Wayne Blair and Nel Minchin’s Firestarter: The Story of Bangarra has been named best arts program at this year’s Rose d’Or Awards, continuing a stellar run for the pair.
The In Films documentary, which tells the origin story of the renowned Bangarra Dance Company through the eyes of its artistic director Stephen Page and other members, beat out competition from the Netherlands, Germany, and the US to take the prize.
Firestarter won the Aacta Award for Best Documentary in 2020, as well as Adelaide Film Festival’s documentary competition and inaugural Change Award. It released theatrically through Icon, before airing on the ABC, and is distributed internationally by ABC Commercial.
In Films producer Ivan O’Mahoney said he was “absolutely delighted” with the latest accolade.
“The stated mission of Bangarra Dance Theatre is to create inspiring theatrical experiences that promote and help raise awareness of Aboriginal and Torres Strait Islander culture,...
The In Films documentary, which tells the origin story of the renowned Bangarra Dance Company through the eyes of its artistic director Stephen Page and other members, beat out competition from the Netherlands, Germany, and the US to take the prize.
Firestarter won the Aacta Award for Best Documentary in 2020, as well as Adelaide Film Festival’s documentary competition and inaugural Change Award. It released theatrically through Icon, before airing on the ABC, and is distributed internationally by ABC Commercial.
In Films producer Ivan O’Mahoney said he was “absolutely delighted” with the latest accolade.
“The stated mission of Bangarra Dance Theatre is to create inspiring theatrical experiences that promote and help raise awareness of Aboriginal and Torres Strait Islander culture,...
- 11/30/2021
- by Sean Slatter
- IF.com.au
Nominations for this year’s Australian Directors’ Guild (Adg) Awards are shared amongst the likes of Wayne Blair, Shannon Murphy, Daniel Nettheim, Tennika Smith, and Jonathan Brough, who have all scored two nods each.
Murphy is one of two women included in the category for Best Direction in a Feature Film for Babyteeth, joining Unjoo Moon (I Am Woman) in a field that also includes Seth Larney (2067), Maziar Lahooti (Below), and Robert Connolly (The Dry).
She also gets the nod for Best Direction in a TV or SVOD Drama Series episode for Killing Eve, where she will compete against fellow double nominee Nettheim, who features for Halifax: Retribution (Series 1 Episode 7), and is also up for Best Direction in a TV or SVOD Miniseries Episode for Line of Duty (Series 6 Episode 1).
Blair is up for Best Direction in a Feature Documentary with co-director Nel Minchin for Firestarter: The Story of Bangarra,...
Murphy is one of two women included in the category for Best Direction in a Feature Film for Babyteeth, joining Unjoo Moon (I Am Woman) in a field that also includes Seth Larney (2067), Maziar Lahooti (Below), and Robert Connolly (The Dry).
She also gets the nod for Best Direction in a TV or SVOD Drama Series episode for Killing Eve, where she will compete against fellow double nominee Nettheim, who features for Halifax: Retribution (Series 1 Episode 7), and is also up for Best Direction in a TV or SVOD Miniseries Episode for Line of Duty (Series 6 Episode 1).
Blair is up for Best Direction in a Feature Documentary with co-director Nel Minchin for Firestarter: The Story of Bangarra,...
- 11/5/2021
- by Sean Slatter
- IF.com.au
Screen Australia has unveiled 13 titles that will share in $3.7 million of production funding, with six documentaries to be supported through the Producer Program and seven projects via the Commissioned Program.
They include a feature documentary from Stranger Than Fiction that follows an Indigenous figure skater from Western Sydney, Harley Windsor, on his quest to compete in the Winter Olympics; a series going inside the Sydney Opera House for the ABC; and a feature documentary about a grandmother with dementia who became an internet sensation in Everybody’s Oma.
Screen Australia head of documentary Alex West said the documentaries were a testament to the talented filmmakers creating local stories with great impact.
“These projects will explore contemporary social issues including how First Nations artist Richard Bell’s work uses art to effect change in War & Order, as well as the complexities of teen parenting in Kids Raising Kids,” he said.
“They...
They include a feature documentary from Stranger Than Fiction that follows an Indigenous figure skater from Western Sydney, Harley Windsor, on his quest to compete in the Winter Olympics; a series going inside the Sydney Opera House for the ABC; and a feature documentary about a grandmother with dementia who became an internet sensation in Everybody’s Oma.
Screen Australia head of documentary Alex West said the documentaries were a testament to the talented filmmakers creating local stories with great impact.
“These projects will explore contemporary social issues including how First Nations artist Richard Bell’s work uses art to effect change in War & Order, as well as the complexities of teen parenting in Kids Raising Kids,” he said.
“They...
- 11/2/2021
- by Staff Writer
- IF.com.au
Shaun Grant and Harry Cripps are among the writers aiming to win consecutive prizes at this year’s Awgie Awards.
Grant, who won the adaptation prize with Cripps for Penguin Bloom in 2020 and for the True History of the Kelly Gang in 2019, is nominated this year for his work on Nitram, against the Here Out West writing team of Nisrine Amine, Bina Bhattacharya, Matias Bolla, Claire Cao, Arka Das, Dee Duygu Dogan, Vonne Patiag and Tien Tran; Falling for Figaro‘s Ben Lewin and Allen Palmer; and The Furnace‘s Roderick MacKay in the original feature film category.
Cripps and Robert Connolly have been recognised for The Dry, which is one of two nominees for the feature film adaptation award alongside Babyteeth, written for the screen by the original playwright Rita Kalnejais.
In the television categories, Tony McNamara’s The Great is pitted against Wakefield, Five Bedrooms and Wentworth for...
