Howard Hughes's deliriously ahistorical "The Outlaw" is probably best known for star Jane Russell's brassiere, which the director painstakingly designed to accentuate her 38Dd bosom. Never mind that Russell claimed she wore it all of a few minutes, loathed the fit, and padded her own bra the old-fashioned way; the undergarment is still on display in a Hollywood museum -- the, er, stuff of showbiz legend.
The film itself is an agreeably campy Western. Doc Holliday (Walter Huston) rides into Lincoln, New Mexico looking to recover his stolen horses. He tells his friend Pat Garrett (Thomas Mitchell) that Billy the Kid (Jack Buetel) is the thief, which sets up a not-terribly-understated homoerotic love triangle. It's a goofy movie that should be a lot more fun than it is, but its script by Jules Furthman boasts some nifty flourishes, one of which finds the sharp-shooting Holliday trying to goad...
The film itself is an agreeably campy Western. Doc Holliday (Walter Huston) rides into Lincoln, New Mexico looking to recover his stolen horses. He tells his friend Pat Garrett (Thomas Mitchell) that Billy the Kid (Jack Buetel) is the thief, which sets up a not-terribly-understated homoerotic love triangle. It's a goofy movie that should be a lot more fun than it is, but its script by Jules Furthman boasts some nifty flourishes, one of which finds the sharp-shooting Holliday trying to goad...
- 10/5/2022
- by Jeremy Smith
- Slash Film
Twice-Told Tales
Blu-ray
Kino Lorber
1963 / 1.66: 1 / 120 Min.
Starring Vincent Price, Sebastian Cabot, Joyce Taylor
Written by Robert E. Kent
Directed by Sidney Salkow
Released in October of 1963, the first review of Sidney Salkow’s Twice-Told Tales appeared in 1623: “Life is as tedious as a twice-told tale.” That line from Shakespeare’s King John is a nice summation of Salkow’s horror anthology, an undernourished melodrama that finds its salvation in, no surprise, the reliably entertaining Vincent Price.
Nathaniel Hawthorne used that Shakespearean quip as the title of his own collection of reprinted material, published in March of 1837. The book had a cover price of one dollar, which might have been close to the budget for Salkow’s movie—a remarkably cheap-looking production, even for Admiral Pictures. The company, headed by Grant Whytock with funding from Edward Small, specialized in cutting corners—they even worked their chintzy magic on Roger Corman’s Tower of London,...
Blu-ray
Kino Lorber
1963 / 1.66: 1 / 120 Min.
Starring Vincent Price, Sebastian Cabot, Joyce Taylor
Written by Robert E. Kent
Directed by Sidney Salkow
Released in October of 1963, the first review of Sidney Salkow’s Twice-Told Tales appeared in 1623: “Life is as tedious as a twice-told tale.” That line from Shakespeare’s King John is a nice summation of Salkow’s horror anthology, an undernourished melodrama that finds its salvation in, no surprise, the reliably entertaining Vincent Price.
Nathaniel Hawthorne used that Shakespearean quip as the title of his own collection of reprinted material, published in March of 1837. The book had a cover price of one dollar, which might have been close to the budget for Salkow’s movie—a remarkably cheap-looking production, even for Admiral Pictures. The company, headed by Grant Whytock with funding from Edward Small, specialized in cutting corners—they even worked their chintzy magic on Roger Corman’s Tower of London,...
- 9/24/2022
- by Charlie Largent
- Trailers from Hell
Orson Welles in fine form! This lavishly produced costume drama, beautifully cast and directed, was filmed on location in gorgeous Italian palazzos, churches and villas. Welles is cast to type as the literally mesmerizing mountebank Cagliostro, who aids Madame du Barry in a scheme to seize the throne of France. Welles almost certainly ‘helped’ the credited director; the highly theatrical goings-on look exactly like Orson’s style. Super performances from Nancy Guild, Akim Tamiroff, Valentina Cortese, Margot Grahame and Charles Goldner turn Alexandre Dumas’ tale into swashbuckling mind-control excitement; the disc tops it off with a sensationally good restoration.
Black Magic
Blu-ray
ClassicFlix
1949 / B&w / 1:37 Academy / 105 min. / Street Date January 25, 2022 / Available from ClassicFlix / 19.99
Starring: Orson Welles, Nancy Guild, Akim Tamiroff, Charles Goldner, Stephen Bekassy, Valentina Cortese, Margot Grahame, Frank Latimore, Gregory Gaye, Berry Kroeger, Robert Atkins, Raymond Burr, Harriet White Medin, Silvana Mangano, Milly Vitale.
Cinematography: Ubaldo Arata, Anchise Brizzi
Art Directors: Jean d’Eaubonne,...
Black Magic
Blu-ray
ClassicFlix
1949 / B&w / 1:37 Academy / 105 min. / Street Date January 25, 2022 / Available from ClassicFlix / 19.99
Starring: Orson Welles, Nancy Guild, Akim Tamiroff, Charles Goldner, Stephen Bekassy, Valentina Cortese, Margot Grahame, Frank Latimore, Gregory Gaye, Berry Kroeger, Robert Atkins, Raymond Burr, Harriet White Medin, Silvana Mangano, Milly Vitale.
Cinematography: Ubaldo Arata, Anchise Brizzi
Art Directors: Jean d’Eaubonne,...
- 2/1/2022
- by Glenn Erickson
- Trailers from Hell
Powerhouse Indicator moves forward to their fourth fancy box of noirs from the studio of Harry Cohn, six pictures stretching from the postwar boom to the end of the original classic noir era. This time around we have some notable directors, and a nice selection of stars — Dennis O’Keefe, George Murphy, Fred MacMurray, Kim Novak, Jean Simmons, Rory Calhoun and Richard Conte. Kim Novak makes her starring debut as a femme fatale; noir icon Richard Conte shines in a movie that marks a turn into a new kind of existential, paranoid thriller. And speaking of paranoid, we again get to lighten up with another selection of theme-appropriate Three Stooges shorts.
