Mexico’s renowned Morbido Fest is moving forward with its latest brand extension as brass prepare to launch the long-awaited pay-tv channel backed by Alex Garcia’s Ag Studios and have set their sights on reaching Us audiences by late 2017.
Morbido Fest CEO Pablo Guisa Koestinger and Mexican genre master Adrián Garciá Bogliano are in Buenos Aires at the Ventana Sur market to secure rights from producers to a raft of new and catalogue horror, fantasy and sci-fi content.
Scherzo Diabolico and Here Comes The Devil director Bogliano acts as general coordinator of the channel, which is scheduled to launch in Mexico in two weeks and in March as an app-based streaming platform throughout Latin America, excluding Brazil.
Speaking on Wednesday on a genre festival panel at the market’s Blood Window sidebar, Koestinger said all films will play in their original language with subtitles.
Morbido TV plans to include Brazilian content once it can afford to provide...
Morbido Fest CEO Pablo Guisa Koestinger and Mexican genre master Adrián Garciá Bogliano are in Buenos Aires at the Ventana Sur market to secure rights from producers to a raft of new and catalogue horror, fantasy and sci-fi content.
Scherzo Diabolico and Here Comes The Devil director Bogliano acts as general coordinator of the channel, which is scheduled to launch in Mexico in two weeks and in March as an app-based streaming platform throughout Latin America, excluding Brazil.
Speaking on Wednesday on a genre festival panel at the market’s Blood Window sidebar, Koestinger said all films will play in their original language with subtitles.
Morbido TV plans to include Brazilian content once it can afford to provide...
- 11/30/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The first programming has been revealed for the 20th annual Fantasia International Film Festival. Taking place from July 14th–August 2nd in Montreal, this year’s Fantasia will honor Guillermo del Toro with the Cheval Noir Award, and the newly revealed first wave of programming includes screenings of Lights Out, Abattoir, In a Valley of Violence, Under the Shadow, Trash Fire, Teenage Cocktail, and more:
Press Release: Montreal, May 26, 2016 – The Fantasia International Film Festival will be celebrating its 20th Anniversary in Montreal this summer, taking place from July 14-August 2, with its Frontiéres international co-production market and Industry Rendez-Vous weekend being held July 21-24. The full lineup of over 130 feature films will be announced July 5th. In the meantime, the festival is excited to announce a selected first wave of titles, along with several special happenings.
For Fantasia’s 2016 poster, the festival has once again turned to award-winning Quebec visual artist Donald Caron.
Press Release: Montreal, May 26, 2016 – The Fantasia International Film Festival will be celebrating its 20th Anniversary in Montreal this summer, taking place from July 14-August 2, with its Frontiéres international co-production market and Industry Rendez-Vous weekend being held July 21-24. The full lineup of over 130 feature films will be announced July 5th. In the meantime, the festival is excited to announce a selected first wave of titles, along with several special happenings.
For Fantasia’s 2016 poster, the festival has once again turned to award-winning Quebec visual artist Donald Caron.
- 5/26/2016
- by Derek Anderson
- DailyDead
Montreal’s genre festival also unveils first wave of titles for its upcoming 20th Anniversary edition.Scroll down for first wave of titles
Guillermo del Toro and Takashi Miike are set to attend the 20th anniversary edition of Fantasia International Film Festival (July 14-Aug 2) in Montreal.
In his first-ever appearance at the festival, del Toro (Pan’s Labyrinth, Hellboy) will be presented with the Cheval Noir award.
He will also deliver a masterclass and host the Canadian premiere of documentary Creature Designers: The Frankenstein Complex, in which he is featured.
Meanwhile, prolific director Miike will receive a Lifetime Achievement Award for the mark he has left on the festival over its 20 years. Nearly 30 of his films have been showcased at Fantasia and he has opened the festival three times.
Miike will also host the North American premiere of his latest film Terraformars, about a team of misfits who must fight humanoid cockroaches to colonise Mars, and As The...
