Exclusive: The producers of indie feature Some Nights I Feel Like Walking, directed by the Philippines’ Petersen Vargas, have revealed a first look of the film, which started shooting in Manila at the end of April.
The first look image features three of the lead cast – Miguel Odron, a musician and Idol Philippines grand finalist; Jomari Angeles, a young actor who starred in Brillante Mendoza’s Ma’ Rosa; and Gold Aceron, who won acclaim for playing an intersex person in 2019 drama Metamorphosis.
The cast also includes Tommy Alejandrino, whose credits include Goyo: The Boy General and The Baseball Player, and reality star and model Argel Saycon, making his film debut.
Also written by Vargas, the film centers on a teenage runaway who joins a group of street hustlers on a road trip to fulfill their friend’s wish. It will also shoot in Pangasinan, a province in northern Philippines.
Vargas...
The first look image features three of the lead cast – Miguel Odron, a musician and Idol Philippines grand finalist; Jomari Angeles, a young actor who starred in Brillante Mendoza’s Ma’ Rosa; and Gold Aceron, who won acclaim for playing an intersex person in 2019 drama Metamorphosis.
The cast also includes Tommy Alejandrino, whose credits include Goyo: The Boy General and The Baseball Player, and reality star and model Argel Saycon, making his film debut.
Also written by Vargas, the film centers on a teenage runaway who joins a group of street hustlers on a road trip to fulfill their friend’s wish. It will also shoot in Pangasinan, a province in northern Philippines.
Vargas...
- 5/25/2023
- by Liz Shackleton
- Deadline Film + TV
Zabaltegi strand of the festival will feature 24 titles.Scroll down for full list
The 63rd San Sebastian Film Festival (Sept 18-26) has unveiled the features that will comprise its Zabaltegi programme, including Spanish premieres of new films from Laurie Anderson, Eric Khoo, Corneliu Porumboiu, Walter Salles and Alexander Sokurov.
The non-competitive strand includes features, documentaries, animation and shorts, and the first screening of all films in the section will run at the Tabakalera centre for contemporary culture and creation, the hub of Zabaltegi activities from this year.
Titles in the section that played at this year’s Cannes include Porumboiu’s black comedy The Treasure, which won the Un Certain Regard Talent Prize; Tambutti documentary Beyond My Grandfather Allende, winner of the L’Oeil d’Or award for best documentary; and Magnus Von Horn’s debut The Here After, which played in Directors’ Fornight.
Films that will first be seen at Venice (Sept 2-12) include Francofonia, from Russian...
The 63rd San Sebastian Film Festival (Sept 18-26) has unveiled the features that will comprise its Zabaltegi programme, including Spanish premieres of new films from Laurie Anderson, Eric Khoo, Corneliu Porumboiu, Walter Salles and Alexander Sokurov.
The non-competitive strand includes features, documentaries, animation and shorts, and the first screening of all films in the section will run at the Tabakalera centre for contemporary culture and creation, the hub of Zabaltegi activities from this year.
Titles in the section that played at this year’s Cannes include Porumboiu’s black comedy The Treasure, which won the Un Certain Regard Talent Prize; Tambutti documentary Beyond My Grandfather Allende, winner of the L’Oeil d’Or award for best documentary; and Magnus Von Horn’s debut The Here After, which played in Directors’ Fornight.
Films that will first be seen at Venice (Sept 2-12) include Francofonia, from Russian...
- 8/10/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
My flight from New York to Vienna temporarily made a movie; it’s now a lost film, but what I saw of it was spectacular. The plane was equipped with two video cameras, one pointing straight down, activated after the flight took off, and one pointing straight forward, which is active the moment the flight is boarded. Both videos have an unnatural, nearly uncanny flatness to them—akin to the comment that Harun Farocki has made about certain kinds of industrial video recording, that some digital footage is specifically not produced for the human eye. These images must be—but more likely for a technical eye, before someone realized the casual viewer—a passenger—might be interested.
The forward-facing camera, of interest only during taxiing, indifferently smashed the industrial shapes and figures of the JFK and Vienna airports into flat, unspooling geometric arrangements. The compostion was always in motion, but a compressed kind of motion,...
The forward-facing camera, of interest only during taxiing, indifferently smashed the industrial shapes and figures of the JFK and Vienna airports into flat, unspooling geometric arrangements. The compostion was always in motion, but a compressed kind of motion,...
- 10/24/2011
- MUBI
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