Interceptor Trailer — Matthew Reilly‘s Interceptor (2022) movie trailer has been released by Netflix. The Interceptor trailer stars Elsa Pataky, Luke Bracey, Aaron Glenane, Mayen Mehta, Rhys Muldoon, Belinda Jombwe, Marcus Johnson, Colin Friels, and Zoe Carides.. Crew Matthew Reilly and Stuart Beattie wrote the screenplay for Interceptor. Michael Lira created the music for the [...]
Continue reading: Interceptor (2022) Movie Trailer: Elsa Pataky Fights to keep Nuclear Weapons Safe from Mercenaries...
Continue reading: Interceptor (2022) Movie Trailer: Elsa Pataky Fights to keep Nuclear Weapons Safe from Mercenaries...
- 5/9/2022
- by Rollo Tomasi
- Film-Book
Stars: Luke Mitchell, Jessica McNamee, Amali Golden, Benjamin Hoetjes, Anthony J. Sharpe | Written by John Ridley, Sarah Smith | Directed by Andrew Traucki
Director Andrew Traucki returns to croc-infested waters for Black Water: Abyss, a stand-alone sequel to his 2007 crocky horror Black Water. As crocsploitation pictures go, it’s a largely toothless affair, but it does have a couple of snappy moments.
Set in Northern Australia, the plot centres on thrill-seeker Eric (Luke Mitchell), who sets out to explore an uncharted cave system and persuades his girlfriend Jennifer (Jessica McNamee) and their friends Yolanda (Amali Golden) and Viktor (Benjamin Hoetjes) to join him. They’re accompanied by bearded, up-for-anything Cash (Anthony J. Sharpe), who acts as their guide. However, once underground, they’re cut off by a flash flood and find themselves trapped alongside a large underground pool, with the waters rising. To make matters worse, they soon discover that they...
Director Andrew Traucki returns to croc-infested waters for Black Water: Abyss, a stand-alone sequel to his 2007 crocky horror Black Water. As crocsploitation pictures go, it’s a largely toothless affair, but it does have a couple of snappy moments.
Set in Northern Australia, the plot centres on thrill-seeker Eric (Luke Mitchell), who sets out to explore an uncharted cave system and persuades his girlfriend Jennifer (Jessica McNamee) and their friends Yolanda (Amali Golden) and Viktor (Benjamin Hoetjes) to join him. They’re accompanied by bearded, up-for-anything Cash (Anthony J. Sharpe), who acts as their guide. However, once underground, they’re cut off by a flash flood and find themselves trapped alongside a large underground pool, with the waters rising. To make matters worse, they soon discover that they...
- 11/2/2020
- by Matthew Turner
- Nerdly
Antony Partos at last year’s Screen Music Awards.
Antony Partos leads the nominees for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
Partos, the Agcs president, is among 46 nominees across 12 categories, with 36 projects recognised across shorts, TV, advertising, features and soundtrack albums.
Given Covid, this year the awards will be held online, streaming via YouTube on December 1 from 7pm Aedt. Justine Clarke will preside over hosting duties.
Partos has earned two nods for his work on Operation Buffalo, including Best Television Theme and Best Music for a Mini-Series or Telemovie. He’s also up for two more awards: Best Music for Documentary for Maralinga Tjarutja and Best Original Song Composed for the Screen for Total Control’s ‘Edge of Something’, with co-writers Missy Higgins and Matteo Zingales.
Melbourne screen composer and music producer Cornel Wilczek has scored three nominations, including...
Antony Partos leads the nominees for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
Partos, the Agcs president, is among 46 nominees across 12 categories, with 36 projects recognised across shorts, TV, advertising, features and soundtrack albums.
Given Covid, this year the awards will be held online, streaming via YouTube on December 1 from 7pm Aedt. Justine Clarke will preside over hosting duties.
Partos has earned two nods for his work on Operation Buffalo, including Best Television Theme and Best Music for a Mini-Series or Telemovie. He’s also up for two more awards: Best Music for Documentary for Maralinga Tjarutja and Best Original Song Composed for the Screen for Total Control’s ‘Edge of Something’, with co-writers Missy Higgins and Matteo Zingales.
