Anya Taylor-Joy in The Witch.
Robert Eggers' acclaimed horror film The Witch has been in Australian cinemas for three weeks, consistently scoring one of the highest per-location averages of any film in release.
The Witch was released by A24 in the States, where it's become a substantial independent hit.
Joining in the celebrations is Eric Doiron, compositing supervisor at Toronto post house Intelligent Creatures, who had the time of his life working on the film's effects.
Alongside VFX supervisor Geoff Scott, Doiron used Fusion Studio as well as DaVinci Resolve to pull VFX plates and do selective colour grading on the film's VFX sequences.
.The Witch was a fun project to work on because we got to really play up some of the spookiness,. said Doiron..
"For example, we added levitation to a scene using rotoscoping, paint and keying tools. With one plate shot on location and the other on a blue screen stage,...
Robert Eggers' acclaimed horror film The Witch has been in Australian cinemas for three weeks, consistently scoring one of the highest per-location averages of any film in release.
The Witch was released by A24 in the States, where it's become a substantial independent hit.
Joining in the celebrations is Eric Doiron, compositing supervisor at Toronto post house Intelligent Creatures, who had the time of his life working on the film's effects.
Alongside VFX supervisor Geoff Scott, Doiron used Fusion Studio as well as DaVinci Resolve to pull VFX plates and do selective colour grading on the film's VFX sequences.
.The Witch was a fun project to work on because we got to really play up some of the spookiness,. said Doiron..
"For example, we added levitation to a scene using rotoscoping, paint and keying tools. With one plate shot on location and the other on a blue screen stage,...
- 4/5/2016
- by Staff Writer
- IF.com.au
Anya Taylor-Joy in The Witch.
Robert Eggers' acclaimed horror film The Witch has been in Australian cinemas for three weeks, consistently scoring one of the highest per-location averages of any film in release.
The Witch was released by A24 in the States, where it's become a substantial independent hit.
Joining in the celebrations is Eric Doiron, compositing supervisor at Toronto post house Intelligent Creatures, who had the time of his life working on the film's effects.
Alongside VFX supervisor Geoff Scott, Doiron used Fusion Studio as well as DaVinci Resolve Studio to pull VFX plates and do selective colour grading during the film's VFX sequences.
.The Witch was a fun project to work on because we got to really play up some of the spookiness,. said Doiron..
"For example, we added levitation to a scene using rotoscoping, paint and keying tools. With one plate shot on location and the...
Robert Eggers' acclaimed horror film The Witch has been in Australian cinemas for three weeks, consistently scoring one of the highest per-location averages of any film in release.
The Witch was released by A24 in the States, where it's become a substantial independent hit.
Joining in the celebrations is Eric Doiron, compositing supervisor at Toronto post house Intelligent Creatures, who had the time of his life working on the film's effects.
Alongside VFX supervisor Geoff Scott, Doiron used Fusion Studio as well as DaVinci Resolve Studio to pull VFX plates and do selective colour grading during the film's VFX sequences.
.The Witch was a fun project to work on because we got to really play up some of the spookiness,. said Doiron..
"For example, we added levitation to a scene using rotoscoping, paint and keying tools. With one plate shot on location and the...
- 4/5/2016
- by Staff Writer
- IF.com.au
BBC America's conspiracy clone thriller Orphan Black was renewed for a second season, and we recently chatted with Jordan Gavaris about his character Felix, how he got involved on the show and much more.
Read on to check out the full interview, and catch an all new episode of Orphan Black on May 18th.
Amanda Dyar: Can you tell us how your career in acting got started and how long you have been doing it?
Jordan Gavaris: I started acting in my senior year in high school. I was working at a local video store and, at the time, was fascinated by counter-culture directors like Terrence Malick, Robert Altman, and Brian De Palma (even though, at 17, I didn't fully understand their work). I was convinced I was going to be a director. I wanted to learn more about an actor's process, so I enrolled in a local acting studio.
Read on to check out the full interview, and catch an all new episode of Orphan Black on May 18th.
Amanda Dyar: Can you tell us how your career in acting got started and how long you have been doing it?
Jordan Gavaris: I started acting in my senior year in high school. I was working at a local video store and, at the time, was fascinated by counter-culture directors like Terrence Malick, Robert Altman, and Brian De Palma (even though, at 17, I didn't fully understand their work). I was convinced I was going to be a director. I wanted to learn more about an actor's process, so I enrolled in a local acting studio.
- 5/17/2013
- by Amanda Dyar
- DreadCentral.com
The Visual Effects Society has announced the nominees for their 11th Annual Ves Awards. From film to animation to television to commercials and video games, the Ves Awards honor the outstanding visual effects artistry.