Grant, who won the adaptation prize with Cripps for Penguin Bloom in 2020 and for the True History of the Kelly Gang in 2019, is nominated this year for his work on Nitram, against the Here Out West writing team of Nisrine Amine, Bina Bhattacharya, Matias Bolla, Claire Cao, Arka Das, Dee Duygu Dogan, Vonne Patiag and Tien Tran; Falling for Figaro‘s Ben Lewin and Allen Palmer; and The Furnace‘s Roderick MacKay in the original feature film category.
Cripps and Robert Connolly have been recognised for The Dry, which is one of two nominees for the feature film adaptation award alongside Babyteeth, written for the screen by the original playwright Rita Kalnejais.
In the television categories, Tony McNamara’s The Great is pitted against Wakefield, Five Bedrooms and Wentworth for...
- 10/26/2021
- by Sean Slatter
- IF.com.au
As someone who lives with anxiety, comedian Celia Pacquola thinks she’s kind of got it covered. The only thing is, she hasn’t quite worked out how to ‘fix’ it. She likes to try and out-busy her struggles, but knows that it’s not exactly a healthy long-term solution.
So, Celia is hitting the road to investigate the questions surrounding anxiety in an effort to break down the stigma and start an open conversation about mental health, meeting with other sufferers like Afl footballer Mitch Morton, musician and author Clare Bowditch and actor Hugh Sheridan.
Written and directed by Nel Minchin and produced by Joined Up Films, The Truth About Anxiety with Celia Pacquola premieres October 3 8.30pm on Sbs as part of Australia Uncovered.
Pacquola also goes in search of the best available treatments which leads her to meeting with medical experts such as Professor Chee Ng from the...
So, Celia is hitting the road to investigate the questions surrounding anxiety in an effort to break down the stigma and start an open conversation about mental health, meeting with other sufferers like Afl footballer Mitch Morton, musician and author Clare Bowditch and actor Hugh Sheridan.
Written and directed by Nel Minchin and produced by Joined Up Films, The Truth About Anxiety with Celia Pacquola premieres October 3 8.30pm on Sbs as part of Australia Uncovered.
Pacquola also goes in search of the best available treatments which leads her to meeting with medical experts such as Professor Chee Ng from the...
- 9/17/2021
- by The IF Team
- IF.com.au
By Glenn Dunks
Dance is such a physical art. It is a beautiful medium, of course, but one that doesn’t always allow for great documentaries about it. Watching it can be a divine experience, but to get into the nuts and bolts of the craft is difficult. A trio of new documentaries highlight these strengths and weaknesses. All three put their focus on black dancers, and all have strong queer themes as they navigate a creative space emerging through the pain of racism and the AIDS epidemic. Can You Bring It: Bill T. Jones and D-Man in the Waters by Rosalynde LeBlanc and Tom Hurwitz, Jamila Wignot’s Ailey, and Firestarter — The Story of Bangarra by Wayne Blair and Nel Minchin each highlight the bodies and the stories. But it’s the former about the iconic titular choreographer and one of his most famous works that best captures the athleticism,...
Dance is such a physical art. It is a beautiful medium, of course, but one that doesn’t always allow for great documentaries about it. Watching it can be a divine experience, but to get into the nuts and bolts of the craft is difficult. A trio of new documentaries highlight these strengths and weaknesses. All three put their focus on black dancers, and all have strong queer themes as they navigate a creative space emerging through the pain of racism and the AIDS epidemic. Can You Bring It: Bill T. Jones and D-Man in the Waters by Rosalynde LeBlanc and Tom Hurwitz, Jamila Wignot’s Ailey, and Firestarter — The Story of Bangarra by Wayne Blair and Nel Minchin each highlight the bodies and the stories. But it’s the former about the iconic titular choreographer and one of his most famous works that best captures the athleticism,...
- 7/29/2021
- by Glenn Dunks
- FilmExperience
Matthew Walker’s I’m Wanita will make its world premiere at Hot Docs Canadian International Documentary Festival next month.
The film, which follows Australia’s self-crowned “Queen of Honky Tonk” Wanita Bahtiyar, will screen as part of the Artscapes strand – a program that features work exploring creativity in the performing and visual arts.
Other Australian films set for the festival this year include Sally Aitken’s Playing with Sharks, to screen as a special presentation; Nays Baghai’s Documentary Australia Foundation Award-winning Descent, to make its North American premiere as part of the World Showcase; and Nel Minchin and Wayne Blair’s Firestarter: The Story of Bangarra, also in the Artscapes strand.
Aitken and producer Bettina Dalton will also appear in a Q&a together with the subject of their film, marine conservationist and photographer Valerie Taylor.
Two Aussie shorts have also been accepted into the festival: Sophie Raymond’s Recorder Queen,...
The film, which follows Australia’s self-crowned “Queen of Honky Tonk” Wanita Bahtiyar, will screen as part of the Artscapes strand – a program that features work exploring creativity in the performing and visual arts.
Other Australian films set for the festival this year include Sally Aitken’s Playing with Sharks, to screen as a special presentation; Nays Baghai’s Documentary Australia Foundation Award-winning Descent, to make its North American premiere as part of the World Showcase; and Nel Minchin and Wayne Blair’s Firestarter: The Story of Bangarra, also in the Artscapes strand.
Aitken and producer Bettina Dalton will also appear in a Q&a together with the subject of their film, marine conservationist and photographer Valerie Taylor.
Two Aussie shorts have also been accepted into the festival: Sophie Raymond’s Recorder Queen,...
- 3/24/2021
- by Jackie Keast
- IF.com.au
Crime thriller The Little Things is the first new release in weeks to succeed in knocking Robert Connolly’s The Dry from the no. 1 position at the box office.
The John Lee Hancock-directed neo-noir follows two detectives (Denzel Washington and Rami Malek) as they investigate a string of murders that lead them to a strange loner who may be the culprit.
