Coup de Grace: Embellishment Can’t Save Dahan’s Fairy Tale
Try as it might, Grace of Monaco can’t seem to wring any significant interest out of the historical moment it exaggeratedly blunders through. While it seems Harvey Weinstein’s public gripe concerning the director’s cut could very well receive critical support after its Cannes premiere, it’s doubtful that any amount of king’s men could put this together into some semblance of quality. Rife with melodramatic cliché, questionable casting, and some editing choices that appear to be imbuing the film with flourishes that the onscreen subjects cannot generate, the film staggers through key events in Kelly’s life to bring us to the conclusion that she left behind acting but embraced the role of a lifetime. Dahan, despite some uneven choices, generally has a knack for catching superb lead performances from his leading women, such as...
Try as it might, Grace of Monaco can’t seem to wring any significant interest out of the historical moment it exaggeratedly blunders through. While it seems Harvey Weinstein’s public gripe concerning the director’s cut could very well receive critical support after its Cannes premiere, it’s doubtful that any amount of king’s men could put this together into some semblance of quality. Rife with melodramatic cliché, questionable casting, and some editing choices that appear to be imbuing the film with flourishes that the onscreen subjects cannot generate, the film staggers through key events in Kelly’s life to bring us to the conclusion that she left behind acting but embraced the role of a lifetime. Dahan, despite some uneven choices, generally has a knack for catching superb lead performances from his leading women, such as...
- 5/14/2014
- by Nicholas Bell
- IONCINEMA.com
Exclusive: English-language picture stars Gérard Depardieu, Sam Neill, Tim Roth and Jemima West.
TF1 International is launching sales on Frédéric Auburtin’s FIFA picture A Men’s Dream starring Gérard Depardieu as the soccer federation’s colourful co-founder and World Cup creator Jules Rimet.
The English-language picture captures the history of the 110-year-old International Federation of Association Football through the intertwining stories of Rimet, long-serving Brazilian FIFA president Joao Havelange and Swiss Sepp Blatter who is currently at the helm of the organisation.
Sam Neill plays Havelange and Tim Roth plays Blatter.
“We picked up the project because we think it will appeal to a large and wide audience… not just hardcore football fans. The film tells the human story behind this huge world body through the lives of these three passionate, emblematic figures,” said TF1 International sales chief Sabine Chemaly.
The film, produced by Paris-based Thelma Films and Leuviah Films, was shot this...
TF1 International is launching sales on Frédéric Auburtin’s FIFA picture A Men’s Dream starring Gérard Depardieu as the soccer federation’s colourful co-founder and World Cup creator Jules Rimet.
The English-language picture captures the history of the 110-year-old International Federation of Association Football through the intertwining stories of Rimet, long-serving Brazilian FIFA president Joao Havelange and Swiss Sepp Blatter who is currently at the helm of the organisation.
Sam Neill plays Havelange and Tim Roth plays Blatter.
“We picked up the project because we think it will appeal to a large and wide audience… not just hardcore football fans. The film tells the human story behind this huge world body through the lives of these three passionate, emblematic figures,” said TF1 International sales chief Sabine Chemaly.
The film, produced by Paris-based Thelma Films and Leuviah Films, was shot this...
- 9/6/2013
- ScreenDaily
Exclusive: English-language picture stars Gérard Depardieu, Sam Neill, Tim Roth and Jemima West.
TF1 International is launching sales on Frédéric Auburtin’s FIFA picture A Men’s Dream starring Gérard Depardieu as the soccer federation’s colourful co-founder and World Cup creator Jules Rimet.
The English-language picture captures the history of the 110-year-old International Federation of Association Football through the intertwining stories of Rimet, long-serving Brazilian FIFA president Joao Havelange and Swiss Sepp Blatter who is currently at the helm of the organisation.
Sam Neill plays Havelange and Tim Roth plays Blatter.
“We picked up the project because we think it will appeal to a large and wide audience… not just hardcore football fans. The film tells the human story behind this huge world body through the lives of these three passionate, emblematic figures,” said TF1 International sales chief Sabine Chemaly.
The film, produced by Paris-based Thelma Films and Leuviah Films, was shot this...
TF1 International is launching sales on Frédéric Auburtin’s FIFA picture A Men’s Dream starring Gérard Depardieu as the soccer federation’s colourful co-founder and World Cup creator Jules Rimet.