Columbia Noir #4
Region B Blu-ray
Powerhouse Indicator
1948-1957 / B&w + Color / 1:85 widescreen, 1:37 Academy / Street Date September 27, 2021 / available from Powerhouse Films UK / 49.99
Starring: Louis Hayward, Dennis O’Keefe; George Murphy; Fred MacMurray, Kim Novak; Jean Simmons, Rory Calhoun; Dennis O’Keefe,...
Columbia Noir #4
Region B Blu-ray
Powerhouse Indicator
1948-1957 / B&w + Color / 1:85 widescreen, 1:37 Academy / Street Date September 27, 2021 / available from Powerhouse Films UK / 49.99
Starring: Louis Hayward, Dennis O’Keefe; George Murphy; Fred MacMurray, Kim Novak; Jean Simmons, Rory Calhoun; Dennis O’Keefe,...
- 9/14/2021
- by Glenn Erickson
- Trailers from Hell
The memories of movie fans are papered with the work of the remarkably prolific producer Edward Small, ranging from such sophisticated fare as Witness for the Prosecution to boomer favorites like Jack The Giant Killer and It! The Terror From Beyond Space. In 1953 Small produced Wicked Woman, a memorably sleazy but amusingly self-aware noir out of the Jim Thompson playbook. Directed by Russell Rouse (The Oscar), the film stars Richard Egan as a small-town barkeep and perennial femme fatale Beverly Michaels as the sexy drifter who has his number. Co-starring Percy Helton, the high-pitched gnome from so many other essential noirs including Kiss Me Deadly and Criss Cross.
The post Wicked Woman appeared first on Trailers From Hell.
The post Wicked Woman appeared first on Trailers From Hell.
- 6/9/2021
- by TFH Team
- Trailers from Hell
Hollywood Noir: ‘Monkey on my Back’ & ‘The Midnight Story’ Reviews by Alex DeleonFriday, April 5, 2019The true story of Barney Ross, a World War II hero and champion professional boxer, who became addicted to morphine.Director:
André De Toth
Writers:
Ivan Bunny (biographical material )
Stars:
Cameron Mitchell, Dianne Foster,
Cameron Mitchell was two fisted as boxing champ Barney Ross with a Monkey on his Back. Produced by Edward Small up against the censorship code for a British company. Strong movie, terrific war scenes in a driving rain on Guadalcanal. Good boxing scenes.
Barney, holder of three boxing titles, retires after taking a beating from Henry Armstrong. Joins Marines at 33 and earns a silver star for valor in combat. However, he becomes addicted to the morphine administered to him to relieve the pain of his battle wounds. Wife (Diane Foster) walks out on him twice, because of his gambling first, and drug addictions later,...
André De Toth
Writers:
Ivan Bunny (biographical material )
Stars:
Cameron Mitchell, Dianne Foster,
Cameron Mitchell was two fisted as boxing champ Barney Ross with a Monkey on his Back. Produced by Edward Small up against the censorship code for a British company. Strong movie, terrific war scenes in a driving rain on Guadalcanal. Good boxing scenes.
Barney, holder of three boxing titles, retires after taking a beating from Henry Armstrong. Joins Marines at 33 and earns a silver star for valor in combat. However, he becomes addicted to the morphine administered to him to relieve the pain of his battle wounds. Wife (Diane Foster) walks out on him twice, because of his gambling first, and drug addictions later,...
- 4/18/2019
- by Sydney Levine
- Sydney's Buzz
“From the land beyond beyond…” — oops, wrong movie. Kerwin Mathews battles Torin Thatcher once again, with Judi Meredith in a stunning double role as both a delicate heroine and her evil counterpart in a magician’s mirror. Plus more stop-motion monsters than one can throw a ten-league boot at! Boy, we’re coining phrases left and right here.
Jack the Giant Killer
Blu-ray
Kl Studio Classics
1962 / Color / 1:66 widescreen / 94 + 91 min. / Street Date June 12, 2018 / Special Edition / available through Kino Lorber / 29.95
Starring: Kerwin Matthews, Torin Thatcher, Judi Meredith, Walter Burke, Don Beddoe, Barry Kelley, Dayton Lummis, Anna Lee, Roger Mobley, Tudor Owen.
Cinematography: David S. Horsley
Film Editor: Grant Whytock
Special Effects: Augie Lohman (practical), Howard A. Anderson (optical composites), Tim Baar, Wah Chang, Lloyd Vaughan, Gene Warren, Bill Brace, Jim Danforth, Tom Holland, Phil Kellison, David Pal (stop-motion animation).
Original Music: Paul Sawtell, Bert Shefter
Original Music Alternate musical version: musical...
Jack the Giant Killer
Blu-ray
Kl Studio Classics
1962 / Color / 1:66 widescreen / 94 + 91 min. / Street Date June 12, 2018 / Special Edition / available through Kino Lorber / 29.95
Starring: Kerwin Matthews, Torin Thatcher, Judi Meredith, Walter Burke, Don Beddoe, Barry Kelley, Dayton Lummis, Anna Lee, Roger Mobley, Tudor Owen.
Cinematography: David S. Horsley
Film Editor: Grant Whytock
Special Effects: Augie Lohman (practical), Howard A. Anderson (optical composites), Tim Baar, Wah Chang, Lloyd Vaughan, Gene Warren, Bill Brace, Jim Danforth, Tom Holland, Phil Kellison, David Pal (stop-motion animation).
Original Music: Paul Sawtell, Bert Shefter
Original Music Alternate musical version: musical...