The film opened on $1.4 million from 276 screens over the weekend, or $1.8 million with previews.
That makes Australia the second best performing market worldwide, second only to the US where has been released in cinemas and on HBO Max simultaneously.
Other new releases included Lee Isaac Chung’s Oscar hopeful Minari, which Madman opened on 59 screens to bring in $172,309, or $276,226 with previews.
Winner of the Sundance US Dramatic Grand Jury Prize and the US Dramatic Audience Award, the semi-autobiographical film starring Steven Yeun follows a South Korean family who...
The John Lee Hancock-directed neo-noir follows two detectives (Denzel Washington and Rami Malek) as they investigate a string of murders that lead them to a strange loner who may be the culprit.
The film opened on $1.4 million from 276 screens over the weekend, or $1.8 million with previews.
That makes Australia the second best performing market worldwide, second only to the US where has been released in cinemas and on HBO Max simultaneously.
Other new releases included Lee Isaac Chung’s Oscar hopeful Minari, which Madman opened on 59 screens to bring in $172,309, or $276,226 with previews.
Winner of the Sundance US Dramatic Grand Jury Prize and the US Dramatic Audience Award, the semi-autobiographical film starring Steven Yeun follows a South Korean family who...
- 2/22/2021
- by Jackie Keast
- IF.com.au
The Birrarangga Film Festival will return to Melbourne next month, featuring a line-up of more than 70 narrative features, documentaries, and short films.
Designed to celebrate Indigenous projects from around the world, this year’s festival will screen works from Canada, New Zealand, US, Chile, Greenland, Peru, Russia, Finland, Norway, Solomon Islands and Australia.
The inaugural Birrarangga Film Festival took place two years ago in Melbourne after being developed through the creative partnership of Wurundjeri/Yorta Yorta creative Tony Briggs (The Sapphires) and producer Damienne Pradier of Typecast Entertainment.
For Briggs, who is the festival’s artistic director, the second iteration of the event takes place against a markedly different backdrop than its predecessor.
“So much in the world has changed since our inaugural Birrarangga Film Festival two years ago, including the rise of the Black Lives Matter movement, #MeToo and the ongoing global pandemic,” he says.
“We hope the recurring...
Designed to celebrate Indigenous projects from around the world, this year’s festival will screen works from Canada, New Zealand, US, Chile, Greenland, Peru, Russia, Finland, Norway, Solomon Islands and Australia.
The inaugural Birrarangga Film Festival took place two years ago in Melbourne after being developed through the creative partnership of Wurundjeri/Yorta Yorta creative Tony Briggs (The Sapphires) and producer Damienne Pradier of Typecast Entertainment.
For Briggs, who is the festival’s artistic director, the second iteration of the event takes place against a markedly different backdrop than its predecessor.
“So much in the world has changed since our inaugural Birrarangga Film Festival two years ago, including the rise of the Black Lives Matter movement, #MeToo and the ongoing global pandemic,” he says.
“We hope the recurring...
- 2/16/2021
- by Sean Slatter
- IF.com.au
ABC Commercial has inked a pre-sale of Wayne Blair and Nel Minchin’s documentary Firestarter: The Story of Bangarra to Swedish public broadcaster Svt, for the SVT2 and Svt Play platforms.
Produced by Ivan O’Mahoney for In Films, Firestarter takes audiences through the history of Sydney’s Bangarra Dance Theatre, telling the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse. But as the story reveals, the company’s international success came at a huge personal cost.
ABC Commercial head of content sales and distribution Jessica Ellis said: “We are incredibly proud to be partnering with Svt on this exceptional documentary. The interest surrounding the program prior to its distribution launch at Avant Première has been phenomenal. Audiences from film festival screenings have embraced and celebrated this stunning addition to ABC Commercial’s Arts slate”.
Here in Australia,...
Produced by Ivan O’Mahoney for In Films, Firestarter takes audiences through the history of Sydney’s Bangarra Dance Theatre, telling the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse. But as the story reveals, the company’s international success came at a huge personal cost.
ABC Commercial head of content sales and distribution Jessica Ellis said: “We are incredibly proud to be partnering with Svt on this exceptional documentary. The interest surrounding the program prior to its distribution launch at Avant Première has been phenomenal. Audiences from film festival screenings have embraced and celebrated this stunning addition to ABC Commercial’s Arts slate”.
Here in Australia,...
- 2/11/2021
- by Jackie Keast
- IF.com.au
Pursekey Productions director and principal producer Michaela Perske is the Australian International Documentary Conference (Aidc) Stanley Hawes Award recipient for 2021.
Perske’s recognition was announced today alongside the 20 nominees for the inaugural Aidc awards.
Designed to recognise the “outstanding completed works of new Australian documentary and factual content”, the awards will be presented in person across eight cities, as well as livestreamed to Aidc delegates.
Originally trained as a journalist, Perske has over 20 years of media experience across radio, print and TV.
Since turning her hand to factual content, she has produced films including Girls Can’t Surf, Black Divaz, After the Apology, and Destination Arnold.
In announcing the award, the Aidc said it wanted to acknowledge “her outstanding contribution to the Australian documentary and factual sector”.
Australian practitioners had the opportunity to submit across six categories for the Aidc Awards: Best Feature Documentary, with a $5,000 cash prize presented by Doc...
Perske’s recognition was announced today alongside the 20 nominees for the inaugural Aidc awards.
Designed to recognise the “outstanding completed works of new Australian documentary and factual content”, the awards will be presented in person across eight cities, as well as livestreamed to Aidc delegates.
Originally trained as a journalist, Perske has over 20 years of media experience across radio, print and TV.
Since turning her hand to factual content, she has produced films including Girls Can’t Surf, Black Divaz, After the Apology, and Destination Arnold.