Guillermo del Toro and Takashi Miike are set to attend the 20th anniversary edition of Fantasia International Film Festival (July 14-Aug 2) in Montreal.
In his first-ever appearance at the festival, del Toro (Pan’s Labyrinth, Hellboy) will be presented with the Cheval Noir award.
He will also deliver a masterclass and host the Canadian premiere of documentary Creature Designers: The Frankenstein Complex, in which he is featured.
Meanwhile, prolific director Miike will receive a Lifetime Achievement Award for the mark he has left on the festival over its 20 years. Nearly 30 of his films have been showcased at Fantasia and he has opened the festival three times.
Miike will also host the North American premiere of his latest film Terraformars, about a team of misfits who must fight humanoid cockroaches to colonise Mars, and As The...
- 5/26/2016
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Previewing the annual Latin American sales jamboree
Glance at the current profile of foreign-language Oscar contenders and the winners’ roster at major international festivals this year and the march of Latin American cinema in 2015 is clear for all to see.
César Augusto Acevedo’s Land And Shade and Ciro Guerra’s The Embrace Of The Serpent, the newly minted Indie Spirit nominee, earned four awards in Cannes, while Jayro Bustamante’s Guatemala-France drama Ixcanul took honours in Berlin.
Add to that list El Clan, the Argentinian thriller that earned Pablo Trapero a Silver Lion in Venice, and producers, sale agents and festival programmers heading to Buenos Aires for Ventana Sur (November 30-December 4) have reason to be cheerful.
“What we have seen is more and more attention for Latin American films,” says Jerome Paillard, executive co-director of Ventana Sur, a collaboration between Argentina’s Incaa film promotion body and Cannes (Paillard also serves as executive director of the...
Glance at the current profile of foreign-language Oscar contenders and the winners’ roster at major international festivals this year and the march of Latin American cinema in 2015 is clear for all to see.
César Augusto Acevedo’s Land And Shade and Ciro Guerra’s The Embrace Of The Serpent, the newly minted Indie Spirit nominee, earned four awards in Cannes, while Jayro Bustamante’s Guatemala-France drama Ixcanul took honours in Berlin.
Add to that list El Clan, the Argentinian thriller that earned Pablo Trapero a Silver Lion in Venice, and producers, sale agents and festival programmers heading to Buenos Aires for Ventana Sur (November 30-December 4) have reason to be cheerful.
“What we have seen is more and more attention for Latin American films,” says Jerome Paillard, executive co-director of Ventana Sur, a collaboration between Argentina’s Incaa film promotion body and Cannes (Paillard also serves as executive director of the...
- 11/26/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Details have emerged of the line-up of projects set to participate under the auspices of Ventana Sur’s genre sidebar Blood Window.
Beyond The Window projects include: El Vertedero (The Dump, Mexico) by Fernando Montes de Oca and Xavier Sanchez Mercado; Kiken (Uruguay) by Carlos Ameglio; Corrida Dos Bichos (The Animal Race, Brazil) by Ernesto Solis; Sob a Vontade do Demonio (By Demon’s Will, Brazil) by Ana Paula Mendes; Lamiae (Chile) by Lucio A Rojas); El Nino Que Lllora (The Crying Boy, Chile) by Cristobal Valderrama; Uqbar (Dominican Republic) by Pedro Cabiya; and El Grano (The Zit, Uruguay) by Manuel Facal.
Mujer Jaguar (Jaguar Woman, Peru-Colombia-Mexico) by Marco Melgar; Pinilla y Sus Terrorificas Allucinaciones en 3D (Colombia-Canada) by Simon Hernandez; Pulsion (Argentina) by Adrian Garcia Bogliano, Ezio Massa and Daniel de la Vega; Furia Negra (Black Fury, Argentina) by Hermanos Quintana; Intra (Argentina) by Pablo Rabe; Tatewari (Mexico) by Edgar Nito; and Regalo de Cumpleanos (Birthday...