- 6/2/2018
- by Glenn Erickson
- Trailers from Hell
“It’s under the Big ‘W’!” A smart cop show goes all ‘Dragnet’ on a trio of criminal cases in the good old City of the Angels. To figure out who gunned down a top detective, rough tough FBI agent Broderick Crawford must get to the bottom of three separate dramas, each involving a beautiful woman. The producers know how to get attention for their show — the climactic shootout takes place under the Hollywood Sign.
Down 3 Dark Streets
Blu-ray
ClassicFlix
1954 / B&W / 1:75 widescreen / 86 min. / Street Date April 24, 2018 / 29.99
Starring: Broderick Crawford, Ruth Roman, Martha Hyer, Marisa Pavan, Max Showalter, Kenneth Tobey, Gene Reynolds, William Johnstone, Harlan Warde, Jay Adler, Claude Akins, Suzanne Alexander, Joe Bassett, Michael Fox, John Indrisano, Milton Parsons, Stafford Repp, William Schallert, Charles Tannen.
Cinematography: Joseph Biroc
Film Editor: Grant Whytock
Production Design: Edward (Ted) Haworth
Original Music: Paul Sawtell
Written by Bernard C. Schoenfeld, ‘The Gordons...
Down 3 Dark Streets
Blu-ray
ClassicFlix
1954 / B&W / 1:75 widescreen / 86 min. / Street Date April 24, 2018 / 29.99
Starring: Broderick Crawford, Ruth Roman, Martha Hyer, Marisa Pavan, Max Showalter, Kenneth Tobey, Gene Reynolds, William Johnstone, Harlan Warde, Jay Adler, Claude Akins, Suzanne Alexander, Joe Bassett, Michael Fox, John Indrisano, Milton Parsons, Stafford Repp, William Schallert, Charles Tannen.
Cinematography: Joseph Biroc
Film Editor: Grant Whytock
Production Design: Edward (Ted) Haworth
Original Music: Paul Sawtell
Written by Bernard C. Schoenfeld, ‘The Gordons...
- 4/28/2018
- by Glenn Erickson
- Trailers from Hell
Style can be the star in Classic Noir, making a less prestigious film more entertaining than one with bigger names. Dennis O’Keefe, Claire Trevor and Marsha Hunt spin an excellent crime-love-murder triangle, for a road picture that’s one of the best Noirs not made by a big studio. Director Anthony Mann and cinematographer John Alton dial up the intensity for an experience as rich as the best pulp crime fiction.
Raw Deal
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 79 min. / Special Edition / Street Date January 16, 2018 / 39.99
Starring: Dennis O’Keefe, Claire Trevor, Marsha Hunt, John Ireland, Raymond Burr, Curt Conway, Chili Williams, Regis Toomey, Whit Bissell, Cliff Clark, Greg Barton, Tom Fadden, Ilka Grüning, Ray Teal.
Cinematography: John Alton
Film Editor: Alfred DeGaetano
Original Music: Paul Sawtell
Written by Leopold Atlas, John C. Higgens, from a story by Arnold B. Armstrong & Audrey Ashley
Produced by Edward Small
Directed by Anthony Mann...
Raw Deal
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 79 min. / Special Edition / Street Date January 16, 2018 / 39.99
Starring: Dennis O’Keefe, Claire Trevor, Marsha Hunt, John Ireland, Raymond Burr, Curt Conway, Chili Williams, Regis Toomey, Whit Bissell, Cliff Clark, Greg Barton, Tom Fadden, Ilka Grüning, Ray Teal.
Cinematography: John Alton
Film Editor: Alfred DeGaetano
Original Music: Paul Sawtell
Written by Leopold Atlas, John C. Higgens, from a story by Arnold B. Armstrong & Audrey Ashley
Produced by Edward Small
Directed by Anthony Mann...
- 1/9/2018
- by Glenn Erickson
- Trailers from Hell
Found: a must-see Film noir in all its brutal glory, restored to a level of quality not seen in years. Anthony Mann and John Alton made their reputations with ninety minutes of chiaroscuro heaven — it’s one of the best-looking noirs ever. With extras produced by Alan K. Rode.
T-Men
Blu-ray
ClassicFlix
1947 / B&W / 1:37 flat full frame / Special Edition / 92 min. / Street Date October 10, 2017 / 39.99
Starring: Dennis O’Keefe, Alfred Ryder, Wallace Ford, Charles McGraw, Jane Randolph, Art Smith, Herbert Heyes, Jack Overman, John Wengraf, June Lockhart, Keefe Brasselle, James Seay, Tito Vuolo, John Newland, Reed Hadley.
Cinematography: John Alton
Film Editor: Fred Allen
Original Music: Paul Sawtell
Written by John C. Higgins, story Virginia Kellogg
Produced by Aubrey Schenck, Edward Small
Directed by Anthony Mann
Wow — I’ve seen T-Men many times, but never like this. It’s always listed as a significant success, a trend-starter, a career-launcher, but only...
T-Men
Blu-ray
ClassicFlix
1947 / B&W / 1:37 flat full frame / Special Edition / 92 min. / Street Date October 10, 2017 / 39.99
Starring: Dennis O’Keefe, Alfred Ryder, Wallace Ford, Charles McGraw, Jane Randolph, Art Smith, Herbert Heyes, Jack Overman, John Wengraf, June Lockhart, Keefe Brasselle, James Seay, Tito Vuolo, John Newland, Reed Hadley.
Cinematography: John Alton
Film Editor: Fred Allen
Original Music: Paul Sawtell
Written by John C. Higgins, story Virginia Kellogg
Produced by Aubrey Schenck, Edward Small
Directed by Anthony Mann
Wow — I’ve seen T-Men many times, but never like this. It’s always listed as a significant success, a trend-starter, a career-launcher, but only...
