Though Avengers: Endgame reportedly served as the last major McU outing for Pepper Potts, Gwyneth Paltrow’s character still managed to provide one last piece of fan service before dropping out of the saga. We are, of course, referring to the Rescue suit, which the Marvel veteran wears at the climax of the Avengers: Infinity War sequel. And if you’d like one final look at the armored heroine alongside her late husband Tony Stark, this new promotional image catches the pair in an intimate moment.
One thing worth noting about the photo is that the two pictured suits are not actually being sported by Paltrow and Robert Downey Jr. Instead, what we’re seeing is the art department’s Liz Georgoff in the Rescue armor next to her colleague Christopher Swift in the Iron Man outfit. In her recent Instagram post, Georgoff explained the image as follows:
“Once upon a time,...
One thing worth noting about the photo is that the two pictured suits are not actually being sported by Paltrow and Robert Downey Jr. Instead, what we’re seeing is the art department’s Liz Georgoff in the Rescue armor next to her colleague Christopher Swift in the Iron Man outfit. In her recent Instagram post, Georgoff explained the image as follows:
“Once upon a time,...
- 6/2/2019
- by David Pountain
- We Got This Covered
Though the digital dinosaurs were a significant part of the appeal of the original Jurassic Park as that level of realism had never before been reached in cinema, many of the shots to feature dinosaurs were actually full-scale practical robotic creations, conceived and produced at Stan Winston Studio.
Two key artists at Stan Winston’s side from the early 1980s until his death in 2008 are Shane Mahan and John Rosengrant. Now, the pair of craftspeople is together in a new company called Legacy Effects, but 20 years ago, they were ready to release their most ambitious film to that point – Jurassic Park.
The team at Stan Winston Studio spent a year building all of the practical dinosaurs which would shoot live on the set of the film, directed by Steven Spielberg and photographed by Dean Cundey. After production wrapped, Industrial Light and Magic matched their computer-generated dinosaurs to Sws’ designs and...
Two key artists at Stan Winston’s side from the early 1980s until his death in 2008 are Shane Mahan and John Rosengrant. Now, the pair of craftspeople is together in a new company called Legacy Effects, but 20 years ago, they were ready to release their most ambitious film to that point – Jurassic Park.
The team at Stan Winston Studio spent a year building all of the practical dinosaurs which would shoot live on the set of the film, directed by Steven Spielberg and photographed by Dean Cundey. After production wrapped, Industrial Light and Magic matched their computer-generated dinosaurs to Sws’ designs and...
- 4/11/2013
- by Scott Essman
- DreadCentral.com
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