Beyond The Window projects include: El Vertedero (The Dump, Mexico) by Fernando Montes de Oca and Xavier Sanchez Mercado; Kiken (Uruguay) by Carlos Ameglio; Corrida Dos Bichos (The Animal Race, Brazil) by Ernesto Solis; Sob a Vontade do Demonio (By Demon’s Will, Brazil) by Ana Paula Mendes; Lamiae (Chile) by Lucio A Rojas); El Nino Que Lllora (The Crying Boy, Chile) by Cristobal Valderrama; Uqbar (Dominican Republic) by Pedro Cabiya; and El Grano (The Zit, Uruguay) by Manuel Facal.
Mujer Jaguar (Jaguar Woman, Peru-Colombia-Mexico) by Marco Melgar; Pinilla y Sus Terrorificas Allucinaciones en 3D (Colombia-Canada) by Simon Hernandez; Pulsion (Argentina) by Adrian Garcia Bogliano, Ezio Massa and Daniel de la Vega; Furia Negra (Black Fury, Argentina) by Hermanos Quintana; Intra (Argentina) by Pablo Rabe; Tatewari (Mexico) by Edgar Nito; and Regalo de Cumpleanos (Birthday...
- 11/12/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Details have emerged of the line-up of projects set to participate under the auspices of Ventana Sur’s genre sidebar Blood Window, among them the Adrian Garcia Bogliano collaboration Pulsion.
Beyond The Window projects include: El Vertedero (The Dump, Mexico) by Fernando Montes de Oca and Xavier Sanchez Mercado; Kiken (Uruguay) by Carlos Ameglio; Corrida Dos Bichos (The Animal Race, Brazil) by Ernesto Solis; Sob a Vontade do Demonio (By Demon’s Will, Brazil) by Ana Paula Mendes; Lamiae (Chile) by Lucio A Rojas); El Nino Que Lllora (The Crying Boy, Chile) by Cristobal Valderrama; Uqbar (Dominican Republic) by Pedro Cabiya; and El Grano (The Zit, Uruguay) by Manuel Facal.
Mujer Jaguar (Jaguar Woman, Peru-Colombia-Mexico) by Marco Melgar; Pinilla y Sus Terrorificas Allucinaciones en 3D (Colombia-Canada) by Simon Hernandez; Pulsion (Argentina) by Adrian Garcia Bogliano, Ezio Massa and Daniel de la Vega; Furia Negra (Black Fury, Argentina) by Hermanos Quintana; Intra (Argentina) by Pablo Rabe; Tatewari (Mexico...
Beyond The Window projects include: El Vertedero (The Dump, Mexico) by Fernando Montes de Oca and Xavier Sanchez Mercado; Kiken (Uruguay) by Carlos Ameglio; Corrida Dos Bichos (The Animal Race, Brazil) by Ernesto Solis; Sob a Vontade do Demonio (By Demon’s Will, Brazil) by Ana Paula Mendes; Lamiae (Chile) by Lucio A Rojas); El Nino Que Lllora (The Crying Boy, Chile) by Cristobal Valderrama; Uqbar (Dominican Republic) by Pedro Cabiya; and El Grano (The Zit, Uruguay) by Manuel Facal.
Mujer Jaguar (Jaguar Woman, Peru-Colombia-Mexico) by Marco Melgar; Pinilla y Sus Terrorificas Allucinaciones en 3D (Colombia-Canada) by Simon Hernandez; Pulsion (Argentina) by Adrian Garcia Bogliano, Ezio Massa and Daniel de la Vega; Furia Negra (Black Fury, Argentina) by Hermanos Quintana; Intra (Argentina) by Pablo Rabe; Tatewari (Mexico...
- 11/11/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Organisers at the Buenos Aires-based genre sidebar have announced the Bloody Work In Progress entrants.
The filmmakers and their projects chosen by San Sebastian director-general José Luis Rebordinos are: Terror 5 (Argentina) from Sebastian Rotstein and Federico Roststien; Verónica (Mexico) from Carlos Algara and Alejandro Martinez Beltrán; A Percepçao De Medo (Uptake Fear, Brazil) from Kapel Furman and Armando Fonseca.
