When two young drunk people board the bus, Kristoffer remembers something he has long pushed away.
The camera moves around a noisy late night bus, moving from face to face as four friends remember previous drinking, previous misadventures. There is laughter, petualance, apologies, the slow slide of the camera from one point to another in what appears a single take of a single shot.
There is the mark of reality in Jimmy Olsson's depiction, in Frida Wendel's cinematography. There is no music, the lighting feels natural, the action such as it is consists of conversation,...
The camera moves around a noisy late night bus, moving from face to face as four friends remember previous drinking, previous misadventures. There is laughter, petualance, apologies, the slow slide of the camera from one point to another in what appears a single take of a single shot.
There is the mark of reality in Jimmy Olsson's depiction, in Frida Wendel's cinematography. There is no music, the lighting feels natural, the action such as it is consists of conversation,...
- 2/7/2012
- by Andrew Robertson
- eyeforfilm.co.uk
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