Garrel denies all of the accusations that were published in Mediapart.
French New Wave filmmaker and 2023 Berlin Silver Bear-winning director Philippe Garrel has been accused of sexual assault by several women with whom he has worked in his films.
In an investigation conducted by France’s Mediapart, Anna Mouglalis and Clotilde Hesme are among five actresses who allege the 75 year-old director made unwanted advances or offered roles in exchange for sexual favours, all in a professional context.
Garrel maintains his innocence and no official charges have been filed in French courts
The director told Mediapart he has “never kissed a...
French New Wave filmmaker and 2023 Berlin Silver Bear-winning director Philippe Garrel has been accused of sexual assault by several women with whom he has worked in his films.
In an investigation conducted by France’s Mediapart, Anna Mouglalis and Clotilde Hesme are among five actresses who allege the 75 year-old director made unwanted advances or offered roles in exchange for sexual favours, all in a professional context.
Garrel maintains his innocence and no official charges have been filed in French courts
The director told Mediapart he has “never kissed a...
- 8/30/2023
- by Rebecca Leffler
- ScreenDaily
Benoît Jacquot's Farewell, My Queen (Les Adieux à la Reine) starring his leading ladies Léa Seydoux, Diane Kruger and Virginie Ledoyen
CinéSalon's Benoît Jacquot: Leading Ladies (March 3 - 24), curated by Delphine Selles-Alvarez at the French Institute Alliance Française in celebration of the 20th Anniversary of Rendez-Vous with French Cinema in New York included screenings of The Disenchanted (La Désenchantée) starring Judith Godrèche, Marcel Bozonnet and Ivan Desny, introduced by Jacquot; A Single Girl (La Fille Seule) - Virginie Ledoyen, Benoît Magimel, Dominique Valadié introduced by choreographer Blanca Li, who has worked with Pedro Almodovar and Michel Gondry; Villa Amalia - Isabelle Huppert, Jean-Hugues Anglade, Xavier Beauvois and À Tout De Suite - Isild Le Besco, Ouassini Embarek, Nicolas Duvauchelle, Laurence Cordier.
Léa Seydoux is lovely and tough as the reader and our heroine in Farewell, My Queen Photo: Anne-Katrin Titze
On Tuesday, March 24 at 7:30pm, Eye For...
CinéSalon's Benoît Jacquot: Leading Ladies (March 3 - 24), curated by Delphine Selles-Alvarez at the French Institute Alliance Française in celebration of the 20th Anniversary of Rendez-Vous with French Cinema in New York included screenings of The Disenchanted (La Désenchantée) starring Judith Godrèche, Marcel Bozonnet and Ivan Desny, introduced by Jacquot; A Single Girl (La Fille Seule) - Virginie Ledoyen, Benoît Magimel, Dominique Valadié introduced by choreographer Blanca Li, who has worked with Pedro Almodovar and Michel Gondry; Villa Amalia - Isabelle Huppert, Jean-Hugues Anglade, Xavier Beauvois and À Tout De Suite - Isild Le Besco, Ouassini Embarek, Nicolas Duvauchelle, Laurence Cordier.
Léa Seydoux is lovely and tough as the reader and our heroine in Farewell, My Queen Photo: Anne-Katrin Titze
On Tuesday, March 24 at 7:30pm, Eye For...
- 3/19/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Venice International Film Festival
VENICE, Italy -- Virtually a silent movie apart from the everyday sounds of the French city of Strasbourg, Spanish director Jose Luis Guerin's lyrical tale of forlorn love, In the City of Sylvia, is a treat for romantics and people watchers.
It's a simple tale of an artistic young man (Xavier Lafitte) who returns to Strasbourg in search of a woman named Sylvia with whom he had a brief affair six years earlier. He spends his time at cafes in the vicinity of their first meeting, writing notes and sketching images of the people he sees. In due course he spots someone (Pilar Lopez de Ayala) he thinks is Sylvia and follows her.