Rounding out the Bwip selections are Camaleón (Chamaleon, Chile) from Jorge Riquelme Serrano; La Valija De Benavidez (Argentina) from Laura Casabe; and Downhill (Chile) from Patricio Valladares.
The Ffip – Fantastic Films In Progress selections are: 3 Linea: Sanskara (Trinidad & Tobago) from Christopher Din Chong; Estrategia De Una Venganza (Colombia-Panama) from Carlo Carela; Dengue Alien – Noite De “Terror” (Mosquitoid, Brazil) from Marcos de Castro; Vida (Life, Colombia) from Carlos Santiago Amézquita Villamizar; and Ataúd Blanco (Argentina) from Daniel de la Vega.
Blood Window will run from November 30-December 4.
The filmmakers and their projects chosen by San Sebastian director-general José Luis Rebordinos are: Terror 5 (Argentina) from Sebastian Rotstein and Federico Roststien; Verónica (Mexico) from Carlos Algara and Alejandro Martinez Beltrán; A Percepçao De Medo (Uptake Fear, Brazil) from Kapel Furman and Armando Fonseca.
Rounding out the Bwip selections are Camaleón (Chamaleon, Chile) from Jorge Riquelme Serrano; La Valija De Benavidez (Argentina) from Laura Casabe; and Downhill (Chile) from Patricio Valladares.
The Ffip – Fantastic Films In Progress selections are: 3 Linea: Sanskara (Trinidad & Tobago) from Christopher Din Chong; Estrategia De Una Venganza (Colombia-Panama) from Carlo Carela; Dengue Alien – Noite De “Terror” (Mosquitoid, Brazil) from Marcos de Castro; Vida (Life, Colombia) from Carlos Santiago Amézquita Villamizar; and Ataúd Blanco (Argentina) from Daniel de la Vega.
Blood Window will run from November 30-December 4.
- 11/10/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
As the Latin American film market came to a close in Buenos Aires at the weekend (December 5), market organisers unveiled a number of award winners.Primer Corte
Primer Corte honours went to Luis Zorraquín’s Guaraní (Paraguay-Argentina) for the European Vision Award, while Clever from Uruguay’s Federico Borgia and Guillermo Madeiro won the Haciendo Cine Awards.
Clever also took honours from the Habanero Company jury in the LatAm Vision Awards section as California (Brazil) by Marina Person won the prize from the Wild Fox and Assimilate juries.
California also prevailed in the Incaa TV Award and the Primer Corte Variety Award.
Blood Window
Turning to the Blood Window programme, the Beyond The Window section saw Daniel de la Vega’s Punto Muerto win the Divicom Rental award and Habana Territorio de Vampiros by Carlos Lechuga win the Roma Lazio Film Commission prize.
Two films have been invited to take part in the Fantastic Fest’s Fantastic...
Primer Corte honours went to Luis Zorraquín’s Guaraní (Paraguay-Argentina) for the European Vision Award, while Clever from Uruguay’s Federico Borgia and Guillermo Madeiro won the Haciendo Cine Awards.
Clever also took honours from the Habanero Company jury in the LatAm Vision Awards section as California (Brazil) by Marina Person won the prize from the Wild Fox and Assimilate juries.
California also prevailed in the Incaa TV Award and the Primer Corte Variety Award.
Blood Window
Turning to the Blood Window programme, the Beyond The Window section saw Daniel de la Vega’s Punto Muerto win the Divicom Rental award and Habana Territorio de Vampiros by Carlos Lechuga win the Roma Lazio Film Commission prize.
Two films have been invited to take part in the Fantastic Fest’s Fantastic...
