David’s Quick Take for the Tl;Dr Media Consumer:
Genocide is the fourth and final title included in Eclipse Series 37: When Horror Came to Shochiku, a box set containing the sum total of a short lived experiment that the fabled Japanese studio conducted in the late 1960s. For a movie that doesn’t feature any giant monsters stomping on buildings or blasting victims with exploding laser beams, it otherwise manages to tick off just about every other item associated with Japanese post-apocalyptic sci-fi horror disaster cliches of its era:
a solemn moralistic condemnation of militarized atomic weaponry that both opens and closes the film in a book-ending framework the valiant effort of a few ordinary heroes who bravely put their lives at risk in order to save humanity from its self-inflicted demise involvement of hostile aliens who determine that humans are unworthy to survive after squandering the opportunity...
Genocide is the fourth and final title included in Eclipse Series 37: When Horror Came to Shochiku, a box set containing the sum total of a short lived experiment that the fabled Japanese studio conducted in the late 1960s. For a movie that doesn’t feature any giant monsters stomping on buildings or blasting victims with exploding laser beams, it otherwise manages to tick off just about every other item associated with Japanese post-apocalyptic sci-fi horror disaster cliches of its era:
a solemn moralistic condemnation of militarized atomic weaponry that both opens and closes the film in a book-ending framework the valiant effort of a few ordinary heroes who bravely put their lives at risk in order to save humanity from its self-inflicted demise involvement of hostile aliens who determine that humans are unworthy to survive after squandering the opportunity...
- 11/28/2016
- by David Blakeslee
- CriterionCast
This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this first episode of a two-part series, David and Trevor are joined by Pablo Knote to discuss two films (Black Sun and Thirst for Love) from Eclipse Series 28: The Warped World of Koreyoshi Kurahara.
About the films:
Over the course of his varied career, Koreyoshi Kurahara made meticulous noirs, jazzy juvenile-delinquency pictures, and even nature films. His free-form approach to moviemaking was perfectly suited to the radical spirit of the 1960s, when he was one of the biggest hit makers working at the razzle-dazzle, youth-oriented Nikkatsu studios. The five films collected here hail from that era of the Japanese New Wave, and encompass breathless teen escapades, cruel crime stories, a Yukio Mishima adaptation, and even a Hollywood-inspired romantic comedy.
About the films:
Over the course of his varied career, Koreyoshi Kurahara made meticulous noirs, jazzy juvenile-delinquency pictures, and even nature films. His free-form approach to moviemaking was perfectly suited to the radical spirit of the 1960s, when he was one of the biggest hit makers working at the razzle-dazzle, youth-oriented Nikkatsu studios. The five films collected here hail from that era of the Japanese New Wave, and encompass breathless teen escapades, cruel crime stories, a Yukio Mishima adaptation, and even a Hollywood-inspired romantic comedy.
- 7/14/2016
- by David Blakeslee
- CriterionCast
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