Cat Power and Iggy Pop have teamed up for a new cover of John Lennon’s “Working Class Hero.”
The cover arrives as a single from an upcoming compilation album titled The Faithful: A Tribute to Marianne Faithfull, organized by In The Q Records, Bandbox, and the Women of Rock Oral History Project to help raise funds for Faithfull as she “recovers from Long Covid.” Thus, the version of the song that Cat Power’s Chan Marshall and Pop have delivered pays homage to Faithfull’s 1979 version of the song, with a driving beat and an ambient sense of tension.
Overtop, Marshall’s multi-tracked vocals carry Lennon’s powerful words, while Pop dips in throughout with spoken word lines, sounding almost like a late-career Leonard Cohen, proclaiming a solemn truth with a low, commanding growl. Listen to the single below.
In a statement, Marshall expressed her excitement to be part of the project.
The cover arrives as a single from an upcoming compilation album titled The Faithful: A Tribute to Marianne Faithfull, organized by In The Q Records, Bandbox, and the Women of Rock Oral History Project to help raise funds for Faithfull as she “recovers from Long Covid.” Thus, the version of the song that Cat Power’s Chan Marshall and Pop have delivered pays homage to Faithfull’s 1979 version of the song, with a driving beat and an ambient sense of tension.
Overtop, Marshall’s multi-tracked vocals carry Lennon’s powerful words, while Pop dips in throughout with spoken word lines, sounding almost like a late-career Leonard Cohen, proclaiming a solemn truth with a low, commanding growl. Listen to the single below.
In a statement, Marshall expressed her excitement to be part of the project.
- 12/5/2023
- by Jo Vito
- Consequence - Music
Iggy Pop, Shirley Manson, and Cat Power are a few of the artists who’ve contributed to The Faithful: A Tribute to Marianne Faithfull, an upcoming covers compilation honoring the legendary English singer. Before it’s out in full December 8th, Tanya Donelly & The Parkington Sisters have shared their rendition of “This Little Bird.”
Also featuring fellow icons like Peaches, Lydia Lunch, Bush Tetras, Donita Sparks, and more, The Faithful is a benefit album that hits especially close to home: All profits will go directly to assist Faithfull as she recovers from long Covid. Donnelly and the Parkingtons do their forebear justice with their cover of “This Little Bird,” with layered vocal harmonies and delicate, complex string arrangements.
“Marianne’s voice has always been one of my favorite instruments, from childhood through today, and her music and spirit have been life-long inspirations,” Donnelly says in a press release. “I wanted...
Also featuring fellow icons like Peaches, Lydia Lunch, Bush Tetras, Donita Sparks, and more, The Faithful is a benefit album that hits especially close to home: All profits will go directly to assist Faithfull as she recovers from long Covid. Donnelly and the Parkingtons do their forebear justice with their cover of “This Little Bird,” with layered vocal harmonies and delicate, complex string arrangements.
“Marianne’s voice has always been one of my favorite instruments, from childhood through today, and her music and spirit have been life-long inspirations,” Donnelly says in a press release. “I wanted...
- 11/7/2023
- by Abby Jones
- Consequence - Music
Two years ago, Marianne Faithfull told Rolling Stone about her ongoing battle with Covid-19. “It’s terrible,” she said. “I got long-term Covid, where you get better from the virus, but you have leftover [symptoms]. Apparently, they now think that you do get better from long-term Covid; it’s not forever. That is good.”
To help Faithfull with mounting health costs, more than a dozen artists have recorded covers of songs for a benefit album, The Faithful: A Tribute to Marianne Faithfull, for her. Cat Power and Iggy Pop teamed to...
To help Faithfull with mounting health costs, more than a dozen artists have recorded covers of songs for a benefit album, The Faithful: A Tribute to Marianne Faithfull, for her. Cat Power and Iggy Pop teamed to...
