In perhaps one of her meatiest roles since Alfonso Cuaron’s “Roma,” Oscar-nominated thesp Yalitza Aparicio stars in Prime Video’s upcoming series “Cometierra,” created by its showrunner Daniel Burman, The Mediapro Studio’s head of content for the U.S., Mexico and Central America.
Principal photography is underway, predominantly in Mexico, with some scenes shot in Uruguay.
Inspired by the bestselling debut novel of Argentine writer-activist Dolores Reyes, “Cometierra,” meaning Eartheater in English, is a supernatural drama steeped in magical realism that follows Aylín, a young girl from the rough outskirts of Mexico City.
She unexpectedly gains the extraordinary ability to commune with the earth beneath her feet, a gift that propels her into a world of crime-solving and clashes with malevolent forces lurking in her past. With the help of her fellow misfits, Aylín finds her true identity while navigating a community plagued by violence and grappling with...
Principal photography is underway, predominantly in Mexico, with some scenes shot in Uruguay.
Inspired by the bestselling debut novel of Argentine writer-activist Dolores Reyes, “Cometierra,” meaning Eartheater in English, is a supernatural drama steeped in magical realism that follows Aylín, a young girl from the rough outskirts of Mexico City.
She unexpectedly gains the extraordinary ability to commune with the earth beneath her feet, a gift that propels her into a world of crime-solving and clashes with malevolent forces lurking in her past. With the help of her fellow misfits, Aylín finds her true identity while navigating a community plagued by violence and grappling with...
- 10/23/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Paula Hernández’s “A Ravaging Wind” (“El viento que arrasa”) has debuted a poster and trailer ahead of its premieres at Toronto and San Sebastian.
Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni. When it breaks down, they end up at the auto repair shop run by Gringo (Sergi López) and his son (Joaquín Acebo).
Hernán Musaluppi, Santiago López Rodríguez, Diego Robino, Lilia Scenna, Natacha Cervi and Sandino Saravia Vinay produce for Cimarron, Rizoma and Cinevinay, while Film Factory Entertainment handles sales.
“When I was offered to adapt Selva Almada’s book,...
Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni. When it breaks down, they end up at the auto repair shop run by Gringo (Sergi López) and his son (Joaquín Acebo).
Hernán Musaluppi, Santiago López Rodríguez, Diego Robino, Lilia Scenna, Natacha Cervi and Sandino Saravia Vinay produce for Cimarron, Rizoma and Cinevinay, while Film Factory Entertainment handles sales.
“When I was offered to adapt Selva Almada’s book,...
- 8/28/2023
- by Marta Balaga
- Variety Film + TV
Paul Hudson’s Outsider Pictures has acquired North American rights excluding Quebec to “Divine Love,” Brazilian Gabriel Mascaro’s Sundance hit which paints a prescient picture of a near-future faith dominated Brazil.
Outsider is planning a Spring 2020 release for the film. Set in a supposedly near-future brazil, the relevance of the film was felt with force just a few weeks ago when far-right President Jair Bolsonaro announced that he wanted Brazil’s Ancine state film-tv agency to be headed by someone who is “terribly Evangelical.”
Suggesting a major talent in the making, Mascaro’s follow-up to his Venice winner “Neon Bull” world premiered at the Sundance Film Festival to critical acclaim. Guy Lodge predicted “The film’s blend of on-the-button politics and seductive aesthetics should make it hot festival property,” in his Variety review.
Set in 2027, the film follows Joana (Dira Paes), a bureaucrat who uses her job as a...
Outsider is planning a Spring 2020 release for the film. Set in a supposedly near-future brazil, the relevance of the film was felt with force just a few weeks ago when far-right President Jair Bolsonaro announced that he wanted Brazil’s Ancine state film-tv agency to be headed by someone who is “terribly Evangelical.”
Suggesting a major talent in the making, Mascaro’s follow-up to his Venice winner “Neon Bull” world premiered at the Sundance Film Festival to critical acclaim. Guy Lodge predicted “The film’s blend of on-the-button politics and seductive aesthetics should make it hot festival property,” in his Variety review.
Set in 2027, the film follows Joana (Dira Paes), a bureaucrat who uses her job as a...
- 9/27/2019
- by John Hopewell and Jamie Lang
- Variety Film + TV
When Berlin Film Festival chief Dieter Kosslick launched the Berlinale Talent Campus in 2003, he probably couldn’t have imagined the impact it would go on to have. Now called Berlinale Talents, the festival’s development program for emerging filmmakers has seen 5,673 “Talents” pass through its doors — many of whom have gone on to forge successful careers in the industry.