- 10/14/2017
- by Glenn Erickson
- Trailers from Hell
The Mad Magician
3-D Blu-ray
Twilight Time
1954 / Color / 1:85 widescreen / 72 min. / Street Date January 10, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Vincent Price, Mary Murphy, Eva Gabor, John Emery, Donald Randolph, Lenita Lane, Patrick O’Neal, Jay Novello, Corey Allen, Conrad Brooks, Tom Powers, Lyle Talbot.
Cinematography: Bert Glennon
Editor: Grant Whytock
Original Music: Arthur Lange, Emil Newman
Written by: Crane Wilbur
Produced by: Bryan Foy
Directed by John Brahm
Twilight Time, bless ’em, hands us another treat to go with their 3-D discs of Man in the Dark, Miss Sadie Thompson and Harlock Space Pirate 3-D — and this time it’s a fun bit of 1950s horror — with a hot pair of short subject extras.
There have been plenty of theories as to why horror films became scarce after WW2; it’s as if the U.S. film industry took a ten-year break from the supernatural, and partly...
3-D Blu-ray
Twilight Time
1954 / Color / 1:85 widescreen / 72 min. / Street Date January 10, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Vincent Price, Mary Murphy, Eva Gabor, John Emery, Donald Randolph, Lenita Lane, Patrick O’Neal, Jay Novello, Corey Allen, Conrad Brooks, Tom Powers, Lyle Talbot.
Cinematography: Bert Glennon
Editor: Grant Whytock
Original Music: Arthur Lange, Emil Newman
Written by: Crane Wilbur
Produced by: Bryan Foy
Directed by John Brahm
Twilight Time, bless ’em, hands us another treat to go with their 3-D discs of Man in the Dark, Miss Sadie Thompson and Harlock Space Pirate 3-D — and this time it’s a fun bit of 1950s horror — with a hot pair of short subject extras.
There have been plenty of theories as to why horror films became scarce after WW2; it’s as if the U.S. film industry took a ten-year break from the supernatural, and partly...
- 1/13/2017
- by Glenn Erickson
- Trailers from Hell
"Earth Given 24 Hours to Surrender!" Invisible murderous moon maniacs invade, with invisible troops and invisible flying saucers! John Agar, Jean Byron and John Carradine do their best to keep this underfed sci-fi turnip on its feet --- and we diehard monster fans love it. Invisible Invaders Blu-ray Kl Studio Classics 1959 / B&W /1:66 widescreen / 67 min. / Street Date July 12, 2016 / available through Kino Lorber / 29.95 Starring John Agar, Jean Byron, Philip Tonge, Robert Hutton, John Carradine, Paul Langton. Cinematography Maury Gertsman Film Editor Grant Whytock Original Music Paul Dunlap Written by Samuel Newman Produced by Robert E. Kent Directed by Edward L. Cahn
Reviewed by Glenn Erickson
At the tail end of the '50s monster boom the pickings became lean indeed. For every killer matinee filler like The Blob or The Fly, cheap double bills encouraged by American-International's example became even cheaper. Producers at Columbia, Allied Artists and United Artists turned out...
Reviewed by Glenn Erickson
At the tail end of the '50s monster boom the pickings became lean indeed. For every killer matinee filler like The Blob or The Fly, cheap double bills encouraged by American-International's example became even cheaper. Producers at Columbia, Allied Artists and United Artists turned out...
- 7/8/2016
- by Glenn Erickson
- Trailers from Hell
Do you like your noir heroes bitter and bruised, and your noir dames daring and resourceful? Phil Karlson's gem of a thriller pits two-fisted John Payne against murderous hood Brad Dexter, with Peggie Castle the unfaithful, unlucky wife who decides to run off with the wrong guy. And star Evelyn Keys is a pulp noir adventuress to admire, with a roving eye of her own. 99 River Street Blu-ray Kl Studio Classics 1953 / B&W / 1:37 flat Academy / 83 min. / Street Date June 21, 2016 / available through Kino Lorber / 29.95 Starring John Payne, Evelyn Keyes, Brad Dexter, Frank Faylen, Peggie Castle, Jay Adler, Jack Lambert, Glenn Langan. Cinematography Franz Planer Film Editor Buddy Small Original Music Arthur Lange, Emil Newman Written by Robert Smith, George Zuckerman Produced by Edward Small Directed by Phil Karlson
