Margarethe von Trotta's German SistersWith neuroscientists increasingly proving that brain knows no gender difference, discussing a female mind or gaze is becoming passé. But this doesn’t mean our brains aren’t constantly being shaped; on the contrary, the more social structures deprive us of rich experiences, scientists say, the more likely this deprivation has a lasting impact. Such sense of daily deprivation powered the "Self-Determined. Perspectives of Women Filmmakers" program at the 69th Berlin International Film Festival. The retrospective included films from 1968 to 1999. Considering the program’s thematic and stylistic breadth, I puzzled at first over its paradoxical billing: The retrospective presented pioneers of German cinema; famous, and yet, vastly unknown. Margarethe von Trotta, whose brilliant Die Bleierne Zeit showed in the retrospective, is no stranger to American viewers. But von Trotta confessed to not knowing some of her peers’ works. Finally, the head of the retrospective and...
- 2/28/2019
- MUBI
Following the Persian New Year of Nowruz * arrive the eight days of the festival where the last works of great filmmakers such as Andrzej Wajda, Cristian Mongiu, Dardenne brothers, Denis Tanovic, Francois Ozon, Sion Sono, Agnieszka Holland, Aki Kaurismaki, Terrence Malick, Ken Loach and three Iranian Masters of Cinema will screen along with several special sidebars.
For the first time in Fajr International Film Festival, Shadow of Horror Midnight Screenings will host six horror films screening, every night at 11:30 pm in a program designed to entice an unaccustomed Iranian audience’s attention to this genre. Five of the features are from South Korea, Japan, Russia, Poland and Mexico. The sixth, an Iranian feature will have its International Premiere.
At least 68 students from 32 countries as well as 52 students from Iran are to take part in the inspiring, educational film making workshops of the 2017 Fajr. The program is called “Darol Fonoun...
For the first time in Fajr International Film Festival, Shadow of Horror Midnight Screenings will host six horror films screening, every night at 11:30 pm in a program designed to entice an unaccustomed Iranian audience’s attention to this genre. Five of the features are from South Korea, Japan, Russia, Poland and Mexico. The sixth, an Iranian feature will have its International Premiere.
At least 68 students from 32 countries as well as 52 students from Iran are to take part in the inspiring, educational film making workshops of the 2017 Fajr. The program is called “Darol Fonoun...
- 4/20/2017
- by Sydney Levine
- Sydney's Buzz
The Museum of Modern Art’s festival of film preservation, To Save and Project, "feels like a yearly miracle," writes R. Emmet Sweeney in an overview of this year's edition for Film Comment. Among the highlights: Otto Rippert's Homunculus, Norman Foster's Woman on the Run, Ewald André Dupont's Verieté, Michel Brault's Les Ordres, Helma Sanders-Brahm's Germany, Pale Mother, Mário Peixoto's Limite, William K. Howard's The Trial of Vivienne Ware, Chantal Akerman's I, You, He, She, Ebrahim Golestan's The Brick and the Mirror, Orson Welles's The Deep and Ahmed El Maanouni's Oh the Days!. » - David Hudson...
- 11/5/2015
- Fandor: Keyframe
The Museum of Modern Art’s festival of film preservation, To Save and Project, "feels like a yearly miracle," writes R. Emmet Sweeney in an overview of this year's edition for Film Comment. Among the highlights: Otto Rippert's Homunculus, Norman Foster's Woman on the Run, Ewald André Dupont's Verieté, Michel Brault's Les Ordres, Helma Sanders-Brahm's Germany, Pale Mother, Mário Peixoto's Limite, William K. Howard's The Trial of Vivienne Ware, Chantal Akerman's I, You, He, She, Ebrahim Golestan's The Brick and the Mirror, Orson Welles's The Deep and Ahmed El Maanouni's Oh the Days!. » - David Hudson...
