Slate includes Nicolás Herzog’s Elda and the Monsters and Radu Potcoavă Good Guys Go to Heaven.
Italian sales agent The Open Reel is bringing a slate of new films to Cannes market, including Damien Manivel’s The Island.
The Island centres on a group of friends and the events that take place in the last party of the summer. It is produced by Mld Films and stars Damoh Ikhetah and Olga Milshtein.
Manivel’s most recent film Magdala world premiered in Cannes’ Acid section last year. Isadora’s Children (2019) won him the best director prize at Locarno.
The Open...
Italian sales agent The Open Reel is bringing a slate of new films to Cannes market, including Damien Manivel’s The Island.
The Island centres on a group of friends and the events that take place in the last party of the summer. It is produced by Mld Films and stars Damoh Ikhetah and Olga Milshtein.
Manivel’s most recent film Magdala world premiered in Cannes’ Acid section last year. Isadora’s Children (2019) won him the best director prize at Locarno.
The Open...
- 5/15/2023
- by Alina Trabattoni
- ScreenDaily
With its black-and-white cinematography and casting of his son as the lead, Philippe Garrel’s “Jealousy” (“La Jealousie”) feels remarkably personal and intimate. But that’s as it should be, given that Philippe Garrel based the script on his own father’s relationships. Louis Garrel stars as Louis, a man who leaves his wife (Rebecca Covenant) and young daughter Charlotte (Olga Milshtein) in the film’s first few minutes. He moves in with girlfriend Claudia (Anna Mouglalis) to a small apartment, where unhappiness soon begins to brew. He and Claudia are each tempted by others outside their relationship, while his ex-wife Clothilde grows more jealous of Claudia, not only for her relationship with her ex, but also with her own daughter. Charlotte is one of the film’s few empathetic characters, reminding us a little of the French, contemporary equivalent of the fantastic Quinn Cummings in “The Goodbye Girl” in her precociousness and self possession.
- 8/22/2014
- by Kimber Myers
- The Playlist
Jealousy (La Jalousie) Distrib Films Reviewed for Shockya by Harvey Karten. Data-based on Rotten Tomatoes Grade: B Director: Philippe Garrel Screenplay: Philippe Garrel, Caroline Deruas, Arlette Langmann, Marc Cholodenko Cast: Louis Garrel, Anna Mouglalis, Rebecca Convenant, Olga Milshtein, Esther Garrel, Manon Kneuse, Julien Lucas Screened at: Review 1, NYC, 8/11/14 Opens: August 15, 2014 In the Broadway musical “My Fair Lady,” Henry Higgins notes, “The French don’t care what they do, actually, so long as they pronounce it properly.” We do, in fact, have the impression that what’s taken with some seriousness here in the States is treated more casually across the Atlantic. Bar pickups, for example. We may think [ Read More ]
The post Jealousy Movie Review appeared first on Shockya.com.
The post Jealousy Movie Review appeared first on Shockya.com.
- 8/17/2014
- by Harvey Karten
- ShockYa
Jealousy’s first view is from a keyhole. Daughter Charlotte (Olga Milshtein) peeps through, watching mother Clothilde (Rebecca Covenant) weep and beg actor husband Louis (played by Philippe Garrel’s son of the same name) not to leave. The film doesn’t primarily concern her feelings, nor necessarily Charlotte’s reaction to the split, though both are foregrounded in passing; as in i.e. recently Boyhood, a primary focus does not preclude space for alternate POVs. The main trajectory is Louis’ short, tumultuous relationship with his new partner Claudia (Anna Mouglalis), someone not nearly as in love with shabby-comfortable apartment life; the movie’s narrative is […]...
- 8/15/2014
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Jealousy’s first view is from a keyhole. Daughter Charlotte (Olga Milshtein) peeps through, watching mother Clothilde (Rebecca Covenant) weep and beg actor husband Louis (played by Philippe Garrel’s son of the same name) not to leave. The film doesn’t primarily concern her feelings, nor necessarily Charlotte’s reaction to the split, though both are foregrounded in passing; as in i.e. recently Boyhood, a primary focus does not preclude space for alternate POVs. The main trajectory is Louis’ short, tumultuous relationship with his new partner Claudia (Anna Mouglalis), someone not nearly as in love with shabby-comfortable apartment life; the movie’s narrative is […]...
- 8/15/2014
- by Vadim Rizov
- Filmmaker Magazine - Blog
In this weekend’s specialty box-office debuts, IFC Films hopes to replicate the critical and commercial success of Michael Winterbottom’s first amusing little travelogue/talker of a feature, The Trip, with a semi-sequel, The Trip To Italy. The second Trip again stars Steve Coogan and Rob Brydon; the entertainingly garrulous pair on yet another jaunt across restaurants, countryside and philosophy. The latest Trip will bow in NYC and La this weekend after a successful Australian run earlier this summer (or their winter).
Frank, a British-Irish-American drama from Magnolia Pictures featuring Michael Fassbender that had runs at Sundance and SXSW, bows in only one U.S. theater this weekend. Frank centers on an eccentric band, giving Fassy fans a chance to hear the Oscar-nominated actor sing, albeit from behind a mask (he’s not bad, actually).
