It’s a busy April this year. One less Friday than last month, but the exact same number of posters to sift through. Yes, having films release the Wednesday before Easter helps add to the total, but only two titles are taking advantage: Air (April 5) and The Super Mario Bros. Movie (April 5). And with only one other wide release following them a couple days later, the numbers even out anyway.
It goes to show just how much real estate Disney demands whenever they have a new debut. Everyone else must wait for a month without one to push and shove their way onto screens while they can. Supply and demand—even if the struggle these days seems to be more about the theaters deciding which to show than audiences deciding which to see.
Portraiture
Av Print gets the weathered and worn paperback aesthetic down pat with their poster for Polite Society.
It goes to show just how much real estate Disney demands whenever they have a new debut. Everyone else must wait for a month without one to push and shove their way onto screens while they can. Supply and demand—even if the struggle these days seems to be more about the theaters deciding which to show than audiences deciding which to see.
Portraiture
Av Print gets the weathered and worn paperback aesthetic down pat with their poster for Polite Society.
- 4/6/2023
- by Jared Mobarak
- The Film Stage
Industry stalwarts including director Cheryl Dunye (“Bridgerton”), actor, writer, director Romola Garai, producer Elizabeth Karlsen (“Mothering Sunday”) and Sky Comedy commissioning editor Tilusha Ghelani have joined the illustrious roster of mentors at The Writers Lab U.K. & Ireland.
Now in its second year in the territory, the lab, which supports women and non-binary writers over 40, is set up to discover new writing voices from across Scotland, England, Ireland, Wales and Northern Ireland. The initiative is produced by Untamed Stories’ Julia Berg and Ruth Spencer and Twl co-founders Elizabeth Kaiden and Nitza Wilon.
It is presented with support from Dirty Films, the independent production company headed by Cate Blanchett, Andrew Upton, Coco Francini and Georgie Pym. The Writers Lab U.K. & Ireland is in association with Birds’ Eye View, Dancing Ledge Productions, Curzon Cm Development Fund, Maisie Williams’ production company Rapt, London-based film and TV agency Dench Arnold, Screen Scotland, Fís Éireann/Screen Ireland,...
Now in its second year in the territory, the lab, which supports women and non-binary writers over 40, is set up to discover new writing voices from across Scotland, England, Ireland, Wales and Northern Ireland. The initiative is produced by Untamed Stories’ Julia Berg and Ruth Spencer and Twl co-founders Elizabeth Kaiden and Nitza Wilon.
It is presented with support from Dirty Films, the independent production company headed by Cate Blanchett, Andrew Upton, Coco Francini and Georgie Pym. The Writers Lab U.K. & Ireland is in association with Birds’ Eye View, Dancing Ledge Productions, Curzon Cm Development Fund, Maisie Williams’ production company Rapt, London-based film and TV agency Dench Arnold, Screen Scotland, Fís Éireann/Screen Ireland,...
- 8/12/2022
- by Naman Ramachandran
- Variety Film + TV
The Málaga Festival has never been bigger. To help navigate it, as well as Spain’s burgeoning production output, here’s a breakdown of its main section titles.
2022 Malaga Festival Lineup:
Main Competition
“Emperor Code,”
The Malaga Fest opener, a noirish crime thriller with special services operative Luis Tosar moonlighting for the elite, here trying to dig up the dirt on a young politico. Segueing rapidly to Netflix after an A Contracorriente release in Spain.
“A Mae,”
The latest from the prolific Brazilian narrative and doc director, maker of euthanasia-themed “Antes do fim,” and 2015’s “Hunger.” In it, a humble street vendor mother searches desperately for her missing son, claiming the right to at least bury his body.
“Almost in Love,”
A father-daughter relationship drama from notable Argentine auteur Brzezicki (“Noche”), backed by top-notch Latin American outfits – Argentina’s Ruda Films, Brazil’s Rt Features, Chile’s Quijote- plus Spain’s Vertigo Films,...
2022 Malaga Festival Lineup:
Main Competition
“Emperor Code,”
The Malaga Fest opener, a noirish crime thriller with special services operative Luis Tosar moonlighting for the elite, here trying to dig up the dirt on a young politico. Segueing rapidly to Netflix after an A Contracorriente release in Spain.
“A Mae,”
The latest from the prolific Brazilian narrative and doc director, maker of euthanasia-themed “Antes do fim,” and 2015’s “Hunger.” In it, a humble street vendor mother searches desperately for her missing son, claiming the right to at least bury his body.
