When Foxtel first began to craft with Fremantle Wentworth back in 2011, the hope was it would sit comfortably alongside the service’s premium HBO and BBC dramas.
While based on Reg Watson’s long-running ’80s drama Prisoner, and suitably honouring its legacy, it was not designed to a be remake. The desire was to see a modern reimagining of the characters; one that was ambitious and bold.
“We wanted to make something great for Foxtel and set the bar high. It was all part of our hopes for what we could do in the future,” executive producer and former Foxtel head of drama Penny Win recalls to If.
Originally created by Lara Radulovich and David Hannam, Fremantle Australia CEO Ian Hogg pitched Foxtel director of television Brian Walsh the series over a meal in Cannes.
By December that year, early plotting was underway, with journalist and critics Michael Idato and...
While based on Reg Watson’s long-running ’80s drama Prisoner, and suitably honouring its legacy, it was not designed to a be remake. The desire was to see a modern reimagining of the characters; one that was ambitious and bold.
“We wanted to make something great for Foxtel and set the bar high. It was all part of our hopes for what we could do in the future,” executive producer and former Foxtel head of drama Penny Win recalls to If.
Originally created by Lara Radulovich and David Hannam, Fremantle Australia CEO Ian Hogg pitched Foxtel director of television Brian Walsh the series over a meal in Cannes.
By December that year, early plotting was underway, with journalist and critics Michael Idato and...
- 10/26/2021
- by Jackie Keast
- IF.com.au
So three months ago, we made something of a leap when we launched an iPad edition of Mumbrella’s sister title Encore magazine.
Today we’re making another leap – we’re making it free. You can find it on the App Store here.
At the time, I promised to share what we learned along the way – and our numbers, no matter “how embarrassingly small”. And I’ll do that in a moment.
A lot has happened since then, and we’ve learned a lot.
For starters, I’m still in love with the iPad as a means of delivering a magazine.
When you’re writing about visual content such as ads, it makes a huge difference to be able to play them right there. And the experience of reading longer pieces beats doing it on your average website.
I’ve also found myself in various conversations – including at the Oomph-curated...
Today we’re making another leap – we’re making it free. You can find it on the App Store here.
At the time, I promised to share what we learned along the way – and our numbers, no matter “how embarrassingly small”. And I’ll do that in a moment.
A lot has happened since then, and we’ve learned a lot.
For starters, I’m still in love with the iPad as a means of delivering a magazine.
When you’re writing about visual content such as ads, it makes a huge difference to be able to play them right there. And the experience of reading longer pieces beats doing it on your average website.
I’ve also found myself in various conversations – including at the Oomph-curated...
- 7/9/2012
- by mumbrella
- Encore Magazine
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