- 11/5/2015
- Keyframe
★★★★★ Ben Cresciman's intense psychological horror film Sun Choke (2015) is the story of a woman staring into the abyss of nothingness and liking what she sees: absolute nothing, a retreat from the chaos of the light. It's been likened to grand auteurs such as Bergman, Lynch and Polanski, and those debts are easily enough to pull out. However, the director's approach and 'treatment' of his protagonist, Janie (the astoundingly good Sarah Hagan), and the depiction of her mental illness and form of disassociation is perhaps more informed and closer in spirit to the 1981 German production, No Mercy, No Future, by Helma Sanders-Brahms.
- 9/5/2015
- by CineVue UK
- CineVue
Continued from this article
Part I. Denazifying Leni
After World War II, Leni Riefenstahl couldn’t escape the Fuhrer’s shadow. Arrested first by American, then French troops, her property and money seized, she endured interrogations about her ties to the regime. Riefenstahl argued she’d been coerced into making propaganda and wasn’t aware of Nazi atrocities. The image stuck: three denazification tribunals acquitted her (one cautiously branding her a “fellow traveler”), and Riefenstahl began the road to rehabilitation.
More diligent investigators challenged her self-portrait. In 1946, American journalist Budd Schulberg interviewed Riefenstahl for the Saturday Evening Post. Riefenstahl claimed she didn’t know about Nazi concentration camps. Later, asked why she made Triumph of the Will, Riefenstahl claimed Joseph Goebbels threatened her with a concentration camp. Disgusted with Riefenstahl’s self-serving contradictions, Schulberg labeled her a “Nazi Pin-Up Girl.”
Then the German tabloid Revue published a damning article in...
Part I. Denazifying Leni
After World War II, Leni Riefenstahl couldn’t escape the Fuhrer’s shadow. Arrested first by American, then French troops, her property and money seized, she endured interrogations about her ties to the regime. Riefenstahl argued she’d been coerced into making propaganda and wasn’t aware of Nazi atrocities. The image stuck: three denazification tribunals acquitted her (one cautiously branding her a “fellow traveler”), and Riefenstahl began the road to rehabilitation.
More diligent investigators challenged her self-portrait. In 1946, American journalist Budd Schulberg interviewed Riefenstahl for the Saturday Evening Post. Riefenstahl claimed she didn’t know about Nazi concentration camps. Later, asked why she made Triumph of the Will, Riefenstahl claimed Joseph Goebbels threatened her with a concentration camp. Disgusted with Riefenstahl’s self-serving contradictions, Schulberg labeled her a “Nazi Pin-Up Girl.”
Then the German tabloid Revue published a damning article in...
- 7/18/2015
- by Christopher Saunders
- SoundOnSight
(Helma Sanders-Brahms, 1980; BFI, Blu-ray, 15)
The German feminist film-maker Helma Sanders-Brahms, who died last year at the age of 73, was a key figure in the New German Cinema movement of the 1970s and 80s alongside such figures as Werner Herzog, Wim Wenders and Rainer Werner Fassbinder, also born during or shortly after the second world war and dealing with similar issues raised by the Nazi era and its aftermath. Her best-known, most widely exhibited picture, is the harrowing, semi-autobiographical Germany, Pale Mother, the title taken from a poem written by Bertolt Brecht in 1933, the year he went into exile, of which the key lines are: “O Germany pale mother / How you sit defiled / Among the peoples!”
Continue reading...
The German feminist film-maker Helma Sanders-Brahms, who died last year at the age of 73, was a key figure in the New German Cinema movement of the 1970s and 80s alongside such figures as Werner Herzog, Wim Wenders and Rainer Werner Fassbinder, also born during or shortly after the second world war and dealing with similar issues raised by the Nazi era and its aftermath. Her best-known, most widely exhibited picture, is the harrowing, semi-autobiographical Germany, Pale Mother, the title taken from a poem written by Bertolt Brecht in 1933, the year he went into exile, of which the key lines are: “O Germany pale mother / How you sit defiled / Among the peoples!”
Continue reading...
