Ladies and gentlemen, may I have your attention? The latest Indie Beat is here!
On this episode, we interviewed Daniel Martinico, a filmmaker living in Los Angeles.
Daniel’s first feature, “Ok Good,” premiered at the Slamdance Film Festival in 2012 and went on to play Sydney, London, Boston, and many other locales. This lo-fi character piece follows a struggling actor going through a string of dismaying auditions while also participating in a fairly intense performance workshop.
Continue reading Indie Beat Talks With ‘Excursions’ Director Daniel Martinico [Podcast] at The Playlist.
On this episode, we interviewed Daniel Martinico, a filmmaker living in Los Angeles.
Daniel’s first feature, “Ok Good,” premiered at the Slamdance Film Festival in 2012 and went on to play Sydney, London, Boston, and many other locales. This lo-fi character piece follows a struggling actor going through a string of dismaying auditions while also participating in a fairly intense performance workshop.
Continue reading Indie Beat Talks With ‘Excursions’ Director Daniel Martinico [Podcast] at The Playlist.
- 9/18/2017
- by Christopher Bell
- The Playlist
Above: Soviet poster for The Ghost That Never Returns (Abram Room, Soviet Union, 1929). Designed by the Sternberg Brothers.Have you seen what’s playing on Mubi lately? Many of you who read my column may not often partake of the best of what Mubi has to offer, which is a beautifully curated, constantly changing selection of films which amounts to a top-notch repertory cinema on your laptop and in your living room. Now that Mubi is on the Roku app too there is even more reason to subscribe to the best film streaming deal on the internet. I know, I know, there is always too much to see and too little time, but for me what elevates Mubi over other streaming services—and I’m not just saying this because I write for them—is the 30-day model which offers you a new surprise every morning as well as the...
- 1/27/2017
- MUBI
In some ways, 2016 looked good on the distribution front. Netflix and Amazon finally made a big splash, snatching up titles at major film festivals and causing bidding wars that resulted in things like Nate Parker’s The Birth of a Nation getting acquired for $17.5 million — and we all know the rest of the story. On the smaller side of things, Grasshopper Film launched this year with an impressive slate of titles that keeps growing, and we saw at least three films with 5-hour-plus runtimes get a theatrical run of some sort. And I haven’t even mentioned how Mubi is entering the distribution game, giving short-, medium-, and feature-length titles from the festival circuit a new life via their streaming platform.
But distribution is still in a transitional phase, and the influx of new buyers and options to get a film seen doesn’t guarantee that everything will be available outside of a festival screening.
But distribution is still in a transitional phase, and the influx of new buyers and options to get a film seen doesn’t guarantee that everything will be available outside of a festival screening.
- 12/28/2016
- by The Film Stage
- The Film Stage
Sometimes you just have to get away. Far, far away. Sometimes you can't see the forest for the trees. And sometimes those trees seem to get to talking to you. Fuck.Filmmakers Daniel Martinico & Hugo Armstrong came to Slamdance in 2012 with Ok, Good, about an actor getting in touch with his rawest self. They return this year with their second feature collaboration Excursions, about two city-dwelling couples on the search for utter transcendence. But what if that transcendence is forced? Director Martinico co-writes and produces with Armstrong, who also stars, along with Jacqueline Wright, Cody Henderson and Mandy Freund, in what could very well be described as Michael Hanake's The Seventh Continent via a hot yoga class. Starting with drinking and a series of...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/27/2016
- Screen Anarchy
Festival top brass said the Park City event will open with a Special screening of Adam Rifkin and Penn Jillette’s Director’s Cut.
Overall the additional selections announced on Tuesday encompass 23 world, 13 North American and 13 Us premieres.
Special Screenings include sci-fi features Let’s Be Evil from Martin Owen and Embers from Claire Carré, which will close the festival.
Beyond Program selections include Axel Ranisch’s Alky Alky and Daniel Martinico’s Excursions.
The Oscar-qualifying shorts section presents 39 American and 32 international productions in Narrative, Documentary, Animation, Anarchy and Experimental sections.
“The Slamdance Special Screenings section this year is a mix of higher profile work, remarkable talent and a film we thought truly deserved further exposure,” said Special Screenings programmer Paul Rachman.