“Almost in Love,”
A father-daughter relationship drama from notable Argentine auteur Brzezicki (“Noche”), backed by top-notch Latin American outfits – Argentina’s Ruda Films, Brazil’s Rt Features, Chile’s Quijote- plus Spain’s Vertigo Films,...
- 3/21/2022
- by John Hopewell and Holly Jones
- Variety Film + TV
Montreal-based WaZabi Films selling Spanish-language films at EFM.
Film Movement has acquired North American rights to Justin Lerner’s Guatemala-set gang thriller Cadejo Blanco from Canadian sales agent WaZabi Films. CDC United Network has taken Latin American rights.
The Spanish-language film premiered in Guadalajara and also screened in TIFF Industry Selects and at Tallinn Black Nights in Estonia in 2021. It is about a young woman who travels from Guatemala City to the seaside town of Puerto Barrios to infiltrate a gang and find out what happened to her sister. Karen Martínez stars with Rudy Rodríguez and Juan Pablo Olyslager.
Mauricio Escobar,...
Film Movement has acquired North American rights to Justin Lerner’s Guatemala-set gang thriller Cadejo Blanco from Canadian sales agent WaZabi Films. CDC United Network has taken Latin American rights.
The Spanish-language film premiered in Guadalajara and also screened in TIFF Industry Selects and at Tallinn Black Nights in Estonia in 2021. It is about a young woman who travels from Guatemala City to the seaside town of Puerto Barrios to infiltrate a gang and find out what happened to her sister. Karen Martínez stars with Rudy Rodríguez and Juan Pablo Olyslager.
Mauricio Escobar,...
- 2/10/2022
- by Jeremy Kay
- ScreenDaily
Every now and then, a country emerges from decades of oppression and a film industry, once squashed lest it tell truths uncomfortable for the powers that be, begins to blossom with new, unfettered voices. The country of the moment is Guatemala, which is being honored at this year’s Guadalajara International Film Festival, and has begun to make itself known around the world largely through the success of Jayro Bustamante’s 2021 Golden Globe nominee and Venice Days winner “La Llorona” and Cesar Diaz’s “Nuestras Madres,” which won both the Camera d’Or and the Sacd Critics Week prizes at Cannes 2019.
“I’ve noticed a new generation of filmmakers emerging that are dying to tell their stories after a long bout of silence,” says Justin Lerner, an American who has made Guatemala his second home and directed the Guadalajara competition entry “Cadejo Blanco.”
Guatemala is a small country with a nascent film industry,...
“I’ve noticed a new generation of filmmakers emerging that are dying to tell their stories after a long bout of silence,” says Justin Lerner, an American who has made Guatemala his second home and directed the Guadalajara competition entry “Cadejo Blanco.”
Guatemala is a small country with a nascent film industry,...
- 10/7/2021
- by Jeffrey Sipe
- Variety Film + TV
With Guatemala as this year’s guest country of honor at the 36th Guadalajara Int’l Film Festival (Ficg), the festival will be screening more than a dozen films from this tiny Central American country, including one of its recent standouts, Justin Lerner’s “Cadejo Blanco.” The female-driven crime drama stages its world premiere Oct. 3 at the fest where it competes in the official Ibero-American Features section.
Although born in Boston, Lerner’s ties with Guatemala run deep, where he even proposed to his French-American wife at the edge of a volcano. More importantly, he helped with the creation of a film school there in 2016 where he was its first film professor. It was while teaching there when one of his students introduced him to the picturesque Caribbean coastal town of Puerto Barrios where “Cadejo Blanco” mainly takes place.
For two years, he visited the town and interviewed its youth,...
Although born in Boston, Lerner’s ties with Guatemala run deep, where he even proposed to his French-American wife at the edge of a volcano. More importantly, he helped with the creation of a film school there in 2016 where he was its first film professor. It was while teaching there when one of his students introduced him to the picturesque Caribbean coastal town of Puerto Barrios where “Cadejo Blanco” mainly takes place.
For two years, he visited the town and interviewed its youth,...
