Yorgos Lanthimos’s The Lobster, Peter Greenaway’s Eisenstein In Guanajuato and Alex van Warmerdam’s Schneider vs. Bax among those to receive a share of €8.5m ($11.4m) from the new Netherlands Film Production Incentive.Scroll down for full list of projects
A total of 34 film projects have received funding totaling €8.5m ($11.4m) from the budget of the new Netherlands Film Production Incentive.
It is anticipated that these projects will generate €47.9m ($64.6m) in Netherlands-based production expenditure.
Some 21 of the 34 successful applicants were international co-productions of feature films and documentaries, in which a Dutch producer has a majority or minority stake.
Productions include The Night Of A Thousand Hours by screenwriter/director Virgil Widrich, a co-production between Austria (Amour Fou Vienna), Luxembourg (Amour Fou Luxembourg) and The Netherlands (KeyFilm); The Lobster by director/screenwriter Yorgos Lanthimos, a co-production between Ireland (Element Pictures), France (Haut et Court), Greece (Faliro House), UK (Scarlet Films) and The Netherlands (Lemming Film); and...
A total of 34 film projects have received funding totaling €8.5m ($11.4m) from the budget of the new Netherlands Film Production Incentive.
It is anticipated that these projects will generate €47.9m ($64.6m) in Netherlands-based production expenditure.
Some 21 of the 34 successful applicants were international co-productions of feature films and documentaries, in which a Dutch producer has a majority or minority stake.
Productions include The Night Of A Thousand Hours by screenwriter/director Virgil Widrich, a co-production between Austria (Amour Fou Vienna), Luxembourg (Amour Fou Luxembourg) and The Netherlands (KeyFilm); The Lobster by director/screenwriter Yorgos Lanthimos, a co-production between Ireland (Element Pictures), France (Haut et Court), Greece (Faliro House), UK (Scarlet Films) and The Netherlands (Lemming Film); and...
- 7/28/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Guy Ritchie, the stylish Brit behind the hyperkinetic one-two punch that was Lock, Stock and Two Smoking Barrels and Snatch, hasn’t made a great crime comedy since 2008′s RocknRolla (blame Warner Bros., which keeps throwing Ritchie big fish like Sherlock Holmes and The Man from U.N.C.L.E.). It might be a while until the auteur bounces back with another instant classic but in the meantime, at least we have Black Out, a mostly clever and entertaining Dutch flick that mimics Ritchie’s furious editing technique, convoluted storytelling and zany characters so meticulously that it almost managed to convince me it was doing something original.
That’s a diss, sure, but originality has never been a requirement in cinema; on the contrary, it’s so rare that we wildly applaud whenever we do see it. And to be fair, Ritchie stood on the shoulders of other filmmakers...
That’s a diss, sure, but originality has never been a requirement in cinema; on the contrary, it’s so rare that we wildly applaud whenever we do see it. And to be fair, Ritchie stood on the shoulders of other filmmakers...
- 2/20/2014
- by Isaac Feldberg
- We Got This Covered
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