Other notable new films include Philippe Garrel‘s Jealousy, which Distrib Films will expand...
Frank, a British-Irish-American drama from Magnolia Pictures featuring Michael Fassbender that had runs at Sundance and SXSW, bows in only one U.S. theater this weekend. Frank centers on an eccentric band, giving Fassy fans a chance to hear the Oscar-nominated actor sing, albeit from behind a mask (he’s not bad, actually).
Other notable new films include Philippe Garrel‘s Jealousy, which Distrib Films will expand...
- 8/15/2014
- by Brian Brooks
- Deadline
Cold Day in the Park: Garrel’s Green Monster in Black and White
Director Philippe Garrel returns to his prized black and white format for a somewhat cohesive narrative exploring the titular emotion, Jealousy. Reuniting with son Louis Garrel, the film is informed by several familial experiences, whereby the young Garrel is actually reenacting moments from his own grandfather’s life. As meta as this promises to be, as is customary with Garrel, a focus on sharply observed and seemingly banal incidents are threaded together to somewhat clinical, disconnected effect, as if to experimentally dismantle the passionate fury fueling familial and romantic relationships. The end result is a mixed bag of visually articulate highpoints amidst of sea of stagnant moments.
A teary woman, Clothilde (Rebecca Covenant), begs her spouse Louis, (Louis Garrel) not to leave as their daughter Charlotte (Olga Milshtein) watches through a key hole. It’s the end of their relationship,...
Director Philippe Garrel returns to his prized black and white format for a somewhat cohesive narrative exploring the titular emotion, Jealousy. Reuniting with son Louis Garrel, the film is informed by several familial experiences, whereby the young Garrel is actually reenacting moments from his own grandfather’s life. As meta as this promises to be, as is customary with Garrel, a focus on sharply observed and seemingly banal incidents are threaded together to somewhat clinical, disconnected effect, as if to experimentally dismantle the passionate fury fueling familial and romantic relationships. The end result is a mixed bag of visually articulate highpoints amidst of sea of stagnant moments.
A teary woman, Clothilde (Rebecca Covenant), begs her spouse Louis, (Louis Garrel) not to leave as their daughter Charlotte (Olga Milshtein) watches through a key hole. It’s the end of their relationship,...
- 8/14/2014
- by Nicholas Bell
- IONCINEMA.com
Vital and vigorous even when its characters feel scraped of vigor/vitality, Philippe Garrel's latest finds boho Parisians facing the ends of marriages, affairs, and the feasibility of bohemian existence itself. "I can handle being broke but not being poor," sighs unemployed actress Claudia (Anna Mouglalis) not all that long after Louis (Louis Garrel, the director's son) leaves his family to shack up with her in a hovel that seems charming when love is fresh but grim when it's staling.
There's terrific power in scenes of the lovers — and occasionally Louis's daughter Charlotte (Olga Milshtein) from the busted marriage — reveling in their romantic newness. Both generations of Garrel also offer extraordinary work in the breakup that opens the film: Louis's wife, Clothi...
There's terrific power in scenes of the lovers — and occasionally Louis's daughter Charlotte (Olga Milshtein) from the busted marriage — reveling in their romantic newness. Both generations of Garrel also offer extraordinary work in the breakup that opens the film: Louis's wife, Clothi...
- 8/13/2014
- Village Voice
Distrib Films announced that it has picked up the U.S. rights to Philippe Garrel’s black and white, meta-like dramedy. A true family affair, Jealousy sees the Garrel clan in full force; Louis toplines again and a supporting perf from sis Esther Garrel (Bertrand Bonello’s House of Tolerance) in a text that is close to Philippe’s own personal family history. A summer theatrical release is planned.
Gist: Written by Philippe Garrel, Caroline Deruas, Marc Cholodenko and Arlette Langmann, Louis (Louis Garrel) leaves his wife Clothilde (Rebecca Convenant) and daughter Charlotte (Olga Milshtein) for a theater actress Claudia (Anna Mouglalis). Though she can’t get any work and they struggle to make money, their passion carries them through. However, it’s not long before the outside world creeps back in.
Worth Noting: This received film fest showings at the Venice and New York Film Festival.
Do We Care?...
Gist: Written by Philippe Garrel, Caroline Deruas, Marc Cholodenko and Arlette Langmann, Louis (Louis Garrel) leaves his wife Clothilde (Rebecca Convenant) and daughter Charlotte (Olga Milshtein) for a theater actress Claudia (Anna Mouglalis). Though she can’t get any work and they struggle to make money, their passion carries them through. However, it’s not long before the outside world creeps back in.
Worth Noting: This received film fest showings at the Venice and New York Film Festival.
Do We Care?...
- 4/8/2014
- by Eric Lavallee
- IONCINEMA.com
Distrib Films has acquired all Us rights to Philippe Garrel’s Jealousy, which premiered at Venice 2013 and stars Louis Garrel, Anna Mouglalis, Rebecca Conevant, Olga Milshtein and Esther Garrel.