- 7/12/2015
- by Philip French
- The Guardian - Film News
Olivier Assayas has managed to squeeze 22 films onto his list of top ten Criterion releases. His #1: Luchino Visconti's The Leopard. And we've rounded up reviews of three crime dramas by Yasujiro Ozu, Jean-Pierre Melville's Le silence de la mer, Jean Renoir's The River, Rainer Werner Fassbinder's The Merchant of Four Seasons, Helma Sanders-Brahms’s Germany Pale Mother, Charlie Chaplin's Limelight, Mario Bava's Blood and Black Lace, Walerian Borowczyk's The Strange Case of Dr. Jekyll and Miss Osbourne and twelve films by Koji Wakamatzu. Plus two video interviews with Costa-Gavras and reviews of his Z, The Confession and State of Siege. » - David Hudson...
- 6/3/2015
- Fandor: Keyframe
Olivier Assayas has managed to squeeze 22 films onto his list of top ten Criterion releases. His #1: Luchino Visconti's The Leopard. And we've rounded up reviews of three crime dramas by Yasujiro Ozu, Jean-Pierre Melville's Le silence de la mer, Jean Renoir's The River, Rainer Werner Fassbinder's The Merchant of Four Seasons, Helma Sanders-Brahms’s Germany Pale Mother, Charlie Chaplin's Limelight, Mario Bava's Blood and Black Lace, Walerian Borowczyk's The Strange Case of Dr. Jekyll and Miss Osbourne and twelve films by Koji Wakamatzu. Plus two video interviews with Costa-Gavras and reviews of his Z, The Confession and State of Siege. » - David Hudson...
- 6/3/2015
- Keyframe
Browse all the sections of the 58th London Film Festival (Oct 8-18) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Opening Night
The Imitation Game (UK-us)
dir. Morten Tyldum
Closing Night
Fury (Us)
dir. David Ayer
GalasTitlePremFoxcatcher (Us)
dir. Bennett MillerUKWhiplash (Us)
dir. Damien ChazelleUKMen, Women And Children (Us)
dir. Jason ReitmanEPWild (Us)
dir. Jean-Marc ValleeEPTestament Of Youth (UK)
dir. James KentWPMr. Turner (UK)
dir. Mike LeighUKThe Battles Of Coronel And Falkland Islands (UK)
dir. Walter Summers Rosewater (Us)
dir. Jon StewartEPMommy (Can)
dir. Xavier DolanUKA Little Chaos (UK)
dir. Alan RickmanEPWild Tales (Arg)
dir. Damián SzifrónUKThe Salvation (Den)
dir. Kristian Levring The White Haired Witch Of Lunar Kingdom (Chi)
dir. Jacob CheungIPWinter Sleep (Tur)
dir. Nuri Bilge CeylanUKBjork: Biophilia Live (UK)
dir. Nick Fenton, Peter StricklandUKSong Of The Sea (Ire)
dir. Tomm MooreEPOfficial...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Opening Night
The Imitation Game (UK-us)
dir. Morten Tyldum
Closing Night
Fury (Us)
dir. David Ayer
GalasTitlePremFoxcatcher (Us)
dir. Bennett MillerUKWhiplash (Us)
dir. Damien ChazelleUKMen, Women And Children (Us)
dir. Jason ReitmanEPWild (Us)
dir. Jean-Marc ValleeEPTestament Of Youth (UK)
dir. James KentWPMr. Turner (UK)
dir. Mike LeighUKThe Battles Of Coronel And Falkland Islands (UK)
dir. Walter Summers Rosewater (Us)
dir. Jon StewartEPMommy (Can)
dir. Xavier DolanUKA Little Chaos (UK)
dir. Alan RickmanEPWild Tales (Arg)
dir. Damián SzifrónUKThe Salvation (Den)
dir. Kristian Levring The White Haired Witch Of Lunar Kingdom (Chi)
dir. Jacob CheungIPWinter Sleep (Tur)
dir. Nuri Bilge CeylanUKBjork: Biophilia Live (UK)
dir. Nick Fenton, Peter StricklandUKSong Of The Sea (Ire)
dir. Tomm MooreEPOfficial...
