Donald Trump has never been one to hide his love for Orson Welles. He’s been on record citing “Citizen Kane” as his favorite film of all time, and he’s called Welles both a “genius” and “totally f*cked up.” “He was a total mess,” Trump told Business Insider earlier this year during his Presidential campaign. “But think of his wives. Think of his hits.”
Read More: Donald Trump Says Orson Welles Was ‘Totally F*cked Up’ & a ‘Mess’ — But He Still Loves ‘Citizen Kane’
Money and women would of course be benchmarks for success for Trump, and those are the two things he apparently looked for while watching that favorite film of his, “Citizen Kane.” Vulture has resurfaced an old video of Donald Trump reflecting on the greatest film ever made, but his takeaways from Charles Foster Kane’s downfall are painfully misguided.
“There was a great rise in ‘Citizen Kane,...
Read More: Donald Trump Says Orson Welles Was ‘Totally F*cked Up’ & a ‘Mess’ — But He Still Loves ‘Citizen Kane’
Money and women would of course be benchmarks for success for Trump, and those are the two things he apparently looked for while watching that favorite film of his, “Citizen Kane.” Vulture has resurfaced an old video of Donald Trump reflecting on the greatest film ever made, but his takeaways from Charles Foster Kane’s downfall are painfully misguided.
“There was a great rise in ‘Citizen Kane,...
- 11/17/2016
- by Zack Sharf
- Indiewire
Yesterday marked the 75th anniversary of Citizen Kane. Yes, on May 1st 1941, what many people rightly consider one of the greatest cinematic masterpieces made it’s way into the world. In the preceding years, it has referenced by all and sundry, but the true master of the Citizen Kane reference has to be The Simpsons, and thanks to Moon Films, all the times Charles Foster Kane has been mentioned by the world’s favourite yellow family has been collected and played side-by-side with the footage that inspired them. Check out this truly fantastic video below.
- 5/2/2016
- by noreply@blogger.com (Tom White)
- www.themoviebit.com
Like the first words out of a baby’s mouth, the first lines uttered in a film are important. These are our picks for the 10 best opening lines in film.
Spring is upon us, and what better way to celebrate the beginning of brighter days than to celebrate the best film beginnings of all time! Check back all month long as we look at the films with the best beginnings.
Check out the previous entries into this series here:
Top 10 Opening Credits Sequences in Film
Top 10 Opening Shots in Film
Top 10 Opening Scenes in Film
It can be argued that a character’s lines can move a film forward and have more of an impact on the audience than any amount of action or breathtaking filmmaking. Lines, including narrations provide a source of information often more direct than an image. It is said that a picture is worth a thousand words,...
Spring is upon us, and what better way to celebrate the beginning of brighter days than to celebrate the best film beginnings of all time! Check back all month long as we look at the films with the best beginnings.
Check out the previous entries into this series here:
Top 10 Opening Credits Sequences in Film
Top 10 Opening Shots in Film
Top 10 Opening Scenes in Film
It can be argued that a character’s lines can move a film forward and have more of an impact on the audience than any amount of action or breathtaking filmmaking. Lines, including narrations provide a source of information often more direct than an image. It is said that a picture is worth a thousand words,...
- 4/27/2016
- by feeds@cinelinx.com (G.S. Perno)
- Cinelinx
Chicago – Like improvisational jazz, the performance career of Don Cheadle has many moods, directions and shadings. For his latest film, he takes on the titles of co-writer and director, along with the lead role of music legend Miles Davis. This all comes together is the aptly titled “Miles Ahead.”
Cheadle applies a different kind of music biography spin, with a centerpiece story about Davis that operates as a mythical framework for the musician’s life story, told in a loose flashback format. The cinematic structure is jazzy and kinetic, and it moves forward with an energy all of its own, driven by the frenetic soundtrack of the man himself. As a director, Cheadle has crafted something outside the norm, a visual blend that could be at home within the florid sweep of a Miles Davis composition.
Don Cheadle as Miles Davis in ‘Miles Ahead’
Photo credit: Sony Pictures Classics
Don Cheadle...