Melbourne screen composer and music producer Cornel Wilczek has scored three nominations, including...
- 10/28/2020
- by Jackie Keast
- IF.com.au
The combination of claustrophobia, darkness, murky water and one big crocodile adds up to a decently scary time in “Black Water: Abyss,” Andrew Traucki’s belated followup to the abyss-less 2007 original he co-directed with David Nerlich. This time, the tasty humans are trapped in an underground cavern during a flash flood, making for a situation that’s unpleasant even before they discover they’ve got reptilian company.
While perhaps not as memorable as some of the movies it might remind you of (like “The Descent” and “Pitch Black”), this is still a tense thriller that nicely exploits a formulaic nature it doesn’t quite transcend. One of the first rollouts in several countries’ newly re-opened theaters abroad, “Abyss” will be releasing to U.S. drive-ins and on demand as of Aug. 7.
The first “Black Water” was a sleeper success primarily in home formats, its big-screen exposure probably hobbled by the...
While perhaps not as memorable as some of the movies it might remind you of (like “The Descent” and “Pitch Black”), this is still a tense thriller that nicely exploits a formulaic nature it doesn’t quite transcend. One of the first rollouts in several countries’ newly re-opened theaters abroad, “Abyss” will be releasing to U.S. drive-ins and on demand as of Aug. 7.
The first “Black Water” was a sleeper success primarily in home formats, its big-screen exposure probably hobbled by the...
- 8/5/2020
- by Dennis Harvey
- Variety Film + TV
Stars: Luke Mitchell, Jessica McNamee, Amali Golden, Benjamin Hoetjes, Anthony J. Sharpe | Written by John Ridley, Sarah Smith | Directed by Andrew Traucki
Director Andrew Traucki returns to croc-infested waters for Black Water: Abyss, a stand-alone sequel to his 2007 crocky horror Black Water. As crocsploitation pictures go, it’s a largely toothless affair, but it does have a couple of snappy moments.
Set in Northern Australia, the plot centres on thrill-seeker Eric (Luke Mitchell), who sets out to explore an uncharted cave system and persuades his girlfriend Jennifer (Jessica McNamee) and their friends Yolanda (Amali Golden) and Viktor (Benjamin Hoetjes) to join him. They’re accompanied by bearded, up-for-anything Cash (Anthony J. Sharpe), who acts as their guide. However, once underground, they’re cut off by a flash flood and find themselves trapped alongside a large underground pool, with the waters rising. To make matters worse, they soon discover that they...
Director Andrew Traucki returns to croc-infested waters for Black Water: Abyss, a stand-alone sequel to his 2007 crocky horror Black Water. As crocsploitation pictures go, it’s a largely toothless affair, but it does have a couple of snappy moments.
Set in Northern Australia, the plot centres on thrill-seeker Eric (Luke Mitchell), who sets out to explore an uncharted cave system and persuades his girlfriend Jennifer (Jessica McNamee) and their friends Yolanda (Amali Golden) and Viktor (Benjamin Hoetjes) to join him. They’re accompanied by bearded, up-for-anything Cash (Anthony J. Sharpe), who acts as their guide. However, once underground, they’re cut off by a flash flood and find themselves trapped alongside a large underground pool, with the waters rising. To make matters worse, they soon discover that they...
- 7/10/2020
- by Matthew Turner
- Nerdly
Top: Anthony Partos, Brett Aplin and Bryony Marks. Bottom: Caitlin Yeo, David Bridie.
Bryony Marks, Caitlin Yeo, Antony Partos, Brett Aplin and David Bridie have received three nominations each for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
They are among a group of 40 composers who have been nominated across 12 award categories, spanning more than 36 works. The awards will be held in late November in Melbourne, hosted by Justine Clarke.
Nominated for Best Feature Film Score of the Year is Yeo for Danger Close: The Battle of Long Tan, Partos and Dan Luscombe for I Am Mother; Aj True for Jirga and François Tétaz for Judy & Punch.