- 10/1/2021
- by Anna Marie de la Fuente
- Variety Film + TV
The female-driven crime drama Cadejo Blanco has unveiled a clip in advance of its screening at the Toronto International Film Festival’s Industry Selects section. Cadejo Blanco is reminiscent of Maria Full of Grace and Miss Bala, addressing timely issues of lack of opportunities for women, youth violence, and indiscriminate crime in Guatemala. Writer/director Justin Lerner spent years in Guatemala interviewing young people with gang affiliations, collecting their life stories. For authenticity, he cast his interview subjects to play themselves in the film, and then spent a year doing acting workshops with them. He encouraged each actor to revise the script as they saw necessary, even during shooting, a process that allowed the non-professional cast to ensure their stories were being properly represented on screen.
Karen Martínez (2013’s Cannes Un Certain Regard’s ‘A Certain Talent’ Ensemble Prize Winner for The Golden Dream) is Sarita, a young woman frightened by her sister’s disappearance,...
Karen Martínez (2013’s Cannes Un Certain Regard’s ‘A Certain Talent’ Ensemble Prize Winner for The Golden Dream) is Sarita, a young woman frightened by her sister’s disappearance,...
- 9/11/2021
- by Bruce Haring
- Deadline Film + TV
In today’s TV news roundup, Netflix released a trailer for “Song Exploder Volume 2,” and Starz debuted a first look at its upcoming original series, “Run the World.”
Dates
HBO Sports and Major League Baseball are teaming up to produce “Under the Grapefruit Tree: The Cc Sabathia Story,” set to debut Dec. 22 on HBO. The documentary film follows the personal story of New York Yankees pitcher Carsten Charles Sabathia, featuring behind-the-scenes footage of his final season with the team in 2019 and narration from Sabathia. The movie chronicles the athlete’s humble beginnings in Vallejo, Calif., where he honed his skills by throwing grapefruits in his grandmother’s yard, to the ups and downs of his career, including his longtime battle with addiction. It will also be available to stream on HBO Max.
As part of its 50th anniversary crowdsourced storytelling project PBS American Portrait, PBS announced a four-part documentary series...
Dates
HBO Sports and Major League Baseball are teaming up to produce “Under the Grapefruit Tree: The Cc Sabathia Story,” set to debut Dec. 22 on HBO. The documentary film follows the personal story of New York Yankees pitcher Carsten Charles Sabathia, featuring behind-the-scenes footage of his final season with the team in 2019 and narration from Sabathia. The movie chronicles the athlete’s humble beginnings in Vallejo, Calif., where he honed his skills by throwing grapefruits in his grandmother’s yard, to the ups and downs of his career, including his longtime battle with addiction. It will also be available to stream on HBO Max.
As part of its 50th anniversary crowdsourced storytelling project PBS American Portrait, PBS announced a four-part documentary series...
- 12/1/2020
- by Natalie Oganesyan
- Variety Film + TV
The new Mexican film The Golden Dream takes on a timely subject in a timeless way. It’s an expressive, touching look at four teenagers making their way from Guatemala through Mexico in an attempt to reach the United States, and it arrives in theaters at a time when the “immigration debate” has reached a fever pitch worldwide. But don’t expect incendiary topicality from The Golden Dream; this is more poetry than politics. The film starts off wordlessly, in an unnamed shantytown somewhere in Guatemala, and it’s unclear whether this is just a pit stop on a longer journey or a point of origin for three of the film’s protagonists. It may very well be the latter, but the uncertainty seems pointed: This tentative, destitute space feels in no way like home. When we first meet Juan (Brandon López), Sara (Karen Martínez), and Samuel (Carlos Chajon), they...
- 9/6/2015
- by Bilge Ebiri
- Vulture
The first Fenix Iberoamerican Film Awards, highlighting and celebrating cinema made in Latin America, Spain, and Portugal as well as applauding the professionals involved was inaugurated by Cinema23 this October 30 and held its closing night party in México City's Jumex Museum, named after the Lopez family’s fruit juice empire, and commissioned by Eugenio Lopez, the dynastic scion whose intention is to leave an edifice to Mexico City that dignifies his family name. This 21st-century prince is the sole patron of the new Museo Jumex, Latin America’s largest contemporary art museum, designed by the British architect David Chipperfield and just across the street from hourglass-shaped Museo Soumaya, opened in 2011 by the Mexican billionaire Carlos Slim Helú to display his own collection. Worth a trip to Mexico alone just to view the private Jumex collection of Mexican art, to attend the spectacular closing night party topping off the new annual, independent award ceremony which took place at the iconic 1918 Teatro de la Ciudad was an experience of a lifetime.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
- 11/17/2014
- by Sydney Levine
- Sydney's Buzz
With the grand tradition of road movies, characters are obligingly swept away on a journey that will show them new things, throw a bunch of conflict their way, and they will – as a result – grow and change for the better. On paper, The Golden Dream fits the same stylings, but it’s not the story you know; the children at the heart of this wonderful picture certainly do change, and learn some hard-fought lessons, but not necessarily for the better.