In announcing the award, the Aidc said it wanted to acknowledge “her outstanding contribution to the Australian documentary and factual sector”.
Australian practitioners had the opportunity to submit across six categories for the Aidc Awards: Best Feature Documentary, with a $5,000 cash prize presented by Doc...
- 2/10/2021
- by Sean Slatter
- IF.com.au
In a remarkable result, four Australian films – The Dry, Penguin Bloom, High Ground and Occupation: Rainfall – took home almost 50 per cent of the national box office last weekend.
The four titles together totaled $3.5 million, or 47 per cent of the total B.O of $7.5 million.
Such a strong local showing speaks to a variety of factors: the paucity of product from the US, good word-of-mouth and strong marketing campaigns by distributors.
The four titles’ performance is also a hopeful sign for the other Aussie films due in coming weeks, including documentary Wild Things (Potential Films), released this Thursday; dramas Long Story Short (Studiocanal) and Unsound (Filmink Presents) due on February 11; and Wayne Blair and Nel Minchin’s doco Firestarter: The Story of Bangarra (Icon) on February 18.
“With few Hollywood/international productions entering the market over the coming weeks, I expect this to continue for some time,” Village Cinemas national film programming manager Geoff Chard tells If.
The four titles together totaled $3.5 million, or 47 per cent of the total B.O of $7.5 million.
Such a strong local showing speaks to a variety of factors: the paucity of product from the US, good word-of-mouth and strong marketing campaigns by distributors.
The four titles’ performance is also a hopeful sign for the other Aussie films due in coming weeks, including documentary Wild Things (Potential Films), released this Thursday; dramas Long Story Short (Studiocanal) and Unsound (Filmink Presents) due on February 11; and Wayne Blair and Nel Minchin’s doco Firestarter: The Story of Bangarra (Icon) on February 18.
“With few Hollywood/international productions entering the market over the coming weeks, I expect this to continue for some time,” Village Cinemas national film programming manager Geoff Chard tells If.
- 2/1/2021
- by Jackie Keast
- IF.com.au
It’s a rare feat for an Australian film to break through to the top of the box office, let alone for two local titles to lead the weekend’s rankings. But Penguin Bloom and The Dry have done just that.
Roadshow Films’ Penguin Bloom, directed by Glendyn Ivin and starring Naomi Watts, Andrew Lincoln and Jacki Weaver, opened on $1.5 million from 398 screens, or $1.7 million with previews, to come out on top.
Stablemate The Dry was close behind, netting $1.4 million over its fourth weekend to cross $12 million overall. Each film was produced by production company Made Up Stories, led by Bruna Papandrea, Steve Hutensky and Jodi Matterson.
For Roadshow Films CEO Joel Pearlman, both titles’ results are testament to audiences’ desire to support home-grown filmmaking. He argues “now is the time for Australia to champion its bold stories and beautiful locations with the world.”
“It’s remarkable that the two...
Roadshow Films’ Penguin Bloom, directed by Glendyn Ivin and starring Naomi Watts, Andrew Lincoln and Jacki Weaver, opened on $1.5 million from 398 screens, or $1.7 million with previews, to come out on top.
Stablemate The Dry was close behind, netting $1.4 million over its fourth weekend to cross $12 million overall. Each film was produced by production company Made Up Stories, led by Bruna Papandrea, Steve Hutensky and Jodi Matterson.
For Roadshow Films CEO Joel Pearlman, both titles’ results are testament to audiences’ desire to support home-grown filmmaking. He argues “now is the time for Australia to champion its bold stories and beautiful locations with the world.”
“It’s remarkable that the two...
- 1/25/2021
- by Jackie Keast
- IF.com.au
Wayne Blair and Nel Minchin’s Firestarter – The Story of Bangarra has followed up Monday’s Aacta Award for Best Documentary with yet another win, claiming the inaugural Change Award at the Adelaide Film Festival.
Offering a $5000 cash prize, the category is designed to recognise a film that celebrates social and environmental impact, while expressing a desire to live in new ways.
Firestarter – The Story of Bangarra tells the origin story of the renowned Bangarra Dance Company through the eyes of its artistic director Stephen Page and other members.
The film, which was directed by Nel Minchin and Wayne Blair, and produced by Ivan Mahoney, has already been announced as the winner of festival’s $10,000 Documentary Award.
Mahoney said the latest accolade went to the heart of “how we can all work together to shape a brighter future”.
“Bangarra have been at the forefront of reconciliation for three decades by...
Offering a $5000 cash prize, the category is designed to recognise a film that celebrates social and environmental impact, while expressing a desire to live in new ways.
Firestarter – The Story of Bangarra tells the origin story of the renowned Bangarra Dance Company through the eyes of its artistic director Stephen Page and other members.
The film, which was directed by Nel Minchin and Wayne Blair, and produced by Ivan Mahoney, has already been announced as the winner of festival’s $10,000 Documentary Award.
Mahoney said the latest accolade went to the heart of “how we can all work together to shape a brighter future”.
“Bangarra have been at the forefront of reconciliation for three decades by...
- 12/2/2020
- by Sean Slatter
- IF.com.au
‘Babyteeth’ is the feature debut of established theatre and TV director Shannon Murphy.
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
- 11/30/2020
- by Ben Dalton
- ScreenDaily
The Australian Academy of Cinema and Television Arts (Aacta) crowned the winners from its 2020 awards ceremony today, with Babyteeh and Stateless dominating the film and TV categories respectively.
Shannon Murphy’s tragi-comedy Babyteeth was the big winner on the film side, scooping Best Film, Best Direction, Screenplay (Rita Kalnejais), Actor (Toby Wallace), Actress (Eliza Scanlen), Supporting Actor (Ben Mendelsohn) and Supporting Actress (Essie Davis).