Cheadle applies a different kind of music biography spin, with a centerpiece story about Davis that operates as a mythical framework for the musician’s life story, told in a loose flashback format. The cinematic structure is jazzy and kinetic, and it moves forward with an energy all of its own, driven by the frenetic soundtrack of the man himself. As a director, Cheadle has crafted something outside the norm, a visual blend that could be at home within the florid sweep of a Miles Davis composition.
Don Cheadle as Miles Davis in ‘Miles Ahead’
Photo credit: Sony Pictures Classics
Don Cheadle...
- 4/7/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Memos show media mogul William Randolph Hearst’s executives conspired to undermine Welles and stop release of film
Previously unpublished documents have revealed the scale of a plot by the media mogul William Randolph Hearst to discredit Orson Welles and destroy Citizen Kane, the 1941 film about the rise and fall of the fictional newspaper proprietor Charles Foster Kane.
Welles and Rko Pictures faced extortion, media manipulation and other underhand tactics in a plot that was much darker and began earlier than was previously known, according to research by Harlan Lebo for a forthcoming book.
Continue reading...
Previously unpublished documents have revealed the scale of a plot by the media mogul William Randolph Hearst to discredit Orson Welles and destroy Citizen Kane, the 1941 film about the rise and fall of the fictional newspaper proprietor Charles Foster Kane.
Welles and Rko Pictures faced extortion, media manipulation and other underhand tactics in a plot that was much darker and began earlier than was previously known, according to research by Harlan Lebo for a forthcoming book.
Continue reading...
- 3/28/2016
- by Dalya Alberge
- The Guardian - Film News
In the fourth episode of Showtime's new series, "Billions," hedge fund manager Bobby "Axe" Axelrod (Damian Lewis) is compared to kings, nation-states, and God Himself, but none strikes so disheartening a note as the one to Charles Foster Kane. Orson Welles' tragic hero, first introduced to Axelrod by a flirtatious songstress in Québec City, of all places, soon becomes something of an abortive obsession for the darkly charismatic capitalist. Though he arranges for a 35mm print to be projected in his private screening room, "Rosebud" remains out of reach, the film subject to constant intrusions by the Wall Street squawk box of shorts, squeezes, and the SEC. Axelrod is, in this sense, not unlike "Billions" itself: drawn to the symbols of the denatured American Dream—as potent today as they were upon the release of "Citizen Kane" in 1941—but unwilling, or unable, to see the attraction through. Though Andrew Sarris.
- 1/14/2016
- by Matt Brennan
- Thompson on Hollywood
Not so very long ago I had a co-worker who described himself as a movie geek, film fan, cinema addict, what have you. He talked about film as if he knew all about it. I asked him one day what he thought of Orson Welles. His reply?
“I don’t think about Orson Welles, he was old and fat, now he’s dead, what am I supposed to think about him?”
Needless to say I never really talked to this person again, who shall remain nameless. Of course the fact that he was an egocentric, arrogant, narcissistic weasel didn’t help matters. (He claimed to have a small part in Tombstone, I have seen that movie several times, never spotted him, by the way…)
I simply cannot fathom the arrogance of someone dismissing, so casually one of the greatest film makers who ever lived. I have been fascinated, obsessed even,...
“I don’t think about Orson Welles, he was old and fat, now he’s dead, what am I supposed to think about him?”
Needless to say I never really talked to this person again, who shall remain nameless. Of course the fact that he was an egocentric, arrogant, narcissistic weasel didn’t help matters. (He claimed to have a small part in Tombstone, I have seen that movie several times, never spotted him, by the way…)
I simply cannot fathom the arrogance of someone dismissing, so casually one of the greatest film makers who ever lived. I have been fascinated, obsessed even,...
- 1/7/2016
- by Sam Moffitt
- WeAreMovieGeeks.com
After Distribpix Inc.'s Steven Morowitz and filmmaker Joel Bender unearthed a 35mm print of Orson Welles' 1965 Shakespearean classic—after decades when the film was unseeable—there was hope that it would soon hit theaters. Now there is a definitive restoration from Janus Films, which took 20 years, but not from this source. Janus will present "Chimes at Midnight" in an exclusive engagement at New York's Film Forum and L.A.'s Cinefamily starting January 1, with a rollout to select U.S. cities to follow. Read More: "How a Near-Pristine 35mm Print of Orson Welles' 'Chimes at Midnight' Was Found" The part Orson Welles was really born to play wasn’t Charles Foster Kane, nor the candy-addicted Hank Quinlan, or Harry Lime, or Cardinal Wolsey. It was a character who first appeared 418 years ago, who ducks in and out of several plays contributing bon mots and bad behavior; a wit,...
