Tags: FimogenDegrassiCristine ProsperiIMDbAnnie Clark
The compelling and soapy world of Degrassi shows no signs of slowing down and as new episodes begin airing tonight on Teen Nick. The long running series, which will soon hit episode #300, continues to delve out loads of social issues, conflict, drama and, of course, romance.
One of the hotter unions on the show’s canvas is between bisexual Imogen Moreno (played by Cristine Prosperi) and Fiona Coyne (Annie Clark). As the new episodes unfold, are we going to find Fimogen in a good place? What does Prosperi think of a potential matching of Imogen with transgender character Adam (Jordon Todosey)? And who’s responsible for Imogen’s funky, beyond-cute look?
AfterEllen.com went right to the source and grabbed some time with the delightfully bubbly Prosperi about all things Imogen and Fimogen.
AfterEllen: Let’s talk about Imogen. First, when you first got the role,...
The compelling and soapy world of Degrassi shows no signs of slowing down and as new episodes begin airing tonight on Teen Nick. The long running series, which will soon hit episode #300, continues to delve out loads of social issues, conflict, drama and, of course, romance.
One of the hotter unions on the show’s canvas is between bisexual Imogen Moreno (played by Cristine Prosperi) and Fiona Coyne (Annie Clark). As the new episodes unfold, are we going to find Fimogen in a good place? What does Prosperi think of a potential matching of Imogen with transgender character Adam (Jordon Todosey)? And who’s responsible for Imogen’s funky, beyond-cute look?
AfterEllen.com went right to the source and grabbed some time with the delightfully bubbly Prosperi about all things Imogen and Fimogen.
AfterEllen: Let’s talk about Imogen. First, when you first got the role,...
- 10/12/2012
- by Jim Halterman
- AfterEllen.com
In an age in Philippine cinema where filmmakers and their films are thirsting for a local market at the risk of solely relying on the international film festival circuit for an audience, a genre of films persisted, with a captive market that was loyal to it no matter how technically inept and creatively insipid the films were. Queer cinema took over the space the titillating films of the nineties outgrew. Initiated by Cris Pablo's ultra-low budget meditations on the gay lifestyle that were shot on digital video, these queer films were mostly independently produced, a quality that separated it from the sex-oriented films of the nineties which were heavily supported by the country's profit-hungry mainstream film studios. As a result of the genre's indisputable profitability, which in turn opened it to exploitation by more enterprising producers who opt to concentrate on what drew viewers to pay and watch, which...
- 11/1/2010
- Screen Anarchy
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