‘Buoyancy’.
Writer-director Rodd Rathjen’s Buoyancy won Best Youth Feature Film at last night’s Asia Pacific Screen Awards (Apsa) in Brisbane.
The award comes just as Rathjen returns to Australia from an Oscar campaign in The States; Buoyancy is Australia’s submission for the Academy Award for Best International Feature Film.
Produced by Causeway Films’ Sam Jennings and Kristina Ceyton with Rita Walsh, Buoyancy details the story of a 14-year old Cambodian boy (Sarm Heng) who heads to Thailand search of a better life, only to find himself trafficked and enslaved on a fishing trawler.
The story of Buoyancy is inspired by real events, and informed by more than 50 interviews Rathjen conducted with people who had been trafficked onto fishing boats, as well as interviews with local communities, former ship captains and NGOs, and other research. An estimated 200,000 men and boys are thought to be in slavery and forced...
Writer-director Rodd Rathjen’s Buoyancy won Best Youth Feature Film at last night’s Asia Pacific Screen Awards (Apsa) in Brisbane.
The award comes just as Rathjen returns to Australia from an Oscar campaign in The States; Buoyancy is Australia’s submission for the Academy Award for Best International Feature Film.
Produced by Causeway Films’ Sam Jennings and Kristina Ceyton with Rita Walsh, Buoyancy details the story of a 14-year old Cambodian boy (Sarm Heng) who heads to Thailand search of a better life, only to find himself trafficked and enslaved on a fishing trawler.
The story of Buoyancy is inspired by real events, and informed by more than 50 interviews Rathjen conducted with people who had been trafficked onto fishing boats, as well as interviews with local communities, former ship captains and NGOs, and other research. An estimated 200,000 men and boys are thought to be in slavery and forced...
- 11/22/2019
- by jkeast
- IF.com.au
Kantemir Balagov’s ‘Beanpole’ picked up two prizes.
Bong Joon Ho’s Palme d’Or winner Parasite won the best feature film prize at the Asia Pacific Screen Awards (Apsa) which were held in Brisbane, Australian on November 21.
It is the first time a South Korean film has won the best film award since Lee Chang-dong’s Sunshine at the inaugural ceremony in 2007.
Scroll down for the full list of winners
Kantemir Balagov’s Beanpole was the only film to pick up two awards. Ksenia Sereda became the first woman to win best cinematography, while Balagov and Terekhov received best screenplay.
Bong Joon Ho’s Palme d’Or winner Parasite won the best feature film prize at the Asia Pacific Screen Awards (Apsa) which were held in Brisbane, Australian on November 21.
It is the first time a South Korean film has won the best film award since Lee Chang-dong’s Sunshine at the inaugural ceremony in 2007.
Scroll down for the full list of winners
Kantemir Balagov’s Beanpole was the only film to pick up two awards. Ksenia Sereda became the first woman to win best cinematography, while Balagov and Terekhov received best screenplay.
- 11/21/2019
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Bong Joon-ho’s “Parasite,” which earlier this year won the Palme d’Or at the Cannes Film Festival, on Thursday added the Asia Pacific Screen Award for best film to its burgeoning trophy cabinet. “Parasite” producer Jang Young-hwan was on hand to accept the award at the end of a ritzy ceremony in Brisbane, Australia.
The APSAs, now in their 13th edition, like to celebrate the diversity and artistic expression of the 70 countries in its remit, and they usually spread around the awards to avoid clustering around a single winner. So it proved again this year.
While “Parasite” predictably took the top award, Russia’s “Beanpole” was the numerical winner and the only film to claim two of the APSAs stunning glass vessel prizes. Directed by Kantemir Balagov, “Beanpole” was rewarded for best screenplay and achievement in cinematography (Ksenia Sereda).
At the nominations stage, Chinese drama “So Long, My Son...
The APSAs, now in their 13th edition, like to celebrate the diversity and artistic expression of the 70 countries in its remit, and they usually spread around the awards to avoid clustering around a single winner. So it proved again this year.
