Pregnancy and childbirth are intensely physical events. Despite their bodily primacy, these experiences are freighted with various significations, running the gamut from the woman-centered skill sets of midwifery to the all-too-frequent scaremongering and misinformation of anti-choice politics. This is not surprising since bodies have their semiotic dimension. Everything has meaning. However, the fact that these human events are unavoidably located on and in the female body—a body whose very generative capacity has historically made it an object of fear—seems to produce an excess of verbiage, a lot of it denigrating or punitive. And often this discussion leaves little room for other knowledges—the haptic, the gestural, the somatic.So what if, for a brief moment, we observed silence? To be clear, silence is no solution to political aggression against women. The more persistent the braying of misogynist forces who claim to know best, the louder the protests must be,...
- 1/18/2017
- MUBI
Ma director Celia Rowlson-Hall with Anne-Katrin Titze, editor Iva Radivojevic and Dp Ian Bloom at IFC Center Photo: Ed Bahlman
A quintet comprised of Lena Dunham, Hailey Benton Gates, Durga Chew-Bose, Siobhan Burke, and myself moderated the post-screening discussions for Celia Rowlson-Hall's American fairy tale Ma on its opening weekend in New York.
Ma stars Rowlson-Hall with a terrific speechless supporting cast including Andrew Pastides, Amy Seimetz, Jason Kittelberger, Neal Bledsoe, Matt Lauria, Kentucker Audley, Peter Vack, William Connell, George McArthur, and Bobbi Jene Smith. In the tradition of Claudette Colbert in Frank Capra's It Happened One Night or Uma Thurman thumbing a ride in Gus Van Sant's Even Cowgirls Get The Blues, a modern-day Virgin Mary hitchhikes across the Southwest, ultimately arriving in Las Vegas where she meets Nevada showgirls and a tiny singing Queen Victoria lookalike.
Celia Rowlson-Hall: "I really wanted to tell an American story.
A quintet comprised of Lena Dunham, Hailey Benton Gates, Durga Chew-Bose, Siobhan Burke, and myself moderated the post-screening discussions for Celia Rowlson-Hall's American fairy tale Ma on its opening weekend in New York.
Ma stars Rowlson-Hall with a terrific speechless supporting cast including Andrew Pastides, Amy Seimetz, Jason Kittelberger, Neal Bledsoe, Matt Lauria, Kentucker Audley, Peter Vack, William Connell, George McArthur, and Bobbi Jene Smith. In the tradition of Claudette Colbert in Frank Capra's It Happened One Night or Uma Thurman thumbing a ride in Gus Van Sant's Even Cowgirls Get The Blues, a modern-day Virgin Mary hitchhikes across the Southwest, ultimately arriving in Las Vegas where she meets Nevada showgirls and a tiny singing Queen Victoria lookalike.
Celia Rowlson-Hall: "I really wanted to tell an American story.
- 1/17/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The first clear sign that there’s something unusual about Ma, the debut feature from Celia Rowlson-Hall, occurs just a few minutes in. A young woman (Rowlson-Hall)—she’s never named, but the credits call her Ma—steps out of the desert and onto a lonely highway, standing right in the middle of the road. Soon, a young man (Andrew Pastides), called Daniel in the credits, drives up in an Oldsmobile and stops in front of her. Ma climbs onto the hood of Daniel’s car, stretching out as if it were a king-size bed, and taps gently on the windshield, whereupon he drives to a motel, with Ma splayed across his hood the entire way. It looks like an absurdist joke, but the entire movie, it turns out, consists of unconventional motion. Rowlson-Hall was trained as a choreographer, and Ma is her attempt to make something roughly midway between...
- 1/11/2017
- by Mike D'Angelo
- avclub.com
Celia Rowlson-Hall studied choreography and dance, but has turned her considerable talents in those areas to film and video, and her first feature-length film Ma is a experimental wonder, a strange retelling of the Virgin Mary, which becomes a pilgrimage and examination of the female body in the landscape. With almost no dialogue but a haunting score by Brian McOmber, Ma is a rare kind of film that asks its audience to think outside of both the origins of myth, and how those myths can be interpreted and translated for contemporary times.A woman (Rowlson-Hall) clothed in a t-shirt, cowboy boots and a white towel draped around her head, makes her way across the American southwest desert. She meets Daniel (Andrew Pastides), a drifter, who helps...
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[Read the whole post on twitchfilm.com...]...
- 11/23/2015
- Screen Anarchy
A Madonna in a flimsy oversized t-shirt emerges from the desert. Though her headscarf is a towel, and she sports red cowboy boots on her feet and a thousand-yard ice blue gaze, there’s an undeniable familiarity to this image of the Virgin Mary. In her feature debut “Ma,” star/writer/director/choreographer Celia Rowlson-Hall has crafted a truly unique film. Coupling one of the oldest stories with innovative and fresh filmmaking, Rowlson-Hall utilizes familiar iconography, sound design, and choreographed movement to create a silent film that is anything but quiet. The combination of surreal tone, strange characters, sun-drenched cinematography, and entirely visual movement-based language creates a heady and spellbinding cinematic experience. The story itself is a play on a classic—boy meets girl. In this case, boy meets girl when she wordlessly climbs atop the windshield of his car in the middle of the desert. The boy is Daniel...
- 11/11/2015
- by Katie Walsh
- The Playlist
The American Film Institute announced today the films that will screen in the World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs at AFI Fest 2015 presented by Audi.
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
- 10/22/2015
- by Melissa Thompson
- WeAreMovieGeeks.com
Read More: Filmmaker Magazine Names 2015's '25 New Faces of Independent Film' First shown as a work-in-progress at Tribeca, New York-based choreographer and filmmaker Celia Rowlson-Hall's feature debut "Ma" will have its world premiere at the 2015 Venice International Film Festival as part of the Venice Days Selection. After working with directors such as Gaspar Noe and Lena Dunham, Celia Rowlson-Hall handles directing, screenwriting and acting duties herself in "Ma." Andrew Pastides and Amy Seimetz ("Upstream Color") co-star. "Ma" is a modern-day tale of Mother Mary, who ventures across the arid backdrop of the American Southwest to give birth to a savior. Along her way to Las Vegas, Mary encounters a visceral and abstract world, replete with characters both scary and sublime. In the film, Rowlson-Hall, who was recently named one of Filmmaker Magazine's 25 New Faces of Independent Film, exhibits not only her skills as a filmmaker but also as a.
- 9/2/2015
- by Tarek Shoukri
- Indiewire
Review by Kathy Kaiser
As we step deep into the twenty-first century, we meet Asha (Mahira Kakkar), who is studying film in Prague and who has decided to reach out via video – what else would a film student do? – To the maker of a fantastic film she has just viewed named Hank (Andrew Pastides).
Intrigued by this young woman who has sent him a video message, Hank returns the message as the two of them keep in touch via video, learning more and more about one another as the weeks pass by.
Asha is incredibly beautiful, and Hank seems to be mesmerized by her beauty and their similar interests, even though they are thousands of miles apart. Hank becomes so invested in this “video relationship” that he ends up sending a ticket to Paris to Asha, as she shared that Paris it someplace she has always wanted to go in one of her messages.
As we step deep into the twenty-first century, we meet Asha (Mahira Kakkar), who is studying film in Prague and who has decided to reach out via video – what else would a film student do? – To the maker of a fantastic film she has just viewed named Hank (Andrew Pastides).
Intrigued by this young woman who has sent him a video message, Hank returns the message as the two of them keep in touch via video, learning more and more about one another as the weeks pass by.
Asha is incredibly beautiful, and Hank seems to be mesmerized by her beauty and their similar interests, even though they are thousands of miles apart. Hank becomes so invested in this “video relationship” that he ends up sending a ticket to Paris to Asha, as she shared that Paris it someplace she has always wanted to go in one of her messages.
- 9/2/2014
- by Movie Geeks
- WeAreMovieGeeks.com
Get ready London film fans! The fabulous London Indian Film Festival, running July 10th – 17th, will bring you an eclectic and cool mix of films! Now Europe’s largest platform for Indian cinema, the London Indian Film Festival returns to the Capital, in association with Pure Heaven, the British Film Institute, and official Hotel Partner Grange Hotels, celebrating the exploding movement of Indian Independent cinema and bringing to UK audiences a rare selection of cutting-edge films from some of the Indian subcontinent’s hottest independent talents. Going way beyond Bollywood, the festival presents a kaleidoscope of new films that challenge, shock, generate debate and present a more realistic view of India and the subcontinent today, in all its diversity.
The festival has many highlights and will showcase Emma Thompson’s Sold and Million Dollar Arm, which stars Jon Hamm and also boasts a bevy of Bollywood stars! The festival will stretch citywide,...
The festival has many highlights and will showcase Emma Thompson’s Sold and Million Dollar Arm, which stars Jon Hamm and also boasts a bevy of Bollywood stars! The festival will stretch citywide,...
- 6/12/2014
- by Stacey Yount
- Bollyspice
"It seems strange how we used to wait for letters to arrive, but what’s strangest still, is how something so small can keep you alive" sings lead vocalist Win Butler in Arcade Fires's nostalgic tune "We Used To Wait", a song that resonates with truth about the lack of a deep connection in modern human interactions. These days, letter writing is essentially non-existent, and the concept of showing mutual appreciation has been reduced to “liking” an online manifestation of someone via pictures or statements. What has been created is a terrifying detachment between people, in which technology has become a cold intermediary. Now, relationships exist in a non-tangible storage platform eager to capture information without the emotional capabilities to discern it. How can anyone find meaning in a world that values instant demonstrations of affection that rarely translate to the real world?