“Our closing night choice of Claire Carre’s Embers is not a premiere but so what? We’re far more interested getting behind a visionary film from a woman director we are excited to support...
Overall the additional selections announced on Tuesday encompass 23 world, 13 North American and 13 Us premieres.
Special Screenings include sci-fi features Let’s Be Evil from Martin Owen and Embers from Claire Carré, which will close the festival.
Beyond Program selections include Axel Ranisch’s Alky Alky and Daniel Martinico’s Excursions.
The Oscar-qualifying shorts section presents 39 American and 32 international productions in Narrative, Documentary, Animation, Anarchy and Experimental sections.
“The Slamdance Special Screenings section this year is a mix of higher profile work, remarkable talent and a film we thought truly deserved further exposure,” said Special Screenings programmer Paul Rachman.
“Our closing night choice of Claire Carre’s Embers is not a premiere but so what? We’re far more interested getting behind a visionary film from a woman director we are excited to support...
- 12/8/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Festival top brass said the Park City event will open with a Special screening of Adam Rifkin and Penn Jillette’s Director’s Cut.
Overall the additional selections announced on Tuesday encompass 23 world, 13 North American and 13 Us premieres.
Special Screenings include sci-fi features Let’s Be Evil from Martin Owen and Embers from Claire Carré, which will close the festival.
Beyond Program selections include Axel Ranisch’s Alky Alky and Daniel Martinico’s Excursions.
The Oscar-qualifying shorts section presents 39 American and 32 international productions in Narrative, Documentary, Animation, Anarchy and Experimental sections.
“The Slamdance Special Screenings section this year is a mix of higher profile work, remarkable talent and a film we thought truly deserved further exposure,” said Special Screenings programmer Paul Rachman.
“Our closing night choice of Claire Carre’s Embers is not a premiere but so what? We’re far more interested getting behind a visionary film from a woman director we are excited to support...
Overall the additional selections announced on Tuesday encompass 23 world, 13 North American and 13 Us premieres.
Special Screenings include sci-fi features Let’s Be Evil from Martin Owen and Embers from Claire Carré, which will close the festival.
Beyond Program selections include Axel Ranisch’s Alky Alky and Daniel Martinico’s Excursions.
The Oscar-qualifying shorts section presents 39 American and 32 international productions in Narrative, Documentary, Animation, Anarchy and Experimental sections.
“The Slamdance Special Screenings section this year is a mix of higher profile work, remarkable talent and a film we thought truly deserved further exposure,” said Special Screenings programmer Paul Rachman.
“Our closing night choice of Claire Carre’s Embers is not a premiere but so what? We’re far more interested getting behind a visionary film from a woman director we are excited to support...
- 12/8/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Read More: Slamdance Film Festival Announces 2016 Competition Lineup Organizers of the Slamdance Film Festival have announced a handful of upcoming sections for their 22nd year, including Special Screenings, Beyond Features and its Short Film Competitions. This year, several Slamdance alumni are returning with feature presentations in the Beyond Program, including Axel Ranisch’s "Alky Alky" and Daniel Martinico’s "Excursions." The Festival will open with a Special Screening of Adam Rifkin and Penn Jillette’s "Director’s Cut," starring Missi Pyle, Penn Jillette and Harry Hamlin. Special Screenings also include sci-fi features "Let's Be Evil" from Martin Owen and "Embers" from Claire Carré, which will close the Festival. "The Slamdance Special Screenings section this year is a mix of higher profile work, remarkable talent and a film we thought truly deserved further exposure," said Special Screenings...
- 12/8/2015
- by Zack Sharf
- Indiewire
Slamdance has announced its Special Screenings, Beyond, and Shorts programs for their 22nd Film Festival. The programs present bold Diy films by a variety of filmmakers from all over the world and include 23 World, 13 North American, and 13 U.S. Premieres. This year, several Slamdance Alumni return with feature presentations in the Beyond program, including Axel Ranisch’s “Alky Alky” and Daniel Martinico’s “Excursions.” Slamdance will open with a special screening of Adam Rifkin and Penn Jillette‘s “Director’s Cut,” starring Missi Pyle, Harry Hamlin, Hayes MacArthur, Lin Shaye, Gilbert Gottfried, Nestor Carbonell, and Jillette. Special Screenings also include sci-fi features “Let’s.