Yeo is also nominated for Best Television Theme for The Pacific: In the Wake of Captain Cook with Sam Neill and also the category of Best Music for an Advertisement, while Partos is nominated...
Bryony Marks, Caitlin Yeo, Antony Partos, Brett Aplin and David Bridie have received three nominations each for the upcoming Screen Music Awards, staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs).
They are among a group of 40 composers who have been nominated across 12 award categories, spanning more than 36 works. The awards will be held in late November in Melbourne, hosted by Justine Clarke.
Nominated for Best Feature Film Score of the Year is Yeo for Danger Close: The Battle of Long Tan, Partos and Dan Luscombe for I Am Mother; Aj True for Jirga and François Tétaz for Judy & Punch.
Yeo is also nominated for Best Television Theme for The Pacific: In the Wake of Captain Cook with Sam Neill and also the category of Best Music for an Advertisement, while Partos is nominated...
- 10/16/2019
- by jkeast
- IF.com.au
Iron Spyder..
Iron Spyder, a short film directed and produced by Melbourne filmmakers Christopher Mitchell and Yoav Lester, has made its world premiere at the Us.s biggest genre festival, Fantastic Fest.
Shot at an underground wrestling event in Melbourne, the film blurs documentary and drama as it follows a young wrestler's experiences on fight night..
Mitchell said his two biggest directorial influences in making the film were Terrence Malik and Gaspar Noé.
The film.s score was composed by Mick Harvey (Nick Cave and the Bad Seeds, Pj Harvey) and Michael Lira (The Hunter, Wyrmwood) with sound design from Big Bang Sound's Wayne Pashley (Mad Max: Fury Road, The Lego Movie) and cinematography by veteran Australian camera operator Leigh Mackenzie (The Thin Red Line, Blood Diamond).
.We were lucky enough to secure our Dop Leigh Mackenzie —.who in fact shot a great deal of The Thin Red Line.— purely...
Iron Spyder, a short film directed and produced by Melbourne filmmakers Christopher Mitchell and Yoav Lester, has made its world premiere at the Us.s biggest genre festival, Fantastic Fest.
Shot at an underground wrestling event in Melbourne, the film blurs documentary and drama as it follows a young wrestler's experiences on fight night..
Mitchell said his two biggest directorial influences in making the film were Terrence Malik and Gaspar Noé.
The film.s score was composed by Mick Harvey (Nick Cave and the Bad Seeds, Pj Harvey) and Michael Lira (The Hunter, Wyrmwood) with sound design from Big Bang Sound's Wayne Pashley (Mad Max: Fury Road, The Lego Movie) and cinematography by veteran Australian camera operator Leigh Mackenzie (The Thin Red Line, Blood Diamond).
.We were lucky enough to secure our Dop Leigh Mackenzie —.who in fact shot a great deal of The Thin Red Line.— purely...
- 9/26/2016
- by Staff Writer
- IF.com.au
Antony Partos and Sonar Music, the team behind the music of The Slap have led the nominees for the Australian Guild of Screen Composers, announced this morning while Burning Man, Storm Surfers 3D, Santa’s Apprentice and Needle are the four nominees for feature film score.
The announcement:
Today we pay tribute to the leading lights of Australian screen composition with the announcement of nominees for the 2012 Screen Music Awards. The event, to be held this year in Melbourne on Monday November 19th, is jointly staged by Apra (Australasian Performing Right Association) and the Agsc (Australian Guild of Screen Composers). It is the only Australian event where the music and screen industry gather to celebrate excellence in the composition of music for film and television.
Across twelve awards categories Apra and the Agsc are today proud to recognise 61 composers, and 40 works as representing the best in Australian screen composition for...
The announcement:
Today we pay tribute to the leading lights of Australian screen composition with the announcement of nominees for the 2012 Screen Music Awards. The event, to be held this year in Melbourne on Monday November 19th, is jointly staged by Apra (Australasian Performing Right Association) and the Agsc (Australian Guild of Screen Composers). It is the only Australian event where the music and screen industry gather to celebrate excellence in the composition of music for film and television.