"Life of Pi's" Ang Lee will be honored with the Visionary Award. Winners will be announced on Tuesday, February 5, at the Beverly Hilton.
Here's the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
The Hobbit: An Unexpected Journey
Joe Letteri
Eileen Moran
Eric Saindon
Kevin L. Sherwood
Prometheus
Paul Butterworth
Charley Henley
Allen Maris
Richard Stammers
Life of Pi
Thomas Fisher
Susan Macleod
Guillaume Rocheron
Bill Westenhofer
The Avengers
Susan Pickett
Janek Sirrs
Jeff White
Guy Williams
Battleship
Grady Cofer
Pablo Helman
Jeanie King
Glen Mcintosh
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rust and Bone
Béatrice Bauwens...
"Life of Pi's" Ang Lee will be honored with the Visionary Award. Winners will be announced on Tuesday, February 5, at the Beverly Hilton.
Here's the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
The Hobbit: An Unexpected Journey
Joe Letteri
Eileen Moran
Eric Saindon
Kevin L. Sherwood
Prometheus
Paul Butterworth
Charley Henley
Allen Maris
Richard Stammers
Life of Pi
Thomas Fisher
Susan Macleod
Guillaume Rocheron
Bill Westenhofer
The Avengers
Susan Pickett
Janek Sirrs
Jeff White
Guy Williams
Battleship
Grady Cofer
Pablo Helman
Jeanie King
Glen Mcintosh
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rust and Bone
Béatrice Bauwens...
- 1/8/2013
- by Manny
- Manny the Movie Guy
Fuel VFX has received two award nominations from the Visual Effects Society.
The.peer-voted accolade for the company's work on Ridley Scott.s Prometheus follows the near-collapse of the VFX house, which was saved in October 2012 when Animal Logic acquired its assets.
Fuel co-founder Paul Butterworth was nominated for .Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture. for Prometheus (alongside non-Fuel nominations Charley Henley, Allen Maris and Richard Stammers).
The Fuel team of Xavier Bourque, Sam Cole, Simone Riginell and Denis Scolan - representing the hard work of all 16 compositors who worked on the film at the company - were nominated for Prometheus (Engineers & the Orrery) in the "Outstanding Compositing in a Feature Motion Picture" category.
Fuel has also provided effects on a number of Marvel films including Thor and Captain America: The First Avenger. Fuel continues to run from its Newtown, Sydney-based offices where Animal Logic...
The.peer-voted accolade for the company's work on Ridley Scott.s Prometheus follows the near-collapse of the VFX house, which was saved in October 2012 when Animal Logic acquired its assets.
Fuel co-founder Paul Butterworth was nominated for .Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture. for Prometheus (alongside non-Fuel nominations Charley Henley, Allen Maris and Richard Stammers).
The Fuel team of Xavier Bourque, Sam Cole, Simone Riginell and Denis Scolan - representing the hard work of all 16 compositors who worked on the film at the company - were nominated for Prometheus (Engineers & the Orrery) in the "Outstanding Compositing in a Feature Motion Picture" category.
Fuel has also provided effects on a number of Marvel films including Thor and Captain America: The First Avenger. Fuel continues to run from its Newtown, Sydney-based offices where Animal Logic...
- 1/8/2013
- by Brendan Swift
- IF.com.au
When the new Zealand Herald moves to compact format next week, the title will publish a commemorative magazine and a new weekly lifestyle magazine.
The announcement:
The first edition of the New Zealand Herald in compact format will include two new magazines – a special, commemorative glossy publication, The Magazine, which is being published to celebrate the launch of the new Herald, and Bite, a new weekly food and wellness magazine.
The new magazines and the first Herald compact hit the streets for the first time next Monday, September 10.
Olympic medalists, Lisa Carrington and Sarah Walker, star in a special photo shoot for the cover of The Magazine – capturing the essence of the publication which celebratesour country, our people, our achievements, talents and lifestyle.
“The Magazine is a snapshot of life in New Zealand. Its pages are full of reminders of why we are all lucky to live here,” said The Magazine editor Jane Phare.
The announcement:
The first edition of the New Zealand Herald in compact format will include two new magazines – a special, commemorative glossy publication, The Magazine, which is being published to celebrate the launch of the new Herald, and Bite, a new weekly food and wellness magazine.
The new magazines and the first Herald compact hit the streets for the first time next Monday, September 10.
Olympic medalists, Lisa Carrington and Sarah Walker, star in a special photo shoot for the cover of The Magazine – capturing the essence of the publication which celebratesour country, our people, our achievements, talents and lifestyle.
“The Magazine is a snapshot of life in New Zealand. Its pages are full of reminders of why we are all lucky to live here,” said The Magazine editor Jane Phare.
- 9/2/2012
- by Cathie McGinn
- Encore Magazine
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