Reviewed by Glenn Erickson
99 River Street is a top noir title in all respects -- a great cast, a literally hard-hitting...
Reviewed by Glenn Erickson
99 River Street is a top noir title in all respects -- a great cast, a literally hard-hitting...
- 6/29/2016
- by Glenn Erickson
- Trailers from Hell
Dirty cops were a movie vogue in 1954, and Edmond O'Brien scores as a real dastard in this overachieving United Artists thriller. Dreamboat starlet Marla English is the reason O'Brien's detective kills for cash, and then keeps killing to stay ahead of his colleagues. And all to buy a crummy house in the suburbs -- this man needs career counseling. Shield for Murder Blu-ray Kl Studio Classics 1954 / B&W / 1:75 widescreen / 82 min. / Street Date June 21, 2016 / available through Kino Lorber / 29.95 Starring Edmond O'Brien, Marla English, John Agar, Emile Meyer, Carolyn Jones, Claude Akins, Herbert Butterfield, Hugh Sanders, William Schallert, Robert Bray, Richard Deacon, David Hughes, Gregg Martell, Stafford Repp, Vito Scotti. Cinematography Gordon Avil Film Editor John F. Schreyer Original Music Paul Dunlap Written by Richard Alan Simmons, John C. Higgins from the novel by William P. McGivern <Produced by Aubrey Schenck, (Howard W. Koch) Directed by Edmond O'Brien, Howard W. Koch
Reviewed by Glenn Erickson
Here's the kind of '50s movie we love, an ambitious, modest crime picture that for its time had an edge. In the 1950s our country was as blind to the true extent of police corruption as it was to organized crime. Movies about bad cops adhered to the 'bad apple' concept: it's only crooked individuals that we need to watch out for, never the institutions around them. Thanks to films noir, crooked cops were no longer a film rarity, even though the Production Code made movies like The Asphalt Jungle insert compensatory scenes paying lip service to the status quo: an imperfect police force is better than none. United Artists in the 1950s helped star talent make the jump to independent production, with the prime success stories being Burt Lancaster and Kirk Douglas. But the distribution company also funded proven producers capable of putting out smaller bread 'n' butter movies that could prosper if costs were kept down. Edward Small, Victor Saville, Levy-Gardner-Laven. Aubrey Schenck and Howard C. Koch produced as a team, and for 1954's Shield for Murder Koch co-directed, sharing credit with the film's star, Edmond O'Brien. The show is a smart production all the way, a modestly budgeted 'B' with 'A' ambitions. O'Brien was an industry go-getter trying to channel his considerable talent in new directions. His leading man days were fading but he was in demand for parts in major films like The Barefoot Contessa. The producers took care with their story too. Writers Richard Alan Simmons and John C. Higgins had solid crime movie credits. Author William P. McGivern wrote the novel behind Fritz Lang's The Big Heat as well as Rogue Cop and Odds Against Tomorrow. All of McGivern's stories involve crooked policemen or police corruption. Shield for Murder doesn't tiptoe around its subject matter. Dirty cop Detective Lt. Barney Nolan (O'Brien) kills a hoodlum in an alley to steal $25,000 of mob money. His precinct boss Captain Gunnarson (Emile Meyer) accepts Barney's version of events and the Asst. D.A. (William Schallert) takes the shooting as an open and shut case. Crime reporter Cabot (Herbert Butterfield) has his doubts, and lectures the squad room about the abuse of police power. Barney manages to placate mob boss Packy Reed (Hugh Sanders), but two hoods continue to shadow him. Barney's plan for the money was to buy a new house and escape the rat race with his girlfriend, nightclub cashier Patty Winters (Marla English). But a problem surfaces in the elderly deaf mute Ernst Sternmueller (David Hughes), a witness to the shooting. Barney realizes that his only way forward is to kill the old man before he can tell all to Det. Mark Brewster (John Agar), Barney's closest friend. Once again one of society's Good Guys takes a bite of the forbidden apple and tries to buck the system. Shield for Murder posits an logical but twisted course of action for a weary defender of the law who wants out. Barney long ago gave up trying to do anything about the crooks he can't touch. The fat cat Packy Reed makes the big money, and all Barney wants is his share. Barney's vision of The American Dream is just the middle-class ideal, the desirable Patty Winters and a modest tract home. He's picked it out - it sits partway up a hill in a new Los Angeles development, just finished and already furnished. Then the unexpected witness shows up and everything begins to unravel; Barney loses control one step at a time. He beats a mob thug (Claude Akins) half to death in front of witnesses. When his pal Mark Brewster figures out the truth, Barney has to use a lot of his money to arrange a getaway. More mob trouble leads to a shoot-out in a high school gym. The idea may have been for the star O'Brien to coach actors John Agar and Marla English to better performances. Agar is slightly more natural than usual, but still not very good. The gorgeous Ms. English remains sweet and inexpressive. After several unbilled bits, the woman often compared to Elizabeth Taylor was given "introducing" billing on the Shield for Murder billing block. Her best-known role would be as The She-Creature two years later, after which she dropped out to get married. Co-director O'Brien also allows Emile Meyer to go over the top in a scene or two. But the young Carolyn Jones is a standout as a blonde bargirl, more or less expanding on her small part as a human ashtray in the previous year's The Big Heat. Edmond O'Brien is occasionally a little to hyper, but he's excellent at showing stress as the trap closes around the overreaching Barney Nolan. Other United Artists budget crime pictures seem a little tight with the outdoors action -- Vice Squad, Witness to Murder, Without Warning -- but O'Brien and Koch's camera luxuriates in night shoots on the Los Angeles streets. This is one of those Blu-rays that Los Angelenos will want to freeze frame, to try to read the street signs. There is also little downtime wasted in sidebar plot detours. The gunfight in the school gym, next to an Olympic swimming pool, is an action highlight. The show has one enduring sequence. With the force closing in, Barney rushes back to the unfinished house he plans to buy, to recover the loot he's buried next to its foundation. Anybody who lived in Southern California in the '50s and '60s was aware of the massive suburban sprawl underway, a building boom that went on for decades. In 1953 the La Puente hills were so rural they barely served by roads; the movie The War of the Worlds considered it a good place to use a