Our latest roundup of new books related to the world of cinema is full of indelible imagery––the pale face of Lost Highway’s Mystery Man, John Ford’s craggy visage, and, of course, the Neverland sets from Hook.
Lost Highway: The Fist of Love by Scott Ryan (Tucker DS Press)
Last year, Scott Ryan covered David Lynch’s Twin Peaks prequel in Fire Walk With Me: Your Laura Disappeared. (We featured it here.) In 2023, Ryan studies what he calls “the lowest-grossing, most forgotten film of [Lynch’s] career.” Ryan’s Lost Highway: The Fist of Love is every bit as enthralling and insightful as Your Laura Disappeared. The author zeroes in on the elements of Lost Highway that turned off most (but not all) audiences in 1997 but are titillating new (and revisiting) viewers today. Ryan should know; he was one of those who looked away in the nineties: “The first time I saw it,...
Lost Highway: The Fist of Love by Scott Ryan (Tucker DS Press)
Last year, Scott Ryan covered David Lynch’s Twin Peaks prequel in Fire Walk With Me: Your Laura Disappeared. (We featured it here.) In 2023, Ryan studies what he calls “the lowest-grossing, most forgotten film of [Lynch’s] career.” Ryan’s Lost Highway: The Fist of Love is every bit as enthralling and insightful as Your Laura Disappeared. The author zeroes in on the elements of Lost Highway that turned off most (but not all) audiences in 1997 but are titillating new (and revisiting) viewers today. Ryan should know; he was one of those who looked away in the nineties: “The first time I saw it,...
- 5/30/2023
- by Christopher Schobert
- The Film Stage
“Arthur remembers it being a 125 pages. I remember reading a 50-page treatment,” said Barbra Streisand. Regardless of how many pages of a synopsis, or an outline or a so-called “treatment,” that Arthur Laurents had written, Streisand wanted those pages, titled “The Way We Were.” Better yet, she wanted them now. “I fell in love with it!” she gushed.
More important, Streisand put her enthusiasm into the only words that count in Hollywood. “I want this to be my next movie,” she told the producer Ray Stark. Stark had produced “Funny Girl” on Broadway and also brought it to the screen, with Streisand reprising the role of Fanny Brice, who happened to be the producer’s mother-in-law. The New York theater had long been home to Jewish artists who refused to hide their heritage. The movies, not so much. Streisand in the movie “Funny Girl” was historic, a Jewish actress playing a proudly Jewish character.
More important, Streisand put her enthusiasm into the only words that count in Hollywood. “I want this to be my next movie,” she told the producer Ray Stark. Stark had produced “Funny Girl” on Broadway and also brought it to the screen, with Streisand reprising the role of Fanny Brice, who happened to be the producer’s mother-in-law. The New York theater had long been home to Jewish artists who refused to hide their heritage. The movies, not so much. Streisand in the movie “Funny Girl” was historic, a Jewish actress playing a proudly Jewish character.
- 1/20/2023
- by Robert Hofler
- The Wrap
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