The project is directed by Bert&Bertie and written by Simon Beaufoy.
Rachel Weisz is set to play Elizabeth Taylor in See-Saw Films’ A Special Relationship, directed by buzzy duo Bert&Bertie and written by Simon Beaufoy.
The film charts the Hollywood legend’s move from actress to activist in the fight against AIDS through her friendship with assistant Roger Way.
A Special Relationship is produced by See-Saw Films’ Iain Canning and Emile Sherman. See-Saw COO of film Simon Gillis and former Studiocanal UK head Danny Perkins are executive producing along with Barbara Berkowitz, Tim Mendelson and Quinn Tivey from...
Rachel Weisz is set to play Elizabeth Taylor in See-Saw Films’ A Special Relationship, directed by buzzy duo Bert&Bertie and written by Simon Beaufoy.
The film charts the Hollywood legend’s move from actress to activist in the fight against AIDS through her friendship with assistant Roger Way.
A Special Relationship is produced by See-Saw Films’ Iain Canning and Emile Sherman. See-Saw COO of film Simon Gillis and former Studiocanal UK head Danny Perkins are executive producing along with Barbara Berkowitz, Tim Mendelson and Quinn Tivey from...
- 10/28/2019
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
“We all know that man, because there are millions of him.”
You know you’re in trouble when your descent into Hell begins with Meredith standing in for Virgil. In the windowless labyrinth of McCann-Erickson’s corporate belly it seems as though Don Draper has finally, fatally given up. “I expect you to bring things up a notch around here,” Jim Hobart tells Don just moments before genially ordering him to conform to the McCann business casual dress code. Don smiles faintly, acquiesces to Hobart’s request that he introduce himself as “Don Draper from McCann-Erickson”, and leaves for a meeting.
Don’s new office smells like fruit and Air-Wick. The wind hisses in a poorly-sealed window, an echo of Pete’s leaky faucet, and even the prospect of a new apartment(furnished solely with a bed, thanks to Marie’s vengeful antics) fails to elicit much of a reaction from him.
You know you’re in trouble when your descent into Hell begins with Meredith standing in for Virgil. In the windowless labyrinth of McCann-Erickson’s corporate belly it seems as though Don Draper has finally, fatally given up. “I expect you to bring things up a notch around here,” Jim Hobart tells Don just moments before genially ordering him to conform to the McCann business casual dress code. Don smiles faintly, acquiesces to Hobart’s request that he introduce himself as “Don Draper from McCann-Erickson”, and leaves for a meeting.
Don’s new office smells like fruit and Air-Wick. The wind hisses in a poorly-sealed window, an echo of Pete’s leaky faucet, and even the prospect of a new apartment(furnished solely with a bed, thanks to Marie’s vengeful antics) fails to elicit much of a reaction from him.
- 5/5/2015
- by Gretchen Felker-Martin
- Nerdly
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