- 12/7/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
After confirming that Puebla, Mexico is their new home, Mórbido has now unleashed the first wave of programming for its upcoming seventh edition (November 13-16). 18 international films and five Mexican titles have been confirmed, and it's a really exciting lineup. Mórbido will present in Mexico the latest movies by such Twitch favorites as Adrián García Bogliano (Late Phases), Ernesto Díaz Espinoza (Redeemer), Daniel De la Vega (Necrophobia 3D), and Nikolas List (Tombville). Also, the highly acclaimed documentary Jodorowsky's Dune will finally arrive to the country, together with two other films that were produced as well by Snowfort Pictures (American Muscle and Starry Eyes). This adds to the previously announced highlight of the fest: the Mexican premiere of Jaume Balagueró's [Rec]4: Apocalypse.The festival is also hosting...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/14/2014
- Screen Anarchy
We are three weeks away until Fantastic Fest. Kind of amazing to think about. This year, I am blessed to bring Mike Hassler with me. We will be seeing as many films as our eyeballs will see and writing as many reviews as our fingers will allow us. Take a look at the second wave announcement below and don’t forget to look at the first wave and my predictions of what might play at the fest (I didn’t fare well with the Second Wave). As before, I have included the trailers for all the films, if available, announced in this wave.
From the Press Release
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
From the Press Release
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
- 8/28/2014
- by Andy Triefenbach
- Destroy the Brain
Fantastic Fest 2014 kicks off September 18, and the second wave of films has been announced. Purgatory, Redeemer, Whispers Behind the Wall, Necrophobia 3D, Over Your Dead Body, and more are on the menu!
From the Press Release:
Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests, and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas, at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate's latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the "assassin genre.
From the Press Release:
Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests, and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas, at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate's latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the "assassin genre.
- 8/27/2014
- by Steve Barton
- DreadCentral.com
Be sure to check out MovieBS.com for reviews and commentary from the best film festival known to man. Here is the news release of the second wave of films and events.
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate’s latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the “assassin genre.
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate’s latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the “assassin genre.
- 8/27/2014
- by Jeff Bayer
- The Scorecard Review
The lineup for the second wave of films at 2014′s 10th Annual Fantastic Fest in Austin, Texas has arrived, and with it a potential Oscar contender, Dan Gilroy’s Nightcrawler. The film, a pulpy crime film about an embedded journalist (Jake Gyllenhaal), will make its U.S. premiere at the festival with Director and Writer Gilroy in attendance.
Fantastic Fest has also released a lineup that includes John Wick, an action/thriller starring Keanu Reeves (Reeves will be in attendance), Takashi Miike’s latest Over Your Dead Body and the Studio Ghibli film The Tale of Princess Kaguya. This announcement comes on the heels of the first wave of films, including Sundance horror film The Babadook.
Fantastic Fest takes place September 18-25 in Austin. View the first lineup of films here. And view the full lineup of films and descriptions from this second wave below via a press release.
****
The Absent One
Denmark,...
Fantastic Fest has also released a lineup that includes John Wick, an action/thriller starring Keanu Reeves (Reeves will be in attendance), Takashi Miike’s latest Over Your Dead Body and the Studio Ghibli film The Tale of Princess Kaguya. This announcement comes on the heels of the first wave of films, including Sundance horror film The Babadook.
Fantastic Fest takes place September 18-25 in Austin. View the first lineup of films here. And view the full lineup of films and descriptions from this second wave below via a press release.
****
The Absent One
Denmark,...
- 8/27/2014
- by Brian Welk
- SoundOnSight
Open Road’s Jake Gyllenhaal starrer Nightcrawler will close the 10th annual Fantastic Fest in its U.S. premiere and Keanu Reeves will drop by for a gala screening of Lionsgate’s John Wick, organizers announced today. The rising genre film fest held September 18-25 in Austin, TX will open with the previously announced Tusk from Kevin Smith.
Also unveiled today along with a second wave of programming is a centerpiece bout in the Fantastic Debates, in which filmmakers, critics, and celebs engage in discourse at a podium before taking it to the boxing ring to determine the ultimate winner. This year, BitTorrent’s Chief Content Officer Matt Mason will take on a challenger to duke it out over whether the file sharing platform is a valuable tool or an enabler of piracy.