nuclear bomb against invading Martians. By 1975 the unending suburbs had spread from Los Angeles, almost all the way to Pomona. Barney dashes through a new housing development on terraced plots, boxy little houses separated from each other by only a few feet of dirt. There's no landscaping yet. Even in 1954 $25,000 wasn't that much money, so Barney Nolan has sold himself pretty cheaply. Two more latter-day crime pictures would end with ominous metaphors about the oblivion of The American Dream. In 1964's remake of The Killers the cash Lee Marvin kills for only buys him a patch of green lawn in a choice Hollywood Hills neighborhood. The L.A.P.D. puts Marvin out of his misery, and then closes in on another crooked detective in the aptly titled 1965 thriller The Money Trap. The final scene in that movie is priceless: his dreams smashed, crooked cop Glenn Ford sits by his designer swimming pool and waits to be arrested. Considering how well things worked out for Los Angeles police officers, Edmond O'Brien's Barney Nolan seems especially foolish. If Barney had stuck it out for a couple of years, the new deal for the L.A.P.D. would have been much better than a measly 25 grand. By 1958 he'd have his twenty years in. After a retirement beer bash he'd be out on the road pulling a shiny new boat to the Colorado River, like all the other hardworking cops and firemen enjoying their generous pensions. Policemen also had little trouble getting house loans. The joke was that an L.A.P.D. cop might go bad, but none of them could be bribed. O'Brien directed one more feature, took more TV work and settled into character parts for Jack Webb, Frank Tashlin, John Ford, John Frankenheimer and finally Sam Peckinpah in The Wild Bunch, where he was almost unrecognizable. Howard W. Koch slowed down as a director but became a busy producer, working with Frank Sinatra for several years. He eventually co-produced Airplane! The Kl Studio Classics Blu-ray of Shield for Murder is a good-looking B&W scan, framed at a confirmed-as-correct 1:75 aspect ratio. The picture is sharp and detailed, and the sound is in fine shape. The package art duplicates the film's original no-class sell: "Dame-Hungry Killer-Cop Runs Berserk! The first scene also contains one of the more frequently noticed camera flubs in film noir -- a really big boom shadow on a nighttime alley wall. Kino's presentation comes with trailers for this movie, Hidden Fear and He Ran All the Way. On a scale of Excellent, Good, Fair, and Poor, Shield for Murder Blu-ray rates: Movie: Good Video: Very Good Sound: Excellent Supplements: Trailers for Shield for Murder, Hidden Fear, He Ran All the Way Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 7, 2016 (5115murd)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
Reviewed by Glenn Erickson
Here's the kind of '50s movie we love, an ambitious, modest crime picture that for its time had an edge. In the 1950s our country was as blind to the true extent of police corruption as it was to organized crime. Movies about bad cops adhered to the 'bad apple' concept: it's only crooked individuals that we need to watch out for, never the institutions around them. Thanks to films noir, crooked cops were no longer a film rarity, even though the Production Code made movies like The Asphalt Jungle insert compensatory scenes paying lip service to the status quo: an imperfect police force is better than none. United Artists in the 1950s helped star talent make the jump to independent production, with the prime success stories being Burt Lancaster and Kirk Douglas. But the distribution company also funded proven producers capable of putting out smaller bread 'n' butter movies that could prosper if costs were kept down. Edward Small, Victor Saville, Levy-Gardner-Laven. Aubrey Schenck and Howard C. Koch produced as a team, and for 1954's Shield for Murder Koch co-directed, sharing credit with the film's star, Edmond O'Brien. The show is a smart production all the way, a modestly budgeted 'B' with 'A' ambitions. O'Brien was an industry go-getter trying to channel his considerable talent in new directions. His leading man days were fading but he was in demand for parts in major films like The Barefoot Contessa. The producers took care with their story too. Writers Richard Alan Simmons and John C. Higgins had solid crime movie credits. Author William P. McGivern wrote the novel behind Fritz Lang's The Big Heat as well as Rogue Cop and Odds Against Tomorrow. All of McGivern's stories involve crooked policemen or police corruption. Shield for Murder doesn't tiptoe around its subject matter. Dirty cop Detective Lt. Barney Nolan (O'Brien) kills a hoodlum in an alley to steal $25,000 of mob money. His precinct boss Captain Gunnarson (Emile Meyer) accepts Barney's version of events and the Asst. D.A. (William Schallert) takes the shooting as an open and shut case. Crime reporter Cabot (Herbert Butterfield) has his doubts, and lectures the squad room about the abuse of police power. Barney manages to placate mob boss Packy Reed (Hugh Sanders), but two hoods continue to shadow him. Barney's plan for the money was to buy a new house and escape the rat race with his girlfriend, nightclub cashier Patty Winters (Marla English). But a problem surfaces in the elderly deaf mute Ernst Sternmueller (David Hughes), a witness to the shooting. Barney realizes that his only way forward is to kill the old man before he can tell all to Det. Mark Brewster (John Agar), Barney's closest friend. Once again one of society's Good Guys takes a bite of the forbidden apple and tries to buck the system. Shield for Murder posits an logical but twisted course of action for a weary defender of the law who wants out. Barney long ago gave up trying to do anything about the crooks he can't touch. The fat cat Packy Reed makes the big money, and all Barney wants is his share. Barney's vision of The American Dream is just the middle-class ideal, the desirable Patty Winters and a modest tract home. He's picked it out - it sits partway up a hill in a new Los Angeles development, just finished and already furnished. Then the unexpected witness shows up and everything begins to unravel; Barney loses control one step at a time. He beats a mob thug (Claude Akins) half to death in front of witnesses. When his pal Mark Brewster figures out the truth, Barney has to use a lot of his money to arrange a getaway. More mob trouble leads to a shoot-out in a high school gym. The idea may have been for the star O'Brien to coach actors John Agar and Marla English to better performances. Agar is slightly more natural than usual, but still not very good. The gorgeous Ms. English remains sweet and inexpressive. After several unbilled bits, the woman often compared to Elizabeth Taylor was given "introducing" billing on the