- 9/3/2014
- ScreenDaily
The German film industry is mourning the passing of film-maker Helma Sanders-Brahms, one of the leading women directors of the New German Cinema with a broad international following, at the age of 73 after a long illness.
Over the course of a 40 year career, Sanders-Brahms wrote and directed 16 fiction films and seven documentaries, including Beneath The Paving Stones is the Beach (1975), Shirin’s Wedding (1976), Heinrich (1976/77), Germany, Pale Mother (1980), The Future Of Emily (1984), and more recently Geliebte Clara (2008).
“She was like not other a committed and passionate film-maker, active in documentaries as well in fiction films,” said Ulrich Gregor, former head of the Berlinale’s Forum. “Her film Germany, Pale Mother is a milestone in German film history. Her death opens a painful rift in the film landscape.“
It was only this February that Germany, Pale Mother - voted in the Us as one of the “Classics of Cinema” - was presented in a reconstructed and digitally restored original...
Over the course of a 40 year career, Sanders-Brahms wrote and directed 16 fiction films and seven documentaries, including Beneath The Paving Stones is the Beach (1975), Shirin’s Wedding (1976), Heinrich (1976/77), Germany, Pale Mother (1980), The Future Of Emily (1984), and more recently Geliebte Clara (2008).
“She was like not other a committed and passionate film-maker, active in documentaries as well in fiction films,” said Ulrich Gregor, former head of the Berlinale’s Forum. “Her film Germany, Pale Mother is a milestone in German film history. Her death opens a painful rift in the film landscape.“
It was only this February that Germany, Pale Mother - voted in the Us as one of the “Classics of Cinema” - was presented in a reconstructed and digitally restored original...
- 5/28/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The Berlin International Film Festival is celebrating its opening today, on February 7, 2013 at 7.30 pm. After a few words of greeting from Minister of State for Cultural and Media Affairs Bernd Neumann and Governing Mayor of Berlin Klaus Wowereit, the Festival will be officially opened by Jury President Wong Kar Wai (Hong Kong, China) and Berlinale Director Dieter Kosslick. The International Jury – whose other members are Susanne Bier (Denmark), Andreas Dresen (Germany), Ellen Kuras (USA), Shirin Neshat (Iran), Tim Robbins (USA) and Athina Rachel Tsangari (Greece) – will also be introduced during the gala. Anke Engelke will again host the evening. This year’s music will be provided by Ulrich Tukur & Die Rhythmus Boys. 3sat will be broadcasting the opening live. Ziyi Zhang in Yi dai zong shi (The Grandmaster) by Wong Kar Wai Following the gala, Wong Kar Wai’s epic martial-arts drama The Grandmaster will have its international premiere. The director and his leading actors,...
- 2/7/2013
- by hnblog@hollywoodnews.com (Hollywood News Team)
- Hollywoodnews.com
Above: Juan Gatti’s original Spanish poster for Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain).
After covering the posters for the very first and the current New York Film Festivals, I thought it might be fitting, in this last year of Richard Peña’s tenure as Program Director and Selection Committee Chairman of the festival, to gather all the posters from Peña’s very first Nyff, 24 years ago.
In the current edition of Film Comment—an essential souvenir of the history of the festival to date, complete with a list of every feature film to have played the festival in its 50 years—Gavin Smith writes that “The 25-film lineup of the 1988 Nyff was partly a reflection of the decade’s drift and uncertainty—two came from Nyff veterans (Sergei Paradjanov, Marcel Ophuls), two were post-Glasnost rediscoveries (Andrei Konchalovsky, Larissa Shepitko), and nine were bets that didn...
After covering the posters for the very first and the current New York Film Festivals, I thought it might be fitting, in this last year of Richard Peña’s tenure as Program Director and Selection Committee Chairman of the festival, to gather all the posters from Peña’s very first Nyff, 24 years ago.
