Can college sweethearts found love again years later, during the holiday season, no less?
We would like to think that they can, and that's the question that's posed on Let's Meet Again on Christmas Eve.
Kyla Pratt, a Lifetime Christmas film veteran, returns this holiday season as Corrine, a young woman who may have let the love of her life go after college.
According to the synopsis, Corrine and Rob (Brooks Darnell) were young sweethearts with their lives ahead of them, but when they jumped on individual opportunities on opposite sides of the globe, they parted ways.
However, they made a deal. Corrine and Rob both agreed that two years later, on Christmas Eve, they would meet up once more to determine if they truly were meant for one another.
But, of course, life had other plans, and it left one of them at their spot waiting, and the other person didn't show.
We would like to think that they can, and that's the question that's posed on Let's Meet Again on Christmas Eve.
Kyla Pratt, a Lifetime Christmas film veteran, returns this holiday season as Corrine, a young woman who may have let the love of her life go after college.
According to the synopsis, Corrine and Rob (Brooks Darnell) were young sweethearts with their lives ahead of them, but when they jumped on individual opportunities on opposite sides of the globe, they parted ways.
However, they made a deal. Corrine and Rob both agreed that two years later, on Christmas Eve, they would meet up once more to determine if they truly were meant for one another.
But, of course, life had other plans, and it left one of them at their spot waiting, and the other person didn't show.
- 12/2/2020
- by Jasmine Blu
- TVfanatic
"Are you alone in the house right now?" Sony has revealed a terrifying new red band trailer for the latest update of The Grudge, the horror series based on the Ju-on movies from Japan. This new take is directed by Nicolas Pesce, of The Eyes of My Mother and Piercing, and it's produced by horror master Sam Raimi. After a young mother murders her family in her own house, a single mother & detective tries to investigate and solve the case. She discovers the house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Andrea Riseborough stars as the detective, with an impressive cast including Demián Bichir, John Cho, Betty Gilpin, Lin Shaye, Jacki Weaver, William Sadler, Frankie Faison, Tara Westwood, Nancy Sorel, and Stephanie Sy. There is some seriously disgusting stuff in this trailer, but that's the point - especially coming from Pesce.
- 12/10/2019
- by Alex Billington
- firstshowing.net
"I went to the house... I think something followed me home." Sony has debuted the first official trailer for the new remake of The Grudge, the horror series based on the Ju-on movies from Japan. This new take is directed by Nicolas Pesce, of The Eyes of My Mother and Piercing, and is produced by Sam Raimi. After a young mother murders her family in her own house, a single mother and detective tries to investigate and solve the case. She discovers the house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Andrea Riseborough stars as the detective, with an impressive full cast including Demián Bichir, John Cho, Betty Gilpin, Lin Shaye, Jacki Weaver, William Sadler, Frankie Faison, Tara Westwood, Nancy Sorel, and Stephanie Sy. This is one intensely creepy first trailer, with a handful of serious scares packed into two minutes...
- 10/28/2019
- by Alex Billington
- firstshowing.net
1968: Dark Shadows' Mrs. Johnson had a terrible dream.
1981: John Dixon took a tumble down the stairs on As the World Turns.
2002: All My Children's Bianca called her sister, Kendall, "evil".
2010: It was prom night for One Life to Live's Starr X'd Lovers."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into d ifferent and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1968: On Dark Shadows, Cassandra (Lara Parker) encouraged Mrs. Johnson (Clarice Blackburn) to get some sleep but Mrs. Johnson told her she was afraid of having a terrible dream. Once Mrs. Johnson fell asleep she had the dream,...
1981: John Dixon took a tumble down the stairs on As the World Turns.
2002: All My Children's Bianca called her sister, Kendall, "evil".