Related: Kevin Smith’s Horror-Comedy ‘Tusk’ To Open Fantastic Fest 2014
This year’s festival marks the grand...
Also unveiled today along with a second wave of programming is a centerpiece bout in the Fantastic Debates, in which filmmakers, critics, and celebs engage in discourse at a podium before taking it to the boxing ring to determine the ultimate winner. This year, BitTorrent’s Chief Content Officer Matt Mason will take on a challenger to duke it out over whether the file sharing platform is a valuable tool or an enabler of piracy.
Related: Kevin Smith’s Horror-Comedy ‘Tusk’ To Open Fantastic Fest 2014
This year’s festival marks the grand...
- 8/27/2014
- by Jen Yamato
- Deadline
Listen up, giallo fans! A new flick from Daniel de la Vega is heading to Cannes that you need to know about, and we have the first look for you right here. Are you ready for Necrophobia 3D? The title alone had us at hello.
Dig on the trailer below, which features an awesome soundtrack by Claudio Simonetti.
Synopsis
Dante is a tailor whose phobia prevents him from being in contact with death. Whenever he is in front of a dead body, he experiences a creepy feeling that makes him lose his mind. His illness is exacerbated when his twin brother dies and he sees his “own” face in a coffin. From this traumatic event the walls of reality crumble, and several close people are killed by someone who wants to incriminate him. Dante must solve the riddle of death and thus discover a reality that is almost impossible…
Visit The Evilshop @ Amazon!
Dig on the trailer below, which features an awesome soundtrack by Claudio Simonetti.
Synopsis
Dante is a tailor whose phobia prevents him from being in contact with death. Whenever he is in front of a dead body, he experiences a creepy feeling that makes him lose his mind. His illness is exacerbated when his twin brother dies and he sees his “own” face in a coffin. From this traumatic event the walls of reality crumble, and several close people are killed by someone who wants to incriminate him. Dante must solve the riddle of death and thus discover a reality that is almost impossible…
Visit The Evilshop @ Amazon!
- 5/8/2014
- by Steve Barton
- DreadCentral.com
Today I am writing from Cartagena, Colombia where I attended Ficci, the Festival Internacional de Cine de Cartagena de Indias.
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
- 3/26/2014
- by Sydney Levine
- Sydney's Buzz
The last time we spoke of Daniel De La Vega's supernatural thriller White Coffin the year was 2007! All we had at the time was a pre-production poster and not much had happened since. Until now. De La Vega is resurrecting the project, looking for financial backing in his native Argentina. White Coffin was written by his brother Romiro and Here Comes The Devil director Adrian Garcia Bogliano. "'Coffin' marks a 2007 project we begun to put together commissioned by Patagonik. After all this time, we managed to bring it nearer to fruition thanks to Argentine state film subsidies," De la Vega said. "There are highly-talented genre filmmakers and now the Argentine government is backing genre films. This is the big difference compared to the past,""White Coffin"...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 12/8/2013
- Screen Anarchy
Steve McQueen’s 12 Years A Slave to open festival; director Peter Greenaway to receive Visionary Award.Scroll down for full line-up
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
- 10/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Europa Cinemas Label awarded to Tableau Noir; Fipresci prize goes to What Now? Remind Me. Talk of Marco Mueller’s return with new Palazzo project.Scroll down for full list of winners
Catalan director Albert Serra was the surprise winner of this year’s Golden Leopard in Locarno for a historical drama with a difference, Story Of My Death.
Described by Serra by as “a movie about the beauty of horror, and also about the horror of beauty,” Story Of My Death imagines an encounter between Casanova of 18th rationalism and Count Dracula from the romantic 19th century.
French co-producer Capricci Films is handling international sales on the Spanish-French co-production which will be screened in Toronto’s Wavelengths programme next month.
