Set partly in Ivory Coast’s “Mad Max”-like MacA correctional facility and partly in the imagination of its newest inmate, “Night of the Kings” feels radically different from most films set behind bars, and not just because of its one-of-a-kind location. Naturally, the wild plots and power games one typically associates with the genre still feature, but “Night” stands apart — if not necessarily above — as director Philipe Lacôte zeroes in on an unusual tradition within those walls: that of the “Roman.”
A variation on the West African griot (a kind of troubadour storyteller or bard), the Roman is tasked with spinning amusing tales for his fellow prisoners — an honorific role to which “Night” attaches heightened life-and-death stakes: In Lacôte’s version, the Roman will be killed when his story concludes. And so, like some kind of modern-day Scheherazade, this unwitting protagonist (first-timer Koné Bakary) puts everything he can into entertaining the “captive audience,...
A variation on the West African griot (a kind of troubadour storyteller or bard), the Roman is tasked with spinning amusing tales for his fellow prisoners — an honorific role to which “Night” attaches heightened life-and-death stakes: In Lacôte’s version, the Roman will be killed when his story concludes. And so, like some kind of modern-day Scheherazade, this unwitting protagonist (first-timer Koné Bakary) puts everything he can into entertaining the “captive audience,...
- 9/24/2020
- by Peter Debruge
- Variety Film + TV
Male hierarchies inside prison walls are well-trod ground, from “Brute Force” and “Birdman of Alcatraz,” to “Papillon,” “Midnight Express,” and “The Shawshank Redemption.” But rarely is an entry as visually rapturous as West African filmmaker Philippe Lacôte’s “Night of the Kings,” which takes place inside the bowels of the infamous La MacA prison in Abidjan, a city on the south side of the Ivory Coast. While the film, both written and directed by Lacôte, is grounded in oral traditions that may seem exotic to certain viewers, the movie is really about the universal power of storytelling regardless of tongue — and how it can be used as a way to survive. Though hampered by some shaky third-act visual effects, “Night of the Kings” is through and through .
When a young man is introduced into La MacA, he’s thrust into a dangerous and complicated world where the existentially and otherwise...
When a young man is introduced into La MacA, he’s thrust into a dangerous and complicated world where the existentially and otherwise...
- 9/11/2020
- by Ryan Lattanzio
- Indiewire
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