In the current edition of Film Comment—an essential souvenir of the history of the festival to date, complete with a list of every feature film to have played the festival in its 50 years—Gavin Smith writes that “The 25-film lineup of the 1988 Nyff was partly a reflection of the decade’s drift and uncertainty—two came from Nyff veterans (Sergei Paradjanov, Marcel Ophuls), two were post-Glasnost rediscoveries (Andrei Konchalovsky, Larissa Shepitko), and nine were bets that didn...
- 10/6/2012
- by Adrian Curry
- MUBI
A look at what's new on DVD today:
"And Soon the Darkness"
Directed by Marcus Efron
Released by Anchor Bay Entertainment
A remake of the 1970 British thriller of the same name, director Marcos Efron transplants the story from France to Argentina where two friends' bike ride across the mountains takes a turn for the disastrous when one mysteriously disappears. "All the Boys Love Mandy Lane" star Amber Heard and "The Unborn"'s Odette Yustman bring their collected screaming ability to this horror film. Karl Urban and "Babel"'s Adrianna Barraza co-star.
"The American"
Directed by Anton Corbijn
Released by Universal Home Video
Ahh, Focus might've suckered unsuspecting moviegoers at the multiplex with an amped-up action ad campaign for this elegaic account of the last assignment of a hit man (George Clooney) - "The American" scored an impressive D- from Cinemascore as it became the number one film at the box...
"And Soon the Darkness"
Directed by Marcus Efron
Released by Anchor Bay Entertainment
A remake of the 1970 British thriller of the same name, director Marcos Efron transplants the story from France to Argentina where two friends' bike ride across the mountains takes a turn for the disastrous when one mysteriously disappears. "All the Boys Love Mandy Lane" star Amber Heard and "The Unborn"'s Odette Yustman bring their collected screaming ability to this horror film. Karl Urban and "Babel"'s Adrianna Barraza co-star.
"The American"
Directed by Anton Corbijn
Released by Universal Home Video
Ahh, Focus might've suckered unsuspecting moviegoers at the multiplex with an amped-up action ad campaign for this elegaic account of the last assignment of a hit man (George Clooney) - "The American" scored an impressive D- from Cinemascore as it became the number one film at the box...
- 12/20/2010
- by Stephen Saito
- ifc.com
By Michael Atkinson
Context and perspective can be everything -- it's not difficult to simply view Jennifer Venditti's adroit and honest documentary "Billy the Kid" (2007) as a sympathetic portrait of a working-class high schooler inflicted with Asperger's. You can, if you insist on doing so, take it clinically, or as yet another small-framed nonfiction slice of life bearing with it a fashionable special-needs public issue. Too bad about Billy P., a 15-year-old Maine kid living in a converted mobile home with his remarried mom, remembering an abusive father, and mixing uncomfortably with his neurotypical teenage contemporaries in school, who largely tolerate him but keep him at arm's length. Billy himself is a lively piece of work, chattering endlessly from a headful of old movies and entertaining dreams of being a rock star, but you need only to watch his tense body language and searching eyes for a few seconds to understand that he's disconnected,...
Context and perspective can be everything -- it's not difficult to simply view Jennifer Venditti's adroit and honest documentary "Billy the Kid" (2007) as a sympathetic portrait of a working-class high schooler inflicted with Asperger's. You can, if you insist on doing so, take it clinically, or as yet another small-framed nonfiction slice of life bearing with it a fashionable special-needs public issue. Too bad about Billy P., a 15-year-old Maine kid living in a converted mobile home with his remarried mom, remembering an abusive father, and mixing uncomfortably with his neurotypical teenage contemporaries in school, who largely tolerate him but keep him at arm's length. Billy himself is a lively piece of work, chattering endlessly from a headful of old movies and entertaining dreams of being a rock star, but you need only to watch his tense body language and searching eyes for a few seconds to understand that he's disconnected,...
- 11/4/2008
- by Michael Atkinson
- ifc.com
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