If you were Guatemalan, chances are you’d want to leave, too; three kids, barely teens, make the decision to escape their slum-circled existence and head for the hope-filled United States, shimmering on the horizon many miles north with many dangers before it. Juan (Brandon López) leads the trio of wannabe Us citizens, a tough street kid with a mean streak but also a soul, while Sara (Karen Martínez) provides...
If you were Guatemalan, chances are you’d want to leave, too; three kids, barely teens, make the decision to escape their slum-circled existence and head for the hope-filled United States, shimmering on the horizon many miles north with many dangers before it. Juan (Brandon López) leads the trio of wannabe Us citizens, a tough street kid with a mean streak but also a soul, while Sara (Karen Martínez) provides...
- 7/3/2014
- by Gary Green
- HeyUGuys.co.uk
★★★★☆The ongoing search for a better life becomes a desperate fable of escape from poverty in Diego Quemada-Díez's debut feature The Golden Dream (2013). A coming of age drama of sorts as four kids up sticks and hike towards America, it never shirks away from the horrors of their journey, including kidnappings, gangs and gun-ho border patrols. Juan (Brandon López), Samuel (Carlos Chajon) and Sara (Karen Martínez), three Guatemalan teens, head northwards in search of a new start in the States. On the way they meet a young Tzotzil boy, Chauk (Rodolfo Dominguez) - who doesn't speak Spanish - but strike up a partnership with him as they wade through the dangerous world of migrant travel.
- 6/25/2014
- by CineVue UK
- CineVue
Winners have been announced! See below.
The First Edition of the Platinum Awards, a gala presentation in Panama April 5th, sponsored by Egeda and Fipca was an idea born two years ago in Panama at the Festival'sl Forum with Iberoamerican filmmakers and the Iberoamerican Producers Association (Fipca). Panama's Deputy Minister of Industry and Commerce offered to pay for the first edition which is being held now. Jose Pacheco, the Deputy Minister and also the President of the Panama Film Commission, along with Arianne Marie Benedetti, then had to convince their government that the investment in the awards, along with the investment in cinema would further the country's extraordinary influx of capital and would help establish the Premios Platinos as the most important global event promoting and supporting the Iberoamerican film industry. Everyone here for the 4th Annual Panama Film Festival was quite excited and it was an extraordinary affair. Twenty-two Spanish speaking countries in the Americas as well as Brazil, Portugal and Spain gathered along with world press (John Hopewell of Variety and I myself of SydneysBuzz/ LatinoBuzz and Indiewire were the only gringo press around) and producers, directors, actors, cinematographers and writers to pay homage to the great talent arising out of the Iberoamerican countries whose potential audience exceeds that of the United States.
This was pointed out with great enthusiasm by Javier Camára, the actor nominated for Best Male Actor for his role in David Trueba's Living is Easy with Eyes Closed (Vivir es fácil con los ojos cerrados). He plays a high-school English/ Latin teacher in 1966 Spain who drives to Almeria in hopes of meeting his hero, John Lennon. Along the way, he picks up two runaways. The movie title, Living is Easy With Eyes Closed, comes from a line in Lennon's song Strawberry Fields Forever which he wrote while filming How I Won the War in Almeria. (Camára is also a fan of Real Madrid.)
In this first edition 701 films have participated. Of these, each of the countries made a pre-selection of their candidates through their representatives Fipca and national film academies. Subsequently, a jury of prominent industry professionals has selected the winners just announced at the gala on April 5 in Panama. The Directors of the event are Adrian Solar Lozier for Fipca and one of Chili's most recognized producers and Enrique Cerezo Torres, one of the founders of Egeda twenty-five years ago, its chief executive for the past seventeen years, President of the Madrid Film Commission and President of the Madrid School of Cinema. (He is also the President of the Athletic Football Club of Madrid.)
Mexican singer and actress, Alessandra Rosaldo, and Colombian journalist Juan Carlos Arciniegas whose TV show on film is featured on CNN Latino, co-hosted the televised event. Canal Plus of Spain and others representing television across the Americas were present.
The winners in each of the eight categories were named to a huge audience of the most important Latin American cinema talent who sat on pins and needles waiting to hear the winners.