On the TV side, Stateless, the series starring and created by Cate Blanchett, won Best Mini Series, Lead Actor (Fayssal Bazzi), Lead Actress (Yvonne Strahovski), Supporting Actor (Darren Gilshenan), Supporting Actress (Blanchett), Screenplay (Elise McCredie), and Direction (Emma Freeman).
Further winners included Rebel Wilson, who took Best Presenter for Lol: Last One Laughing Australia, and Tim Minchin, who won Comedy Performer for Upright.
Elsewhere, Better Days took Best Asian Film, the Bryon Kennedy Award was presented to The Babadook filmmaker Jennifer Kent, and Steve Bedwell, Bryan Cockerill...
Shannon Murphy’s tragi-comedy Babyteeth was the big winner on the film side, scooping Best Film, Best Direction, Screenplay (Rita Kalnejais), Actor (Toby Wallace), Actress (Eliza Scanlen), Supporting Actor (Ben Mendelsohn) and Supporting Actress (Essie Davis).
On the TV side, Stateless, the series starring and created by Cate Blanchett, won Best Mini Series, Lead Actor (Fayssal Bazzi), Lead Actress (Yvonne Strahovski), Supporting Actor (Darren Gilshenan), Supporting Actress (Blanchett), Screenplay (Elise McCredie), and Direction (Emma Freeman).
Further winners included Rebel Wilson, who took Best Presenter for Lol: Last One Laughing Australia, and Tim Minchin, who won Comedy Performer for Upright.
Elsewhere, Better Days took Best Asian Film, the Bryon Kennedy Award was presented to The Babadook filmmaker Jennifer Kent, and Steve Bedwell, Bryan Cockerill...
- 11/30/2020
- by Tom Grater
- Deadline Film + TV
Bittersweet comedy Babyteeth has swept this year’s Aacta Awards, picking up seven prizes at Monday’s ceremony including Best Film and Best Direction for debut filmmaker Shannon Murphy.
The film’s stars Eliza Scanlen and Toby Wallace took home the best lead actress and actor gongs, Essie Davis and Ben Mendelsohn were decorated in the supporting acting categories, and scribe Rita Kalnejais, who adapted her 2012 Belvoir Street play, also won the best screenplay award.
The prizes add to the two Babyteeth already collected at the Friday industry awards, including Best Casting, presented to Kirsty McGregor and Stevie Ray, and Best Score, to composer Amanda Brown.
Babyteeth follows Milla (Scanlen), a seriously ill teenager who falls madly in love with smalltime drug dealer, Moses (Wallace). It’s her parents’ (Mendelsohn and Essie Davis) worst nightmare – but as Milla’s love brings her a new lust for life, things get messy...
The film’s stars Eliza Scanlen and Toby Wallace took home the best lead actress and actor gongs, Essie Davis and Ben Mendelsohn were decorated in the supporting acting categories, and scribe Rita Kalnejais, who adapted her 2012 Belvoir Street play, also won the best screenplay award.
The prizes add to the two Babyteeth already collected at the Friday industry awards, including Best Casting, presented to Kirsty McGregor and Stevie Ray, and Best Score, to composer Amanda Brown.
Babyteeth follows Milla (Scanlen), a seriously ill teenager who falls madly in love with smalltime drug dealer, Moses (Wallace). It’s her parents’ (Mendelsohn and Essie Davis) worst nightmare – but as Milla’s love brings her a new lust for life, things get messy...
- 11/30/2020
- by Jackie Keast
- IF.com.au
Firestarter, directed by Wayne Blair and Nel Minchin, marks Bangarra Dance Theatre’s 30th anniversary. Taking us through Bangarra’s birth and spectacular growth, the In Films documentary recognises Bangarra’s founders and tells the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse. Through the eyes of the brothers and company alumni, the Aacta nominated Firestarter explores the loss and reclaiming of culture, the burden of intergenerational trauma, and – crucially – the power of art as a messenger for social change and healing.
The post ‘Firestarter – The Story of Bangarra’ (Trailer) appeared first on If Magazine.
The post ‘Firestarter – The Story of Bangarra’ (Trailer) appeared first on If Magazine.
- 11/11/2020
- by The IF Team
- IF.com.au
For the first time ever, Sydney Film Festival will run a summer season during January’s Sydney Festival.
To be held at The State Theatre, the weekend event will open with Nel Minchin and Wayne Blair’s Firestarter – The Story of Bangarra, which depicts the story of the Indigenous dance company and brothers Stephen, Russell, and David Page. Recently nominated for the Aacta Award for Best Documentary, the film is produced by Ivan O’Mahoney for In Films.
Other local fare will include Stephen Johnson’s 1930s-set drama High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, and Christopher Nelius’ doco Girls Can’t Surf, which follows a band of women surfers who revolutionised the male-dominated sport in the 1980s.
From overseas, audiences will be treated to Sundance Grand Jury Prize and Audience Award winner Minari, from director Lee Issac Chung, and Thomas VInterberg’s alcohol-soaked dramedy Another Round.
To be held at The State Theatre, the weekend event will open with Nel Minchin and Wayne Blair’s Firestarter – The Story of Bangarra, which depicts the story of the Indigenous dance company and brothers Stephen, Russell, and David Page. Recently nominated for the Aacta Award for Best Documentary, the film is produced by Ivan O’Mahoney for In Films.
Other local fare will include Stephen Johnson’s 1930s-set drama High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, and Christopher Nelius’ doco Girls Can’t Surf, which follows a band of women surfers who revolutionised the male-dominated sport in the 1980s.
From overseas, audiences will be treated to Sundance Grand Jury Prize and Audience Award winner Minari, from director Lee Issac Chung, and Thomas VInterberg’s alcohol-soaked dramedy Another Round.