- 12/8/2015
- by Jeff Sneider
- The Wrap
Los Angeles is a city where dreams are made. But, for most people looking to find a career in the entertainment industry, this town can become an unending nightmare. The torture of an L.A. working actor’s existence is exquisitely captured in Daniel Martinico‘s Ok, Good.
This is Martinico’s first feature film, but like his video installation pieces and short films such as Khan and Bike Thief, he maximizes the technique of repetition to terrific effect, which immediately immerses the audience into the mind-numbing life of the movie’s main character, Paul Kaplan (Hugo Armstrong), as he blandly travels from commercial auditions to acting workshops to a headshot procurement that escalates into an epic battle.
Kaplan has no life other than his acting — no friends, no family, no hobbies. He attempts to console himself through listening to life affirmation tapes driving from one mundane task to another.
This is Martinico’s first feature film, but like his video installation pieces and short films such as Khan and Bike Thief, he maximizes the technique of repetition to terrific effect, which immediately immerses the audience into the mind-numbing life of the movie’s main character, Paul Kaplan (Hugo Armstrong), as he blandly travels from commercial auditions to acting workshops to a headshot procurement that escalates into an epic battle.
Kaplan has no life other than his acting — no friends, no family, no hobbies. He attempts to console himself through listening to life affirmation tapes driving from one mundane task to another.
- 2/4/2015
- by Mike Everleth
- Underground Film Journal
Get an up close and personal — and completely intense — look at the Los Angeles audition process in filmmaker Daniel Martinico’s debut feature film Ok, Good. The film is available for streaming starting today on various VOD outlets, including Amazon and iTunes.
The film stars real-life actor Hugo Armstrong as on-screen actor Paul Kaplan, who haplessly trudges from one demoralizing TV commercial audition to the next, all the while letting an inner-rage boil inside him until it’s set to explode. Both Armstrong and Martinico collaborated on the script.
Ok, Good made its debut at the 2012 Slamdance Film Festival and is now being released on VOD by Slamdance’s partnership with the company Cinedigm. Over the past year and a half, the film has also screened at the Chicago Underground Film Festival, the Minneapolis Underground Film Festival and many other fests.
While this is Martinico’s debut feature, he has...
The film stars real-life actor Hugo Armstrong as on-screen actor Paul Kaplan, who haplessly trudges from one demoralizing TV commercial audition to the next, all the while letting an inner-rage boil inside him until it’s set to explode. Both Armstrong and Martinico collaborated on the script.
Ok, Good made its debut at the 2012 Slamdance Film Festival and is now being released on VOD by Slamdance’s partnership with the company Cinedigm. Over the past year and a half, the film has also screened at the Chicago Underground Film Festival, the Minneapolis Underground Film Festival and many other fests.
While this is Martinico’s debut feature, he has...
- 11/5/2013
- by Mike Everleth
- Underground Film Journal
Marking their fourth release of 2013 through their partnership with Cinedigm, Slamdance Studios is set to distribute "Ok, Good" via a VOD release next month. The film is a character study of Paul Kaplan, an actor who finds himself harboring increasing amounts of rage in situations in situations where there's no script. "We're thrilled to be working with Slamdance to release 'Ok, Good'," director Daniel Martinico and star/co-writer Hugo Armstrong said. "Their advocacy for truly independent cinema is proven, and to have had them as such a fierce supporter of our film from the very beginning is nothing less than an honor." Slamdance Studios will release the film across all major VOD platforms on November 5.
- 10/9/2013
- by Clint Holloway
- Indiewire
The 6th annual Minneapolis Underground Film Festival makes its move into October this year where it will be screening on Oct. 3-6 at the St. Anthony Main Theater. The fest, while screening new films from all over, does a fantastic job of screening movies by local Minnesota filmmakers.