Accepting the Platinum Award of Honor, Sonia Braga, known to U.S. audiences from the 1976 breakout Brazilian film, Dona Flor and Her Two Husbands, and again in 1985 and 1988 with Kiss of the Spider Woman and The Milagro Beanfield War respectively, was elegant and eloquent in her acceptance.
The most nominated films were The German Doctor: Wakolda, Gloria and Living is Easy with Eyes Closed. The surprise was that Living is Easy did not win a single award. Already the winner of 11 Awards and nominated for 5 other awards, David Trueba definitely can not hide behind the loser category. The Spanish film Living is Easy with Eyes Closed won six Goya Awards including Best Director.
And The Winners are:
Best Iberoamerican Fiction Film: Gloria (Chile). Nominated were The German Doctor: Wakolda (Argentina), Heli (Mexico), Witching and Bitching (Spain), La jaula de oro (The Golden Cage) (Mexico), Roa (Colombia) and Living is Easy with Eyes Closed Spain) compete for the title of Best Latin American Film of the Year.
Best Female Performance: Paulina García (Gloria). Nominated were Karen Martínez (The Golden Cage), Laura De la Uz (Ana's Film), Marian Álvarez (Wounded), Nashla Bogaert (Who's the Boss?), Natalia Oreiro (Wakolda). You can read Gloria's review and interview with Sebastian Lelio and Paulna Garcia here: Review by Carlos Aguilar and Interview with Sebastian Lelio and Paulina Garcia by Sydney Levine. You can soon read more about upcoming Dominican Republic's Nashla Bogaert whom I met and interviewed in Panama. She is my choice of the one to keep an eye on.
Best Male Performance: Eugenio Derbez (Instructions Not Included). The equivalent of the Platinos, our own Academy Award usually steers clear of comedy in the best actor category, as if comedy were not as difficult as drama. But this was well deserved in terms of popularity as this film's huge success in both U.S. and Mexico shows. U.S.$44 million in U.S. and U.S.$ 41 million in Mexico are not to be ignored. This major hit hit a major nerve in U.S. and Mexico. Also nominated were Antonio de la Torre (Cannibal), , Javier Cámara (Living is Easy with Eyes Closed), Ricardo Darín (Thesis on a Homicide) and Víctor Prada (The Cleaner).
Platinum Award For Best Director: Amat Escalante (Heli). Nominated were Sebastian Lelio (Gloria), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor: Wakolda). You can read Heli's Review by Carlos Aguilar and the Interview with Amat Escalante by Carlos Aguilar.
Platinum Best Screenplay Award: Sebastian Lelio, Gonzalo Maza (Gloria). Also nominated were Daniel Sánchez Arévalo (Great Spanish Family), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor-Wakolda)
Platinum Award For Best Original Score: Emilio Kauderer for Foosball (Football). Also nominated were Karin Zielinski for El Limpiador (The Cleaner) -- you can read its Review by Carlos Aguilar , Joan Valent (Zugarramurdi Witches)
Platinum Award For Best Animated Film: Foosball (Football). Nominated were Anina -- you can read Anina's Review by Carlos Aguilar , The Secret Of Jade Medallion, Justin And The Sword Of Value, Uma History Of Love And Fury
Platinum Award For Best Documentary: Con la Pata Quebrada (With a Broken Leg). Nominated were: Cuates de Australia (Friends from Australia), Eternal Night Of The Twelve Moons, The Day That Lasted 21 Years from Brazil about the U.S. instigated coup d’etat in 1964, Still Being.
Camilo Vives (recently deceased, head of production for Icaic) Platinum Award for Best Iberoamerican co-production, in memory of his Presidency of Fipca for over 10 years and co-chair of the Forum Egeda / Fipca was The German Doctor Wakolda which beat out Anina, Esclavo de Dios and La jaula de oro. Read more on The German Doctor Wakolda here: Review by Carlos Aguilar and Case Study by Sydney Levine.
See more on the Platinum Award website: www.premiosplatino.com.
Alessandra Rosaldo stated: "These Awards will be the most valuable Iberoamerican Film Excellence Awards, something this industry needs and demands to reward the creativity and talent of our film industry.
Juan Carlos Arciniegas said: "The Platinum Awards are pioneers, transcend borders and put our countries in a fair competition that will highlight the diversity of the region cinematically. These awards will write the history of the participating films."
Eugenio Derbez, Blanca Guerra, Victoria Abril and Patricia Velasquez were some of the presenters.