Sharply executed and taking advantage of this surrealist virtual era, James E. Duff’s tiny delight Hank and Asha finds warmth in such ephemeral connections through screens. His protagonists, and only characters, live thousands of miles apart between New York and Prague. Both are filmmakers of sorts, Hank (Andrew Pastides), made a documentary that showed at a festival in the Czech capital, where Asha (Mahira Kakkar), originally from India, saw it. Their first exchange is initiated by her love for his film, she tracks downs his contact information and sends him a joyful video message congratulating him.
Initially Asha’s genuine interest in him, and what he does, takes Hank by surprise. A seed of curiosity has been planted in him, he is now more than intrigued by such and unexpected and joyful message. The way the entire film works is simple, one of them sends a video message and the other replies with an answer to a question, or with new facts about themselves to share. Hank warms up to Asha very quickly. Her unbreakable sense of wonder is something Hank seems to have lost working as s a Pa for a reality show. Luckily for him, there is enough wonder in her world for her to share, and to rekindle that love for life he had replaced with contemptuous apathy.
Coming from a traditional Indian family Asha has her own troubles. Her year in Prague studying film is not only important for her career, but it helps delay the arranged marriage that awaits her back home. Hank represents choice, represents a different life apart from her predestined future. But it might be to idealistic for them to feed the idea of being together. He takes her out on a "date" not caring how silly he looks dining with a camera in front of him, or how bizarrely humorous his interpretation of Bollywood musicals is. Thus, when he invites Asha to meet him in Paris, their story takes on a more serious tone.
Their unusual correspondence is never deterred by the role the camera plays between them, is as if in their minds, the recording instrument has become a palpable surrogate for each other. Afraid of losing the enchanting mechanics of their friendship, they refuse to chat live because it would obliterate the pleasure of waiting, that feeling of expectation in which everything is possible. As days go by they become dependent on one another for their daily dose of hope, laughter and, of course, love. The intimacy transferred in those short clips hits them deeply, it can appear irrational to fall in love with the snippets of a person far away, but for them it is natural, it is real.
Economical in its concept, Duff’s film is a work of its time that exploits the incredibly raw performances of his actors. With his characters he recreates the beauty of long distant loving for the new millennium. Even if occasionally the format might be perceived as tiresome or repetitive, the running time is just right for a compact story like this. Each heartfelt, and sometimes heartbreaking, cyber postcard unveils a different layer of each of their personalities; they are getting to know each other not instantly but over time. Whether messages are written on paper or shot on HD, knowing someone waits on the other side is something small that should keep us alive. And although Arcade Fire argues otherwise, we still do wait.
Hank and Asha played at the Indian Film Festival of Los Angeles last week and it's now playing in select theaters.
Sharply executed and taking advantage of this surrealist virtual era, James E. Duff’s tiny delight Hank and Asha finds warmth in such ephemeral connections through screens. His protagonists, and only characters, live thousands of miles apart between New York and Prague. Both are filmmakers of sorts, Hank (Andrew Pastides), made a documentary that showed at a festival in the Czech capital, where Asha (Mahira Kakkar), originally from India, saw it. Their first exchange is initiated by her love for his film, she tracks downs his contact information and sends him a joyful video message congratulating him.
Initially Asha’s genuine interest in him, and what he does, takes Hank by surprise. A seed of curiosity has been planted in him, he is now more than intrigued by such and unexpected and joyful message. The way the entire film works is simple, one of them sends a video message and the other replies with an answer to a question, or with new facts about themselves to share. Hank warms up to Asha very quickly. Her unbreakable sense of wonder is something Hank seems to have lost working as s a Pa for a reality show. Luckily for him, there is enough wonder in her world for her to share, and to rekindle that love for life he had replaced with contemptuous apathy.
Coming from a traditional Indian family Asha has her own troubles. Her year in Prague studying film is not only important for her career, but it helps delay the arranged marriage that awaits her back home. Hank represents choice, represents a different life apart from her predestined future. But it might be to idealistic for them to feed the idea of being together. He takes her out on a "date" not caring how silly he looks dining with a camera in front of him, or how bizarrely humorous his interpretation of Bollywood musicals is. Thus, when he invites Asha to meet him in Paris, their story takes on a more serious tone.
Their unusual correspondence is never deterred by the role the camera plays between them, is as if in their minds, the recording instrument has become a palpable surrogate for each other. Afraid of losing the enchanting mechanics of their friendship, they refuse to chat live because it would obliterate the pleasure of waiting, that feeling of expectation in which everything is possible. As days go by they become dependent on one another for their daily dose of hope, laughter and, of course, love. The intimacy transferred in those short clips hits them deeply, it can appear irrational to fall in love with the snippets of a person far away, but for them it is natural, it is real.
Economical in its concept, Duff’s film is a work of its time that exploits the incredibly raw performances of his actors. With his characters he recreates the beauty of long distant loving for the new millennium. Even if occasionally the format might be perceived as tiresome or repetitive, the running time is just right for a compact story like this. Each heartfelt, and sometimes heartbreaking, cyber postcard unveils a different layer of each of their personalities; they are getting to know each other not instantly but over time. Whether messages are written on paper or shot on HD, knowing someone waits on the other side is something small that should keep us alive. And although Arcade Fire argues otherwise, we still do wait.
Hank and Asha played at the Indian Film Festival of Los Angeles last week and it's now playing in select theaters.
- 4/20/2014
- by Carlos Aguilar
- Sydney's Buzz
Editor’s note: Our review of Hank and Asha originally ran long ago during the 2013 Slamdance Film Festival, but we’re re-posting it as the film finally opens theatrically this weekend. Narrative gimmicks don’t always draw me in, but when I’m in the middle of watching a bunch of unremarkable festival films and something as original as Hank and Asha comes along, I’m easily seduced. That makes it sound undeserving, though, which isn’t the truth. The film is dominated by an unconventional structure that should in theory quickly become tedious for the viewer and a burden on the story, yet it carries on with great charm and a romantic spirit that’s rarely found at the movies today. It begins with a video message from Asha (Mahira Kakkar), an Indian studying film in Prague, sent to Hank (Andrew Pastides), a New York-based filmmaker whose documentary just screened at a festival she attended. He...
- 4/12/2014
- by Christopher Campbell
- FilmSchoolRejects.com
The epistolary novel is a tricky format, with stringent narrative limitations, yet it boasts a healthy literary tradition. Epistolary cinema has grown recently, thanks to the rise of webcam culture and the found-footage horror boom, but James E. Duff's Hank and Asha may be the first consisting solely of video missives.
The gambit is ambitious but fails to produce much drama, as this two-hander doesn't feature much more than its leads speechifying to their cameras, a challenging basis for visual storytelling.
Hank (Andrew Pastides) is a New York filmmaker who receives a video from film student Asha (Mahira Kakkar) after she sees a documentary he made in Prague, where she's studying. A video correspondence commences, as they reveal their favorite haunts and gradually sha...
The gambit is ambitious but fails to produce much drama, as this two-hander doesn't feature much more than its leads speechifying to their cameras, a challenging basis for visual storytelling.
Hank (Andrew Pastides) is a New York filmmaker who receives a video from film student Asha (Mahira Kakkar) after she sees a documentary he made in Prague, where she's studying. A video correspondence commences, as they reveal their favorite haunts and gradually sha...
- 4/9/2014
- Village Voice
This year the 12th edition of the Indian Film Festival of Los Angeles (Iffla) includes a lineup of narrative and documentary features and short films. The impressive program reflects the rich diversity of Indian cinema, as well as the future of Indian filmmaking, with cutting-edge filmmakers and emerging voices bringing their acclaimed films to Los Angeles.
The festival is widely recognized as the premiere showcase of groundbreaking Indian cinema globally. Iffla will run April 8-13 at ArcLight Hollywood in Los Angeles, the festival’s home since its inception. Jadoo, an exploration of family bonds amidst two feuding brothers’ restaurants in England, will screen as the festival’s Closing Night Gala. The film is written and directed by Iffla alum Amit Gupta, and first premiered at the 2013 Berlinale. It features a wonderful ensemble cast that includes Kulvinder Ghir, Amara Karan, Harish Patel, Tom Mison, and Madhur Jaffrey. As previously announced, Iffla will open with Jeffrey D. Brown’s Sold, produced by Jane Charles and executive produced by Emma Thompson.
Iffla 2014 wil l present more than 33 films, including three world premieres, six North American premieres, six U.S. premieres, and 16 Los Angeles premieres. The films feature 10 different languages, from Hindi to Marathi, to Russian to Bengali. Additionally, Iffla supports American, Australian, British, Canadian, and European diaspora filmmakers from nine different countries telling their stories.
“I'm thrilled and proud that Iffla's line-up this year includes an especially diverse range of cinematic experiences, covering many regions of India and the diaspora,” said Iffla’s Artistic Director Jasmine Jaisinghani. "We would like to thank our Programming Advisor in India, Uma Da Cunha, for helping our programming team source some of these exceptional films."
Program highlights include: the North American premiere of Anurag Kashyap’s latest, Ugly an intense, masterfully directed psychological thriller that premiered in the 2013 Director’s Fortnight section of Cannes; Liar's Dice, the remarkable directorial debut of South Indian actress Geetu Mohandas that premiered at this year’s Sundance Film Festival; Anup Singh’s latest feature Qissa: The Tale of a Lonely Ghost, starring Irrfan Khan (Life of Pi, Slumdog Millionaire), winner of Netpac Award at the Toronto International Film Festival, and Dioraphte Award at the International Film Festival Rotterdam; the Audience Award winner at the 2013 Slamdance Film Festival Hank and Asha , an exploratory, romantic look at two people bonding in the digital age by newcomer James E. Duff; Nagraj Manjule’s Fandry, a highly praised debut feature for its multilayered emotion and realism on the subject of caste discrimination; Brahmin Bulls starring Roshan Seth (Gandhi, Indiana Jones and the Temple of Doom, Mississippi Masala) and Sendhil Ramamurthy (Beauty and the Beast, Heroes) as an estranged father and son unexpectedly brought together to confront the family’s past; and Siddharth, a nuanced look at a family whose son goes missing, by lauded Canadian director and Iffla alum Richie Mehta (Amal).