Kosslick is being honored at the Berlin Film Festival with Variety‘s Achievement in International Film Award.
Take, for example, this year: seven films by nine former Talents made it onto the shortlists for the 2019 Oscars. Anna Wydra, part of the 2012 intake, produced the Polish doc “Communion,” which is in the running for documentary, as well as Kazakhstan’s entry for foreign-language film, “Ayka.” Similarly, Sandino Saravia Vinay, from 2004’s edition, was involved in the production of Colombia’s entry, “Birds of Passage,” and in Mexico’s “Roma.”
Around 70 Talents alumni...
Kosslick is being honored at the Berlin Film Festival with Variety‘s Achievement in International Film Award.
Take, for example, this year: seven films by nine former Talents made it onto the shortlists for the 2019 Oscars. Anna Wydra, part of the 2012 intake, produced the Polish doc “Communion,” which is in the running for documentary, as well as Kazakhstan’s entry for foreign-language film, “Ayka.” Similarly, Sandino Saravia Vinay, from 2004’s edition, was involved in the production of Colombia’s entry, “Birds of Passage,” and in Mexico’s “Roma.”
Around 70 Talents alumni...
- 2/4/2019
- by Tim Dams
- Variety Film + TV
A disenchanted young pregnant woman is afraid of getting stuck in the small Cuban town where she lives. But when a tornado whisks her away to a luxury resort – where her competitive shooting skills turn her into a celebrity amongst the island’s Communist elite – she comes to realize, like a Hollywood heroine of a bygone era, that there’s no place like home.
A darkly comic portrait of Cuban society, “Shock Labor” (Obra de Choque) is the feature directorial debut of Cuban writer-director Marcos Diaz Sosa. Produced by Maria Carla del Rio’s Marinca Filmes, with Gema Juarez Allen of Argentina’s Gema Films and Sandino Saravia Vinay of Uruguay’s Producciones de la 5ta Avenida, the project will be presented in Ventana Sur this week during Proyecta, a new collaboration with the San Sebastian Film Festival to foster co-productions with and within Latin America.
The hotly anticipated title...
A darkly comic portrait of Cuban society, “Shock Labor” (Obra de Choque) is the feature directorial debut of Cuban writer-director Marcos Diaz Sosa. Produced by Maria Carla del Rio’s Marinca Filmes, with Gema Juarez Allen of Argentina’s Gema Films and Sandino Saravia Vinay of Uruguay’s Producciones de la 5ta Avenida, the project will be presented in Ventana Sur this week during Proyecta, a new collaboration with the San Sebastian Film Festival to foster co-productions with and within Latin America.
The hotly anticipated title...
- 12/11/2018
- by Christopher Vourlias
- Variety Film + TV
Madrid — Chilean Manuela Martelli’s “1976,” Argentine Maximiliano Schonfeld’s “Jesús Lopez” and Cuban Marcos Díaz Sosa’s “Obra de choque” have all made the cut of Proyecta, a movie project showcase which represents one of the major innovations at this year’s Ventana Sur, Latin America’s biggest film-tv market and co-production meet.
Though, two weeks and more out from Ventana Sur, buzz still has to build on many new projects in the section, there’s also a good word on Andrew Sala’s “La barbarie,” Natalia Lopez Gallardo’s “Supernova” and Colombian Jennifer Yuribe’s “Sandra” – and curiosity to learn more about Uruguayan Aparicio Garcia’s “Matufia” after his one-of-kind debut earlier this year, the grindhouse rural mobster comedy “La noche que no se repite.”
An initiative of Ventana Sur and the San Sebastian Festival, Proyecta sees four projects segueing from the Basque Festival’s Europe-Latin America Co-production Forum,...
Though, two weeks and more out from Ventana Sur, buzz still has to build on many new projects in the section, there’s also a good word on Andrew Sala’s “La barbarie,” Natalia Lopez Gallardo’s “Supernova” and Colombian Jennifer Yuribe’s “Sandra” – and curiosity to learn more about Uruguayan Aparicio Garcia’s “Matufia” after his one-of-kind debut earlier this year, the grindhouse rural mobster comedy “La noche que no se repite.”
An initiative of Ventana Sur and the San Sebastian Festival, Proyecta sees four projects segueing from the Basque Festival’s Europe-Latin America Co-production Forum,...
- 11/23/2018
- by John Hopewell
- Variety Film + TV
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