The First Edition of the Platinum Awards, a gala presentation in Panama April 5th, sponsored by Egeda and Fipca was an idea born two years ago in Panama at the Festival'sl Forum with Iberoamerican filmmakers and the Iberoamerican Producers Association (Fipca). Panama's Deputy Minister of Industry and Commerce offered to pay for the first edition which is being held now. Jose Pacheco, the Deputy Minister and also the President of the Panama Film Commission, along with Arianne Marie Benedetti, then had to convince their government that the investment in the awards, along with the investment in cinema would further the country's extraordinary influx of capital and would help establish the Premios Platinos as the most important global event promoting and supporting the Iberoamerican film industry. Everyone here for the 4th Annual Panama Film Festival was quite excited and it was an extraordinary affair. Twenty-two Spanish speaking countries in the Americas as well as Brazil, Portugal and Spain gathered along with world press (John Hopewell of Variety and I myself of SydneysBuzz/ LatinoBuzz and Indiewire were the only gringo press around) and producers, directors, actors, cinematographers and writers to pay homage to the great talent arising out of the Iberoamerican countries whose potential audience exceeds that of the United States.
This was pointed out with great enthusiasm by Javier Camára, the actor nominated for Best Male Actor for his role in David Trueba's Living is Easy with Eyes Closed (Vivir es fácil con los ojos cerrados). He plays a high-school English/ Latin teacher in 1966 Spain who drives to Almeria in hopes of meeting his hero, John Lennon. Along the way, he picks up two runaways. The movie title, Living is Easy With Eyes Closed, comes from a line in Lennon's song Strawberry Fields Forever which he wrote while filming How I Won the War in Almeria. (Camára is also a fan of Real Madrid.)
In this first edition 701 films have participated. Of these, each of the countries made a pre-selection of their candidates through their representatives Fipca and national film academies. Subsequently, a jury of prominent industry professionals has selected the winners just announced at the gala on April 5 in Panama. The Directors of the event are Adrian Solar Lozier for Fipca and one of Chili's most recognized producers and Enrique Cerezo Torres, one of the founders of Egeda twenty-five years ago, its chief executive for the past seventeen years, President of the Madrid Film Commission and President of the Madrid School of Cinema. (He is also the President of the Athletic Football Club of Madrid.)
Mexican singer and actress, Alessandra Rosaldo, and Colombian journalist Juan Carlos Arciniegas whose TV show on film is featured on CNN Latino, co-hosted the televised event. Canal Plus of Spain and others representing television across the Americas were present.
The winners in each of the eight categories were named to a huge audience of the most important Latin American cinema talent who sat on pins and needles waiting to hear the winners.
Accepting the Platinum Award of Honor, Sonia Braga, known to U.S. audiences from the 1976 breakout Brazilian film, Dona Flor and Her Two Husbands, and again in 1985 and 1988 with Kiss of the Spider Woman and The Milagro Beanfield War respectively, was elegant and eloquent in her acceptance.
The most nominated films were The German Doctor: Wakolda, Gloria and Living is Easy with Eyes Closed. The surprise was that Living is Easy did not win a single award. Already the winner of 11 Awards and nominated for 5 other awards, David Trueba definitely can not hide behind the loser category. The Spanish film Living is Easy with Eyes Closed won six Goya Awards including Best Director.
And The Winners are:
Best Iberoamerican Fiction Film: Gloria (Chile). Nominated were The German Doctor: Wakolda (Argentina), Heli (Mexico), Witching and Bitching (Spain), La jaula de oro (The Golden Cage) (Mexico), Roa (Colombia) and Living is Easy with Eyes Closed Spain) compete for the title of Best Latin American Film of the Year.
Best Female Performance: Paulina García (Gloria). Nominated were Karen Martínez (The Golden Cage), Laura De la Uz (Ana's Film), Marian Álvarez (Wounded), Nashla Bogaert (Who's the Boss?), Natalia Oreiro (Wakolda). You can read Gloria's review and interview with Sebastian Lelio and Paulna Garcia here: Review by Carlos Aguilar and Interview with Sebastian Lelio and Paulina Garcia by Sydney Levine. You can soon read more about upcoming Dominican Republic's Nashla Bogaert whom I met and interviewed in Panama. She is my choice of the one to keep an eye on.