The English-language picture captures the history of the 110-year-old International Federation of Association Football through the intertwining stories of Rimet, long-serving Brazilian FIFA president Joao Havelange and Swiss Sepp Blatter who is currently at the helm of the organisation.
Sam Neill plays Havelange and Tim Roth plays Blatter.
“We picked up the project because we think it will appeal to a large and wide audience… not just hardcore football fans. The film tells the human story behind this huge world body through the lives of these three passionate, emblematic figures,” said TF1 International sales chief Sabine Chemaly.
The film, produced by Paris-based Thelma Films and Leuviah Films, was shot this...
- 9/6/2013
- ScreenDaily
On Sunday, October 17th, this writer hosted – along with the lovely Jonna Jackson - the tenth annual Screamfest Horror Film Festival Awards. Held at an intimate location in the mountains above Burbank, CA, the stormy evening celebrated the ten days of original horror programming which had preceded it, most notably director Chris Smith’s apocalyptic Black Death and Yann Gozlan’s French-shocker Caged (Captifs), two features which proved to be festival-judge favorites.
Screamfest, which is spearheaded by founder and director Rachel Belofsky, has built a reputation over the last decade as having its finger on the pulse of the horror genre. Recent films programmed at Screamfest that have garnered a lot of attention include Let the Right One In, Trick r Treat, Splinter, Martyrs, The Signal, and Paranormal Activity.
Below is a full list of the evening's winners.
Best Film: Caged (Captifs), director Yann Gozlan Best Short: The Legend Of Beaver Dam,...
Screamfest, which is spearheaded by founder and director Rachel Belofsky, has built a reputation over the last decade as having its finger on the pulse of the horror genre. Recent films programmed at Screamfest that have garnered a lot of attention include Let the Right One In, Trick r Treat, Splinter, Martyrs, The Signal, and Paranormal Activity.
Below is a full list of the evening's winners.
Best Film: Caged (Captifs), director Yann Gozlan Best Short: The Legend Of Beaver Dam,...
- 10/19/2010
- by SeanD.
- DreadCentral.com
If Hostage looks a lot like a state-of-the-art French "policier" minus the pesky subtitles, the effect is purely intentional.
In his English-language debut, French director Florent Siri employs the same forceful, gritty style used for his 2002 film, The Nest, delivering a noir-tinged thriller with commercial aspirations.
The latter aspect is provided by Bruce Willis, who leads a similarly solid cast through the sharp twists and turns of Doug Richardson's script, based on the Robert Crais novel.
Sharing certain plot aspects with Panic Room, the picture should prove to be a moderate hit for Miramax, which has been buying a considerable amount of advance TV ad time in support of Willis' return to crime-fighting mode.
Willis is Jeff Talley, a former ace LAPD hostage negotiator, who, following the deaths of a mother and her young son, left Los Angeles and took a job as chief of police in a nominally low-crime area of Ventura County.
But he soon finds himself in the thick of things again after a trio of delinquent teenagers (Ben Foster, Jonathan Tucker and Marshall Allman) hold a widowed, shady accountant (Kevin Pollak) and his two children (Michelle Horn and Jimmy Bennett) hostage following a bungled robbery attempt in their multimillion-dollar hilltop compound.
To further complicate matters, Pollak's Walter Smith is in possession of a disc containing digital information being sought by a particularly persuasive (federal?) outfit that has nabbed Talley's own estranged wife (Serena Scott Thomas) and daughter (Willis' real-life daughter, Rumer), to ensure that he delivers the goods.
Playing what is essentially an art house version of his Die Hard John McClane character, Willis wears the added layers of complexity effectively, as a reluctant hero struggling to clear a tricky path to redemption.
Also impressive is Foster in a change-of-pace turn as the creepy ringleader of the teenage assailants and scene-stealing young Bennett, who manages to fend quite nicely for himself in his fortress of a home.
Director Siri's heavily stylized visual approach translates successfully, at least before everything reaches an overly operatic third-act crescendo.
Contributing to the picture's edgy look is Italian cinematographer Giovanni Fiore Coltellacci, who was Siri's collaborator on The Nest, and production designer Larry Fulton, who worked on Willis' The Sixth Sense and succeeds in turning the sprawling Topanga Canyon compound into a bona fide character.
Completing the mood is an aria of a score by ever-versatile Alexandre Desplat (Birth, Girl With a Pearl Earring, ) that keeps tempo with each sudden plot curve and constantly shifting emotional tone.