The festival's feature documentary competition includes an eclectic mix of films from established and upcoming filmmakers that consider India's unique traditions and dynamic future. The films include: the world premiere of
The Auction House , an intimate and funny look at two brothers trying to keep their anachronistic family business going in the digital age; festival favorite Powerless, which depicts intense struggles over electricity in a mid-size Indian city; Faith Connections, Iffla alum Pan Nalin's beautiful and rare look at the Kumbh Mela; and the National Award-winning Shepherds of Paradise, about an arduous, mountainous trek through an animal drive in the Kashmiri winter.
The Bollywood by Night series returns this year with Bombay Talkies and Monsoon Shootout. Premiering at last year’s Cannes Film Festival, Bombay Talkies is a quartet of short films that celebrates 100 years of Indian cinema. The omnibus film features work by four of India’s most exciting contemporary directors: Karan Johar, Dibakar Banerjee, Zoya Akhtar, and Anurag Kashyap, as well as a stellar cast that includes Amitabh Bachchan, Rani Mukerji, and Katrina Kaif. Monsoon Shoutout is a thrilling debut by Iffla alum writer/director Amit Kumar about how a split-second decision made by a rookie police officer has rippling effects in his life and the lives of those around him.
The shorts competition showcases a diverse selection of 15 films that include narrative, documentary, experimental, and animated works. Highlights of this year’s program include Academy Award® shortlisted Kush; Sundance award winner Love.Love.Love.; and the world premiere of acclaimed director Umesh Kulkarni’s The Fly.
Festival Passes and Gala tickets are currently on sale at the festival's website.
For more information, please visit:
Website: www.indianfilmfestival.org.
Facebook: http://www.facebook.com/ indianfilmfestival
Twitter: https://twitter.com /iffla
Tumblr: http://indianfilmfestival.tumblr.com/
About Iffla
Now in its 12th year, the Indian Film Festival of Los Angeles (Iffla) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, honoring entertainment industry business executives, and promoting the diverse perspectives of the Indian diaspora.
Opening Night Gala
Sold
Los Angeles Premiere
USA/2014/97min
Director: Jeffrey D. Brown
Producer: Jane Charles
Executive Producer: Emma Thompson
Screenwriters: Joseph Kwong, Jeffrey D. Brown
Composer: John McDowell, Sammy Chand, Salim & Sulaiman Merchant
Cast: Susmita Mukherjee, Seema Biswas, Tillotama Shome, Niyar Saikia, Priyanka Bose, Ankur Vikal, Parambrata Chatterjee, Gillian Anderson, David Arquette
Academy Award®-winning filmmaker Jeffrey D. Brown adapts Patricia McCormick’s novel Sold – a National Book Award finalist – into a vivid, harrowing and inspiring story of a young girl’s resilience in the face of unspeakable cruelty.
Closing Night
Jadoo
Los Angeles Premiere
UK/2013/84 mins
Director: Amit Gupta
Producers: Amanda Faber, Isabelle Georgeaux, Richard Holmes, Nikki Parrott
Screenwriter: Amit Gupta
Composer: Stephen Warbeck
Cast: Kulvinder Ghir, Amara Karan, Harish Patel, Tom Mison, Madhur Jaffrey
Set in Leicester, England, Amit Gupta’s culinary comedy charts the chaos that ensues when young Shalini gets engaged to her longtime boyfriend Mark. The fact that Mark is not Indian is the least of Shalini’s concerns. Her father Raja and uncle Jagi have been at war for years. After a legendary falling out that caused them to close their family restaurant, each man opened his own establishment – directly across the street from one another! Shalini’s dream wedding would see both men put aside their differences and prepare the feast together, but resentment runs deep and neither man can hear mention of the other’s name without a spike in blood pressure. Both the prospect of disappointing their beloved Shalini and the threat of a new, hip restaurant opening in the area force Raja and Jagi to work together – but for how long? In this uproariously funny and heartfelt exploration of family bonds, shared history and gastronomic perfection, Gupta’s cast is endlessly appealing. Plus, there’s enough mouth-watering Indian food on display to have your stomach growling before the credits roll.
Feature Films
Before My Eyes (Ankhon Dekhi)
Los Angeles Premiere
India/2013/107min
Director: Rajat Kapoor Producer: Manish Mundra
Screenwriter: Rajat Kapoor
Cast: Sanjay Sanjay Mishra, Seema Pahwa, Rajat Kapoor, Taranjeet, Maya Sarao
Celebrated writer, director, and actor Rajat Kapoor (Midnight’s Children, Monsoon Wedding, Mixed Doubles, Mithya) paints an offbeat yet thought-provoking portrait of domestic life in modern day Delhi when an incident prompts head of the family Bauji to reject anything he himself has not experienced, much to the exasperation of his extended family but to the delight of his newfound philosopher disciples. Balancing the comical and the existential, both Bauji and the film ask the basic question, ‘Can you know truth without true experience?’
Brahmin Bulls
Los Angeles Premiere
USA/96min/2013
Director: Mahesh Pailoor
Producer: Yoshinobu Tsuji
Screenwriters: Anu Pradhan, Mahesh Pailoor
Cast: Sendhil Ramamurthy, Roshan Seth, Mary Steenburgen, Justin Bartha, Cassidy Freeman, Monica Raymund, Michael Lerner
Mahesh Pailoor's tender, funny, and touching debut tells the story of estranged father and son Ashok and Sid, who reunite at Sid's Los Angeles home when Ashok arrives unexpectedly. Each man is keeping secrets from one another, and when the truth is revealed, parent and child must work even harder to close the rift between them.
Fandry
North American Premiere
India/2013/103min
Director: Nagraj Manjule
Producers: Vivek Kajaria, Nilesh Navalakha
Screenwriter: Nagraj Manjule
Cast: Kishor Kadam, Chhaya Kadam, Somnath Awghade, Suraj Pawar, Rajshree Kharat, Sakshi Vyavhare, Aishvarya Shinde, Nagraj Manjule
Marathi poet Nagraj Manjule's impressive debut feature tells the story of Jabya, a Dalit boy, and his family's struggle against daily prejudice in their Maharashtra village. Jabya's carefree childhood desires and antics are soon stifled by his family's "untouchable" status, and the film's gradual transformation into an insightful and damning look at caste discrimination builds from a murmur to a defiant roar. Refusing to reduce his Dalit characters to victims – most explicitly at the film's explosive conclusion - Manjule's socially reflective film has received critical acclaim in India.
Hank and Asha
Los Angeles Premiere
USA/2013/73min
Director: James E. Duff
Producers: James E. Duff, Julia Morrison
Screenwriters: James E. Duff, Julia Morrison
Cast: Mahira Kakkar, Andrew Pastides
James E. Duff's feature directorial debut, the Audience Award winner at the 2013 Slamdance Film Festival, is an endearing tale of a long-distance connection in the digital age. Hank and Asha, two aspiring filmmakers separated by an ocean, connect with one another through video messages and quickly find themselves heading towards romance. That is, until Asha reveals some surprising news. Duff has created a captivating ode to the new possibilities open to us now that the world's gotten smaller.
Liar's Dice
Los Angeles Premiere
India/2013/104min
Director: Geetu Mohandas
Producers: Alan McAlex, Ajay G. Rai
Screenwriter: Geetu Mohandas
Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta
Established actress Geetu Mohandas steps behind the lens for her bracing directorial debut. A woman named Kamala and her daughter journey from their remote Himalayan village to Delhi in search of Kamala's missing husband. They find a guide in an unfriendly wanderer whose interest may lie more in his personal gain than in any help he can offer them. Beautifully shot by Rajeev Ravi (Gangs of Wasseypur), Mohandas' film evokes a hazardous world where answers may never be clear and a helping hand always comes at a price.
Phoring
North American Premiere
India/2013/128min
Director: Indranil Roychowdhury
Producers: Anasua Roychowdury, Sugata Bal
Screenwriters: Indranil Roychowdhury, Sugata Sinha
Cast: Akash Adhikary, Sohini Sarkar, Sourav Basak, Ritwick Charaborty, Shankar Debnath, Senjuti Roymukherjee
Indranil Roychowdhury's stunning feature debut is an evocative, unpredictable tale of confused adolescence in a struggling North Bengal town. Phoring, an imaginative adolescent boy, and his beautiful new teacher Doel form a close friendship that soon arouses doubt and suspicion when Doel's presence in the town is revealed to have less-than-noble origins. Roychowdhury accomplishes a tricky feat with his first film by luring us with the promise of an inspirational teacher-student story before ultimately delivering a much more complex and truthful account of the joys and pains of growing up.
Qissa: The Tale of a Lonely Ghost (2013)
Los Angeles Premiere Germany-India-Netherlands/2013/109min
Director: Anup Singh
Producers: Bero Beyer, Johannes Rexin, Bettina Brokemper, Thierry Lenouvel
Screenwriter: Anup Singh, Madhuja Mukherjee
Cast: Irrfan Khan, Tisca Chopra, Tillotama Shome, Rasika Dugal
Set in 1940s Punjab, Anup Singh’s latest feature Qissa details the aftermath of the Indo-Pakistan Partition through the experiences of one Sikh family, headed by Umber (Irrfan Khan). Following the family’s forceful displacement from their village, Umber’s desire for a male heir is stronger than ever. When his wife gives birth to their fourth daughter, Kanwar, Umber makes the fateful decision to raise her as a boy. This tragic choice ends up dividing the family in violent ways, and provokes a series of increasingly unsettling situations for Kanwar as she grows up. While in a sense a ghost story, the source of pain and suffering is all too real.