Shield for Murder billing block. Her best-known role would be as The She-Creature two years later, after which she dropped out to get married. Co-director O'Brien also allows Emile Meyer to go over the top in a scene or two. But the young Carolyn Jones is a standout as a blonde bargirl, more or less expanding on her small part as a human ashtray in the previous year's The Big Heat. Edmond O'Brien is occasionally a little to hyper, but he's excellent at showing stress as the trap closes around the overreaching Barney Nolan. Other United Artists budget crime pictures seem a little tight with the outdoors action -- Vice Squad, Witness to Murder, Without Warning -- but O'Brien and Koch's camera luxuriates in night shoots on the Los Angeles streets. This is one of those Blu-rays that Los Angelenos will want to freeze frame, to try to read the street signs. There is also little downtime wasted in sidebar plot detours. The gunfight in the school gym, next to an Olympic swimming pool, is an action highlight. The show has one enduring sequence. With the force closing in, Barney rushes back to the unfinished house he plans to buy, to recover the loot he's buried next to its foundation. Anybody who lived in Southern California in the '50s and '60s was aware of the massive suburban sprawl underway, a building boom that went on for decades. In 1953 the La Puente hills were so rural they barely served by roads; the movie The War of the Worlds considered it a good place to use a nuclear bomb against invading Martians. By 1975 the unending suburbs had spread from Los Angeles, almost all the way to Pomona. Barney dashes through a new housing development on terraced plots, boxy little houses separated from each other by only a few feet of dirt. There's no landscaping yet. Even in 1954 $25,000 wasn't that much money, so Barney Nolan has sold himself pretty cheaply. Two more latter-day crime pictures would end with ominous metaphors about the oblivion of The American Dream. In 1964's remake of The Killers the cash Lee Marvin kills for only buys him a patch of green lawn in a choice Hollywood Hills neighborhood. The L.A.P.D. puts Marvin out of his misery, and then closes in on another crooked detective in the aptly titled 1965 thriller The Money Trap. The final scene in that movie is priceless: his dreams smashed, crooked cop Glenn Ford sits by his designer swimming pool and waits to be arrested. Considering how well things worked out for Los Angeles police officers, Edmond O'Brien's Barney Nolan seems especially foolish. If Barney had stuck it out for a couple of years, the new deal for the L.A.P.D. would have been much better than a measly 25 grand. By 1958 he'd have his twenty years in. After a retirement beer bash he'd be out on the road pulling a shiny new boat to the Colorado River, like all the other hardworking cops and firemen enjoying their generous pensions. Policemen also had little trouble getting house loans. The joke was that an L.A.P.D. cop might go bad, but none of them could be bribed. O'Brien directed one more feature, took more TV work and settled into character parts for Jack Webb, Frank Tashlin, John Ford, John Frankenheimer and finally Sam Peckinpah in The Wild Bunch, where he was almost unrecognizable. Howard W. Koch slowed down as a director but became a busy producer, working with Frank Sinatra for several years. He eventually co-produced Airplane! The Kl Studio Classics Blu-ray of Shield for Murder is a good-looking B&W scan, framed at a confirmed-as-correct 1:75 aspect ratio. The picture is sharp and detailed, and the sound is in fine shape. The package art duplicates the film's original no-class sell: "Dame-Hungry Killer-Cop Runs Berserk! The first scene also contains one of the more frequently noticed camera flubs in film noir -- a really big boom shadow on a nighttime alley wall. Kino's presentation comes with trailers for this movie, Hidden Fear and He Ran All the Way. On a scale of Excellent, Good, Fair, and Poor, Shield for Murder Blu-ray rates: Movie: Good Video: Very Good Sound: Excellent Supplements: Trailers for Shield for Murder, Hidden Fear, He Ran All the Way Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 7, 2016 (5115murd)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
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- 6/11/2016
- by Glenn Erickson
- Trailers from Hell
Lock your doors! Hulking menace Victor Buono gets the full-on psycho treatment, based (very) roughly on early reports of The Boston Strangler. The 'baby doll' killer also prefigures the fiendish Richard Speck. Burt Topper's film is routine but ex- Baby Jane star Victor Buono's performance is decidedly not. The Strangler DVD-r The Warner Archive Collection 1964 / B&W / 1:85 widescreen / 89 min. / Street Date November 10, 2015 / available through the WBshop / 21.99 Starring Victor Buono, Diane Sayer, Davey Davison, Jeanne Bates, Ellen Corby, Mimi Dillard, Selette Cole, David McLean, Baynes Barron, Michael Ryan, Russ Bender, Wally Campo, Byron Morrow, John Yates, James Sikking, Robert Cranford. Cinematography Jacques R. Marquette Film Editor Robert S. Eisen Original Music Martin Skiles Written by Bill S. Ballinger Produced by Samuel Bischoff, David Diamond Directed by Burt Topper
Reviewed by Glenn Erickson
The old-time independent producer Edward Small gravitated to United Artists in the 1950s, while his counterpart...
Reviewed by Glenn Erickson
The old-time independent producer Edward Small gravitated to United Artists in the 1950s, while his counterpart...
- 3/12/2016
- by Glenn Erickson
- Trailers from Hell
Shout Factory opens the crypt once more, for the last remaining UA and Aip fright movies starring our favorite gentleman of horror. The label lays on the extras, with Steve Haberman commentaries and episodes of Science Fiction Theater. Now where are the Vincent Price cooking shows? The Vincent Price Collection III Master of the World, The Tower of London, Diary of a Madman, An Evening with Edgar Allan Poe, Cry of the Banshee Blu-ray Scream (Shout!) Factory 1961-72 / B&W + Color / 1:85 & 1:66 widescreen / 420 min. / Street Date February 16, 2016 / 69.97 Starring Vincent Price Directed by William Witney, Roger Corman, Reginald Le Borg, Kenneth Johnson, Gordon Hessler.
Reviewed by Glenn Erickson
Scream Factory now brings us Part Three of its Vincent Price collection, pretty much emptying the closet over at MGM. Not counting his twilight feature The Whales of August every Vincent Price film under the MGM banner will soon be out on Blu-ray.
Reviewed by Glenn Erickson
Scream Factory now brings us Part Three of its Vincent Price collection, pretty much emptying the closet over at MGM. Not counting his twilight feature The Whales of August every Vincent Price film under the MGM banner will soon be out on Blu-ray.
