Footprints Volume 1: Iced
Written by Joey Esposito
Art by Jonathan Moore
Mr. Foot is a sasquatch who lives among humans as a private investigator. His friends The Jersey Devil, The Lock Ness Monster, Le Chupacabra, and Megalodon all form a team of investigators meant to track down other oddities like themselves until a falling out between Mr. Foot and his brother Yeti caused the group to go their separate ways. But then one day in present time, Mr. Foot receives a cryptic letter from his brother, followed by Yeti’s decapitated corpse in the Arctic Wasteland. it’s up to Mr. Foot to bring the team together to solve a mystery that spans several decades and unlocking secrets that could potentially destroy humanity.
Having read Footprints: Bad Luck Charm before reading the subject of this article, (the review of which can be found here), I was intrigued by the...
Written by Joey Esposito
Art by Jonathan Moore
Mr. Foot is a sasquatch who lives among humans as a private investigator. His friends The Jersey Devil, The Lock Ness Monster, Le Chupacabra, and Megalodon all form a team of investigators meant to track down other oddities like themselves until a falling out between Mr. Foot and his brother Yeti caused the group to go their separate ways. But then one day in present time, Mr. Foot receives a cryptic letter from his brother, followed by Yeti’s decapitated corpse in the Arctic Wasteland. it’s up to Mr. Foot to bring the team together to solve a mystery that spans several decades and unlocking secrets that could potentially destroy humanity.
Having read Footprints: Bad Luck Charm before reading the subject of this article, (the review of which can be found here), I was intrigued by the...
- 5/16/2016
- by Jeff Gwinup
- SoundOnSight
This week on the new releases shelf at your neighborhood comics shop: Supervillainy goes abroad; Proof that genre-bending still exists; Marc Spector’s last stand; The final days of the Gcpd.
Supercrooks #2–Well, I’ve said it before and I’ll say it again (for what I’m certain is not the final time): Mark Millar is a good comic-book writer, no matter what anybody might think about him otherwise. Millar has made no bones about the fact that he uses his comics as springboards into Hollywood and also the fact that he is a very talented writer indeed. This continues to ruffle the feathers of a lot of us purists in the comics community, but again as I’ve said before, a) I don’t have to watch any of his crappy movies, and b) as long as the guy backs up his claims to quality writing, he...
Supercrooks #2–Well, I’ve said it before and I’ll say it again (for what I’m certain is not the final time): Mark Millar is a good comic-book writer, no matter what anybody might think about him otherwise. Millar has made no bones about the fact that he uses his comics as springboards into Hollywood and also the fact that he is a very talented writer indeed. This continues to ruffle the feathers of a lot of us purists in the comics community, but again as I’ve said before, a) I don’t have to watch any of his crappy movies, and b) as long as the guy backs up his claims to quality writing, he...
- 4/24/2012
- by Jimmy Callaway
- Boomtron
Director: Jonathan Glendening.
Writer: John Adams and Peter Adams.
S.N.U.B! stands for Secret Nuclear Underground Bunker and the exclamation point is more hopeful than reality. This is a sub-standard indie feature which was shot in the United Kingdom which hosts a plethora of bad acting. The premise seems solid and exciting: a group of underground survivors is forced to the irradiated surface after a group of badly burned convicts sends them afoot. However, the weak writing creates an unbelievable atmosphere that creates more scoffs than actual chills up the spine.
The plot begins in an exciting fashion as a dirty or atomic bomb has been discovered in London's west end. The bomb squad seems to be on their first day with their tampering setting off this devastating device. At the same time, a junior minister has forgone his responsibilities to warn the public of their potential doom...
Writer: John Adams and Peter Adams.
S.N.U.B! stands for Secret Nuclear Underground Bunker and the exclamation point is more hopeful than reality. This is a sub-standard indie feature which was shot in the United Kingdom which hosts a plethora of bad acting. The premise seems solid and exciting: a group of underground survivors is forced to the irradiated surface after a group of badly burned convicts sends them afoot. However, the weak writing creates an unbelievable atmosphere that creates more scoffs than actual chills up the spine.
The plot begins in an exciting fashion as a dirty or atomic bomb has been discovered in London's west end. The bomb squad seems to be on their first day with their tampering setting off this devastating device. At the same time, a junior minister has forgone his responsibilities to warn the public of their potential doom...
- 12/4/2011
- by noreply@blogger.com (Michael Allen)
- 28 Days Later Analysis
This past week, IGN have been running a series of Star Wars Vs. Marvel polls, with the following artwork contributed by Jonathan Moore. You can cast your vote by clicking on the link below, where you'll also find directions to the artists website. Who do you think would win if the two iconic universes somehow ended up facing off? Be sure to share your thoughts in the usual place!