Across twelve awards categories Apra and the Agsc are today proud to recognise 61 composers, and 40 works as representing the best in Australian screen composition for...
- 10/17/2012
- by Colin Delaney
- Encore Magazine
This article originally appeared in If Magazine #145 (Feb-March).
Successful soundtracks are few and far between in Australia. Following the success of Baz Luhrmann.s Moulin Rouge (the soundtrack was the highest selling CD on the Aria charts in 2001), the only local soundtrack albums to have made a mark sales-wise have been compilations from TV.s Packed to the Rafters.
.The problem with most local films is that too few people see them to fall in love with and then buy the music,. says Sandcastle Studios chief executive, Chris Cudlipp.
The most notable exception to the rule last year was Red Dog, which grossed $21.3 million during its theatrical run. With a score by composer Cezary Skubiszewski and a collection of 70s rock, the music is often considered one of the stand out aspects of the film.
The result . a collaboration between the film.s producer and music supervisor, Nelson Woss, and director,...
Successful soundtracks are few and far between in Australia. Following the success of Baz Luhrmann.s Moulin Rouge (the soundtrack was the highest selling CD on the Aria charts in 2001), the only local soundtrack albums to have made a mark sales-wise have been compilations from TV.s Packed to the Rafters.
.The problem with most local films is that too few people see them to fall in love with and then buy the music,. says Sandcastle Studios chief executive, Chris Cudlipp.
The most notable exception to the rule last year was Red Dog, which grossed $21.3 million during its theatrical run. With a score by composer Cezary Skubiszewski and a collection of 70s rock, the music is often considered one of the stand out aspects of the film.
The result . a collaboration between the film.s producer and music supervisor, Nelson Woss, and director,...
- 8/17/2012
- by Amanda Diaz
- IF.com.au
A silver-haired crooner performs a lounge version of the classic Guns-n-Roses track ‘Welcome to the Jungle’ in a new ad for casino and hotel complex The Star by The Monkeys.
The ad, directed by Steve Rogers, is the first under the creative watch of Micah Walker, who joined The Monkeys in February.
Walker said: “The client and agency already had a great campaign thought with ‘There will be Stories’ before I came along. We just had to reintroduce that idea to the public in film. It’s not often you get to make something as fun as this, for something as fun as The Star.”
Iris Kleimann, general manager of marketing at The Star added: “The Star is an entertainment destination, so we believe that our communications must be engaging and entertaining also. This spot achieves this beautifully, as we hoped it would.”
The ad stars American musician and songwriter Bill Baker,...
The ad, directed by Steve Rogers, is the first under the creative watch of Micah Walker, who joined The Monkeys in February.
Walker said: “The client and agency already had a great campaign thought with ‘There will be Stories’ before I came along. We just had to reintroduce that idea to the public in film. It’s not often you get to make something as fun as this, for something as fun as The Star.”
Iris Kleimann, general manager of marketing at The Star added: “The Star is an entertainment destination, so we believe that our communications must be engaging and entertaining also. This spot achieves this beautifully, as we hoped it would.”
The ad stars American musician and songwriter Bill Baker,...
- 5/6/2012
- by Robin Hicks
- Encore Magazine
In their 2006 book "Carnivorous Nights: On the Trail of the Tasmanian Tiger," authors Margaret Mittelbach and Michael Crewdson, then researchers at the American Museum of Natural History in Manhattan, talked about becoming obsessed with a stuffed Tasmanian Tiger that they would walk by every day in the museum. It became "something akin to amorous fervor," and eventually they decided to take a trip to Tasmania to see if the tiger, which officially became extinct in 1936, when the lone survivor died at the Hobart Zoo, still existed somewhere in the wild. It's a mysterious kind of animal – lithe, beautiful, angular – that inspires this kind of devotion, even decades after its extinction. And it's a nearly mythical kind of eeriness that seeps into "The Hunter," Daniel Nettheim's dark and deeply haunting film based on the novel by Julia Leigh, about a man (Willem Dafoe) obsessed with finding the tiger, no matter the cost.