Philippe Garrel wrote the screenplay with Caroline Deruas, Marc Cholodenko and Arlette Langmann. The producer is Saïd Ben Saïd of Sbs Productions.
Distrib, a Paris-based company that specialises in releasing French films in the Us, acquired rights from Wild Bunch to the story of a man who leaves his family for an actress. Distrib plans a summer theatrical release.
“Philippe Garrel is one of the world’s great filmmakers,” said Distrib president Françoise Scippa-Kohn. “Jealousy is not only one of his most beautiful films but also his most accessible. We hope we can make this his most successful film in America ever.”...
Philippe Garrel wrote the screenplay with Caroline Deruas, Marc Cholodenko and Arlette Langmann. The producer is Saïd Ben Saïd of Sbs Productions.
Distrib, a Paris-based company that specialises in releasing French films in the Us, acquired rights from Wild Bunch to the story of a man who leaves his family for an actress. Distrib plans a summer theatrical release.
“Philippe Garrel is one of the world’s great filmmakers,” said Distrib president Françoise Scippa-Kohn. “Jealousy is not only one of his most beautiful films but also his most accessible. We hope we can make this his most successful film in America ever.”...
- 4/7/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Film Society of Lincoln Center have unveiled their incredible lineup for the forthcoming "Art of the Real" series, which includes work from Corneliu Porumboiu, Robert Greene, Thom Andersen, James Benning, and more:
"The thin and often blurry line between fact and fiction will be prodded in the Film Society of Lincoln Center’s revamped Art of the Real, a two-week series (April 11-26) dedicated to an expansive definition of nonfiction filmmaking."
For The New York Times, Dave Kehr remembers Alain Resnais:
"Mr. Resnais had a full head of white hair that the French newspaper Le Monde said he had sported for so long that one could forget he was ever young. He exhibited a youthful energy well into his 80s and was working on drafts of his next project from his hospital bed when he died, the producer Jean-Louis Livi said.
Despite the serious nature of his films,...
"The thin and often blurry line between fact and fiction will be prodded in the Film Society of Lincoln Center’s revamped Art of the Real, a two-week series (April 11-26) dedicated to an expansive definition of nonfiction filmmaking."
For The New York Times, Dave Kehr remembers Alain Resnais:
"Mr. Resnais had a full head of white hair that the French newspaper Le Monde said he had sported for so long that one could forget he was ever young. He exhibited a youthful energy well into his 80s and was working on drafts of his next project from his hospital bed when he died, the producer Jean-Louis Livi said.
Despite the serious nature of his films,...
- 3/5/2014
- by Adam Cook
- MUBI
La Jalousie
Written by Marc Cholodenko and Caroline Deuras-Garrel
Directed by Philippe Garrel
France, 2013
Note. This review contains spoilers.
Jealousy is a strange thing. It can make people crazy. It can make people do things they never thought possible. Philippe Garrel’s new film La jalousie engages with the idea that we all have our own limits when it comes to love. The film follows Louis, played by the director’s own son, Louis Garrel, a stage actor in his early thirties who has recently left his wife and young daughter to live with another woman. Set in present-day Paris, the story examines the trials and tribulations of what the heart wants and how it breaks, over and over again.
The idea behind La jalousie came from Garrel’s childhood recollections of his father’s romantic relationships. Shot in striking black and white, the film truly does feel like an intimate matter,...
Written by Marc Cholodenko and Caroline Deuras-Garrel
Directed by Philippe Garrel
France, 2013
Note. This review contains spoilers.
Jealousy is a strange thing. It can make people crazy. It can make people do things they never thought possible. Philippe Garrel’s new film La jalousie engages with the idea that we all have our own limits when it comes to love. The film follows Louis, played by the director’s own son, Louis Garrel, a stage actor in his early thirties who has recently left his wife and young daughter to live with another woman. Set in present-day Paris, the story examines the trials and tribulations of what the heart wants and how it breaks, over and over again.
The idea behind La jalousie came from Garrel’s childhood recollections of his father’s romantic relationships. Shot in striking black and white, the film truly does feel like an intimate matter,...
- 10/24/2013
- by Trish Ferris
- SoundOnSight
★★★☆☆ Following the dreadful A Burning Hot Summer which showed in competition in 2011, Philippe Garrel returns to the Lido with Jealousy (La Jalousie, 2013), a modest relationship drama of love and betrayal. Garrel casts his son in the lead role of Louis, a struggling actor who we see splitting with his girlfriend and the mother of his young daughter, Charlotte (the excellent Olga Milshtein). He enters a new relationship with Claudia (Anna Mouglalis), also an actress, but someone whose work has dried up and whose luck seems to be up. As Louis rehearses for a play, Claudia becomes insecure - not entirely without reason.
Louis is a man who finds it easy to attract women - a mother in the cinema where he takes his daughter to watch kid's films gives him her telephone number - and has form when it comes to betrayal. However, he does love Claudia and so when...
Louis is a man who finds it easy to attract women - a mother in the cinema where he takes his daughter to watch kid's films gives him her telephone number - and has form when it comes to betrayal. However, he does love Claudia and so when...
- 9/7/2013
- by CineVue UK
- CineVue
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