However, films tipped for Leopard statuettes such as Claire Simon’s Gare du Nord and David Wnendt’s Wetlands were passed over by the International Jury headed by Filipino director Lav Diaz. Moreover, local...
Catalan director Albert Serra was the surprise winner of this year’s Golden Leopard in Locarno for a historical drama with a difference, Story Of My Death.
Described by Serra by as “a movie about the beauty of horror, and also about the horror of beauty,” Story Of My Death imagines an encounter between Casanova of 18th rationalism and Count Dracula from the romantic 19th century.
French co-producer Capricci Films is handling international sales on the Spanish-French co-production which will be screened in Toronto’s Wavelengths programme next month.
However, films tipped for Leopard statuettes such as Claire Simon’s Gare du Nord and David Wnendt’s Wetlands were passed over by the International Jury headed by Filipino director Lav Diaz. Moreover, local...
- 8/18/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The 66th Locarno International Film Festival has announced its annual awards, or Palmares. The Pardo d'Oro went to Albert Serra's "La Historia de la Meva Mort." Best Actress went to Brie Larson for "Short Term 12," which also won a special mention, while Balthasar Kormakur picked up the Variety Piazza Grand Award for '2 Guns,' starring Denzel Washington and Mark Wahlberg, Fernando Bacilio took home Best Actor for the Vega brothers' "El Mudo." Concorso internazionale Pardo d’oro Historia De La Meva Mort by Albert Serra, Spain/France Premio speciale della giuria E Agora? Lembra-me by Joaquim Pinto, Portugal Pardo per la migliore regia (Best Director) Hong Sangsoo for U Ri Sunhi (Our Suhni), South Korea Pardo per la miglior interpretazione femminile (Best Actress) Brie Larson for film Short Term 12 by Destin Cretton, United States Pardo per la miglior interpretazione maschile (Best Actor) Fernando Bacilio for El Mudo...
- 8/17/2013
- by Anne Thompson
- Thompson on Hollywood
Final batch of Tiff titles were announced today and among the international hodgepodge of items trickling we find Berlin (Golden Bear winner Child’s Pose), Cannes (The Selfish Giant – Europa Cinemas Label winner and Stranger by the Lake by Alain Guiraudie), Karlovy Vary (Crystal Globe winner Le Grand Cahier ) and Locarno (Corneliu Porumboiu’s When Evening Falls on Bucharest or Metabolism) Film Fest items added to the Toronto Int. Film Festival’s Contemporary World Cinema lineup. Alongside those that have already premiered elsewhere, the titles that have got our attention are world premiere offerings from the likes of award-winning Icelandic helmer Ragnar Bragason (Metalhead), Revanche‘s Götz Spielmann (October November – see pic above) and Mexican filmmaker Fernando Eimbcke’s Club Sandwich. Here’s the added titles to the section which already includes: Catherine Martin’s A Journey (Une Jeune Fille), Ingrid Veninger’s The Animal Project, Terry Miles’ Cinemanovels, Bruce Sweeney...
- 8/13/2013
- by Eric Lavallee
- IONCINEMA.com
The titles just keep coming as we are now just over three weeks away from the start of the 2013 Toronto International Film Festival and they have gone and added 90 new feature length titles to the program and it's not as if they are titles you haven't heard of. New to the Galas selection is Guillaume Canet's Blood Ties which premiered at Cannes earlier this year (read my review here) and Words and Pictures starring Clive Owen and Juliette Binoche. In the Special Presentations selection you find the bulk of the more noted titles including Alex Gibney's new documentary The Armstrong Lie about cyclist Lance Armstrong, Johnnie To's Blind Detective which also premiered at Cannes, James Franco's Child of God based on the Cormac McCarthy novel, John Turturro's Fading Gigolo which features Woody Allen in one of the roles, Kevin Macdonald's How I Live Now...
- 8/13/2013
- by Brad Brevet
- Rope of Silicon
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the Tiff line-up of galas and special presentations.
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
- 8/13/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the TIFF line-up of galas and special presentations announced on Tuesday [13].
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
- 8/13/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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