When the Emmy nominations were announced on July 12, they once again cast a spotlight on the lack of diversity in the industry, not just in front of the camera but also below the line. But it should also be noted that the Emmy statistics are a symptom, not a cause, of the industry’s gender and ethnic imbalances.
“The Emmys, the Oscars and other selections are evidence of the opportunities that have been presented to people,” says cinematographer John Simmons, who is the co-chair of the American Society of Cinematographers’ Vision Committee and a governor of the TV Academy. “Our peer group gets together and we judge the films and TV shows that are made. The discriminatory practices of the industry become the foundation of the things we get to view.”
The statistics of the Creative Arts categories are certainly not encouraging if you’re a woman or a person of color.
“The Emmys, the Oscars and other selections are evidence of the opportunities that have been presented to people,” says cinematographer John Simmons, who is the co-chair of the American Society of Cinematographers’ Vision Committee and a governor of the TV Academy. “Our peer group gets together and we judge the films and TV shows that are made. The discriminatory practices of the industry become the foundation of the things we get to view.”
The statistics of the Creative Arts categories are certainly not encouraging if you’re a woman or a person of color.
- 8/3/2018
- by Carita Rizzo
- Variety Film + TV
Announcing the nominees for their 16th annual Ves Awards, the Visual Effects Society brought welcome news for Denis Villeneuve’s “Blade Runner 2049” and Matt Reeves’s “War for the Planet of the Apes,” each up for seven statuettes. “Despicable Me 3” is the most-nominated animated film of the year (5), while the most-honored title overall is “Game of Thrones” (11).
The 21-year-old organization consists of 3,400-plus members in 35 nations. Each year, it recognizes visual effects innovators in film, animation, television, commercials, and video games.
In 2017, Disney’s “The Jungle Book” remake claimed five Ves trophies, more than any other feature (nominations leader “Rogue One: A Star Wars Story” was shutout). It’s director-producer, Jon Favreau, will receive this year’s Lifetime Achievement Award; Weta Digital director and four-time Oscar winner Joe Letteri will accept the Georges Méliès Award, named for the late French illusionist and filmmaker. Letteri is also a nominee...
The 21-year-old organization consists of 3,400-plus members in 35 nations. Each year, it recognizes visual effects innovators in film, animation, television, commercials, and video games.
In 2017, Disney’s “The Jungle Book” remake claimed five Ves trophies, more than any other feature (nominations leader “Rogue One: A Star Wars Story” was shutout). It’s director-producer, Jon Favreau, will receive this year’s Lifetime Achievement Award; Weta Digital director and four-time Oscar winner Joe Letteri will accept the Georges Méliès Award, named for the late French illusionist and filmmaker. Letteri is also a nominee...
- 1/16/2018
- by Jenna Marotta
- Indiewire
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