The Very Eye of Night is a series of columns on non-binary and female avant-garde film and video artists. The title refers to Maya Deren’s last completed film. Anthology Film Archives in New York presents a five-program retrospective of Carole Roussopoulos’s videos from November 7–9, 2017. The screenings will be introduced by Nicole Fernández Ferrer, director of the Simone de Beauvoir Audiovisual Center.Carole Roussopoulos, 1970. Photo by Guy Le Querrec.Jean-Luc Godard wrote a letter to Carole Roussopoulos in 1979 for Cahiers du cinéma in which he reflected on the motivations behind making films, and inquired: “Sometimes I wonder what has happened to all you have filmed in the four corners of France and the world… And I wonder why people in cinema want to film others with so much frenzy.” As Nicole Brenez recalls, the Swiss filmmaker responded to him: “to privilege the approach of those without a voice.” Carole Roussopoulos...
- 11/7/2017
- MUBI
Malaise (Don Levy). Courtesy of the artist, The Don Levy Project, and Academy Film Archive.This is the second year in a row that filmmaker / programmer Mónica Savirón has organized a screening of experimental films for the First Look series. Last year’s program, “A Matter of Visibility,” focused on women’s cinema from around the world. This is a subject about which the U.S.-based, Spanish-born Savirón is uniquely suited to illuminate us. Last year’s show was gratifyingly diverse in both style and national origin, the program anchored by a rarely-screened work by then-recently deceased Chantal Akerman, and including other artists whose work is all too seldom seen on these shores. Some, like Lis Rhodes and Cécile Fontaine, are reasonably canonical, whereas others showcased by Savirón were up-and-coming filmmakers such as Nazli Dinçel and Klara Ravat. While I don’t know of any experimental film programmers for...
- 1/14/2017
- MUBI
Her Silent SeamingPerhaps more than most other forms of cinema, experimental film and video is an auteur’s medium through and through. Since the production model for avant-garde work is almost exclusively artisanal, with a single individual (or possibly a duo or an artists’ collective) making the work from a studio context similar to that or a sculptor or photographer, it only makes sense to consider these works are expressions of an artist’s point of view. As such, those of us who regularly engage with experimental work will inevitably use the artist as the primary mode of categorization—who to keep track of, who seems promising, etc.But there’s a bit more to it. One of the greatest joys of avant-garde filmgoing, as any fan will tell you, is seeing an expertly curated program of films, be they new short works, recontextualized classics, or some combination thereof. A...
- 1/22/2016
- by Michael Sicinski
- MUBI
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