Some of these locally produced films include Mark Nielson’s spooky road trip flick Land of Sky Blue Water; Adam Jacobs’ suspense comedy Weekend Hat, which was also produced entirely by high school students; Dave Ash’s sci-fi drama Connected, which is co-directed by Paul von Stoetzel, whose short film Twisted Sister screens before the feature; Donny West’s autobiographical documentary Dazzle (The Donny West Story); and Phil Holbrook’s drama Tilt. There are also loads of short film programs featuring work by local filmmakers.
Other feature films to be on the lookout for include Daniel Martinico’s L.A. nightmare Ok,...
Some of these locally produced films include Mark Nielson’s spooky road trip flick Land of Sky Blue Water; Adam Jacobs’ suspense comedy Weekend Hat, which was also produced entirely by high school students; Dave Ash’s sci-fi drama Connected, which is co-directed by Paul von Stoetzel, whose short film Twisted Sister screens before the feature; Donny West’s autobiographical documentary Dazzle (The Donny West Story); and Phil Holbrook’s drama Tilt. There are also loads of short film programs featuring work by local filmmakers.
Other feature films to be on the lookout for include Daniel Martinico’s L.A. nightmare Ok,...
- 10/2/2013
- by Mike Everleth
- Underground Film Journal
Having been around for eighteen years, the Chicago Underground Film Festival has continually changed what it defines as “underground.”
So its 19th annual edition, which will be held on May 31 to June 7 at the Gene Siskel Film Center, feels like its most experimental edition in recent years.
While things kick off on the 31st with the Vice-produced anthology film The Fourth Dimension by Alexsei Fedorchenko, Harmony Korine and Jan Kwiecinski, the rest of the fest is packed with feature-length and short experimental work, documentaries and alternative narratives.
Some of the experimental feature highlights include the vastly prolific Robert Todd‘s Master Plan, which examines theories of modern housing from private residences to prisons; Australia’s two-person art collective Soda_Jerk’s epic rip on media piracy, Hollywood Burn; Michael Kosakowski’s compendium on murder fantasies, Zero Killing; L.A. filmmaker Daniel Martinico’s meditation on the acting process, Ok, Good...
So its 19th annual edition, which will be held on May 31 to June 7 at the Gene Siskel Film Center, feels like its most experimental edition in recent years.
While things kick off on the 31st with the Vice-produced anthology film The Fourth Dimension by Alexsei Fedorchenko, Harmony Korine and Jan Kwiecinski, the rest of the fest is packed with feature-length and short experimental work, documentaries and alternative narratives.
Some of the experimental feature highlights include the vastly prolific Robert Todd‘s Master Plan, which examines theories of modern housing from private residences to prisons; Australia’s two-person art collective Soda_Jerk’s epic rip on media piracy, Hollywood Burn; Michael Kosakowski’s compendium on murder fantasies, Zero Killing; L.A. filmmaker Daniel Martinico’s meditation on the acting process, Ok, Good...
- 5/8/2012
- by Mike Everleth
- Underground Film Journal
One of the trickier things about reviewing movies at a festival is that your identity isn’t exactly a secret. You’ve got a press pass with your name and the name of your outlet on it, so a lot of conversations you have with filmmakers revolve around that very fact. Or you end up in a long conversation at the Kickstarter party with the director of a film you hated. But my philosophy is if you can’t stand face-to-face with someone and defend your opinion of their work, then you have no business telling it to anyone else. Comments and critiques from behind the veil of anonymity are cowardly and childish and harmful. There’s no place for them in the indie film community.
Which brings us to Daniel Martinico’s Ok, Good, essentially a one-man show of struggling actor Hugo Armstrong and his endless string of rejections.
Which brings us to Daniel Martinico’s Ok, Good, essentially a one-man show of struggling actor Hugo Armstrong and his endless string of rejections.
- 1/27/2012
- by Lucas McNelly
- Filmmaker Magazine - Blog
It’s almost too spot-on that Daniel Martinico‘s Slamdance film, Ok, Good, focuses on a struggling actor living in Hollywood. But while a film festival entry about the trials and tribulations of making it in La-la Land might seem like cliche material, Ok, Good is far from cliche. Starring co-writer Hug0 Armstrong, the film follows Paul Kaplan, “a typical actor in Los Angeles. He goes to auditions, takes movement class, sends out headshots, and listens to motivational tapes in his car. However, as Paul struggles through a series of demoralizing setbacks, he is pushed ever closer to the edge.” Sound heavy? It’s not, as Ok, Good is apparently a hilarious look at one man, his (in)abilities, and how they confine and constrain him from even the most basic tasks his occupation demands. Today brings us the first poster for Ok, Good, which was designed by Adrian Kolarczyk, who...
