In today’s Global Bulletin, HBO Max commits to 100 original productions in Latin America over the next two years; Spt launches a new Creative Diversity Fund for its TV production companies; YouTube Originals commissions “Terms and Conditions 2”; Atresmedia picks up remake rights to Nippon TV’s “Mother”; and Sheffield Doc/Fest unveils the lineup for this year’s Rhyme & Rhythm strand.
Production
Two months after unveiling its first original series lineup for HBO Max out of Latin America, WarnerMedia has announced that over the next two years the streaming platform will develop more than 100 local productions across the territory as Max Originals. The first third are already in production, with several scheduled to release as HBO Max rolls out across Latin America and the Caribbean in June.
Two new series from the 100-production commitment were unveiled as part of the announcement. “Bilardo, El Doctor del Fútbol” is a four-part docuseries about...
Production
Two months after unveiling its first original series lineup for HBO Max out of Latin America, WarnerMedia has announced that over the next two years the streaming platform will develop more than 100 local productions across the territory as Max Originals. The first third are already in production, with several scheduled to release as HBO Max rolls out across Latin America and the Caribbean in June.
Two new series from the 100-production commitment were unveiled as part of the announcement. “Bilardo, El Doctor del Fútbol” is a four-part docuseries about...
- 4/30/2021
- by Jamie Lang
- Variety Film + TV
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question:
Last Friday saw the release of Garth Davis’ “Lion,” the musical score for which is the gorgeous result of a collaboration between two giants of the neo-classical movement, Dustin O’Halloran and Hauschka. It’s just the latest indication that we’re living in a fascinating, vibrant time for movie music, and December boasts a number of films that will only add more fuel to that fire. With that in mind, we asked our panel of critics to name their favorite film score of the 21st Century.
Tasha Robinson (@TashaRobinson), The Verge
There are some really striking contenders out there, topped by Susumu Hirasawa’s manic,...
This week’s question:
Last Friday saw the release of Garth Davis’ “Lion,” the musical score for which is the gorgeous result of a collaboration between two giants of the neo-classical movement, Dustin O’Halloran and Hauschka. It’s just the latest indication that we’re living in a fascinating, vibrant time for movie music, and December boasts a number of films that will only add more fuel to that fire. With that in mind, we asked our panel of critics to name their favorite film score of the 21st Century.
Tasha Robinson (@TashaRobinson), The Verge
There are some really striking contenders out there, topped by Susumu Hirasawa’s manic,...
- 11/28/2016
- by David Ehrlich
- Indiewire
Her Silent SeamingPerhaps more than most other forms of cinema, experimental film and video is an auteur’s medium through and through. Since the production model for avant-garde work is almost exclusively artisanal, with a single individual (or possibly a duo or an artists’ collective) making the work from a studio context similar to that or a sculptor or photographer, it only makes sense to consider these works are expressions of an artist’s point of view. As such, those of us who regularly engage with experimental work will inevitably use the artist as the primary mode of categorization—who to keep track of, who seems promising, etc.But there’s a bit more to it. One of the greatest joys of avant-garde filmgoing, as any fan will tell you, is seeing an expertly curated program of films, be they new short works, recontextualized classics, or some combination thereof. A...
- 1/22/2016
- by Michael Sicinski
- MUBI
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