The sound of chirping cicadas, calling to their mates. The feel of the scales on a freshly caught fish. The way the late afternoon light reflects off a backwoods creek, as a fishing bobber floats idly on the surface. You hear thunder crack in the distance; you can practically smell the ozone in the air that lingers before a lightning strike. A hand dips into the brackish water near the shore, the dark silt run between fingers causing it to muddy and cloud before slowly ebbing away …
It is admittedly...
It is admittedly...
- 11/3/2023
- by David Fear
- Rollingstone.com
The first image in writer-director Raven Jackson’s All Dirt Roads Taste of Salt—a close-up of a hand squeezing a freshly caught fish, its reflective scales mirrored by the twinkling, gauzy light captured on 35mm by cinematographer Jomo Fray—quickly immerses us in the film’s world. The relationship between bodies and the natural world that surrounds them, mediated by the physical properties of film, is central to Jackson’s work. As the scene progresses, the camera’s focus remains resolutely on what may seem like its incidental textures, tracking the interplay of skin, earth, and water as if they were brushstrokes on a canvas.
The elemental poeticism of these images is clear evidence of Jackson’s promise as a filmmaker, and yet this opening sequence also points to why All Dirt Roads Taste of Salt amounts to a limited showcase for her talents. Essentially all of the film’s aesthetic,...
The elemental poeticism of these images is clear evidence of Jackson’s promise as a filmmaker, and yet this opening sequence also points to why All Dirt Roads Taste of Salt amounts to a limited showcase for her talents. Essentially all of the film’s aesthetic,...
- 10/6/2023
- by Brad Hanford
- Slant Magazine
“All Dirt Roads Taste of Salt” director Raven Jackson is taking her time.
“I’m interested in patience,” she says ahead of her feature debut’s San Sebastian screening, following the Sundance premiere earlier this year.
“I am interested in slow cinema, even though in the U.S. it’s not as prominent. When I was in the edit [with Lee Chatametikool], I knew that many audience members are not used to such a pace. But that challenge excited me.”
“My short ‘Nettles’ took its time too, but I wonder to what degree it will continue with my next feature. There’s no world where it makes sense for a hug to last 15 seconds [like in ‘All Dirt Roads’] and I’m not sure if every one of my films will ask for such patience. If they do, I’m going to give it to them.”
In the A24 release “All Dirt Roads Taste of Salt” – produced by Maria Altamirano,...
“I’m interested in patience,” she says ahead of her feature debut’s San Sebastian screening, following the Sundance premiere earlier this year.
“I am interested in slow cinema, even though in the U.S. it’s not as prominent. When I was in the edit [with Lee Chatametikool], I knew that many audience members are not used to such a pace. But that challenge excited me.”
“My short ‘Nettles’ took its time too, but I wonder to what degree it will continue with my next feature. There’s no world where it makes sense for a hug to last 15 seconds [like in ‘All Dirt Roads’] and I’m not sure if every one of my films will ask for such patience. If they do, I’m going to give it to them.”
In the A24 release “All Dirt Roads Taste of Salt” – produced by Maria Altamirano,...
- 9/23/2023
- by Marta Balaga
- Variety Film + TV
In the American South, they’ve been known to say, “A child’s gotta eat their share of dirt.” And Raven Jackson’s thoughtful, fragmentary portrait of a Black woman over four decades of rural Mississippian life certainly encompasses the kind of hard life lessons that could be thus summed up. But the strange poetry of the film’s title also gently turns that harsh homily on its head, instead relating it to the tradition, inherited from African ancestors and still relatively common in parts of the country, for Black women to gather across generations and harvest little scoops of pale dirt from the roadside — actually the chalky mineral kaolinite which is plentiful across the southeastern U.S. — to eat, as a kind of communal ritual.
“All Dirt Roads Taste of Salt” is deeply invested in the investigation of tradition, family and memory, and the sensory, evocative language of the...
“All Dirt Roads Taste of Salt” is deeply invested in the investigation of tradition, family and memory, and the sensory, evocative language of the...
- 1/22/2023
- by Jessica Kiang
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.