- 12/15/2015
- by John Anderson and Matt Brennan
- Thompson on Hollywood
What do All the President’s Men, Network, Capote, Broadcast News, Citizen Kane, Good Night, and Good Luck, The Insider, Frost/Nixon all have in common? They were films up for Best Picture.
- 10/31/2015
- by Sasha Stone
- AwardsDaily.com
Gary Cooper movies on TCM: Cooper at his best and at his weakest Gary Cooper is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 30, '15. Unfortunately, TCM isn't showing any Cooper movie premiere – despite the fact that most of his Paramount movies of the '20s and '30s remain unavailable. This evening's features are Mr. Deeds Goes to Town (1936), Sergeant York (1941), and Love in the Afternoon (1957). Mr. Deeds Goes to Town solidified Gary Cooper's stardom and helped to make Jean Arthur Columbia's top female star. The film is a tad overlong and, like every Frank Capra movie, it's also highly sentimental. What saves it from the Hell of Good Intentions is the acting of the two leads – Cooper and Arthur are both excellent – and of several supporting players. Directed by Howard Hawks, the jingoistic, pro-war Sergeant York was a huge box office hit, eventually earning Academy Award nominations in several categories,...
- 8/30/2015
- by Andre Soares
- Alt Film Guide
The Angulo brothers are a populist documantarian’s dream. Bright young things with natural Instagram insouciance, a quirky moviemaking hobby and a staggering back story. These boys could crush you at Six Degrees of Kevin Bacon, fashion you a paper gun arsenal, quote Charles Foster Kane verbatim and still find time to modestly seek your opinion
The post The Wolfpack Review appeared first on HeyUGuys.
The post The Wolfpack Review appeared first on HeyUGuys.
- 8/20/2015
- by Emily Breen
- HeyUGuys.co.uk
It’s time for a quick break from the bombastic Summer fare, and briefly enter the world of big screen biographies, a genre usually reserved for those serious cooler months, closer to awards season. In this new (for stateside audiences) release we aren’t examining the life of a figure from the annals of historical science like the recent Oscar winners The Theory Of Everything or The Imitation Game. No, we’re heading into the world of the arts (an arena for several terrific feature documentaries of late). But the subject is not from the world of fine art, like those films concerning painters such as Pollack or Surviving Picasso. Nor is this based on a music maestro like Nowhere Boy and the film still in theatres Love And Mercy (and if you’re not seen this dazzling look inside the mind and work of Brian Wilson, by all means drive,...
- 6/11/2015
- by Jim Batts
- WeAreMovieGeeks.com
After the huge success of last year's Back to the Future run, Secret Cinema has now turned its attention to Star Wars with special screenings of The Empire Strikes Back running all summer.
Secret Cinema is still relatively green, so with more than 100 years of movie history at its disposal there's plenty of potential for future instalments to embrace more classics. Digital Spy picks out seven films we'd love to see get the Secret Cinema treatment.
1. Die Hard
Imagine a London skyscraper getting a Nakatomi Plaza-style makeover for a showing of Bruce Willis's '80s action movie classic?
Ok, so the immersive cinema experience of being held hostage by Hans Gruber and his goons might be mildly terrifying, but think of this more like live theatre with an actor playing John McClane and scuttling through the building. Participants would not be asked to: 1) walk barefoot over broken glass; 2) swing...
Secret Cinema is still relatively green, so with more than 100 years of movie history at its disposal there's plenty of potential for future instalments to embrace more classics. Digital Spy picks out seven films we'd love to see get the Secret Cinema treatment.
1. Die Hard
Imagine a London skyscraper getting a Nakatomi Plaza-style makeover for a showing of Bruce Willis's '80s action movie classic?
Ok, so the immersive cinema experience of being held hostage by Hans Gruber and his goons might be mildly terrifying, but think of this more like live theatre with an actor playing John McClane and scuttling through the building. Participants would not be asked to: 1) walk barefoot over broken glass; 2) swing...