Hostage
Miramax
Miramax Films and Stratus Film Co. present a Cheyenne Enterprises production
An Equity Pictures Medienfonds GmbH & Co. KG II production in association with Syndicate Films International
Credits:
Director: Florent Siri
Screenplay: Doug Richardson
Based on the book by Robert Crais
Producers: Mark Gordon, Robert Yari, Bruce Willis, Arnold Rifkin
Executive producers: Hawk Koch, David Wally, Andreas Thiesmeyer, Josef Lautenschlager
Director of photography: Giovanni Fiore Coltellacci
Production designer: Larry Fulton
Editors: Olivier Gajan, Richard J.P. Byard
Costume designer: Elisabetta Beraldo
Music: Alexandre Desplat
Cast:
Jeff Talley: Bruce Willis
Walter Smith: Kevin Pollak
Mars Krupcheck: Ben Foster
Dennis Kelly: Jonathan Tucker
Kevin Kelly: Marshall Allman
Jennifer Smith: Michelle Horn
Tommy Smith: Jimmy Bennett
MPAA rating: R
Running time -- 113 minutes...
In his English-language debut, French director Florent Siri employs the same forceful, gritty style used for his 2002 film, The Nest, delivering a noir-tinged thriller with commercial aspirations.
The latter aspect is provided by Bruce Willis, who leads a similarly solid cast through the sharp twists and turns of Doug Richardson's script, based on the Robert Crais novel.
Sharing certain plot aspects with Panic Room, the picture should prove to be a moderate hit for Miramax, which has been buying a considerable amount of advance TV ad time in support of Willis' return to crime-fighting mode.
Willis is Jeff Talley, a former ace LAPD hostage negotiator, who, following the deaths of a mother and her young son, left Los Angeles and took a job as chief of police in a nominally low-crime area of Ventura County.
But he soon finds himself in the thick of things again after a trio of delinquent teenagers (Ben Foster, Jonathan Tucker and Marshall Allman) hold a widowed, shady accountant (Kevin Pollak) and his two children (Michelle Horn and Jimmy Bennett) hostage following a bungled robbery attempt in their multimillion-dollar hilltop compound.
To further complicate matters, Pollak's Walter Smith is in possession of a disc containing digital information being sought by a particularly persuasive (federal?) outfit that has nabbed Talley's own estranged wife (Serena Scott Thomas) and daughter (Willis' real-life daughter, Rumer), to ensure that he delivers the goods.
Playing what is essentially an art house version of his Die Hard John McClane character, Willis wears the added layers of complexity effectively, as a reluctant hero struggling to clear a tricky path to redemption.
Also impressive is Foster in a change-of-pace turn as the creepy ringleader of the teenage assailants and scene-stealing young Bennett, who manages to fend quite nicely for himself in his fortress of a home.
Director Siri's heavily stylized visual approach translates successfully, at least before everything reaches an overly operatic third-act crescendo.
Contributing to the picture's edgy look is Italian cinematographer Giovanni Fiore Coltellacci, who was Siri's collaborator on The Nest, and production designer Larry Fulton, who worked on Willis' The Sixth Sense and succeeds in turning the sprawling Topanga Canyon compound into a bona fide character.
Completing the mood is an aria of a score by ever-versatile Alexandre Desplat (Birth, Girl With a Pearl Earring, ) that keeps tempo with each sudden plot curve and constantly shifting emotional tone.
Hostage
Miramax
Miramax Films and Stratus Film Co. present a Cheyenne Enterprises production
An Equity Pictures Medienfonds GmbH & Co. KG II production in association with Syndicate Films International
Credits:
Director: Florent Siri
Screenplay: Doug Richardson
Based on the book by Robert Crais
Producers: Mark Gordon, Robert Yari, Bruce Willis, Arnold Rifkin
Executive producers: Hawk Koch, David Wally, Andreas Thiesmeyer, Josef Lautenschlager
Director of photography: Giovanni Fiore Coltellacci
Production designer: Larry Fulton
Editors: Olivier Gajan, Richard J.P. Byard
Costume designer: Elisabetta Beraldo
Music: Alexandre Desplat
Cast:
Jeff Talley: Bruce Willis
Walter Smith: Kevin Pollak
Mars Krupcheck: Ben Foster
Dennis Kelly: Jonathan Tucker
Kevin Kelly: Marshall Allman
Jennifer Smith: Michelle Horn
Tommy Smith: Jimmy Bennett
MPAA rating: R
Running time -- 113 minutes...
- 3/25/2005
- The Hollywood Reporter - Movie News
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