- 11/11/2020
- by Jackie Keast
- IF.com.au
Wayne Blair and Nel Minchin’s Firestarter – The Story of Bangarra has won Adelaide Film Festival’s documentary competition, pocketing a $10,000 cash prize.
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
- 10/20/2020
- by Staff Writer
- IF.com.au
‘When Pomegranates Howl’.
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
- 9/9/2020
- by jkeast
- IF.com.au
‘High Ground’.
Adelaide Film Festival announced its first five titles today, as it pushes forward with a physical event in October as originally planned.
Among the early local fare is Stephen Johnson’s 1930s drama High Ground, which premiered earlier this year in Berlin, and documentaries Firestarter – The Story of Bangarra, from Nel Minchin and Wayne Blair, and Phil Liggett: The Voice of Cycling, from Nickolas Bird and Eleanor Sharpe.
The biennial festival has also snared the Australian premiere of Thomas Vinterberg’s comedy Another Round, direct from Toronto. Starring Mads Mikkelsen, the film was selected to screen in Cannes and follows four friends, all high school teachers, who test a theory that they will improve their lives by maintaining a constant level of alcohol in their blood.
Also on the line-up is Benjamin Lee’s The Painter and the Thief, this year’s winner of the Sundance Film Festival...
Adelaide Film Festival announced its first five titles today, as it pushes forward with a physical event in October as originally planned.
Among the early local fare is Stephen Johnson’s 1930s drama High Ground, which premiered earlier this year in Berlin, and documentaries Firestarter – The Story of Bangarra, from Nel Minchin and Wayne Blair, and Phil Liggett: The Voice of Cycling, from Nickolas Bird and Eleanor Sharpe.
The biennial festival has also snared the Australian premiere of Thomas Vinterberg’s comedy Another Round, direct from Toronto. Starring Mads Mikkelsen, the film was selected to screen in Cannes and follows four friends, all high school teachers, who test a theory that they will improve their lives by maintaining a constant level of alcohol in their blood.
Also on the line-up is Benjamin Lee’s The Painter and the Thief, this year’s winner of the Sundance Film Festival...
- 8/17/2020
- by jkeast
- IF.com.au
James Cromwell and Jacki Weaver in ‘Never Too Late’. (Photo credit: Bradley Patrick).
Screen Australia’s head of content Sally Caplan rates 2019 as a good year for Australian films at home and abroad – and she is even more optimistic about the 2020 slate.
Having seen a sizable number of the upcoming Aussie releases in completed form, rough cut or in post, arguably she is uniquely placed to provide an overview.
“There is a lot of doom and gloom about films not working but they can work,” the six-year agency veteran tells If. Here are her comments on a selection of the year’s releases, in no particular order.
Robert Connolly’s The Dry, which stars Eric Bana as a cop who returns to his drought-stricken hometown after 20 years to investigate an apparent murder-suicide committed by his childhood friend: “I’ve seen the locked cut and it’s looking great, based on...
Screen Australia’s head of content Sally Caplan rates 2019 as a good year for Australian films at home and abroad – and she is even more optimistic about the 2020 slate.
Having seen a sizable number of the upcoming Aussie releases in completed form, rough cut or in post, arguably she is uniquely placed to provide an overview.
“There is a lot of doom and gloom about films not working but they can work,” the six-year agency veteran tells If. Here are her comments on a selection of the year’s releases, in no particular order.
Robert Connolly’s The Dry, which stars Eric Bana as a cop who returns to his drought-stricken hometown after 20 years to investigate an apparent murder-suicide committed by his childhood friend: “I’ve seen the locked cut and it’s looking great, based on...
- 1/29/2020
- by The IF Team
- IF.com.au
(L-r) Catherine Armstrong, Josh Pomeranz and Dave Hollingsworth (Photo credit: Daniel Asher Smith).
Strengthening its management team Spectrum Films has promoted Catherine Armstrong to general manager, Sydney, and hired Dave Hollingsworth as executive director.
Both moves have been triggered by the resignation of general manager Adam Scott, who departs next month to take up an international position yet to be announced.
Armstrong’s promotion rewards her efforts over the past three years as head of post production. Hollingsworth, who starts on Monday, will oversee the technical operation and workflow as well as focusing on the company’s strategic growth in Australia and internationally.
Both report to managing director Josh Pomeranz, who tells If: “Catherine has made an outstanding contribution to the company and this promotion is a natural progression for her.
“Dave’s experience internationally with post and VFX divisions in Vancouver and Los Angeles, Warner Brothers Studios post facility...
Strengthening its management team Spectrum Films has promoted Catherine Armstrong to general manager, Sydney, and hired Dave Hollingsworth as executive director.
Both moves have been triggered by the resignation of general manager Adam Scott, who departs next month to take up an international position yet to be announced.
Armstrong’s promotion rewards her efforts over the past three years as head of post production. Hollingsworth, who starts on Monday, will oversee the technical operation and workflow as well as focusing on the company’s strategic growth in Australia and internationally.
Both report to managing director Josh Pomeranz, who tells If: “Catherine has made an outstanding contribution to the company and this promotion is a natural progression for her.
“Dave’s experience internationally with post and VFX divisions in Vancouver and Los Angeles, Warner Brothers Studios post facility...
- 4/5/2019
- by The IF Team
- IF.com.au
‘Firestarter – The Story of Bangarra’.
The ABC has added feature documentaries The Australian Dream, Firestarter – The Story of Bangarra and natural history and science series Australia Remastered to its slate.
An official Australian-uk co-production between Good Thing Productions and Passion Pictures, The Australian Dream, written by Stan Grant and directed by Dan Gordon, chronicles the national conversation that took place after former Sydney Swans captain Adam Goodes was racially vilified during an Afl match.
