Vancouver by British writer/director Smita Bhide, with posting in London.
MacKenzie is only the latest Canadian movie producer to embrace international co-productions at the urging of a federal government looking to see local producers find cash and long-term relationships abroad.
"Risk is shared among the co-production partners, and the benefits of...
While attending the Trans Atlantic Partners co-production conference in Berlin, Impatient's Gregory MacKenzie transformed "Dreamland," a futuristic Bulgarian film written and produced by Svetoslav Doytchinov, into a 50-50 co-production.
The movie will be shot in Sofia, Bulgaria with a mix of Canadian and Bulgarian talent and financing, before posting in Canada.
MacKenzie also partnered with British producer Jamie Nuttgens ("Red Riding," "The Bill") to co-produce "Birthday Girl," a family comedy to be shot in Vancouver by British writer/director Smita Bhide, with posting in London.
MacKenzie is only the latest Canadian movie producer to embrace international co-productions at the urging of a federal government looking to see local producers find cash and long-term relationships abroad.
"Risk is shared among the co-production partners, and the benefits of...
- 6/30/2010
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
31 days to Cannes gives me 31 days to profile international sales agents of my choice. As they announce the festival entries April 15, I want to begin with Ufa whose name opens vistas into film history and today has a film tipped for the festival:
Die Komenden Tage aka The Days To Come by Lars Kraume produced by Badlands Film and by the venerable Ufa Studio, the lives of a middle-class Berlin family unfold from the present day into a realistic near future, a time of great uncertainty and change as siblings deal with their hopes and fears as they face their future in a destabilised world.
Besides this, they are producing one of my all times favorite novels, a property handled in the 90s by German uber agent Sigrid Narjes (Above The Line Agency). Together we tried unsuccessfully to find interested Us coproducers. The Physician, based on Noah Gordon’s international...
Die Komenden Tage aka The Days To Come by Lars Kraume produced by Badlands Film and by the venerable Ufa Studio, the lives of a middle-class Berlin family unfold from the present day into a realistic near future, a time of great uncertainty and change as siblings deal with their hopes and fears as they face their future in a destabilised world.
Besides this, they are producing one of my all times favorite novels, a property handled in the 90s by German uber agent Sigrid Narjes (Above The Line Agency). Together we tried unsuccessfully to find interested Us coproducers. The Physician, based on Noah Gordon’s international...
- 4/14/2010
- by Sydney
- Sydney's Buzz
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