Best Male Performance: Eugenio Derbez (Instructions Not Included). The equivalent of the Platinos, our own Academy Award usually steers clear of comedy in the best actor category, as if comedy were not as difficult as drama. But this was well deserved in terms of popularity as this film's huge success in both U.S. and Mexico shows. U.S.$44 million in U.S. and U.S.$ 41 million in Mexico are not to be ignored. This major hit hit a major nerve in U.S. and Mexico. Also nominated were Antonio de la Torre (Cannibal), , Javier Cámara (Living is Easy with Eyes Closed), Ricardo Darín (Thesis on a Homicide) and Víctor Prada (The Cleaner).
Platinum Award For Best Director: Amat Escalante (Heli). Nominated were Sebastian Lelio (Gloria), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor: Wakolda). You can read Heli's Review by Carlos Aguilar and the Interview with Amat Escalante by Carlos Aguilar.
Platinum Best Screenplay Award: Sebastian Lelio, Gonzalo Maza (Gloria). Also nominated were Daniel Sánchez Arévalo (Great Spanish Family), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor-Wakolda)
Platinum Award For Best Original Score: Emilio Kauderer for Foosball (Football). Also nominated were Karin Zielinski for El Limpiador (The Cleaner) -- you can read its Review by Carlos Aguilar , Joan Valent (Zugarramurdi Witches)
Platinum Award For Best Animated Film: Foosball (Football). Nominated were Anina -- you can read Anina's Review by Carlos Aguilar , The Secret Of Jade Medallion, Justin And The Sword Of Value, Uma History Of Love And Fury
Platinum Award For Best Documentary: Con la Pata Quebrada (With a Broken Leg). Nominated were: Cuates de Australia (Friends from Australia), Eternal Night Of The Twelve Moons, The Day That Lasted 21 Years from Brazil about the U.S. instigated coup d’etat in 1964, Still Being.
Camilo Vives (recently deceased, head of production for Icaic) Platinum Award for Best Iberoamerican co-production, in memory of his Presidency of Fipca for over 10 years and co-chair of the Forum Egeda / Fipca was The German Doctor Wakolda which beat out Anina, Esclavo de Dios and La jaula de oro. Read more on The German Doctor Wakolda here: Review by Carlos Aguilar and Case Study by Sydney Levine.
See more on the Platinum Award website: www.premiosplatino.com.
Alessandra Rosaldo stated: "These Awards will be the most valuable Iberoamerican Film Excellence Awards, something this industry needs and demands to reward the creativity and talent of our film industry.
Juan Carlos Arciniegas said: "The Platinum Awards are pioneers, transcend borders and put our countries in a fair competition that will highlight the diversity of the region cinematically. These awards will write the history of the participating films."
Eugenio Derbez, Blanca Guerra, Victoria Abril and Patricia Velasquez were some of the presenters.
- 4/6/2014
- by Sydney Levine
- Sydney's Buzz
Trains of Innocence: Savage Road Story to the Land of Broken Dreams
Among the vast and redundant collection of tales dealing with illegal immigration, very few can claim to be unique. Given that there are some inherent qualities to these stories, it takes an assertive new voice to infuse the subject matter with honesty. Spanish director Diego Quemada-Díez’ La Jaula de Oro, which translates to “The Golden Cage”, is perhaps the most poetic, and neo-realist film about the struggles of people searching for a better future thousands of miles away from home, and at any cost.
Trying to disguise her feminine qualities, Sara (Karen Martínez) cuts her hair binds her breasts, as she gets ready to depart from her native Guatemala with her boyfriend Juan (Brandon López) and their friend Samuel (Carlos Chajon). The trio of kids, all of them no older than 16, head out determined to make it to the United States.
Among the vast and redundant collection of tales dealing with illegal immigration, very few can claim to be unique. Given that there are some inherent qualities to these stories, it takes an assertive new voice to infuse the subject matter with honesty. Spanish director Diego Quemada-Díez’ La Jaula de Oro, which translates to “The Golden Cage”, is perhaps the most poetic, and neo-realist film about the struggles of people searching for a better future thousands of miles away from home, and at any cost.
Trying to disguise her feminine qualities, Sara (Karen Martínez) cuts her hair binds her breasts, as she gets ready to depart from her native Guatemala with her boyfriend Juan (Brandon López) and their friend Samuel (Carlos Chajon). The trio of kids, all of them no older than 16, head out determined to make it to the United States.
- 12/3/2013
- by Carlos Aguilar
- IONCINEMA.com
La Jaula de Oro
Directed by Diego Quemada-Díez
Philadelphia Film Festival
Mexico, 2013
A harrowing immigration-road movie bolstered by three beautifully natural adolescent performances frames Diego Quemada-Díez as a director to watch.