2010: It was prom night for One Life to Live's Starr X'd Lovers."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into d ifferent and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1968: On Dark Shadows, Cassandra (Lara Parker) encouraged Mrs. Johnson (Clarice Blackburn) to get some sleep but Mrs. Johnson told her she was afraid of having a terrible dream. Once Mrs. Johnson fell asleep she had the dream,...
- 5/15/2019
- by Roger Newcomb
- We Love Soaps
Stars: Theo James, Kat Graham, Nancy Sorel, Nicole Ari Parker, Forest Whitaker, Anett Rumanoczky, Aaron Hughes, Lanie McAuley, Josh Cruddas, Aidan Ritchie | Written by Brooks McLaren | Directed by David M. Rosenthal
How It Ends is in no vague terms an absolute bore of cinematic expression. It is two hours of drab, tiresome moments with sparse originality that I can only describe as torture. I’d even suggests the title itself a sick meta/ self-aware pun at the expense of its unaware audience. As you may have surmised, How It Ends is explicitly horrifying to endure.
Performances are monotone and one-note, leaving little to no development of engagement available to connect with the characters present. A strikingly bungled feature on the films part considering the impact needed to convey the terrifying scenario unfolding with the so-called tense atmosphere and lukewarm horror the characters must progress through, yet with insufficient character development...
How It Ends is in no vague terms an absolute bore of cinematic expression. It is two hours of drab, tiresome moments with sparse originality that I can only describe as torture. I’d even suggests the title itself a sick meta/ self-aware pun at the expense of its unaware audience. As you may have surmised, How It Ends is explicitly horrifying to endure.
Performances are monotone and one-note, leaving little to no development of engagement available to connect with the characters present. A strikingly bungled feature on the films part considering the impact needed to convey the terrifying scenario unfolding with the so-called tense atmosphere and lukewarm horror the characters must progress through, yet with insufficient character development...
- 8/22/2018
- by Jak-Luke Sharp
- Nerdly
1968: Dark Shadows' Mrs. Johnson had a terrible dream.
1981: Atwt's John Dixon took a tumble.
2002: AMC's Bianca called her sister, Kendall, "evil".
2010: It was prom night for Oltl's Starr X'd Lovers."All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity that the dry, shrivelled kernel scarcely compensates for the trouble of cracking the nut."
― Anne Brontë in "Agnes Grey"
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1968: On Dark Shadows, Cassandra (Lara Parker) encouraged Mrs. Johnson (Clarice Blackburn) to get some sleep but Mrs. Johnson told her she was afraid of having a terrible dream.
1981: Atwt's John Dixon took a tumble.
2002: AMC's Bianca called her sister, Kendall, "evil".
2010: It was prom night for Oltl's Starr X'd Lovers."All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity that the dry, shrivelled kernel scarcely compensates for the trouble of cracking the nut."
― Anne Brontë in "Agnes Grey"
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1968: On Dark Shadows, Cassandra (Lara Parker) encouraged Mrs. Johnson (Clarice Blackburn) to get some sleep but Mrs. Johnson told her she was afraid of having a terrible dream.
- 5/15/2018
- by Roger Newcomb
- We Love Soaps
Chicago – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to “Heaven is For Real” starring Greg Kinnear!
“Heaven is For Real,” which is rated “PG” and opens on April 16, 2014, also stars Thomas Haden Church, Kelly Reilly, Margo Martindale, Connor Corum, Lane Styles, Jacob Vargas, Thanya Romero, Danso Gordon, Rob Moran and Nancy Sorel from writer and director Randall Wallace and writer Chris Parker. The film is based on the No. 1 New York Times best-selling book “Heaven is For Real: A Little Boy’s Astounding Story of His Trip to Heaven & Back” by Todd Burpo and Lynn Vincent.
To win your free “Heaven is For Real” passes courtesy of HollywoodChicago.com, just get interactive with our unique Hookup technology below. That’s it! This screening is on Monday, April 14, 2014 at 7 p.m. in downtown Chicago. The more social actions you complete,...