- 2/27/2016
- by Glenn Erickson
- Trailers from Hell
Coleen Gray in 'The Sleeping City' with Richard Conte. Coleen Gray after Fox: B Westerns and films noirs (See previous post: “Coleen Gray Actress: From Red River to Film Noir 'Good Girls'.”) Regarding the demise of her Fox career (the year after her divorce from Rod Amateau), Coleen Gray would recall for Confessions of a Scream Queen author Matt Beckoff: I thought that was the end of the world and that I was a total failure. I was a mass of insecurity and depended on agents. … Whether it was an 'A' picture or a 'B' picture didn't bother me. It could be a Western movie, a sci-fi film. A job was a job. You did the best with the script that you had. Fox had dropped Gray at a time of dramatic upheavals in the American film industry: fast-dwindling box office receipts as a result of competition from television,...
- 10/15/2015
- by Andre Soares
- Alt Film Guide
Josh Olson on Noir! continues at Trailers from Hell, with screenwriter Olson introducing 1953's "Wicked Woman," starring Richard Egan as a small-town barkeep and perennial femme fatale Beverly Michaels as the sexy drifter who has his number.The memories of movie fans are papered with the work of the remarkably prolific producer Edward Small, ranging from such sophisticated fare as Witness for the Prosecution to boomer favorites like Jack The Giant Killer and It, The Terror From Beyond Space. In 1953 Small produced Wicked Woman, a memorably sleazy but amusingly self-aware noir out of the Jim Thompson playbook. Directed by Russell Rouse (The Oscar), and co-starring Percy Helton, the high-pitched gnome from so many other essential noirs including Kiss Me Deadly and Criss Cross.
- 1/29/2014
- by Trailers From Hell
- Thompson on Hollywood
You have to be 18 or older to see You Killed Me First, which, according to the Kw Institute of Contemporary Art, is the first exhibition on the Cinema of Transgression. There'll be a talk with Nick Zedd on Tuesday evening, followed by another with Richard Kern on Wednesday. The exhibition's opened this weekend and will be on view through April 9.
Also in Berlin, and starting tomorrow, the Arsenal will be screening a selection of titles from the Forum program at this year's just-wrapped Berlinale. Eleven films over eleven evenings, beginning with the three films by Yuzo Kawashima, The Sun in the Last Days of the Shogunate (1957), Suzaki Paradise: Red Light (1956) and Between Yesterday and Tomorrow (1954), and ending with the two restorations of films by Shirley Clarke, Ornette: Made in America (1984) and The Connection (1961).
Next week, the Arsenal wraps its series of films by Ulrike Ottinger by screening her Berlin Trilogy...
Also in Berlin, and starting tomorrow, the Arsenal will be screening a selection of titles from the Forum program at this year's just-wrapped Berlinale. Eleven films over eleven evenings, beginning with the three films by Yuzo Kawashima, The Sun in the Last Days of the Shogunate (1957), Suzaki Paradise: Red Light (1956) and Between Yesterday and Tomorrow (1954), and ending with the two restorations of films by Shirley Clarke, Ornette: Made in America (1984) and The Connection (1961).
Next week, the Arsenal wraps its series of films by Ulrike Ottinger by screening her Berlin Trilogy...
- 2/19/2012
- MUBI
Jack the Giant Killer is a British fairy tale about a young brave Celtic who eliminates a number of giants during King Arthur’s reign.
In 1961, United Artists released a middle budget film produced by Edward Small and directed by Nathan H. Juran called Jack the Giant Killer. The film performed quite well at the box office.
Bryan Singer shoots a modern day fairy tale in which the ancient peace between men and giants is in danger, as a young farmer leads an expedition into the giants’ kingdom in hope of rescuing a kidnapped princess. Starring Aaron Johnson. By all accounts the movie is kind of an adult version of the original.
Bryan Singer (X-Men, X-Men 2) is planning to use a lot of natural light instead of usual extreme studio lighting. While talking about his plans for the film he expressed happiness to using the Epic Red for this one,...
In 1961, United Artists released a middle budget film produced by Edward Small and directed by Nathan H. Juran called Jack the Giant Killer. The film performed quite well at the box office.
Bryan Singer shoots a modern day fairy tale in which the ancient peace between men and giants is in danger, as a young farmer leads an expedition into the giants’ kingdom in hope of rescuing a kidnapped princess. Starring Aaron Johnson. By all accounts the movie is kind of an adult version of the original.
Bryan Singer (X-Men, X-Men 2) is planning to use a lot of natural light instead of usual extreme studio lighting. While talking about his plans for the film he expressed happiness to using the Epic Red for this one,...
- 12/28/2010
- by Nikola Mraovic
- Filmofilia
Academy Award winning writer Christopher McQuarrie ("The Usual Suspects") will reunite with director Bryan Singer ("Superman Returns") on "Jack The Giant Killer" for New Line and Legendary Pictures.
The fantasy adventure, set to lense in the UK this summer, will reportedly take an 'adult' look at the "Jack and the Beanstalk" legend, revolving around a captured princess and a long-standing peace between men and giants that becomes threatened.
The original "Jack the Giant Killer" feature released in 1962 by United Artists, directed by Nathan H. Juran, produced by Edward Small, starred actor Kerwin Mathews in a fairy tale story about a man who defends a princess against a sorcerer's giants and demons, loosely based on the traditional "Jack the Giant Killer" tale.
Click the images to enlarge and Sneak Peek "Jack The Giant Killer"...
The fantasy adventure, set to lense in the UK this summer, will reportedly take an 'adult' look at the "Jack and the Beanstalk" legend, revolving around a captured princess and a long-standing peace between men and giants that becomes threatened.
The original "Jack the Giant Killer" feature released in 1962 by United Artists, directed by Nathan H. Juran, produced by Edward Small, starred actor Kerwin Mathews in a fairy tale story about a man who defends a princess against a sorcerer's giants and demons, loosely based on the traditional "Jack the Giant Killer" tale.
Click the images to enlarge and Sneak Peek "Jack The Giant Killer"...
- 4/22/2010
- by Michael Stevens
- SneakPeek
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