Teenagers Juan (Brandon López), Sara (Karen Martínez), and Samuel (Carlos Chajon) set out from Guatemala to cross the border into Los Angeles. Along the way they pick up Chauk (Rodolfo Domínguez), a taciturn Indian who changes the dynamics of the group as both he and Juan vie for Sara’s attention.
The four leads of Quemada-Díez’s first feature-film are startling strong, made all the more so by the fact that each young actor is making his and her screen debut. While Brandon López starts out as a one-note display of burgeoning masculinity, his Juan soon gains deeper complexities in a nuanced, painful performance from the young actor. Domínguez’s is a deceptively difficult role. Chauk’s Spanish is limited,...
Directed by Diego Quemada-Díez
Philadelphia Film Festival
Mexico, 2013
A harrowing immigration-road movie bolstered by three beautifully natural adolescent performances frames Diego Quemada-Díez as a director to watch.
Teenagers Juan (Brandon López), Sara (Karen Martínez), and Samuel (Carlos Chajon) set out from Guatemala to cross the border into Los Angeles. Along the way they pick up Chauk (Rodolfo Domínguez), a taciturn Indian who changes the dynamics of the group as both he and Juan vie for Sara’s attention.
The four leads of Quemada-Díez’s first feature-film are startling strong, made all the more so by the fact that each young actor is making his and her screen debut. While Brandon López starts out as a one-note display of burgeoning masculinity, his Juan soon gains deeper complexities in a nuanced, painful performance from the young actor. Domínguez’s is a deceptively difficult role. Chauk’s Spanish is limited,...
- 10/26/2013
- by Neal Dhand
- SoundOnSight
Title: La jaula de oro (The Golden Cage) Director: Diego Quemada-Diez Starring: Brandon Lopez, Rodolfo Domínguez, Karen Martínez, Carlos Chajón. This movie is not a documentary, but the fiction was inspired by the real state of things. A contemporary and tragic odyssey of immigrants escaping from their native land. As audiences empathise with these characters and detach from bourgeoise every day lives they realise how lucky they are, despite the difficulties caused by the current crisis. Juan, Sara and Samuel are three adolescents from Guatemala, who try to reach the United States in pursuit of a better life. Along the way they meet Chauk, a native from Chipas who doesn’t [ Read More ]
The post La jaula de oro (The Golden Cage) appeared first on Shockya.com.
The post La jaula de oro (The Golden Cage) appeared first on Shockya.com.
- 10/5/2013
- by Chiara Spagnoli Gabardi
- ShockYa
Three Guatemalan teenagers' attempts to cross the murderous Mexico-us border region makes for gripping viewing
Even when Ken Loach doesn't have a film in competition in Cannes, his influence is still keenly felt. Spanish director Diego Quemada-Diez was a camera assistant on Loach's Carla's Song, Land and Freedom and Bread and Roses, and there is something very Loachian in this tough, absorbing, suspenseful drama showing in the Un Certain Regard section about three Guatemalan kids trying illegally to cross the Mexican border into the Us.
He has avowedly stuck to Loach's realist directing style: shooting in narrative sequence and using a semi-improvisatory approach on location. It is interesting that while British directors such as Andrea Arnold and Clio Barnard have hyper-evolved the Loach idiom into beautifully realised and photographed dramas of naturalism, Quemada-Diez is arguably closer to the gritty, grainy original.
The title comes from a Mexican ballad, Jaula de Oro,...
Even when Ken Loach doesn't have a film in competition in Cannes, his influence is still keenly felt. Spanish director Diego Quemada-Diez was a camera assistant on Loach's Carla's Song, Land and Freedom and Bread and Roses, and there is something very Loachian in this tough, absorbing, suspenseful drama showing in the Un Certain Regard section about three Guatemalan kids trying illegally to cross the Mexican border into the Us.
He has avowedly stuck to Loach's realist directing style: shooting in narrative sequence and using a semi-improvisatory approach on location. It is interesting that while British directors such as Andrea Arnold and Clio Barnard have hyper-evolved the Loach idiom into beautifully realised and photographed dramas of naturalism, Quemada-Diez is arguably closer to the gritty, grainy original.
The title comes from a Mexican ballad, Jaula de Oro,...
- 5/23/2013
- by Peter Bradshaw
- The Guardian - Film News
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