- 4/3/2012
- by Drew Taylor
- The Playlist
In their 2006 book "Carnivorous Nights: On the Trail of the Tasmanian Tiger," authors Margaret Mittelbach and Michael Crewdson, then researchers at the American Museum of Natural History in Manhattan, talked about becoming obsessed with a stuffed Tasmanian Tiger that they would walk by every day in the museum. It became "something akin to amorous fervor," and eventually they decided to take a trip to Tasmania to see if the tiger, which officially became extinct in 1936 when the lone survivor died at the Hobart Zoo, still existed, somewhere in the wild. It's the kind of mysterious animal – lithe, beautiful, angular – that inspires this kind of devotion, even decades after its extinction. And it's this kind of nearly mythic eeriness that seeps into "The Hunter," Daniel Nettheim's dark and deeply haunting film based on the novel by Julia Leigh, about a man (Willem Dafoe) obsessed with finding the tiger, no matter the cost.
- 3/11/2012
- by Drew Taylor
- The Playlist
It seems controversy leads to awards. The two big winners at last night.s inaugural Aacta Awards were thriller feature film Snowtown and TV drama series The Slap. Both renowned for their controversial nature, the film and TV series netted four and five gongs respectively.
Snowtown, about Australian serial killer John Bunting who befriends a 16-year-old, was honoured in the Best Direction (Justin Kurzel), Best Adapted Screenplay (Shaun Grant), Best Actor (Daniel Henshall) and Best Supporting Actress (Louise Harris) categories.
The last two awards were particularly impressive as neither actor had appeared in a feature film before. While Henshall had previously acted in such shows as Out of the Blue, it was Harris. first ever acting role.
The four gongs awarded last night at the Sydney Opera House brings the film.s tally to an impressive six Aacta Awards after receiving Best Editing (Veronika Jenet Ase) and Best Sound (Frank Lipson Mpse,...
Snowtown, about Australian serial killer John Bunting who befriends a 16-year-old, was honoured in the Best Direction (Justin Kurzel), Best Adapted Screenplay (Shaun Grant), Best Actor (Daniel Henshall) and Best Supporting Actress (Louise Harris) categories.
The last two awards were particularly impressive as neither actor had appeared in a feature film before. While Henshall had previously acted in such shows as Out of the Blue, it was Harris. first ever acting role.
The four gongs awarded last night at the Sydney Opera House brings the film.s tally to an impressive six Aacta Awards after receiving Best Editing (Veronika Jenet Ase) and Best Sound (Frank Lipson Mpse,...
- 1/31/2012
- by Sam Dallas
- IF.com.au
Australian cinematographer Don McAlpine (Acs/Asc) received two standing ovations after tributes from longtime colleagues Jack Thompson and Bruce Beresford at the inaugural Australian Academy Cinema Television Arts (Aacta) awards yesteryday.
McAlpine was awarded the coveted Raymond Longford Award for a lifetime achievement in cinema. McAlpine’s career spans over 50 films including Moulin Rouge and William Shakespeare’s Romeo + Juliet, Breaker Morant and most recently Mental.
The ceremony, hosted by Sigrid Thornton, was the first for the newly formed academy. The ceremony also included the announcement of the Australian academy’s international awards to recognise excellence in film. The announcements were made during a live cross to actress Jackie Weaver at the G’Day USA Gala in Los Angeles.
Further awards for both Australian cinema and TV and the international awards will be presented on January 31 at the Opera House.
The Winners
Raymond Longford Award
Don McAlpine
Byron Kennedy Award...
McAlpine was awarded the coveted Raymond Longford Award for a lifetime achievement in cinema. McAlpine’s career spans over 50 films including Moulin Rouge and William Shakespeare’s Romeo + Juliet, Breaker Morant and most recently Mental.
The ceremony, hosted by Sigrid Thornton, was the first for the newly formed academy. The ceremony also included the announcement of the Australian academy’s international awards to recognise excellence in film. The announcements were made during a live cross to actress Jackie Weaver at the G’Day USA Gala in Los Angeles.