Siddharth
Los Angeles Premiere
Canada-India/2013/96min
Director: Richie Mehta
Producers: David Miller, Steven N. Bray
Screenwriter: Richie Mehta
Cast: Rajesh Tailang, Tannishtha Chatterjee
A celebrated Iffla alum, Canadian director Richie Mehta returns to the festival with a heartbreaking story of parents Mahendra and Suman, whose son goes missing after being sent to work 200 miles north of Delhi. Carried by powerful yet restrained performances from Rajesh Tailang and Tannishtha Chatterjee as the parents, Mehta and cast capture the dignity of those facing the unthinkable. Mehta's chance encounter with a man searching for his lost son alerted him to the underreported plight of the families of 44,000 children estimated missing in India every year.
Ugly
North American Premiere
India/2013/128mins/Dcp
Director: Anurag Kashyap
Writer: Anurag Kashyap
Producers: Vikas Bahl, Madhu Mantena, Vikramaditya Motwane, Vivek Rangachari, Arun Rangachari
Cast: Rahul Bhatt, Ronit Roy, Tejaswini Kolhapure, Anshika Shrivastava
When ten-year-old Kali disappears from her father Rahul's car on the busy streets of Mumbai, the events that follow quickly spiral out of control and plunge into a morass of corruption and violence. Rahul and Kali's mother, Shalini, are divorced. Shalini is now married to Shoumik, the local police chief. When Shoumik learns that his stepdaughter is missing, he and Rahul clash in a breathless race to find the girl. With intricate plotting and vivid characterizations, Iffla alum Anurag Kashyap fashions a story that's sure to keep the heart racing.
Writers (Sulemani Keeda)
North American Premiere
India/2013/90min
Director: Amit V Masurkar
Writer: Amit V Masurkar
Producer: Datta Dave
Cast: Naveen Kasturia, Mayank Tewari, Aditi Vasudev and Karan Mirchandani
Writing partners Dulal and Mainak dream of shaking up Bollywood in director Amit Masurkar's slacker comedy. The two young men take a job from the wealthy, oddball son of a famous B-movie producer, but soon fear they're on the path to selling out. Masurkar's film captures the creative spirit of Andheri West, a Mumbai suburb where writers, directors, and actors come from all over India with the dream of working in the film industry, and is a sweet taste of things to come from the new "hindie" cinema.
Documentary Features
The Auction House: A Tale of Two Brothers
World Premiere
UK/2014/85min
Director: Ed Owles
Producers: Ed Owles, Giovanna Stopponi
The auction houses of Kolkata used to be where the rich and famous found the right high-end objects to decorate their homes. Today, the family-owned Russell Exchange is the last, and oldest, one to remain in India. Director Ed Owles follows two brothers, with the older brother moving back to Kolkata from London with hopes of using his Western business acumen to bring the Exchange into the 21st century. However, in a country radically transformed by technology and a rising youth culture, it may already be too late.
Faith Connections
Los Angeles Premiere
France-India/2013/115min/Dcp
Director: Pan Nalin
Producers: Raphaël Berdugo, Gaurav Dhingra, Pan Nalin, Virginie Lacombe
Every three years, Hindus gather at one of four rotating sites for Kumbh Mela, a religious celebration of faith and devotion marked by bathing in the sacred waters of the Ganges. With 100 million people at the 2013 Kumbh Mela, the pilgrimage is said to be the largest gathering on the planet. Iffla alum Pan Nalin crafts a moving and unique view of the mass gathering and presents unique stories of how individuals came to be there to share in the belief of the divine.
Powerless (Katiyabaaz)
Los Angeles Premiere
India/2013/82min
Director: Fahad Mustafa and Deepti Kakkar
Producers: Fahad Mustafa, Deepti Kakkar, Judy Tam, Leopold Koegler
Screenwriter: Fahad Mustafa
In Kanpur, a city of three million that has seen better days, one of the only ways for many residents to get electricity is to steal it. Co-directors Fahad Mustafa and Deepti Kakkar focus their attention on the likes of pirate engineers like Loha Singh and first female CEO at the local power authority Ritu Maheshwari. Coupled with beautiful photography of the intricately tied together powerlines of the city and a pulsating original score, they present a unique documentary about current-day India and its future battles over limited resources.
Shepherds of Paradise
U.S. Premiere
India/2013/50min
Director/Producer/Screenwriter/Cinematographer/Editor: Raja Shabir Khan
Composer: Bilal Iran
Nomadic herder Gafoor has to lead his large flock of goats, sheep, cows and horses across Jammu all the way to Kashmir so they can graze. Director Raja Shabir Khan presents lives few have ever seen, let alone lived, with simple beauty and real terror in a film that has won major National Awards in India. A cinematic wonder that must be seen to truly understand, Shepherds of Paradise is a testament of the power of film to transport us to other lands and experiences.
Bollywood By Night
Bombay Talkies
North American Premiere
India/117min/2013
Directors: Karan Johar, Dibakar Banerjee, Zoya Akhtar, Anurag Kashyap
Producers: Ritesh Sidhwani, Farhan Akhtar, Guneet Monga
Screenwriters: Karan Johar, Dibakar Banerjee, Zoya Akhtar, Reema Kagti, Anurag Kashyap
Cast: Amitabh Bachchan , Rani Mukerji, Katrina Kaif, Randeep Hooda, Saqib Saleem, Nawazuddin Siddiqui
A quartet of short films directed by four of India’s most exciting contemporary filmmakers celebrates 100 years of Indian cinema in this omnibus film. Karan Johar, Dibakar Banerjee, Zoya Akhtar and Anurag Kashyap crafts a tale of ordinary people whose love of movies profoundly alters the course of their lives. Each story beautifully captures how lovers of cinema can’t help but carry that fascination into their day-to-day life. Haven’t we all wished, at one time or another, that our lives were more like a film?
Monsoon Shootout
Los Angeles Premiere
India-uk-Netherlands/2013/88min
Director: Amit Kumar
Producers: Trevor Ingman, Guneet Monga, Martijn De Grunt
Screenwriter: Amit Kumar
Cast: Vijay Varma, Nawazuddin Siddiqui, Tannishtha Chatterjee, Geetanjali Thapa
A split-second decision made by a rookie police officer propels writer/director Amit Kumar’s debut feature, which fascinatingly splinters into three separate, equally pulse-pounding scenarios. In a secluded alley drenched in the pouring rain, principled cop Adi aims his gun at Shiva, a vicious gangster on the run. What Adi decides to do next will reverberate throughout his personal and professional life in ways he could never imagine. Kumar thus explores the ripple effect our choices have, and how we unknowingly alter the lives of those around us.
Shorts
Aarti
Shorts Program 2
World Premiere
USA/2013/4min
Director: David Walter Lech
Producer: Terrie Samundra
A hypnotic look into the nightly “ceremony of light” ritual in a Hindu temple in Sheikhupur, Punjab.
Alchemy
Shorts Program 2
U.S. Premiere
India/2013/5min
Directors: Pranay Patwardhan, Shivangi Ranawat, Janmeet Singh
Producer: Pritesh Varia
A bold and vibrant song to the intricate fabric of modern day India, a kaleidoscope of voices, colors and traditions.
Bhiwani Junction
Shorts Program 1
Los Angeles Premiere
USA/2013/18min
Director: Abhi Singh
Producer: Abhi Singh
A poignant documentary portrait of Himanshu, a 12-year old boxer, whose formidable commitment to the sport makes his lofty dreams to become an Olympic champion appear well within reach.
Black Rock (Kaatal)
Shorts Program 1
U.S. Premiere
India/2012/22min
Director: Vikrant Pawar
Producer: Film and Television Institute of India
Two young lovers spend one last afternoon together. A beautiful meditation on the ephemeral nature of young love that has won three of India’s National Film Awards.
The Fly (Makhi)
Shorts Program 2
World Premiere
India/2013/31min
Director: Umesh Vinayak Kulkarni
Producer: Film and Television Institute of India
Employed as a Fly Killer in an upscale restaurant, Pipal must ensure a fly-free environment by smacking dead the flies that buzz over the patrons’ heads. When a nearby drainage is closed and the source of the fly infestation eradicated, Pipal must find a way to produce enough live flies to save his job, in this delightfully absurdist commentary on urban India’s emerging work culture.
Beloved (Humsafar)
Shorts Program 2
U.S. Premiere
India/2012/6min
Directors/Writers: Swapnil Awate, Laura Erbacher
Producer: Dsk Supinfocom
A sweeping single shot takes us on the breathtaking animated journey of two lovers and their eternal pursuit of harmony.
Jaya
Shorts Program 2
USA/2013/19min
Director: Puja Maewal
Producer: Puja Maewal
Young Jaya is able to survive the gruesome gang life in the unforgiving streets of Mumbai by posing as a boy. When she meets a wealthy businessman who looks like he could be the father who abandoned her, she sets out to reclaim her identity, in this engrossing drama that was shortlisted for a Student Academy Award®.
Kush
Shorts Program 1
India/2013/25min
Director: Shubhashish Bhutiani
Producer: Shubhashish Bhutiani
A bus full of schoolchildren boisterously makes its way back from a field trip when the news of Indira Gandhi’s assassination by her Sikh bodyguards breaks. As violence quickly erupts across the country, Kush, the only Sikh student in the class, must find a way to escape the unquenchable fury of retribution, in this gripping drama that was shortlisted for an Academy Award®.
