Project development platform to take place virtually, ahead of physical FIDMarseille
French festival FIDMarseille has revealed the projects set to be presented at project development event FIDLab, including upcoming features from the UK’s Ben Rivers and last year’s grand prix winner Carolina Moscoso.
The 13th edition of the incubator event, known for its focus on experimental films spanning both documentary and fiction, will take place online – as it did for the first time last year – from June 14-18. The main FIDMarseille festival is planned to go ahead in-person from July 19-25.
FIDLab will include 16 projects, selected from 502 submissions,...
French festival FIDMarseille has revealed the projects set to be presented at project development event FIDLab, including upcoming features from the UK’s Ben Rivers and last year’s grand prix winner Carolina Moscoso.
The 13th edition of the incubator event, known for its focus on experimental films spanning both documentary and fiction, will take place online – as it did for the first time last year – from June 14-18. The main FIDMarseille festival is planned to go ahead in-person from July 19-25.
FIDLab will include 16 projects, selected from 502 submissions,...
- 5/10/2021
- by Michael Rosser
- ScreenDaily
Above: Zoulikha Bouabdellah's Al Attlal (Ruines), left, and Pierre Léon's À la barbe d'Ivan, right.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
- 3/19/2011
- MUBI
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