Producer Nick Batzias said: “Good Thing are thrilled to be working with Passion Pictures UK producing The Australian Dream. In collaborating with Adam Goodes, director Dan Gordon, writer Stan Grant and a host of contributors, we have the best opportunity to not only tell Adam’s story accurately, but to generate important conversations about Australia’s past, present and future in the context of an international feature documentary.”
The film has received principal production investment from...
The ABC has added feature documentaries The Australian Dream, Firestarter – The Story of Bangarra and natural history and science series Australia Remastered to its slate.
An official Australian-uk co-production between Good Thing Productions and Passion Pictures, The Australian Dream, written by Stan Grant and directed by Dan Gordon, chronicles the national conversation that took place after former Sydney Swans captain Adam Goodes was racially vilified during an Afl match.
Producer Nick Batzias said: “Good Thing are thrilled to be working with Passion Pictures UK producing The Australian Dream. In collaborating with Adam Goodes, director Dan Gordon, writer Stan Grant and a host of contributors, we have the best opportunity to not only tell Adam’s story accurately, but to generate important conversations about Australia’s past, present and future in the context of an international feature documentary.”
The film has received principal production investment from...
- 3/4/2019
- by jkeast
- IF.com.au
Nel Minchin, who was placed via Enterprise at In Films in 2015-16, and who has gone on to make documentaries such as ‘Making Muriel and ‘Matilda & Me’.
Following on from a review last year, applications are now open for Screen Australia’s sector and talent development program, Enterprise.
Now to be run through the agency’s development unit, there are two funding pathways available:
Enterprise Business & Ideas: allows an Australian entity (e.g. company) to apply for funding to develop and deliver an innovative screen business proposal, hire a company placement and/or access business-building services. Enterprise People: allows both emerging and experienced creatives to apply for funding for a domestic or international career placement, and/or other professional development opportunities.
Enterprise last took submissions in late 2017 (recipients here). The significant program changes since the subsequent review in 2018 include:
Applications will now be open all year, subject to budget availability.
Following on from a review last year, applications are now open for Screen Australia’s sector and talent development program, Enterprise.
Now to be run through the agency’s development unit, there are two funding pathways available:
Enterprise Business & Ideas: allows an Australian entity (e.g. company) to apply for funding to develop and deliver an innovative screen business proposal, hire a company placement and/or access business-building services. Enterprise People: allows both emerging and experienced creatives to apply for funding for a domestic or international career placement, and/or other professional development opportunities.
Enterprise last took submissions in late 2017 (recipients here). The significant program changes since the subsequent review in 2018 include:
Applications will now be open all year, subject to budget availability.
- 2/13/2019
- by jkeast
- IF.com.au
‘Firestarter – The Story of Bangarra’.
A three-parter exploring the forces behind and the cover-up of child abuse inside the Catholic Church; a feature doco co-written and co-directed by Nel Minchin and Wayne Blair that looks at the work of Indigenous performing arts company Bangarra; and two projects from Mint Pictures for Sbs are among the 14 most recent docos to have received production funding from Screen Australia.
The federal agency has invested $1.3 million via its Producer program and $1.4 million via the Commissioned program.
“Documentary continuously works as a platform to amplify marginalised voices and ideas, and there are a variety of stories in this slate from multicultural, transgender and Indigenous perspectives that will enrich and enlighten viewers,” said head of content Sally Caplan.
“The documentary art form allows us to unravel and explore complex and often challenging topics, and these projects take on some difficult and topical subject matter including death,...
A three-parter exploring the forces behind and the cover-up of child abuse inside the Catholic Church; a feature doco co-written and co-directed by Nel Minchin and Wayne Blair that looks at the work of Indigenous performing arts company Bangarra; and two projects from Mint Pictures for Sbs are among the 14 most recent docos to have received production funding from Screen Australia.
The federal agency has invested $1.3 million via its Producer program and $1.4 million via the Commissioned program.
“Documentary continuously works as a platform to amplify marginalised voices and ideas, and there are a variety of stories in this slate from multicultural, transgender and Indigenous perspectives that will enrich and enlighten viewers,” said head of content Sally Caplan.
“The documentary art form allows us to unravel and explore complex and often challenging topics, and these projects take on some difficult and topical subject matter including death,...
- 10/22/2018
- by jkeast
- IF.com.au
The ABC and Screen Australia will fund documentary Making Muriel, following P.J. Hogan as he adapts his 1994 film Muriel.s Wedding into a musical produced by the Sydney Theatre Company and Global Creatures (Strictly Ballroom The Musical).
Directed by Nel Minchin (Matilda and Me), produced by Minchin and Ivan O.Mahoney (Hitting Home, Caged), and executive produced by Nial Fulton (Hitting Home, Matilda and Me) from In Films, Making Muriel will take viewers all the way to the musical's world premiere at Sydney's Roslyn Packer Theatre in November 2017.
The rehearsal process will be weaved together with archival footage and interviews with Hogan, the film.s producers Jocelyn Moorhouse (The Dressmaker) and Lynda House, as well as the musical's cast.
.We are following up Nel Minchin.s wonderful documentary debut, Matilda and Me, with another musical theatre documentary about the making of a musical based on the hit film, Muriel.s Wedding,...
Directed by Nel Minchin (Matilda and Me), produced by Minchin and Ivan O.Mahoney (Hitting Home, Caged), and executive produced by Nial Fulton (Hitting Home, Matilda and Me) from In Films, Making Muriel will take viewers all the way to the musical's world premiere at Sydney's Roslyn Packer Theatre in November 2017.
The rehearsal process will be weaved together with archival footage and interviews with Hogan, the film.s producers Jocelyn Moorhouse (The Dressmaker) and Lynda House, as well as the musical's cast.