“Heaven is For Real,” which is rated “PG” and opens on April 16, 2014, also stars Thomas Haden Church, Kelly Reilly, Margo Martindale, Connor Corum, Lane Styles, Jacob Vargas, Thanya Romero, Danso Gordon, Rob Moran and Nancy Sorel from writer and director Randall Wallace and writer Chris Parker. The film is based on the No. 1 New York Times best-selling book “Heaven is For Real: A Little Boy’s Astounding Story of His Trip to Heaven & Back” by Todd Burpo and Lynn Vincent.
To win your free “Heaven is For Real” passes courtesy of HollywoodChicago.com, just get interactive with our unique Hookup technology below. That’s it! This screening is on Monday, April 14, 2014 at 7 p.m. in downtown Chicago. The more social actions you complete,...
- 4/11/2014
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Yesterday, HBO Canada, a premium cable network, announced that it has renewed its original comedy series Less Than Kind, a show created by comedian Mark McKinney, for a third season. Besides, the production of the third season should begin later this year in Winnipeg, Manitoba.
Returning for the new season will be Maury Chaykin as Sam Blecher, Jesse Camacho as Sheldon Blecher, Cca Award-winner Wendel Meldrum as Anne Blecher, 2009 Leo winner and 2009 Gemini nominee Benjamin Arthur as Josh Blecher, Nancy Sorel as Aunt Clara, 2009 Gemini-nominee Brooke Palsson as Miriam Goldstein as well as Ross McMillian as Mr. Lubbe, Tyler Johnston as Danny Lubbe and Mike O’Brien as Mr. Goldstein.
In this comedy series, we follow the Blecher family: a reckless, self-destructive driving instructor father, his pyromaniac wife, and his two sons – one a teenage genius, the other an egotistical actor. They are forced to find ways to revive the...
Returning for the new season will be Maury Chaykin as Sam Blecher, Jesse Camacho as Sheldon Blecher, Cca Award-winner Wendel Meldrum as Anne Blecher, 2009 Leo winner and 2009 Gemini nominee Benjamin Arthur as Josh Blecher, Nancy Sorel as Aunt Clara, 2009 Gemini-nominee Brooke Palsson as Miriam Goldstein as well as Ross McMillian as Mr. Lubbe, Tyler Johnston as Danny Lubbe and Mike O’Brien as Mr. Goldstein.
In this comedy series, we follow the Blecher family: a reckless, self-destructive driving instructor father, his pyromaniac wife, and his two sons – one a teenage genius, the other an egotistical actor. They are forced to find ways to revive the...
- 6/8/2010
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Praised when it bowed at the 1997 Sundance Film Festival, writer-director Julie Davis' low-budget feature debut is a love-it-or-hate-it modern romantic comedy about a 25-year-old virgin and her foolish ways with the men in her life. While the Goldwyn project, released by MGM, boasts an enlightening moment or two and a few sharp lines, there's not much more in the way of originality or reasons for most moviegoers to touch this one.
In a cute moment, the lead character comments that she feels like she's in a Henry Jaglom movie. The semi-autobiographical film certainly appeals to the same demographic -- adult women -- and it revels in its self-obsessed, often-annoying central presence. With a jokey title that won't impact its already slim boxoffice prospects, "I Love You, Don't Touch Me!" has a slightly brighter post-theatrical future.
On her way to the big event of her young life, L.A. gal-about-town Katie (Marla Schaffel) suffers a "romantic holocaust" in her early 20s, and she starts feeling pressure when her critical best friend (Nancy Sorel) gets engaged to a "perfect" man.
Katie wants to find the right guy and predictably brushes off longtime pal Ben Mitchell Whitfield), a pudgy-but-sweet romantic she likes to set up with her less-than-winning single friends.