Little Gypsy (Kachho Gadulo)
Shorts Program 1
Los Angeles Premiere
India/2012/6min
Directors: Saptesh Chaubal, Pranay Patwardhan, Shivangi Ranawat
Producer: D.S.K. Supinfocom
Inspired by the folk traditions of various parts of India, this stunning animated film sweeps us into a mythical journey that celebrates the power of play and imagination.
Love.Love.Love.
Shorts Program 2
Los Angeles Premiere
Russian Federation/2013/12min
Director: Sandhya Daisy Sundaram
Producers: Tanya Petrik, Guillaume Protsenko
An intimate ode to the wondrous force of love, as it takes new shapes and forms through the endless Russian winters. Love. Love.Love. won the Short Film Special Jury Award for Non-Fiction at the 2014 Sundance Film Festival.
Outpost
Shorts Program 1
U.S. Premiere
India-usa/2013/17min
Director: Shiva Shankar Bajpai
Producer: Aditi Anand
In the barren desert of the India-Pakistan border, two lone army guards on the opposite sides of the line yearn for booze, mosquito repellent and some human contact, in this humorous glimpse into the absurdity of rigid immaterial divides.
Presence
Shorts Program 2
U.S. Premiere
India/2012/17min
Directors: Ekta Mittal, Yashaswini Raghunandan
Producers: Ekta Mittal, Yashaswini Raghunandan
Long days and nights spent within the bellies of the rising structural beasts that rapidly transform the city of Bangalore bring on visions of ghosts that speak of the construction workers’ memories, longings and fears, in this haunting meditation on the migrant experience.
Skin Deep
Screens with Writers
U.S. Premiere
India/2013/20min
Director: Hardik Mehta
Producers: Devang Bhavsar, Niraj Kothari
Sanjay and Sushma plan to elope to escape a looming arranged marriage. They are in love and their future together shines bright and perfect and filled with possibility--that is, as long as an extra piece of skin that complicates their sex life gets fixed in what should be a routine medical procedure. But Mumbai’s electricity gods have other plans in store for them.
Small Yellow Field (Tau Seru)
Shorts Program 1
Los Angeles Premiere
Australia-India/2013/8min
Director: Rodd Rathjen
Producer: Rodd Rathjen
In the remote vastness of the Himalayas, a young nomad's curiosity lies beyond the horizon. This stunningly photographed film made its world premiere at Cannes Critics’ Week.
The Puppet (Tamaash)
Screens with Shepherds Of Paradise
Los Angeles Premiere
India/2013/32min
Directors: Devanshu Singh, Satyanshu Singh
Producers: Datta Dave, Chaitanya Hegde, Omar Nissar Paul, Devanshu Singh, Satyanshu Singh
A mysterious puppet offers young Anzar the chance to escape his father’s relentless punishments over his poor school grades by granting him the power to inflict misfortune on his nemesis, his brilliant classmate, Sadat. However, his newfound peace is short-lived as Sadat falls severely ill and Anzar comes to realize that the puppet’s powers are spiraling out of his control...
The festival is widely recognized as the premiere showcase of groundbreaking Indian cinema globally. Iffla will run April 8-13 at ArcLight Hollywood in Los Angeles, the festival’s home since its inception. Jadoo, an exploration of family bonds amidst two feuding brothers’ restaurants in England, will screen as the festival’s Closing Night Gala. The film is written and directed by Iffla alum Amit Gupta, and first premiered at the 2013 Berlinale. It features a wonderful ensemble cast that includes Kulvinder Ghir, Amara Karan, Harish Patel, Tom Mison, and Madhur Jaffrey. As previously announced, Iffla will open with Jeffrey D. Brown’s Sold, produced by Jane Charles and executive produced by Emma Thompson.
Iffla 2014 wil l present more than 33 films, including three world premieres, six North American premieres, six U.S. premieres, and 16 Los Angeles premieres. The films feature 10 different languages, from Hindi to Marathi, to Russian to Bengali. Additionally, Iffla supports American, Australian, British, Canadian, and European diaspora filmmakers from nine different countries telling their stories.
“I'm thrilled and proud that Iffla's line-up this year includes an especially diverse range of cinematic experiences, covering many regions of India and the diaspora,” said Iffla’s Artistic Director Jasmine Jaisinghani. "We would like to thank our Programming Advisor in India, Uma Da Cunha, for helping our programming team source some of these exceptional films."
Program highlights include: the North American premiere of Anurag Kashyap’s latest, Ugly an intense, masterfully directed psychological thriller that premiered in the 2013 Director’s Fortnight section of Cannes; Liar's Dice, the remarkable directorial debut of South Indian actress Geetu Mohandas that premiered at this year’s Sundance Film Festival; Anup Singh’s latest feature Qissa: The Tale of a Lonely Ghost, starring Irrfan Khan (Life of Pi, Slumdog Millionaire), winner of Netpac Award at the Toronto International Film Festival, and Dioraphte Award at the International Film Festival Rotterdam; the Audience Award winner at the 2013 Slamdance Film Festival Hank and Asha , an exploratory, romantic look at two people bonding in the digital age by newcomer James E. Duff; Nagraj Manjule’s Fandry, a highly praised debut feature for its multilayered emotion and realism on the subject of caste discrimination; Brahmin Bulls starring Roshan Seth (Gandhi, Indiana Jones and the Temple of Doom, Mississippi Masala) and Sendhil Ramamurthy (Beauty and the Beast, Heroes) as an estranged father and son unexpectedly brought together to confront the family’s past; and Siddharth, a nuanced look at a family whose son goes missing, by lauded Canadian director and Iffla alum Richie Mehta (Amal).
The festival's feature documentary competition includes an eclectic mix of films from established and upcoming filmmakers that consider India's unique traditions and dynamic future. The films include: the world premiere of
The Auction House , an intimate and funny look at two brothers trying to keep their anachronistic family business going in the digital age; festival favorite Powerless, which depicts intense struggles over electricity in a mid-size Indian city; Faith Connections, Iffla alum Pan Nalin's beautiful and rare look at the Kumbh Mela; and the National Award-winning Shepherds of Paradise, about an arduous, mountainous trek through an animal drive in the Kashmiri winter.
The Bollywood by Night series returns this year with Bombay Talkies and Monsoon Shootout. Premiering at last year’s Cannes Film Festival, Bombay Talkies is a quartet of short films that celebrates 100 years of Indian cinema. The omnibus film features work by four of India’s most exciting contemporary directors: Karan Johar, Dibakar Banerjee, Zoya Akhtar, and Anurag Kashyap, as well as a stellar cast that includes Amitabh Bachchan, Rani Mukerji, and Katrina Kaif. Monsoon Shoutout is a thrilling debut by Iffla alum writer/director Amit Kumar about how a split-second decision made by a rookie police officer has rippling effects in his life and the lives of those around him.
The shorts competition showcases a diverse selection of 15 films that include narrative, documentary, experimental, and animated works. Highlights of this year’s program include Academy Award® shortlisted Kush; Sundance award winner Love.Love.Love.; and the world premiere of acclaimed director Umesh Kulkarni’s The Fly.
Festival Passes and Gala tickets are currently on sale at the festival's website.
For more information, please visit:
Website: www.indianfilmfestival.org.
Facebook: http://www.facebook.com/ indianfilmfestival
Twitter: https://twitter.com /iffla
Tumblr: http://indianfilmfestival.tumblr.com/
About Iffla
Now in its 12th year, the Indian Film Festival of Los Angeles (Iffla) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, honoring entertainment industry business executives, and promoting the diverse perspectives of the Indian diaspora.
Opening Night Gala
Sold
Los Angeles Premiere
USA/2014/97min
Director: Jeffrey D. Brown
Producer: Jane Charles
Executive Producer: Emma Thompson
Screenwriters: Joseph Kwong, Jeffrey D. Brown
Composer: John McDowell, Sammy Chand, Salim & Sulaiman Merchant
Cast: Susmita Mukherjee, Seema Biswas, Tillotama Shome, Niyar Saikia, Priyanka Bose, Ankur Vikal, Parambrata Chatterjee, Gillian Anderson, David Arquette
Academy Award®-winning filmmaker Jeffrey D. Brown adapts Patricia McCormick’s novel Sold – a National Book Award finalist – into a vivid, harrowing and inspiring story of a young girl’s resilience in the face of unspeakable cruelty.
Closing Night
Jadoo
Los Angeles Premiere
UK/2013/84 mins
Director: Amit Gupta
Producers: Amanda Faber, Isabelle Georgeaux, Richard Holmes, Nikki Parrott
Screenwriter: Amit Gupta
Composer: Stephen Warbeck
Cast: Kulvinder Ghir, Amara Karan, Harish Patel, Tom Mison, Madhur Jaffrey
Set in Leicester, England, Amit Gupta’s culinary comedy charts the chaos that ensues when young Shalini gets engaged to her longtime boyfriend Mark. The fact that Mark is not Indian is the least of Shalini’s concerns. Her father Raja and uncle Jagi have been at war for years. After a legendary falling out that caused them to close their family restaurant, each man opened his own establishment – directly across the street from one another! Shalini’s dream wedding would see both men put aside their differences and prepare the feast together, but resentment runs deep and neither man can hear mention of the other’s name without a spike in blood pressure. Both the prospect of disappointing their beloved Shalini and the threat of a new, hip restaurant opening in the area force Raja and Jagi to work together – but for how long? In this uproariously funny and heartfelt exploration of family bonds, shared history and gastronomic perfection, Gupta’s cast is endlessly appealing. Plus, there’s enough mouth-watering Indian food on display to have your stomach growling before the credits roll.
