Fantastic Film School tutors also revealed.
The Puchon International Film Festival (PiFan)’s industry program, the Network of Fantastic Films (Naff) has announced its selection for this year’s Project Spotlight: the Philippines.
“The Philippines have had a strong presence in genre cinema for some time, but for some reason, it never had outside exposure until maybe very recently. So we thought it would be worthwhile to show not just their films, but also the potential of the projects through this year’s Spotlight so they can hopefully find co-producers and/or funding at Naff,” says Thomas Nam, Naff managing director.
The seven projects in the Spotlight will compete for a total of $50,000 in cash awards and three post-production support awards.
Mondomanila director Khavn De La Cruz [pictured] will be turning his 62nd Berlinale-selected short film, Ruined Heart? Another Love Story About A Criminal And A Whore, into a feature film while director Peter Eduria III, who has worked...
The Puchon International Film Festival (PiFan)’s industry program, the Network of Fantastic Films (Naff) has announced its selection for this year’s Project Spotlight: the Philippines.
“The Philippines have had a strong presence in genre cinema for some time, but for some reason, it never had outside exposure until maybe very recently. So we thought it would be worthwhile to show not just their films, but also the potential of the projects through this year’s Spotlight so they can hopefully find co-producers and/or funding at Naff,” says Thomas Nam, Naff managing director.
The seven projects in the Spotlight will compete for a total of $50,000 in cash awards and three post-production support awards.
Mondomanila director Khavn De La Cruz [pictured] will be turning his 62nd Berlinale-selected short film, Ruined Heart? Another Love Story About A Criminal And A Whore, into a feature film while director Peter Eduria III, who has worked...
- 6/14/2013
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
The first few scenes of Rico Maria Ilarde's Pridyider immediately reveal a particular milieu that is far removed from the real and the mundane. Tina Benitez (Andi Eigenmann) is first seen aboard a flight back to the Philippines. She is sleeping, dreaming a horrid dream. She immediately wakes up, prompting her seatmate, an amiable old woman who is finally returning to the Philippines from a thirty-year absence, to talk to her, mouthing cryptic statements about looking back to where you came from. She takes a cab driven ominously by Ilarde-regular and frequently used character actor Raul Morit to her new home. A heated discussion on the display of depraved violence in Brillante Mendoza's Kinatay (2009) is heard from the radio. Tina, tired from her trip...
- 9/22/2012
- Screen Anarchy
As any woman in lingerie on a hot day can tell you, an open fridge can be a sexy thing indeed. I mean, just look at that woman above. Look how happy she is. How ... satisfied. Who needs a man when you've got lingerie and a fridge to cool your bosom?However, as that same woman can tell you, the fridge can also be a dangerous place. A place full of unknown terrors that can cause great harm. Some days it's best just not to open it because who knows what might come out.From Filipino genre vet Rico Maria Ilarde comes Pridyider - literally The Refrigerator - a feature length expansion of an iconic short film that opened the very first of the long...
- 8/22/2012
- Screen Anarchy
In Ang Lihim ng San Joaquin (The Secret of San Joaquin), Richard Somes' episode in Shake, Rattle and Roll 2k5 (Uro dela Cruz, Rico Maria Ilarde, Somes, 2005), he makes use of popular aswang lore in telling the story of a man and his pregnant wife who find themselves trapped in a town of aswang craving for fresh meat. Although narratively straightforward and seemingly devoid of any sudden twists and turns that usually mark the horror films that fare well in the box office, Somes' short succeeds in infusing certain techniques and styles borrowed from silent films, resulting in an experience that is not only comfortingly familiar, especially for those who grew up horrified by the many cinematic reincarnations of the local monsters, but...
- 4/15/2012
- Screen Anarchy
Originally planned as a one minute short for Nikalexis.Mov, a program of short films dedicated to the memory of slain critics Alexis Tioseco and Nika Bohinc that featured short works by directors like Raymond Red, Rico Maria Ilarde and Apichatpong Weerasethakul, Lav Diaz's Elehiya sa Dumalaw mula sa Himagsikan (Elegy to the Visitor from the Revolution) grew both in length and concept, turning into a film that is ponderous and perplexing but is still grounded on very familiar emotions of melancholy and despair. It is undoubtedly a film that sprung from spontaneity, with Diaz literally writing the film as he was shooting it with a cast of actors and friends who are willing and ready to take in complex roles in a very short period of...
- 9/11/2011
- Screen Anarchy
The action film, a genre that was synonymous with the Philippines a few decades back where the country was producing countless films with heroes waging battles with iconic villains with their pistols or sometimes with only their deep knowledge in street fighting, is near-extinct in the present cinematic climate that fosters repetitive romances and horrific horrors.
It's not that the country has lost action heroes (Monsour del Rosario, taekwondo champion turned action star, and Ronnie Rickets, action star who also directs, have moved on to politics) or directors adept with action filmmaking (there's Rico Maria Ilarde who embellishes his horror films with lovingly staged action sequences). I'd wager that the lack of interest has more to do with the proliferation of big-budgeted Hollywood movies in the market. Where entire buildings burst into flames and characters dodge bullets and blows in eye-popping slow motion, the typical fisticuffs and car chases, no matter how adeptly staged,...
It's not that the country has lost action heroes (Monsour del Rosario, taekwondo champion turned action star, and Ronnie Rickets, action star who also directs, have moved on to politics) or directors adept with action filmmaking (there's Rico Maria Ilarde who embellishes his horror films with lovingly staged action sequences). I'd wager that the lack of interest has more to do with the proliferation of big-budgeted Hollywood movies in the market. Where entire buildings burst into flames and characters dodge bullets and blows in eye-popping slow motion, the typical fisticuffs and car chases, no matter how adeptly staged,...
- 9/13/2010
- Screen Anarchy
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