- 6/11/2015
- Digital Spy
The Magnificent Ambersons
Landon’S Take:
Orson Welles is celebrated as one of the foremost visionaries in the history of American filmmaking. He’s also renowned as the perennial artist against the system. While both of these factors make Welles perhaps the ideal auteur – someone satisfied with nothing less than a perfect articulation of his individual vision within the collaborative medium of filmmaking – it also presents some unique problems in examining works that were taken away from him.
The classically celebrated auteurs of studio era Hollywood (e.g., Hawks, Ford, Hitchcock) were known for creating individuated worldviews across their body of work either despite or even because of the strictures inherent in Classical Hollywood filmmaking. This was not Welles, who from his rise to infamy with the 1938 “War of the Worlds” broadcast to his first studio feature made a name by challenging the assumed utilities of a medium. Neither could...
Landon’S Take:
Orson Welles is celebrated as one of the foremost visionaries in the history of American filmmaking. He’s also renowned as the perennial artist against the system. While both of these factors make Welles perhaps the ideal auteur – someone satisfied with nothing less than a perfect articulation of his individual vision within the collaborative medium of filmmaking – it also presents some unique problems in examining works that were taken away from him.
The classically celebrated auteurs of studio era Hollywood (e.g., Hawks, Ford, Hitchcock) were known for creating individuated worldviews across their body of work either despite or even because of the strictures inherent in Classical Hollywood filmmaking. This was not Welles, who from his rise to infamy with the 1938 “War of the Worlds” broadcast to his first studio feature made a name by challenging the assumed utilities of a medium. Neither could...
- 5/24/2015
- by Drew Morton
- SoundOnSight
Mad Men is back for the first of its seven final episodes, and Jon Hamm's Don Draper is still firmly committed to being admitted to the marble-columned pantheon of Existentially Miserable Businessmen (as Represented in American Arts and Letters).
It's hard to imagine that he won't get in by the end and join such august company as Willy Loman, Charles Foster Kane, Tony Soprano, the Wolf of Wall Street and, going back quite a stretch, Silas Lapham.
But what did we expect? If Don were the Easter Bunny, he would be sitting off in the corner of the egg hunt,...
It's hard to imagine that he won't get in by the end and join such august company as Willy Loman, Charles Foster Kane, Tony Soprano, the Wolf of Wall Street and, going back quite a stretch, Silas Lapham.
But what did we expect? If Don were the Easter Bunny, he would be sitting off in the corner of the egg hunt,...
- 4/5/2015
- by Tom Gliatto, @gliatto
- People.com - TV Watch
In Magician: The Astonishing Life and Work of Orson Welles, documentarian Chuck Workman, best known for his assembled clips for the Oscar ceremonies, including In Memoriam segments, doesn't have to do much to enhance the drama in Welles' life because there is plenty of drama already. Using a great wealth of materials -- clips from Welles' films, interviews with many of his artist friends, colleagues, admirers, historians, his TV appearances, and much more -- Workman constructs a patchwork of the legendary filmmaker's entire lifespan, not unlike that of Charles Foster Kane.It is interesting that even though there are a lot of things said and written about Welles, no documentaries were made about him previously. Perhaps it was because, as Workman points out in the film, of...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 12/11/2014
- Screen Anarchy
Though focussed on wrestling and named for an equestrian sport, Foxcatcher adopts the motions of a marathon runner. The pace is steady and unyielding. There are no sudden “a-ha” moments to throw things for a loop; each shift in its dramatic playing field is slowly, methodically built up to. Foxcatcher is an exercise in control and composure. If you’re into its rhythm from the first moment, you’ll be spellbound by it to the last. Find yourself following along even slightly off the precise pace director Bennett Miller moves at, and Foxcatcher, fittingly, becomes a little harder to pin down.
Based on true events, the film opens in 1987. In just three years, Olympic wrestler Mark Schultz (Channing Tatum) has gone from gold medal glory, to addressing half-filled elementary school auditoriums for $20 a pop. More humiliating than the bored looks the kids give him is the fact that he’s...
Based on true events, the film opens in 1987. In just three years, Olympic wrestler Mark Schultz (Channing Tatum) has gone from gold medal glory, to addressing half-filled elementary school auditoriums for $20 a pop. More humiliating than the bored looks the kids give him is the fact that he’s...
