Lorin Maazel, who died at age 84 on Sunday, from complications of pneumonia, was a true Renaissance man of music: a child prodigy as a conductor and violinist, and later a composer as well.
Born in France in 1930 to American parents, he was raised in Los Angeles. His family was musical: one grandfather was a violinist in the Metropolitan Opera Orchestra, Lorin’s father taught voice and piano, and Lorin’s mother started the Pittsburgh Youth Symphony Orchestra. A child prodigy blessed with perfect pitch, Lorin was playing violin at age five and piano at age seven, but was especially captivated by conducting. Studying with Vladimir Bakaleinikov, the associate conductor of the Los Angeles Philharmonic, Maazel made his conducing debut at age eight with the University of Idaho Orchestra and quickly moved on to more prestigious ensembles. When Bakaleinikov became assistant conductor of the Pittsburgh Symphony Orchestra the same year, the Maazel family went with him.
Born in France in 1930 to American parents, he was raised in Los Angeles. His family was musical: one grandfather was a violinist in the Metropolitan Opera Orchestra, Lorin’s father taught voice and piano, and Lorin’s mother started the Pittsburgh Youth Symphony Orchestra. A child prodigy blessed with perfect pitch, Lorin was playing violin at age five and piano at age seven, but was especially captivated by conducting. Studying with Vladimir Bakaleinikov, the associate conductor of the Los Angeles Philharmonic, Maazel made his conducing debut at age eight with the University of Idaho Orchestra and quickly moved on to more prestigious ensembles. When Bakaleinikov became assistant conductor of the Pittsburgh Symphony Orchestra the same year, the Maazel family went with him.
- 7/14/2014
- by SteveHoltje
- www.culturecatch.com
A flurry of press releases from the Berlinale today, and the one you may find most interesting isn't the newsiest. You already knew that the Retrospective, The Red Dream Factory, will be featuring Eisenstein's October (Oktjabr, 1928), but today's announcement has details on the new restoration and the presentation on February 10: "Conducted by Frank Strobel, the Berlin Radio Symphony Orchestra will perform the original score as composed by Edmund Meisel."
The second release of the day reveals that 12 titles have been added to the lineup of the Berlinale Special program, in addition to the six previously announced (here and here). Seems we can assume the first three events will be happening on Potsdamer Platz:
To celebrate the 60th Anniversary of the film journal Positif: Volker Schlöndorff's Der Fangschuss (Le coup de grâce, 1975) with Matthias Habich, Margarethe von Trotta, Rüdiger Kirschtein, Mathieu Carrière and Valeska Gert.
The European premiere of...
The second release of the day reveals that 12 titles have been added to the lineup of the Berlinale Special program, in addition to the six previously announced (here and here). Seems we can assume the first three events will be happening on Potsdamer Platz:
To celebrate the 60th Anniversary of the film journal Positif: Volker Schlöndorff's Der Fangschuss (Le coup de grâce, 1975) with Matthias Habich, Margarethe von Trotta, Rüdiger Kirschtein, Mathieu Carrière and Valeska Gert.
The European premiere of...
- 1/17/2012
- MUBI
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