Feature Films
Before My Eyes (Ankhon Dekhi)
Los Angeles Premiere
India/2013/107min
Director: Rajat Kapoor Producer: Manish Mundra
Screenwriter: Rajat Kapoor
Cast: Sanjay Sanjay Mishra, Seema Pahwa, Rajat Kapoor, Taranjeet, Maya Sarao
Celebrated writer, director, and actor Rajat Kapoor (Midnight’s Children, Monsoon Wedding, Mixed Doubles, Mithya) paints an offbeat yet thought-provoking portrait of domestic life in modern day Delhi when an incident prompts head of the family Bauji to reject anything he himself has not experienced, much to the exasperation of his extended family but to the delight of his newfound philosopher disciples. Balancing the comical and the existential, both Bauji and the film ask the basic question, ‘Can you know truth without true experience?’
Brahmin Bulls
Los Angeles Premiere
USA/96min/2013
Director: Mahesh Pailoor
Producer: Yoshinobu Tsuji
Screenwriters: Anu Pradhan, Mahesh Pailoor
Cast: Sendhil Ramamurthy, Roshan Seth, Mary Steenburgen, Justin Bartha, Cassidy Freeman, Monica Raymund, Michael Lerner
Mahesh Pailoor's tender, funny, and touching debut tells the story of estranged father and son Ashok and Sid, who reunite at Sid's Los Angeles home when Ashok arrives unexpectedly. Each man is keeping secrets from one another, and when the truth is revealed, parent and child must work even harder to close the rift between them.
Fandry
North American Premiere
India/2013/103min
Director: Nagraj Manjule
Producers: Vivek Kajaria, Nilesh Navalakha
Screenwriter: Nagraj Manjule
Cast: Kishor Kadam, Chhaya Kadam, Somnath Awghade, Suraj Pawar, Rajshree Kharat, Sakshi Vyavhare, Aishvarya Shinde, Nagraj Manjule
Marathi poet Nagraj Manjule's impressive debut feature tells the story of Jabya, a Dalit boy, and his family's struggle against daily prejudice in their Maharashtra village. Jabya's carefree childhood desires and antics are soon stifled by his family's "untouchable" status, and the film's gradual transformation into an insightful and damning look at caste discrimination builds from a murmur to a defiant roar. Refusing to reduce his Dalit characters to victims – most explicitly at the film's explosive conclusion - Manjule's socially reflective film has received critical acclaim in India.
Hank and Asha
Los Angeles Premiere
USA/2013/73min
Director: James E. Duff
Producers: James E. Duff, Julia Morrison
Screenwriters: James E. Duff, Julia Morrison
Cast: Mahira Kakkar, Andrew Pastides
James E. Duff's feature directorial debut, the Audience Award winner at the 2013 Slamdance Film Festival, is an endearing tale of a long-distance connection in the digital age. Hank and Asha, two aspiring filmmakers separated by an ocean, connect with one another through video messages and quickly find themselves heading towards romance. That is, until Asha reveals some surprising news. Duff has created a captivating ode to the new possibilities open to us now that the world's gotten smaller.
Liar's Dice
Los Angeles Premiere
India/2013/104min
Director: Geetu Mohandas
Producers: Alan McAlex, Ajay G. Rai
Screenwriter: Geetu Mohandas
Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta
Established actress Geetu Mohandas steps behind the lens for her bracing directorial debut. A woman named Kamala and her daughter journey from their remote Himalayan village to Delhi in search of Kamala's missing husband. They find a guide in an unfriendly wanderer whose interest may lie more in his personal gain than in any help he can offer them. Beautifully shot by Rajeev Ravi (Gangs of Wasseypur), Mohandas' film evokes a hazardous world where answers may never be clear and a helping hand always comes at a price.
Phoring
North American Premiere
India/2013/128min
Director: Indranil Roychowdhury
Producers: Anasua Roychowdury, Sugata Bal
Screenwriters: Indranil Roychowdhury, Sugata Sinha
Cast: Akash Adhikary, Sohini Sarkar, Sourav Basak, Ritwick Charaborty, Shankar Debnath, Senjuti Roymukherjee
Indranil Roychowdhury's stunning feature debut is an evocative, unpredictable tale of confused adolescence in a struggling North Bengal town. Phoring, an imaginative adolescent boy, and his beautiful new teacher Doel form a close friendship that soon arouses doubt and suspicion when Doel's presence in the town is revealed to have less-than-noble origins. Roychowdhury accomplishes a tricky feat with his first film by luring us with the promise of an inspirational teacher-student story before ultimately delivering a much more complex and truthful account of the joys and pains of growing up.
Qissa: The Tale of a Lonely Ghost (2013)
Los Angeles Premiere Germany-India-Netherlands/2013/109min
Director: Anup Singh
Producers: Bero Beyer, Johannes Rexin, Bettina Brokemper, Thierry Lenouvel
Screenwriter: Anup Singh, Madhuja Mukherjee
Cast: Irrfan Khan, Tisca Chopra, Tillotama Shome, Rasika Dugal
Set in 1940s Punjab, Anup Singh’s latest feature Qissa details the aftermath of the Indo-Pakistan Partition through the experiences of one Sikh family, headed by Umber (Irrfan Khan). Following the family’s forceful displacement from their village, Umber’s desire for a male heir is stronger than ever. When his wife gives birth to their fourth daughter, Kanwar, Umber makes the fateful decision to raise her as a boy. This tragic choice ends up dividing the family in violent ways, and provokes a series of increasingly unsettling situations for Kanwar as she grows up. While in a sense a ghost story, the source of pain and suffering is all too real.
Siddharth
Los Angeles Premiere
Canada-India/2013/96min
Director: Richie Mehta
Producers: David Miller, Steven N. Bray
Screenwriter: Richie Mehta
Cast: Rajesh Tailang, Tannishtha Chatterjee
A celebrated Iffla alum, Canadian director Richie Mehta returns to the festival with a heartbreaking story of parents Mahendra and Suman, whose son goes missing after being sent to work 200 miles north of Delhi. Carried by powerful yet restrained performances from Rajesh Tailang and Tannishtha Chatterjee as the parents, Mehta and cast capture the dignity of those facing the unthinkable. Mehta's chance encounter with a man searching for his lost son alerted him to the underreported plight of the families of 44,000 children estimated missing in India every year.
Ugly
North American Premiere
India/2013/128mins/Dcp
Director: Anurag Kashyap
Writer: Anurag Kashyap
Producers: Vikas Bahl, Madhu Mantena, Vikramaditya Motwane, Vivek Rangachari, Arun Rangachari
Cast: Rahul Bhatt, Ronit Roy, Tejaswini Kolhapure, Anshika Shrivastava
When ten-year-old Kali disappears from her father Rahul's car on the busy streets of Mumbai, the events that follow quickly spiral out of control and plunge into a morass of corruption and violence. Rahul and Kali's mother, Shalini, are divorced. Shalini is now married to Shoumik, the local police chief. When Shoumik learns that his stepdaughter is missing, he and Rahul clash in a breathless race to find the girl. With intricate plotting and vivid characterizations, Iffla alum Anurag Kashyap fashions a story that's sure to keep the heart racing.
Writers (Sulemani Keeda)
North American Premiere
India/2013/90min
Director: Amit V Masurkar
Writer: Amit V Masurkar
Producer: Datta Dave
Cast: Naveen Kasturia, Mayank Tewari, Aditi Vasudev and Karan Mirchandani
Writing partners Dulal and Mainak dream of shaking up Bollywood in director Amit Masurkar's slacker comedy. The two young men take a job from the wealthy, oddball son of a famous B-movie producer, but soon fear they're on the path to selling out. Masurkar's film captures the creative spirit of Andheri West, a Mumbai suburb where writers, directors, and actors come from all over India with the dream of working in the film industry, and is a sweet taste of things to come from the new "hindie" cinema.
Documentary Features
The Auction House: A Tale of Two Brothers
World Premiere
UK/2014/85min
Director: Ed Owles
Producers: Ed Owles, Giovanna Stopponi
The auction houses of Kolkata used to be where the rich and famous found the right high-end objects to decorate their homes. Today, the family-owned Russell Exchange is the last, and oldest, one to remain in India. Director Ed Owles follows two brothers, with the older brother moving back to Kolkata from London with hopes of using his Western business acumen to bring the Exchange into the 21st century. However, in a country radically transformed by technology and a rising youth culture, it may already be too late.
Faith Connections
Los Angeles Premiere
France-India/2013/115min/Dcp
Director: Pan Nalin
Producers: Raphaël Berdugo, Gaurav Dhingra, Pan Nalin, Virginie Lacombe
Every three years, Hindus gather at one of four rotating sites for Kumbh Mela, a religious celebration of faith and devotion marked by bathing in the sacred waters of the Ganges. With 100 million people at the 2013 Kumbh Mela, the pilgrimage is said to be the largest gathering on the planet. Iffla alum Pan Nalin crafts a moving and unique view of the mass gathering and presents unique stories of how individuals came to be there to share in the belief of the divine.
Powerless (Katiyabaaz)
Los Angeles Premiere
India/2013/82min
Director: Fahad Mustafa and Deepti Kakkar
Producers: Fahad Mustafa, Deepti Kakkar, Judy Tam, Leopold Koegler
Screenwriter: Fahad Mustafa
In Kanpur, a city of three million that has seen better days, one of the only ways for many residents to get electricity is to steal it. Co-directors Fahad Mustafa and Deepti Kakkar focus their attention on the likes of pirate engineers like Loha Singh and first female CEO at the local power authority Ritu Maheshwari. Coupled with beautiful photography of the intricately tied together powerlines of the city and a pulsating original score, they present a unique documentary about current-day India and its future battles over limited resources.