- 11/12/2014
- by Sam Woolf
- We Got This Covered
The movie journalist is always caught up in scandal, gossip and invasions of privacy. Though plenty of movies have been made about authors, poets, and other writers, the physical act of writing and editing rarely makes it into Hollywood journalism. Thankfully, the more sensational aspects of media have made for scathing satire and commentary, loathsome anti-heroes, and pulpy, investigative reporting that the camera loves.
This week’s Nightcrawler features Jake Gyllenhaal as a crime journalist in L.A., but he’s more Travis Bickle than Anderson Cooper. Even other films released this year have fit the template of being more about something else than actually about journalism, from a theater critic in Birdman trying to destroy Riggan Thompson’s career to Jeremy Renner in Kill the Messenger about how noble voices get squashed.
The best movies about journalism are more than the newsroom politics, so in honor of Nightcrawler’s release,...
This week’s Nightcrawler features Jake Gyllenhaal as a crime journalist in L.A., but he’s more Travis Bickle than Anderson Cooper. Even other films released this year have fit the template of being more about something else than actually about journalism, from a theater critic in Birdman trying to destroy Riggan Thompson’s career to Jeremy Renner in Kill the Messenger about how noble voices get squashed.
The best movies about journalism are more than the newsroom politics, so in honor of Nightcrawler’s release,...
- 10/30/2014
- by Brian Welk
- SoundOnSight
Rob counts down the top 50 episodes of TV's longest-running animated series, The Simpsons...
Since its debut in 1989, across 552 episodes and 25 seasons, The Simpsons has become one of the most revered and beloved TV programmes of all time. It’s a true cultural phenomenon that’s influenced not just animation, but all areas of TV comedy and sitcom. For so many of us, its quotes and catchphrases have permeated our everyday vernacular, from single words like “crisitunity” and “embiggen” to phrases “you don’t win friends with salad” and “everything’s coming up Milhouse.”
Personal opinions may vary, but for me the show’s peak years were from season 4 through to 10. They’re consistently funny, all killer and no filler runs with barely a dud episode to be found between 1992-1998. Past this point the standard becomes a little more mixed, and recent seasons have been distinctly average at best. The...
Since its debut in 1989, across 552 episodes and 25 seasons, The Simpsons has become one of the most revered and beloved TV programmes of all time. It’s a true cultural phenomenon that’s influenced not just animation, but all areas of TV comedy and sitcom. For so many of us, its quotes and catchphrases have permeated our everyday vernacular, from single words like “crisitunity” and “embiggen” to phrases “you don’t win friends with salad” and “everything’s coming up Milhouse.”
Personal opinions may vary, but for me the show’s peak years were from season 4 through to 10. They’re consistently funny, all killer and no filler runs with barely a dud episode to be found between 1992-1998. Past this point the standard becomes a little more mixed, and recent seasons have been distinctly average at best. The...
- 8/28/2014
- by louisamellor
- Den of Geek
On Thursday (August 21) morning at 10 a.m. Et, Fxx is going to begin its Every Simpsons Ever Marathon, a showcase for 552 episodes of "The Simpsons," plus "The Simpsons Movie." That's a lot of episodes and if you're a "Simpsons" neophyte, you may be intimidated by the sheer avalanche of yellow-tinged animation. Fortunately, we're here to help. The individual fans on Team HitFix are weighing in on one or two episodes per day until even we may collapse under the avalanche of comedic greatness. And, since we know that nobody can watch 48 episodes per day and remain sane, we'll also recommend an episode or two that you might be able to skip each day if you need to shower, take a quick nap or show love to members of your family. Check out our recommendations and chime in with your own favorites... Day One of the marathon begins with "Simpsons Roasting...
- 8/21/2014
- by Daniel Fienberg, Alan Sepinwall, Drew McWeeny, Josh Lasser and Dave Lewis
- Hitfix
We’ve all been there. A group of friends or perhaps colleagues, at a bar around the block from a cinema or in your office rec room, chewing the cud about movies. One particular film comes up in the discussion, most likely a big release. Conversation turns to debate, since one of your group loves said picture and another loathes it. The more the fan sings its praises, the stauncher the naysayer’s protest becomes. With debate coming close to evolving into an argument, the critic goes for the home run strike by throwing out the gamechanging claim. “It’s full of plot holes” they declare.
