Stars: Ryan Masson, Highdee Kuan, Christian Prentice, Shaw Jones, Don Scribner, Anthony Bradford, Joseph Buttler, Ian Coleman, Kylie Contreary, Max Cutler, Randy Davison | Written by Eric Demeusy, Jason Mitcheltree | Directed by Eric Demeusy
Sci-fi is not a genre I watch as much as I probably should because some of my favourite ever movies are from that genre. From franchises like Star Wars to epics like Interstellar, to the more horror-influenced Alien, it’s a genre that has a wide range of great movies. Proximity with its modest budget, inexperienced actors and director tries to take on the best that sci-fi has to offer.
In Proximity a young Nasa scientist is abducted by aliens. Despite having video footage of it, when he posts it on the Internet and local TV gets a hold of it, no-one really believes him, which starts him on a journey of finding proof.
I mention the...
Sci-fi is not a genre I watch as much as I probably should because some of my favourite ever movies are from that genre. From franchises like Star Wars to epics like Interstellar, to the more horror-influenced Alien, it’s a genre that has a wide range of great movies. Proximity with its modest budget, inexperienced actors and director tries to take on the best that sci-fi has to offer.
In Proximity a young Nasa scientist is abducted by aliens. Despite having video footage of it, when he posts it on the Internet and local TV gets a hold of it, no-one really believes him, which starts him on a journey of finding proof.
I mention the...
- 5/20/2020
- by Alain Elliott
- Nerdly
Here are the 2010 Los Angeles Reader's Choice results for categories dealing with casting directors. To look at all of the categories, be sure to visit the main page.Favorite Casting Director Workshop: Talent to GoSix years ago, accomplished actors Patricia Tallman and Judy Kain found that work had slowed for each of them. They decided it was time to create a casting director workshop that would help experienced actors further their careers in a way that showcased the actors' strengths."When I get a piece of copy, I get coached and I'm familiar with that copy," says Kain. "We were not going to do one of those cold-reading workshops—not that there's anything wrong with them—but we wanted to do something where the actor could really put their best foot forward. Where it was advantageous for the actor. Where they could really show what they do best, so that...
- 6/23/2010
- backstage.com
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