Further awards for both Australian cinema and TV and the international awards will be presented on January 31 at the Opera House.
The Winners
Raymond Longford Award
Don McAlpine
Byron Kennedy Award...
- 1/15/2012
- by Brooke Hemphill
- Encore Magazine
The Hunter has lead the Aacta Awards with 14 nominations including best film.
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
- 11/30/2011
- by Colin Delaney
- Encore Magazine
Jed Kurzel won the best feature film score of the year at the 2011 Screen Music Awards last night.
Kurzel won for his score of psychological thriller Snowtown.
Kurzel is the member of Sydney band The Mess Hall and also brother of Snowtown director Justin Kurzel.
The ceremony recognises excellence in screen music and is run by the Australian Guild of Screen Composers.
Held at the Sydney City Recital Hall, and hosted by Non Hazlehurst, guests included Claudia Karvan, Sigrid Thornton, Steve Bisley, Sarah Blasko, Paul Capsis and Nelson Woss.
Paul Capsis and Christa Hughes performed songs from Paper Giants: The birth of Cleo and Sarah Blasko Miles Nicholas’ Dream On, which won best original song composed for the screen.
Winners in all categories:
Feature Film Score of the Year
Snowtown
Composer: Jed Kurzel
Publishers: Ivy League Music administered by Mushroom Music Pty Ltd
Best Music for a Mini-Series or Telemovie...
Kurzel won for his score of psychological thriller Snowtown.
Kurzel is the member of Sydney band The Mess Hall and also brother of Snowtown director Justin Kurzel.
The ceremony recognises excellence in screen music and is run by the Australian Guild of Screen Composers.
Held at the Sydney City Recital Hall, and hosted by Non Hazlehurst, guests included Claudia Karvan, Sigrid Thornton, Steve Bisley, Sarah Blasko, Paul Capsis and Nelson Woss.
Paul Capsis and Christa Hughes performed songs from Paper Giants: The birth of Cleo and Sarah Blasko Miles Nicholas’ Dream On, which won best original song composed for the screen.
Winners in all categories:
Feature Film Score of the Year
Snowtown
Composer: Jed Kurzel
Publishers: Ivy League Music administered by Mushroom Music Pty Ltd
Best Music for a Mini-Series or Telemovie...
- 11/15/2011
- by Colin Delaney
- Encore Magazine
Alex Lloyd and Pigram Brothers, Jed Kurzel, David Hirschfelder, David McCormack and The Chaser’s Andrew Hansen and Chris Taylor are among the nominees for the 2011 Screen Music Awards.
The 2011 Screen Music Awards are jointly presented by Apra (Australiasian Performing Rights Association) and Agsc (Australian Guild of Screen Composers).
In the category of the feature film score of the year, Alex Lloyd and Alan and Stephen Pigram are nominated for Mad Bastards alongside Jed Kurzel of rock band the Mess Hall, and brother of director Justin Kurzel is nominated for Snowtown. Past winner David Hirschfelder (Children of the Silk Road) is nominated for The Legend of the Guardians while Burkhard Dallwitz is nominated for The Way Back.
Dallwitz is also nominated for Underbelly Files: tell them Lucifer was here in the Best music for a mini-series or telemovie alongside Guy Gross for East West 101, Bryony Marks for Cloudstreet and...
The 2011 Screen Music Awards are jointly presented by Apra (Australiasian Performing Rights Association) and Agsc (Australian Guild of Screen Composers).
In the category of the feature film score of the year, Alex Lloyd and Alan and Stephen Pigram are nominated for Mad Bastards alongside Jed Kurzel of rock band the Mess Hall, and brother of director Justin Kurzel is nominated for Snowtown. Past winner David Hirschfelder (Children of the Silk Road) is nominated for The Legend of the Guardians while Burkhard Dallwitz is nominated for The Way Back.
Dallwitz is also nominated for Underbelly Files: tell them Lucifer was here in the Best music for a mini-series or telemovie alongside Guy Gross for East West 101, Bryony Marks for Cloudstreet and...
- 10/18/2011
- by Colin Delaney
- Encore Magazine
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