Sometimes the fan will be silenced, the other members of the group may nod in agreement or realization. The idea has been planted in their heads, and they would have to go watch the film to disprove the critic. Even if they did, they...
Sometimes the fan will be silenced, the other members of the group may nod in agreement or realization. The idea has been planted in their heads, and they would have to go watch the film to disprove the critic. Even if they did, they...
- 8/17/2014
- by Scott Patterson
- SoundOnSight
When Orson Welles made Citizen Kane back in the early 1940s, it was considered one of the most controversial Hollywood movies ever made - though not because of violence, foul language, sex or nudity. Rather it was because the film's fictional central subject, Charles Foster Kane, was loosely though obviously not-so-lovingly based on the life of William Randolph Hearst, a newspaper magnate who also happened to be one of the most powerful and influential people in America. While there were many threats and attempts to shut Welles' movie down, the filmmaker powered through, and now Citizen Kane is considered one of the best, most important features ever made. If you want to get the nitty-gritty details of the whole affair, however, I direct your attention to the drunk, bearded fellow telling the story in the video you see above. The folks behind the Comedy Central series Drunk History have dedicated...
- 8/6/2014
- cinemablend.com
Caught
Directed by Max Ophüls
Written by Arthur Laurents
USA, 1949
Max Ophüls’ third feature in America, Caught, from 1949, is an evocative amalgam of a domesticated melodramatic tragedy and a dynamic film noir sensibility. The picture stars Barbara Bel Geddes as Leonora Eames, a studious adherent to charm school principles who dreams of becoming a glamorous model, or at least marrying a young, handsome millionaire. She gets the latter when she meets Smith Ohlrig (Robert Ryan), a wealthy “international something” who gives her the superficial materials she desires but little else. Their marriage is an arduous sham. He works late hours on unclear projects while she is left to dwell uselessly in their extravagant mansion. He’s cruel to her and careless. A way out of the stifling relationship comes in the form of a job as a doctor’s receptionist. Leonora leaves Ohlrig and moves into Manhattan, where she eventually...
Directed by Max Ophüls
Written by Arthur Laurents
USA, 1949
Max Ophüls’ third feature in America, Caught, from 1949, is an evocative amalgam of a domesticated melodramatic tragedy and a dynamic film noir sensibility. The picture stars Barbara Bel Geddes as Leonora Eames, a studious adherent to charm school principles who dreams of becoming a glamorous model, or at least marrying a young, handsome millionaire. She gets the latter when she meets Smith Ohlrig (Robert Ryan), a wealthy “international something” who gives her the superficial materials she desires but little else. Their marriage is an arduous sham. He works late hours on unclear projects while she is left to dwell uselessly in their extravagant mansion. He’s cruel to her and careless. A way out of the stifling relationship comes in the form of a job as a doctor’s receptionist. Leonora leaves Ohlrig and moves into Manhattan, where she eventually...
- 7/9/2014
- by Jeremy Carr
- SoundOnSight
When we think of movie characters they are larger than life in human form. However, there is a tendency to connect a particular film or film’s mortal personality with something that registers beyond the piece of entertainment or the walking and talking characterizations. The realization is that some movie-related inanimate objects equal or surpass the human element in cinema while adding elements of mystery, curiosity, symbolism and imagination.
In The Top 10 Iconic Movie Objects let us take a look at some of the non-breathing items that made an impact in their perspective films and see what meaning these images brought to the table. Perhaps you have in mind your own treasured inanimate objects that come to mind that transcends your viewing pleasure during the screening of your favorite flicks?
The Top 10 Iconic Movie Inanimate Objects are as follows (Note: the selections are not presented in any order of chosen...
In The Top 10 Iconic Movie Objects let us take a look at some of the non-breathing items that made an impact in their perspective films and see what meaning these images brought to the table. Perhaps you have in mind your own treasured inanimate objects that come to mind that transcends your viewing pleasure during the screening of your favorite flicks?
The Top 10 Iconic Movie Inanimate Objects are as follows (Note: the selections are not presented in any order of chosen...
- 6/10/2014
- by Frank Ochieng
- SoundOnSight
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