Shepherds of Paradise
U.S. Premiere
India/2013/50min
Director/Producer/Screenwriter/Cinematographer/Editor: Raja Shabir Khan
Composer: Bilal Iran
Nomadic herder Gafoor has to lead his large flock of goats, sheep, cows and horses across Jammu all the way to Kashmir so they can graze. Director Raja Shabir Khan presents lives few have ever seen, let alone lived, with simple beauty and real terror in a film that has won major National Awards in India. A cinematic wonder that must be seen to truly understand, Shepherds of Paradise is a testament of the power of film to transport us to other lands and experiences.
Bollywood By Night
Bombay Talkies
North American Premiere
India/117min/2013
Directors: Karan Johar, Dibakar Banerjee, Zoya Akhtar, Anurag Kashyap
Producers: Ritesh Sidhwani, Farhan Akhtar, Guneet Monga
Screenwriters: Karan Johar, Dibakar Banerjee, Zoya Akhtar, Reema Kagti, Anurag Kashyap
Cast: Amitabh Bachchan , Rani Mukerji, Katrina Kaif, Randeep Hooda, Saqib Saleem, Nawazuddin Siddiqui
A quartet of short films directed by four of India’s most exciting contemporary filmmakers celebrates 100 years of Indian cinema in this omnibus film. Karan Johar, Dibakar Banerjee, Zoya Akhtar and Anurag Kashyap crafts a tale of ordinary people whose love of movies profoundly alters the course of their lives. Each story beautifully captures how lovers of cinema can’t help but carry that fascination into their day-to-day life. Haven’t we all wished, at one time or another, that our lives were more like a film?
Monsoon Shootout
Los Angeles Premiere
India-uk-Netherlands/2013/88min
Director: Amit Kumar
Producers: Trevor Ingman, Guneet Monga, Martijn De Grunt
Screenwriter: Amit Kumar
Cast: Vijay Varma, Nawazuddin Siddiqui, Tannishtha Chatterjee, Geetanjali Thapa
A split-second decision made by a rookie police officer propels writer/director Amit Kumar’s debut feature, which fascinatingly splinters into three separate, equally pulse-pounding scenarios. In a secluded alley drenched in the pouring rain, principled cop Adi aims his gun at Shiva, a vicious gangster on the run. What Adi decides to do next will reverberate throughout his personal and professional life in ways he could never imagine. Kumar thus explores the ripple effect our choices have, and how we unknowingly alter the lives of those around us.
Shorts
Aarti
Shorts Program 2
World Premiere
USA/2013/4min
Director: David Walter Lech
Producer: Terrie Samundra
A hypnotic look into the nightly “ceremony of light” ritual in a Hindu temple in Sheikhupur, Punjab.
Alchemy
Shorts Program 2
U.S. Premiere
India/2013/5min
Directors: Pranay Patwardhan, Shivangi Ranawat, Janmeet Singh
Producer: Pritesh Varia
A bold and vibrant song to the intricate fabric of modern day India, a kaleidoscope of voices, colors and traditions.
Bhiwani Junction
Shorts Program 1
Los Angeles Premiere
USA/2013/18min
Director: Abhi Singh
Producer: Abhi Singh
A poignant documentary portrait of Himanshu, a 12-year old boxer, whose formidable commitment to the sport makes his lofty dreams to become an Olympic champion appear well within reach.
Black Rock (Kaatal)
Shorts Program 1
U.S. Premiere
India/2012/22min
Director: Vikrant Pawar
Producer: Film and Television Institute of India
Two young lovers spend one last afternoon together. A beautiful meditation on the ephemeral nature of young love that has won three of India’s National Film Awards.
The Fly (Makhi)
Shorts Program 2
World Premiere
India/2013/31min
Director: Umesh Vinayak Kulkarni
Producer: Film and Television Institute of India
Employed as a Fly Killer in an upscale restaurant, Pipal must ensure a fly-free environment by smacking dead the flies that buzz over the patrons’ heads. When a nearby drainage is closed and the source of the fly infestation eradicated, Pipal must find a way to produce enough live flies to save his job, in this delightfully absurdist commentary on urban India’s emerging work culture.
Beloved (Humsafar)
Shorts Program 2
U.S. Premiere
India/2012/6min
Directors/Writers: Swapnil Awate, Laura Erbacher
Producer: Dsk Supinfocom
A sweeping single shot takes us on the breathtaking animated journey of two lovers and their eternal pursuit of harmony.
Jaya
Shorts Program 2
USA/2013/19min
Director: Puja Maewal
Producer: Puja Maewal
Young Jaya is able to survive the gruesome gang life in the unforgiving streets of Mumbai by posing as a boy. When she meets a wealthy businessman who looks like he could be the father who abandoned her, she sets out to reclaim her identity, in this engrossing drama that was shortlisted for a Student Academy Award®.
Kush
Shorts Program 1
India/2013/25min
Director: Shubhashish Bhutiani
Producer: Shubhashish Bhutiani
A bus full of schoolchildren boisterously makes its way back from a field trip when the news of Indira Gandhi’s assassination by her Sikh bodyguards breaks. As violence quickly erupts across the country, Kush, the only Sikh student in the class, must find a way to escape the unquenchable fury of retribution, in this gripping drama that was shortlisted for an Academy Award®.
Little Gypsy (Kachho Gadulo)
Shorts Program 1
Los Angeles Premiere
India/2012/6min
Directors: Saptesh Chaubal, Pranay Patwardhan, Shivangi Ranawat
Producer: D.S.K. Supinfocom
Inspired by the folk traditions of various parts of India, this stunning animated film sweeps us into a mythical journey that celebrates the power of play and imagination.
Love.Love.Love.
Shorts Program 2
Los Angeles Premiere
Russian Federation/2013/12min
Director: Sandhya Daisy Sundaram
Producers: Tanya Petrik, Guillaume Protsenko
An intimate ode to the wondrous force of love, as it takes new shapes and forms through the endless Russian winters. Love. Love.Love. won the Short Film Special Jury Award for Non-Fiction at the 2014 Sundance Film Festival.
Outpost
Shorts Program 1
U.S. Premiere
India-usa/2013/17min
Director: Shiva Shankar Bajpai
Producer: Aditi Anand
In the barren desert of the India-Pakistan border, two lone army guards on the opposite sides of the line yearn for booze, mosquito repellent and some human contact, in this humorous glimpse into the absurdity of rigid immaterial divides.
Presence
Shorts Program 2
U.S. Premiere
India/2012/17min
Directors: Ekta Mittal, Yashaswini Raghunandan
Producers: Ekta Mittal, Yashaswini Raghunandan
Long days and nights spent within the bellies of the rising structural beasts that rapidly transform the city of Bangalore bring on visions of ghosts that speak of the construction workers’ memories, longings and fears, in this haunting meditation on the migrant experience.
Skin Deep
Screens with Writers
U.S. Premiere
India/2013/20min
Director: Hardik Mehta
Producers: Devang Bhavsar, Niraj Kothari
Sanjay and Sushma plan to elope to escape a looming arranged marriage. They are in love and their future together shines bright and perfect and filled with possibility--that is, as long as an extra piece of skin that complicates their sex life gets fixed in what should be a routine medical procedure. But Mumbai’s electricity gods have other plans in store for them.
Small Yellow Field (Tau Seru)
Shorts Program 1
Los Angeles Premiere
Australia-India/2013/8min
Director: Rodd Rathjen
Producer: Rodd Rathjen
In the remote vastness of the Himalayas, a young nomad's curiosity lies beyond the horizon. This stunningly photographed film made its world premiere at Cannes Critics’ Week.
The Puppet (Tamaash)
Screens with Shepherds Of Paradise
Los Angeles Premiere
India/2013/32min
Directors: Devanshu Singh, Satyanshu Singh
Producers: Datta Dave, Chaitanya Hegde, Omar Nissar Paul, Devanshu Singh, Satyanshu Singh
A mysterious puppet offers young Anzar the chance to escape his father’s relentless punishments over his poor school grades by granting him the power to inflict misfortune on his nemesis, his brilliant classmate, Sadat. However, his newfound peace is short-lived as Sadat falls severely ill and Anzar comes to realize that the puppet’s powers are spiraling out of his control...
- 4/8/2014
- by Carlos Aguilar
- Sydney's Buzz
In an increasingly digital world, love can be found in the most unlikely places, with just the click of a button. And that's where we find "Hank And Asha," in this Slamdance Film Festival Audience Award-winning romance that tells the tale of long distance love aided by modern technology. Co-written and directed by James E. Duff and starring Mahira Kakkar and Andrew Pastides, the story follows an Indian woman studying in Prague and a lonely New Yorker, who strike up a friendship via video letters that soon becomes something much more when their connection grows deeper. And the pair will soon have to decide whether or not to meet in person. In this exclusive clip, we see the sparks of the romance beginning to bubble with Asha sharing her enthusiasm at being in Europe and taking in the beautiful sights of her new home. "Hank And Asha" opens April 11th...
- 4/7/2014
- by Kevin Jagernauth
- The Playlist
From April 8th to the 11th, Indian films will once again be showcased in the Us at the Indian Film Festival of Los Angeles (Iffla). In its 12th year, Iffla boasts an incredible lineup of fabulous films that reflects the rich diversity of Indian cinema. Iffla’s Artistic Director Jasmine Jaisinghani says, “I’m thrilled and proud that Iffla’s line-up this year includes an especially diverse range of cinematic experiences, covering many regions of India and the diaspora.”