- 1/16/2012
- by Kate Erbland
- FilmSchoolRejects.com
Slamdance has released the line up for their 2012 Slamdance Film Festival which takes place in Park City Utah at the same time at The Sundance Film Festival. Slamdance focuses more on genre type indie films and consists of several films that weren't accepted into the Sundance Film Fest. The festival runs from January 20th to the 26th.
Check out the list below and tell us what you think! Do any of you plan on attending? I always try to catch a few of these films while up in Park City.
Narrative Feature Competition
Bindlestiffs – Director: Andrew Edison, Screenwriters: Andrew Edison, Luke Loftin. (USA)
World Premiere. Three smart-mouthed high school virgins, suspended from school on a graffiti charge, flee to the inner city to live out the plot of The Catcher in the Rye. Cast: Andrew Edison, Luke Loftin, John Karna
Comforting Skin – Director: Derek Franson, Screenwriter: Derek Franson. (Canada) Us Premiere.
Check out the list below and tell us what you think! Do any of you plan on attending? I always try to catch a few of these films while up in Park City.
Narrative Feature Competition
Bindlestiffs – Director: Andrew Edison, Screenwriters: Andrew Edison, Luke Loftin. (USA)
World Premiere. Three smart-mouthed high school virgins, suspended from school on a graffiti charge, flee to the inner city to live out the plot of The Catcher in the Rye. Cast: Andrew Edison, Luke Loftin, John Karna
Comforting Skin – Director: Derek Franson, Screenwriter: Derek Franson. (Canada) Us Premiere.
- 12/15/2011
- by Venkman
- GeekTyrant
Aside from Derek Franson's Comforting Skin, which Uncle Creepy wrote about earlier today, the horror offerings at the 2012 Slamdance Film Festival are slim indeed. In fact, it looks like just two other films are even sort of genre-related: Ok, Good from director Daniel Martinico and Sundowning from director/screenwriter Frank Rinaldi.
The 2012 Slamdance Film Festival will take place January 20–26, 2012, in Park City, Utah, at the Treasure Mountain Inn. It will showcase 18 feature-length competition films - 10 Narrative Films and 8 Documentary Films, including 13 World Premieres.
“Our competition showcase reflects new approaches to filmmaking that mirror the challenging times in which we currently live. These films showcase filmmakers who have a tremendous ability to innovate, experiment, and lead us boldly into the future of independent filmmaking,” said Peter Baxter, Slamdance President and Co-Founder.
Ok, Good
Director: Daniel Martinico
Screenwriters: Hugo Armstrong, Daniel Martinico.
Cast: Hugo Armstrong
(USA) World Premiere
A series of...
The 2012 Slamdance Film Festival will take place January 20–26, 2012, in Park City, Utah, at the Treasure Mountain Inn. It will showcase 18 feature-length competition films - 10 Narrative Films and 8 Documentary Films, including 13 World Premieres.
“Our competition showcase reflects new approaches to filmmaking that mirror the challenging times in which we currently live. These films showcase filmmakers who have a tremendous ability to innovate, experiment, and lead us boldly into the future of independent filmmaking,” said Peter Baxter, Slamdance President and Co-Founder.
Ok, Good
Director: Daniel Martinico
Screenwriters: Hugo Armstrong, Daniel Martinico.
Cast: Hugo Armstrong
(USA) World Premiere
A series of...
- 12/14/2011
- by The Woman In Black
- DreadCentral.com
Ten narratives and eight documentaries are lined up for the 2012 Slamdance Film Festival Competition. Variety's Dave McNary reports that two titles "already generating buzz are Bindlestiffs in the feature lineup and We Are Legion: The Story of Hacktavists in documentaries. Bindlestiffs, directed by Andrew Edison, stars Andrew Edison, Luke Loftin and John Karna as smart-mouthed high school virgins, who are suspended from school on a graffiti charge and flee to the inner city to live out the plot of The Catcher in the Rye. We Are Legion, directed and written by Brian Knappenberger, is a look inside the world of Anonymous, the radical 'hacktivist' collective that's redefined civil disobedience for the digital age."