Slow moving and filled with tiny observed moments, the film is wonderfully crafted by director Guerin and cinematographer Nathasa Braier. Screened in competition at the Venice International Film Festival, it could be in line for awards and with its beautiful players and universal appeal it should do well internationally.
The anonymous young man who sits down one day at the Cafe du TNS-Theatre National de Strasbourg has the looks of Byron and an eye for human expression. The camera goes with him as he unobtrusively gazes at a range of mostly young people talking animatedly or sitting in silence; lovers kissing; couples disagreeing and individuals sitting, thinking, and staring at something or nothing.
It's a full 35 minutes before anyone speaks and that's when the young man calls out the name Sylvia. But the woman ignores him and follows a wandering course through the city's Old Town with the man in gentle pursuit. In other circumstances, the young man's behavior would be odd or threatening, and there comes a time when the object of his attentions makes that point.
But Lafitte is so assured in his portrayal of honest yearning and De Ayala is such a radiantly beautiful mystery that the film is more succulent than piquant. Filled with small eye-pleasing images, it's a picture that audiences may wish to see more than once in order to relish it all.
IN THE CITY OF SYLVIA
Eddie Saeta S.A., Chateau-Rouge
Credits:
Director, writer: Jose Luis Guerin
Producers: Luis Minarro, Gaelle Jones
Director of photography: Natasha Braier
Production designer: Maite Sanchez
Costume designers: Valerie-Elder Fontaine & Miriam Compte
Editor: Nuria Esquerra
Cast:
Pilar Lopez de Ayala, Xavier Lafitte, Laurence Cordier, Tanja Czichy, Eric Dietrich, Charlotte Dupont
Running time -- 84 minutes
No MPAA rating...
VENICE, Italy -- Virtually a silent movie apart from the everyday sounds of the French city of Strasbourg, Spanish director Jose Luis Guerin's lyrical tale of forlorn love, In the City of Sylvia, is a treat for romantics and people watchers.
It's a simple tale of an artistic young man (Xavier Lafitte) who returns to Strasbourg in search of a woman named Sylvia with whom he had a brief affair six years earlier. He spends his time at cafes in the vicinity of their first meeting, writing notes and sketching images of the people he sees. In due course he spots someone (Pilar Lopez de Ayala) he thinks is Sylvia and follows her.
Slow moving and filled with tiny observed moments, the film is wonderfully crafted by director Guerin and cinematographer Nathasa Braier. Screened in competition at the Venice International Film Festival, it could be in line for awards and with its beautiful players and universal appeal it should do well internationally.
The anonymous young man who sits down one day at the Cafe du TNS-Theatre National de Strasbourg has the looks of Byron and an eye for human expression. The camera goes with him as he unobtrusively gazes at a range of mostly young people talking animatedly or sitting in silence; lovers kissing; couples disagreeing and individuals sitting, thinking, and staring at something or nothing.
It's a full 35 minutes before anyone speaks and that's when the young man calls out the name Sylvia. But the woman ignores him and follows a wandering course through the city's Old Town with the man in gentle pursuit. In other circumstances, the young man's behavior would be odd or threatening, and there comes a time when the object of his attentions makes that point.
But Lafitte is so assured in his portrayal of honest yearning and De Ayala is such a radiantly beautiful mystery that the film is more succulent than piquant. Filled with small eye-pleasing images, it's a picture that audiences may wish to see more than once in order to relish it all.
IN THE CITY OF SYLVIA
Eddie Saeta S.A., Chateau-Rouge
Credits:
Director, writer: Jose Luis Guerin
Producers: Luis Minarro, Gaelle Jones
Director of photography: Natasha Braier
Production designer: Maite Sanchez
Costume designers: Valerie-Elder Fontaine & Miriam Compte
Editor: Nuria Esquerra
Cast:
Pilar Lopez de Ayala, Xavier Lafitte, Laurence Cordier, Tanja Czichy, Eric Dietrich, Charlotte Dupont
Running time -- 84 minutes
No MPAA rating...
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