Iffla 2014 presents 33 films that include feature films, documentaries and shorts. The festival will have three world premieres, six North American premieres, six U.S. premieres, and 16 Los Angeles premieres. The films feature 10 different languages, from Hindi to Marathi, to Russian to Bengali. Additionally, Iffla supports American, Australian, British, Canadian, and European diaspora filmmakers from nine different countries telling their stories.
Bollywood will be well represented with three outstanding films all showing during the festival’s run.
Iffla 2014 presents 33 films that include feature films, documentaries and shorts. The festival will have three world premieres, six North American premieres, six U.S. premieres, and 16 Los Angeles premieres. The films feature 10 different languages, from Hindi to Marathi, to Russian to Bengali. Additionally, Iffla supports American, Australian, British, Canadian, and European diaspora filmmakers from nine different countries telling their stories.
Bollywood will be well represented with three outstanding films all showing during the festival’s run.
- 3/21/2014
- by Stacey Yount
- Bollyspice
I was happy to be invited for the second year to serve on the jury for narrative features with Dan Mirvisch, indie filmmaker and founder of Slamdance, Dana Harris, editor in chief of Indiewire, Morrie Warchawski, author of Shaking the Money Tree and former Executive Director of the Bay Area Video Coalition and The Media Project. We had a spirited discussion about the films we saw, drank a lot of great wine at marvelous receptions and had a superb dinner in the dining room of the Black Stallion Winery which is on the former site of the famous Napa Valley Equestrian Center and has been owned by three generations of the Indelicato family. Chef Misty Phelps prepared a wonderful meal which we shared with invited guests, Hollywood Foreign Press members Patricial Danaher from Ireland and Dierk Sindermann who was on the doc jury and is a correspondent for 10 European publications. It was the second great dinner I had with Hfp folks, the previous one being at Spago after the screening of Japan's Like Father Like Son. These Hollywood Foreign Press people live a nice life because they love films so much! Their love of film is proven because the small indies, foreign language and doc films are not what their employers pay them to see or review. Their love of film brings them to see these films in addition to the star studded blockbusters. I digress because I am beginning to love the Hfp members, sharing dinners as we do, there are always interesting conversations as well. Other filmmakers and jury members were served equally special dinners at the Alpha Omega and Chappellet Reserve, Beaulieu Vineyards, Bello Family Vineyards and Cardinale. Films, food and wine truly served as catalysts for conversation.
We awarded The Best Narrative Feature Prize to Hank and Asha (www.hankandasha.com) directed by James E. Duff. It had previously won the Audience Award at Slamdance and won at Portland, Brooklyn, Rhode Island and Woods Hole Film Festivals. It was a beautifully shot near-romance of an Indian film student in Prague who connects via webcam with a New York based filmmaker whose film she admired when she was the the Prague Film Festival. Their intercultural exchange leads to a love and affection which is never culminated by a meeting.
The Audience Favorite for Documentary Feature went to Finding Hillywood (www.findinghillywood.com) directed by Christopher Towey and Leah Warshawski (the daughter of our own jury member, Morrie Warchawski). This film has played in numerous festivals and garnered many awards and much attention as it shows the fledgling Rwandan filmmaking community.
Here are the other awards!
Juried Awards
Best Narrative Feature: Hank and Asha directed by James E. Duff
Best Feature Documentary: Alice Walker: Beauty In Truth directed by Pratibha Parmar
Best Short Documentary: Sky Burial directed by Tad Fettig
Best Animated Short: Sleight of Hand directed by Michael Cusack
> Honorable Mention: The Right Place directed by Jamie Gallant
> Honorable Mention: Horsepower directed by Olivia Lai Shetler
Best Narrative Short: King of Norway directed by Sylvia Sether
> Honorable Mention: The Romantics directed by Ryan Daniel Dobson
> Honorable Mention: The Listing Agent directed by Matthew Helfgott & Jared Hillman
Special Jury Prize for Most Thought Provoking Film: The Last White Knight directed by Paul Saltzman
Audience Awards
Favorite Narrative Feature : The Little Tin Man directed by Matthew Perkins
Favorite Actor : Andrew Pastides, Hank & Asha
Favorite Actress : Mahira Kakkar, Hank & Asha
Favorite Documentary Feature : Finding Hillywood directed by Christopher Towey and Leah Warshawski
Favorite Documentary Short : Make Haste Slowly: The Kikkoman Story directed by Lucy Walker
Favorite Narrative Short : The Listing Agent directed by Mathew Helfgott and Jared Hillman
Favorite Animated Short : Horsepower directed by Olivia Lai Shetler
Favorite Lounge Feature : Starring Adam West directed by James Tooley
Favorite Lounge Short : The Romantics directed by Ryan Daniel Dobson
Next year's Napa Valley Film Festival will take place on 12-16 November 2014. To buy passes visit Here...
We awarded The Best Narrative Feature Prize to Hank and Asha (www.hankandasha.com) directed by James E. Duff. It had previously won the Audience Award at Slamdance and won at Portland, Brooklyn, Rhode Island and Woods Hole Film Festivals. It was a beautifully shot near-romance of an Indian film student in Prague who connects via webcam with a New York based filmmaker whose film she admired when she was the the Prague Film Festival. Their intercultural exchange leads to a love and affection which is never culminated by a meeting.
The Audience Favorite for Documentary Feature went to Finding Hillywood (www.findinghillywood.com) directed by Christopher Towey and Leah Warshawski (the daughter of our own jury member, Morrie Warchawski). This film has played in numerous festivals and garnered many awards and much attention as it shows the fledgling Rwandan filmmaking community.
Here are the other awards!
Juried Awards
Best Narrative Feature: Hank and Asha directed by James E. Duff
Best Feature Documentary: Alice Walker: Beauty In Truth directed by Pratibha Parmar
Best Short Documentary: Sky Burial directed by Tad Fettig
Best Animated Short: Sleight of Hand directed by Michael Cusack
> Honorable Mention: The Right Place directed by Jamie Gallant
> Honorable Mention: Horsepower directed by Olivia Lai Shetler
Best Narrative Short: King of Norway directed by Sylvia Sether
> Honorable Mention: The Romantics directed by Ryan Daniel Dobson
> Honorable Mention: The Listing Agent directed by Matthew Helfgott & Jared Hillman
Special Jury Prize for Most Thought Provoking Film: The Last White Knight directed by Paul Saltzman
Audience Awards
Favorite Narrative Feature : The Little Tin Man directed by Matthew Perkins
Favorite Actor : Andrew Pastides, Hank & Asha
Favorite Actress : Mahira Kakkar, Hank & Asha
Favorite Documentary Feature : Finding Hillywood directed by Christopher Towey and Leah Warshawski
Favorite Documentary Short : Make Haste Slowly: The Kikkoman Story directed by Lucy Walker
Favorite Narrative Short : The Listing Agent directed by Mathew Helfgott and Jared Hillman
Favorite Animated Short : Horsepower directed by Olivia Lai Shetler
Favorite Lounge Feature : Starring Adam West directed by James Tooley
Favorite Lounge Short : The Romantics directed by Ryan Daniel Dobson
Next year's Napa Valley Film Festival will take place on 12-16 November 2014. To buy passes visit Here...
- 11/26/2013
- by Sydney Levine
- Sydney's Buzz
And now for something completely different. Honestly, we're not sure what to make of this one just yet. That doesn't mean that we're not eager to take part though! Read on if you're game.
According to Variety, luxury auto brand Infiniti has turned to The Blair Witch Project producers to create Deja View, an innovative new piece of branded entertainment that embraces a choose-your-own-adventure storytelling model and digital platforms, including websites and smartphones, to unfold a mystery.
In developing Deja View, the producers wanted to create an online film that adapts to the viewer, depending on their conversations with the onscreen characters. Viewers who want to participate visit Infinitiusa.com/deja-view and call 877-777-3785 on a mobile phone to start the story.
Directed by Phillip Van, the film re-counts the story of a couple driving in their Q50, unsure of who and where they are, whom to trust, and...
According to Variety, luxury auto brand Infiniti has turned to The Blair Witch Project producers to create Deja View, an innovative new piece of branded entertainment that embraces a choose-your-own-adventure storytelling model and digital platforms, including websites and smartphones, to unfold a mystery.
In developing Deja View, the producers wanted to create an online film that adapts to the viewer, depending on their conversations with the onscreen characters. Viewers who want to participate visit Infinitiusa.com/deja-view and call 877-777-3785 on a mobile phone to start the story.
Directed by Phillip Van, the film re-counts the story of a couple driving in their Q50, unsure of who and where they are, whom to trust, and...
- 10/25/2013
- by Uncle Creepy
- DreadCentral.com
Newly formed distribution outfit FilmRise has acquired all North American rights to Hank and Asha, the independent romantic comedy that won the Audience Award at the 2013 Slamdance Film Festival. The movie will be released theatrically in the first quarter of 2014, beginning with select runs in New York and Los Angeles. From husband-and-wife team James E. Duff and Julia Morrison, Hank and Asha stars Mahira Kakkar as an Indian woman studying in Prague and Andrew Pastides as a lonely New Yorker. The two begin an unconventional video correspondence that culminates with them deciding whether or not to
read more...
read more...
- 10/24/2013
- by Pamela McClintock
- The Hollywood Reporter - Movie News
After Asha (Mahira Kakkar) sees Hank's (Andrew Pastides) documentary at an international film festival, she sends him a video message. Hank promptly responds and they commence a communication that could only happen in our post modern world. Innocently enough, brief video files are exchanged on a regular basis, slowly allowing them to reveal more and more about each other. For example, despite having a documentary that has played at film festivals around the world, Hank slaves away as a low-level production assistant in New York City; Asha is studying film in Prague for a year, after which she will probably return to her family in India.
- 1/20/2013
- by Don Simpson
- SmellsLikeScreenSpirit
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