One day, Ben goes out with Katie's sultry co-worker Janet Meredith Scott Lynn), and the two embark on a stormy love affair. Janet knows what she wants, and Ben is tired of waiting for Katie, who becomes jealous and soon meets older composer Richard Webber (Michael Harris). Encouraging Katie to pursue a singing career, Richard shows up at her audition. Soon, he's got her in bed -- and the long-awaited event occurs.
Katie falls hard for attentive Richard, who says up front that he samples women like food, as he is the kind of man who doesn't want to eat the same meal every day.
Bitchy, critical, not really listening but seemingly always in someone's face, Katie is a well-realized character, but some will find it hard to stay interested in her search for answers. Part of the problem is the storytelling, which is consumed with one aspect of the characters' lives, while overall, uneven performances and uninspired direction fail to make the film fun or entertaining.
I LOVE YOU, DON'T TOUCH ME!
MGM
Goldwyn Entertainment Co. and Westie Films
in association with Big Hair Prods.
A film by Julie Davis
Credits: Writer-director: Julie Davis; Producers: Scott Chosed, Julie Davis; Executive producer: Jennifer Chaiken; Production designer: Carol Strober; Director of photography: Mark Putnam; Costume designer: Wendy Greiner; Music: Jane Ford; Editor: Julie Davis. Cast: Katie: Marla Schaffel; Ben: Mitchell Whitfield; Janet: Meredith Scott Lynn; Richard Webber: Michael Harris; Jones: Darryl Theirse; Elizabeth: Nancy Sorel. MPAA rating: R. Running time -- 83 minutes. Color/stereo.
In a cute moment, the lead character comments that she feels like she's in a Henry Jaglom movie. The semi-autobiographical film certainly appeals to the same demographic -- adult women -- and it revels in its self-obsessed, often-annoying central presence. With a jokey title that won't impact its already slim boxoffice prospects, "I Love You, Don't Touch Me!" has a slightly brighter post-theatrical future.
On her way to the big event of her young life, L.A. gal-about-town Katie (Marla Schaffel) suffers a "romantic holocaust" in her early 20s, and she starts feeling pressure when her critical best friend (Nancy Sorel) gets engaged to a "perfect" man.
Katie wants to find the right guy and predictably brushes off longtime pal Ben Mitchell Whitfield), a pudgy-but-sweet romantic she likes to set up with her less-than-winning single friends.
One day, Ben goes out with Katie's sultry co-worker Janet Meredith Scott Lynn), and the two embark on a stormy love affair. Janet knows what she wants, and Ben is tired of waiting for Katie, who becomes jealous and soon meets older composer Richard Webber (Michael Harris). Encouraging Katie to pursue a singing career, Richard shows up at her audition. Soon, he's got her in bed -- and the long-awaited event occurs.
Katie falls hard for attentive Richard, who says up front that he samples women like food, as he is the kind of man who doesn't want to eat the same meal every day.
Bitchy, critical, not really listening but seemingly always in someone's face, Katie is a well-realized character, but some will find it hard to stay interested in her search for answers. Part of the problem is the storytelling, which is consumed with one aspect of the characters' lives, while overall, uneven performances and uninspired direction fail to make the film fun or entertaining.
I LOVE YOU, DON'T TOUCH ME!
MGM
Goldwyn Entertainment Co. and Westie Films
in association with Big Hair Prods.
A film by Julie Davis
Credits: Writer-director: Julie Davis; Producers: Scott Chosed, Julie Davis; Executive producer: Jennifer Chaiken; Production designer: Carol Strober; Director of photography: Mark Putnam; Costume designer: Wendy Greiner; Music: Jane Ford; Editor: Julie Davis. Cast: Katie: Marla Schaffel; Ben: Mitchell Whitfield; Janet: Meredith Scott Lynn; Richard Webber: Michael Harris; Jones: Darryl Theirse; Elizabeth: Nancy Sorel. MPAA rating: R. Running time -- 83 minutes. Color/stereo.
- 2/17/1998
- The Hollywood Reporter - Movie News
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