.We are following up Nel Minchin.s wonderful documentary debut, Matilda and Me, with another musical theatre documentary about the making of a musical based on the hit film, Muriel.s Wedding,...
- 5/8/2017
- by Harry Windsor
- IF.com.au
David Gulpilil in 'Another Country'..
Molly Reynolds' feature documentary Another Country, starring David Gulpilil, has collected three gongs at the Atom Awards, held in Melbourne last night.
The Vertigo Productions film, which screened at the Cannes Film Festival earlier this year, picked up Best Documentary — General; Best Documentary — Social & Political Issues and Best Documentary — History.
Keryn Nossal.s Yiramalay, about the Aboriginal people of the Fitzroy Valley Community in the Kimberley, was named Best Documentary — Short Form.
Best Factual Television Series went to the.two-parter Becoming Superhuman, which aired on ABC's Catalyst earlier this year..
Nel Minchin and Rhian Skirving.s Matilda and Me, chronicling Tim Minchin.s journey to compose a musical based Roald Dahl.s 'Matilda' for the Royal Shakespeare Company, has won Best Documentary — Biography and Best Documentary — Arts.
Sensible Film.s Sperm Donors Anonymous won Best Documentary — Science, Technology & The Environment.
Molly Reynolds' feature documentary Another Country, starring David Gulpilil, has collected three gongs at the Atom Awards, held in Melbourne last night.
The Vertigo Productions film, which screened at the Cannes Film Festival earlier this year, picked up Best Documentary — General; Best Documentary — Social & Political Issues and Best Documentary — History.
Keryn Nossal.s Yiramalay, about the Aboriginal people of the Fitzroy Valley Community in the Kimberley, was named Best Documentary — Short Form.
Best Factual Television Series went to the.two-parter Becoming Superhuman, which aired on ABC's Catalyst earlier this year..
Nel Minchin and Rhian Skirving.s Matilda and Me, chronicling Tim Minchin.s journey to compose a musical based Roald Dahl.s 'Matilda' for the Royal Shakespeare Company, has won Best Documentary — Biography and Best Documentary — Arts.
Sensible Film.s Sperm Donors Anonymous won Best Documentary — Science, Technology & The Environment.
- 11/25/2016
- by Jackie Keast
- IF.com.au
Vr project Buried.
Screen Australia has announced its latest funding round, with $3 million in production and development funding split between two Indigenous TV projects, eight multiplatform projects, eight feature films, and two individuals and two companies.
The two Indigenous television projects to have received production investment are:
–... ABC TV.s previously announced Indigenous comedy drama series The Warriors. From Robert Connolly's Arenamedia, the show is set in the competitive world of Australian Rules Football, and has major production investment from Screen Australia and funding support from Film Victoria;
–... Nitv documentary Carry The Flag,.which delves into the story behind the Torres Strait Island flag designed by Bernard Namok, from Tamarind Tree Pictures with Screen Queensland and Screen Territory support.
The eight multiplatform projects to have received production investment are:
–... Vr project The Buried, a 3D experience that plunges the viewer into a magical Dreamtime world, from Indigenous writer/director Tyson Mowarin,...
Screen Australia has announced its latest funding round, with $3 million in production and development funding split between two Indigenous TV projects, eight multiplatform projects, eight feature films, and two individuals and two companies.
The two Indigenous television projects to have received production investment are:
–... ABC TV.s previously announced Indigenous comedy drama series The Warriors. From Robert Connolly's Arenamedia, the show is set in the competitive world of Australian Rules Football, and has major production investment from Screen Australia and funding support from Film Victoria;
–... Nitv documentary Carry The Flag,.which delves into the story behind the Torres Strait Island flag designed by Bernard Namok, from Tamarind Tree Pictures with Screen Queensland and Screen Territory support.
The eight multiplatform projects to have received production investment are:
–... Vr project The Buried, a 3D experience that plunges the viewer into a magical Dreamtime world, from Indigenous writer/director Tyson Mowarin,...
- 10/19/2016
- by Staff Writer
- IF.com.au
Matt Okine.
Streaming service Stan has announced that it has four new original series in development, following on from success with its other local productions, No Activity and Wolf Creek.
Merchants of Misery, created by Trent O.Donnell (No Activity) and journo Bryce Corbett, is a satirical drama set in the world of celebrity agents and gossip magazines.
O.Donnell will also direct, and Chloe Rickard for Jungle will produce.. Development is being financed with assistance of Screen Nsw.
Triple J breakfast co-host and comedian Matt Okine is the brains behind The Other Guy, a semi-autobiographical comedy which he will also star in.
The series has been written by Okine, Becky Lucas and Greg Waters, and will be produced by Angie Fielder, Polly Staniford and Cecilia Ritchie for Aquarius Films. eOne.s Jude Troy is the executive producer, and Screen Nsw have provided development financing. .
All Thumbs, created by and starring Damon Herriman,...
Streaming service Stan has announced that it has four new original series in development, following on from success with its other local productions, No Activity and Wolf Creek.
Merchants of Misery, created by Trent O.Donnell (No Activity) and journo Bryce Corbett, is a satirical drama set in the world of celebrity agents and gossip magazines.
O.Donnell will also direct, and Chloe Rickard for Jungle will produce.. Development is being financed with assistance of Screen Nsw.
Triple J breakfast co-host and comedian Matt Okine is the brains behind The Other Guy, a semi-autobiographical comedy which he will also star in.
The series has been written by Okine, Becky Lucas and Greg Waters, and will be produced by Angie Fielder, Polly Staniford and Cecilia Ritchie for Aquarius Films. eOne.s Jude Troy is the executive producer, and Screen Nsw have provided development financing. .
All Thumbs, created by and starring Damon Herriman,...
- 9/9/2016
- by Staff Writer
- IF.com.au
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