- 11/7/2023
- by Kory Grow
- Rollingstone.com
She fled rural Ireland and hit the Big Apple just in time to capture Lydia Lunch, James Chance and the post-punk scene take off. Now back in her home country, she relives those turbulent years
In 2014, the Irish Times ran a profile of the film-maker Vivienne Dick with the headline: “Stifled in Ireland, celebrated in New York.” As an encapsulation of her formative years as an artist who found her calling in exile, it was blunt but pretty accurate. “There was nothing for me in Ireland back then,” says Dick of her youth in the 1960s and early 70s. “It was not an attractive place because, as a woman, you were essentially treated as a second-class citizen. You could train as a teacher, but that was about it. I remember I bought a camera, but there was no way to even get on a course.”
Having relocated to New York by the mid-70s,...
In 2014, the Irish Times ran a profile of the film-maker Vivienne Dick with the headline: “Stifled in Ireland, celebrated in New York.” As an encapsulation of her formative years as an artist who found her calling in exile, it was blunt but pretty accurate. “There was nothing for me in Ireland back then,” says Dick of her youth in the 1960s and early 70s. “It was not an attractive place because, as a woman, you were essentially treated as a second-class citizen. You could train as a teacher, but that was about it. I remember I bought a camera, but there was no way to even get on a course.”
Having relocated to New York by the mid-70s,...
- 3/27/2023
- by Sean O’Hagan
- The Guardian - Film News
Thurston Moore moved to New York in late 1976, a time when groups like the Ramones, Talking Heads, and Blondie were still regulars at Cbgb and the music scene was crackling with creativity and innovation. The future Sonic Youth guitarist was just 18, but music was already at the center of his life and he saw shows as often as possible, learning new lessons from every gig he caught and every new 45 he picked up at record stores.
His new triple-cd set Spirit Counsel draws inspiration from the music he absorbed during this time period.
His new triple-cd set Spirit Counsel draws inspiration from the music he absorbed during this time period.
- 9/6/2019
- by Andy Greene
- Rollingstone.com
Celine Danhier with Joel Coen and Ethan Coen at the table behind us at The Odeon on the evolution of Blank City: "James Nares said 'Let me call Jim Jarmusch.' It was really like that. And then at the same time I had the music scenes and I interviewed Pat Place." Photo: Anne-Katrin Titze
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
- 4/24/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
As told to Jennifer Vineyard It started with my own punk-rock band. I recorded a single and an Ep. I was friends with Ed Bahlman, who ran 99 Records, and he put out like Esg, Bush Tetras, Glenn Branca, Liquid Liquid—just kind of cool, more underground records. He walked me through the process of putting out my own records independently. As my love of hip-hop grew, I felt like it would be fun to make a hip-hop record. At that time, there were no hip-hop albums, only 12-inch singles, and the 12-inch singles that were coming out weren’t really reflecting what the hip-hop scene was like. The hip-hop records that were coming out were slick, and were basically like R&B records, just with people rapping on them. The club I was going to in those days, Negril on Second Avenue, one night a week they had a hip-hop...
- 3/28/2014
- Vulture
Laura Kennedy, bass player for the iconic New York punk/funk band Bush Tetras, died yesterday in Minneapolis of complications from Hep C.
From Marc Campbell at Dangerous Minds:
Kennedy was in the center of the musical vortex that thrived in downtown Manhattan through the 1970s and into the early 80s. It was a time in which rock and roll was stretching its wings while simultaneously banging its head against the walls and sidewalks of a city both bleak and beautiful.
The Bush Tetras pulled uptown downtown and showed the Studio 54 crowd that there was some tribal thunder brewing below 14th street and you didn’t have to beg to get in. The BTs made it clear: funk was Universal and could not be tamed or commodified. It was in our flesh and bone and in the concrete. The city’s jittery pulse ran from the Bronx to the Bowery,...
From Marc Campbell at Dangerous Minds:
Kennedy was in the center of the musical vortex that thrived in downtown Manhattan through the 1970s and into the early 80s. It was a time in which rock and roll was stretching its wings while simultaneously banging its head against the walls and sidewalks of a city both bleak and beautiful.
The Bush Tetras pulled uptown downtown and showed the Studio 54 crowd that there was some tribal thunder brewing below 14th street and you didn’t have to beg to get in. The BTs made it clear: funk was Universal and could not be tamed or commodified. It was in our flesh and bone and in the concrete. The city’s jittery pulse ran from the Bronx to the Bowery,...
- 11/15/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
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