The other narrative features:
Roller Town from Glen Jm on Vimeo.
Andrew Bush's Roller Town, with Kayla Lorette, Mark Little and Scott Vrooman.
Derek Franson's Comforting Skin, with Jane Sowerby, Tygh Runyan and Victoria Bidewell.
The other narrative features:
Roller Town from Glen Jm on Vimeo.
Andrew Bush's Roller Town, with Kayla Lorette, Mark Little and Scott Vrooman.
Derek Franson's Comforting Skin, with Jane Sowerby, Tygh Runyan and Victoria Bidewell.
- 12/14/2011
- MUBI
The 18th annual Chicago Underground Film Festival is ready to have another monumental year at the Gene Siskel Film Center on June 2-9, featuring a killer lineup with new films from some true underground legends.
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
- 5/13/2011
- by Mike Everleth
- Underground Film Journal
It’s lucky 13 for the Antimatter Film Festival in Victoria, BC. That is, their 13th annual fest is all set to run on Oct 8-16. That’s nine mind-blowing nights of experimental short films, live film performances and culture-shattering documentaries.
The fest kicks off on the 8th with a 16mm screening of Sergei Eisenstein’s classic silent film Battleship Potemkin that will be accompanied by a live soundtrack by DJ-son Bitter Herbs [Jason Flower]. The people’s revolution never sounded so funky! Then, the fest concludes on the 16th with the event “Uzos [Underwater Zombies from Outer Space]” and will feature performances by Ryan Beattie, Atomic Vaudeville, Slut Revolver, Wes Borg and more.
Smooshed between those two events will be the debut feature film by acclaimed ethnographic filmmaker Ben Russell, Let Each One Go Where They May, which documents the amazing recreation of a bold escape made by slaves. Other feature length documentaries screening are: Teen Routines,...
The fest kicks off on the 8th with a 16mm screening of Sergei Eisenstein’s classic silent film Battleship Potemkin that will be accompanied by a live soundtrack by DJ-son Bitter Herbs [Jason Flower]. The people’s revolution never sounded so funky! Then, the fest concludes on the 16th with the event “Uzos [Underwater Zombies from Outer Space]” and will feature performances by Ryan Beattie, Atomic Vaudeville, Slut Revolver, Wes Borg and more.
Smooshed between those two events will be the debut feature film by acclaimed ethnographic filmmaker Ben Russell, Let Each One Go Where They May, which documents the amazing recreation of a bold escape made by slaves. Other feature length documentaries screening are: Teen Routines,...
- 10/4/2010
- by Mike Everleth
- Underground Film Journal
Prism index is a new multi-media publication, combining the printed word, audio CD and video DVD into one super snazzy package. The first issue, which contains the work of a multitude of artists, is on sale now in a limited edition of 500 made with handmade paper and with the hand-stamped CD and DVD sewn into the middle of the issue. You can order the first issue here.
The DVD portion of Prism index #1 contains films from 15 indie and underground filmmakers, including the man behind the entire project, Jeffrey Bowers, who contributes a short film consisting of scratches and drawings made onto a strip of 16mm film. Other highlights on the DVD include a 1997 short by underground film legend Mike Kuchar, a new experimental film by Azazel Jacobs and a 2002 video piece by artist Daniel Martinico. The rest of the DVD lineup is:
DVD menu by Steve Emmons
Attack of the Robots from Nebula – 5, dir.
The DVD portion of Prism index #1 contains films from 15 indie and underground filmmakers, including the man behind the entire project, Jeffrey Bowers, who contributes a short film consisting of scratches and drawings made onto a strip of 16mm film. Other highlights on the DVD include a 1997 short by underground film legend Mike Kuchar, a new experimental film by Azazel Jacobs and a 2002 video piece by artist Daniel Martinico. The rest of the DVD lineup is:
DVD menu by Steve Emmons
Attack of the Robots from Nebula – 5, dir.
- 3/17/2010
- by Mike Everleth
- Underground Film Journal
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