- 8/21/2011
- ComicBookMovie.com
Linbury Studio, London
ROH2's annual series seeks to create new short works by commissioning composers from outside the world of opera. While there are dozens of candidates, there must be an equal number of classical composers who deserve nurturing. Meanwhile, this year's fortunate few are reduced to two from last year's three.
First up is Stewart Copeland's The Tell-Tale Heart, based on his own libretto drawn from Edgar Allan Poe. Copeland's first mistake is to provide his own text; producing a good libretto is in some ways harder than creating the music. But even given the lumpiness of the result, Copeland's setting is woefully stilted, too often ending up as a kind of operatic rap. The rest gets stuck in rhythmic grooves. Generally, the score seems content to provide occasional atmosphere and thin-textured accompaniment, missing the point of opera, where music embodies the drama itself.
Nearly twice as...
ROH2's annual series seeks to create new short works by commissioning composers from outside the world of opera. While there are dozens of candidates, there must be an equal number of classical composers who deserve nurturing. Meanwhile, this year's fortunate few are reduced to two from last year's three.
First up is Stewart Copeland's The Tell-Tale Heart, based on his own libretto drawn from Edgar Allan Poe. Copeland's first mistake is to provide his own text; producing a good libretto is in some ways harder than creating the music. But even given the lumpiness of the result, Copeland's setting is woefully stilted, too often ending up as a kind of operatic rap. The rest gets stuck in rhythmic grooves. Generally, the score seems content to provide occasional atmosphere and thin-textured accompaniment, missing the point of opera, where music embodies the drama itself.
Nearly twice as...
- 4/10/2011
- by George Hall
- The Guardian - Film News
Fubar, Vol. 1
Stories by Dominic Vivona, Steve Becker, Jeff McComsey, Stephen Lindsay, Shawn Williams, Benjamin Truman, Phil McClorey, Helaine Crawford, Mike Imboden, Kyle J. Kaczmarczyk
Art by Jeff McComsey, Steve Becker, Lonny Chant, Darrin Stephens, Jim McMunn, Dominic Vivona, Jonathan Moore, Steve Wilhite, Helaine Crawford, James Nguyen, Rob Croonenborghs
http://zombiefubar.wordpress.com
Self-Published/assist by Alterna Comics
Pre-order with Diamond code: SEP100743
Price: $11.99
Fubar is a zombie anthology with a twist. The stories take place during World War II. The conflict and tension of war is only heightened when legions of undead monsters are thrown into the mix. This unique backdrop also proves to be a wellspring of creativity, as evidenced by the great stories being told in this collection.
There are so many interesting tales in this collection, and I wish that I could mention them all. A few stories that I really enjoyed were "Bearer of Secrets", about a Jewish executioner,...
Stories by Dominic Vivona, Steve Becker, Jeff McComsey, Stephen Lindsay, Shawn Williams, Benjamin Truman, Phil McClorey, Helaine Crawford, Mike Imboden, Kyle J. Kaczmarczyk
Art by Jeff McComsey, Steve Becker, Lonny Chant, Darrin Stephens, Jim McMunn, Dominic Vivona, Jonathan Moore, Steve Wilhite, Helaine Crawford, James Nguyen, Rob Croonenborghs
http://zombiefubar.wordpress.com
Self-Published/assist by Alterna Comics
Pre-order with Diamond code: SEP100743
Price: $11.99
Fubar is a zombie anthology with a twist. The stories take place during World War II. The conflict and tension of war is only heightened when legions of undead monsters are thrown into the mix. This unique backdrop also proves to be a wellspring of creativity, as evidenced by the great stories being told in this collection.
There are so many interesting tales in this collection, and I wish that I could mention them all. A few stories that I really enjoyed were "Bearer of Secrets", about a Jewish executioner,...
- 8/28/2010
- by Seaberry
- Geeks of Doom
'2Graves', the feature directorial debut from new Irish helmer Yvonne McDevitt, is nearing completion of its post-production grading at London's Post Factory having wrapped sound-post at Ardmore Sound Studios in Ireland. Produced by Edwina Forkin at Zanzibar Films, '2Graves' is written by British scribe Paul Sellar and is described as an "art-house revenge tragedy". The film is an adaptation of Sellar's theatre play of the same name and follows the story of Jock Topps, a man who sets out to avenge those he believes are responsible for his father's death, and in so doing he turns from adoring son to hard-bitten criminal condemned to forever re-live his own terrible violence. '2Graves' features performances by actors Jonathan Moore, Clara Perez and Seamus Casey.
- 6/24/2010
- IFTN
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