Amy Roloff gets emotional about her sons Zach and Jeremy having babies on tonight’s Little People, Big World, saying the act of birth is a “miracle”. Her loving moment comes as she and ex-husband Matt share a meal with Zach and his wife Tori, and Jeremy and his wife Audrey. Both couples are expecting new arrivals on the show — with tonight’s scene filmed before Zach and Tori gave birth to their first child, son Jackson Kyle, earlier this month on May 12. Jeremy and Audrey are expecting their first child, a daughter, in September. Amy gets emotional in the clip below as she...read more...
- 5/23/2017
- by Julian Cheatle
- Monsters and Critics
The Leftovers, Season 2, Episode 10: “I Live Here Now”
Written by Damon Lindelof and Tom Perrotta
Directed by Mimi Leder
Airs Sundays at 9pm Et on HBO
“I don’t understand what’s happening.”
I’m not just saying this because there’s a chance it might be its actual last episode: “I Live Here Now” is the ultimate episode of The Leftovers. That does not mean it’s necessarily its best, or its most beautifully executed, but it is most certainly the one that most artfully contains everything the series to date has tried to be about. It’s all here: the shape-shifting omnipresence of emotional trauma, the urge to explain away the uncanny, the almost maddening pull of familial ties, and the sometimes-amusing reactions that unexpectedly crop up in the bizarre intersections between those forces.
It starts at the beginning. Well, not the real beginning – that would be the prologue of “Axis Mundi.
Written by Damon Lindelof and Tom Perrotta
Directed by Mimi Leder
Airs Sundays at 9pm Et on HBO
“I don’t understand what’s happening.”
I’m not just saying this because there’s a chance it might be its actual last episode: “I Live Here Now” is the ultimate episode of The Leftovers. That does not mean it’s necessarily its best, or its most beautifully executed, but it is most certainly the one that most artfully contains everything the series to date has tried to be about. It’s all here: the shape-shifting omnipresence of emotional trauma, the urge to explain away the uncanny, the almost maddening pull of familial ties, and the sometimes-amusing reactions that unexpectedly crop up in the bizarre intersections between those forces.
It starts at the beginning. Well, not the real beginning – that would be the prologue of “Axis Mundi.
- 12/7/2015
- by Simon Howell
- SoundOnSight
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