While “Parasite” predictably took the top award, Russia’s “Beanpole” was the numerical winner and the only film to claim two of the APSAs stunning glass vessel prizes. Directed by Kantemir Balagov, “Beanpole” was rewarded for best screenplay and achievement in cinematography (Ksenia Sereda).
At the nominations stage, Chinese drama “So Long, My Son...
- 11/21/2019
- by Patrick Frater
- Variety Film + TV
After bowing at Venice where it was nominated for the Horizons Award, “Hava, Maryam, Ayesha” has its Asian premiere at the Busan International Film Festival. Directed by debutante Sahraa Karimi, it plays in the ‘A Window On Asian Cinema’ strand.
The film is a rarity in that it is an Afghan film made by an Afghani woman in Afghanistan, using local talent. The powerhouse behind the film is producer Katayoon Shahabi, who produced through her Paris and Tehran based outfit Noori Pictures.
Through Sheherazad Media International from 2001, and then with Noori from 2011, Shahabi has been championing the cause of Afghan and Iranian cinema. She served on the Cannes competition jury in 2016.
Noori’s recent successes include Vahid Jalilvand’s “No Date, No Signature” which won multiple awards at Venice, Las Palmas, Bratislava, Fajr, Stockholm, Thessaloniki and the Asia Pacific Screen Awards in 2017; and Jamshid Mahmoudi’s “Rona, Azim’s Mother” which collected prizes at Vesoul,...
The film is a rarity in that it is an Afghan film made by an Afghani woman in Afghanistan, using local talent. The powerhouse behind the film is producer Katayoon Shahabi, who produced through her Paris and Tehran based outfit Noori Pictures.
Through Sheherazad Media International from 2001, and then with Noori from 2011, Shahabi has been championing the cause of Afghan and Iranian cinema. She served on the Cannes competition jury in 2016.
Noori’s recent successes include Vahid Jalilvand’s “No Date, No Signature” which won multiple awards at Venice, Las Palmas, Bratislava, Fajr, Stockholm, Thessaloniki and the Asia Pacific Screen Awards in 2017; and Jamshid Mahmoudi’s “Rona, Azim’s Mother” which collected prizes at Vesoul,...
- 10/4/2019
- by Naman Ramachandran
- Variety Film + TV
Jamshid Mahmoudi was born in 1983 in Afghanistan. He was hardly one-year-old when his family sought refuge in Pakistan, and then in lran. After high school graduation, he passed the entrance exam for Tehran’s University of Art but preferred to work with his older brother, Navid who is a producer. He was an assistant director in many TV films and features before directing his first TV film in 2008 and 3 others after that. In 2012, finally he directed his first feature, A Few Cubic Meters of Love, inspired by a true story that took place in Kabul. The film was introduced from Afghanistan to Oscar 2014. It attended about 35 International festivals that brought the film 8 awards. In 2016, he worked as the scriptwriter, the producer and editor of the feature film named Parting of his brother. Rona, Azim’s Mother is his second feature film as the director and scriptwriter.
On the occasion of Rona,...
On the occasion of Rona,...
- 3/13/2019
- by Panos Kotzathanasis
- AsianMoviePulse
Having just recently completed their screening date, the Festival International des Cinemas d’Asie de Vesoul have announced the winners of the various categories in their titles. Here they are for you to enjoy:
Golden Rickshaw Award: Jinpa by Pema Tseden (China)
Grand jury award: Rona Azim’S Mother by Jamshid Mahmoudi (Afghanistan)
Jury prize: Sub-zero Wind by Kim Yu-ri (South Korea)
Netpac Award (Network for the promotion of Asian cinema): A Family Tour by Ying Liang
Critic Award: Jinpa de Pema Tseden (Chine)
Inalco Jury Award: Rona Azim’S Mother by Jamshid Mahmoudi (Afghanistan)
Inalco special mention: Jinpa by Pema Tseden (China)
Audience award for a Fiction Film ex-aequo:
African Violet by Mona Zandi Haghighi (Iran)
Waiting for Sunset by Carlo Enciso Catu (Philippines)
High Schools Award: African Violet by Mona Zandi Haghighi (Iran)
Audience Award for Documentary Films: A Road for Xiao Jiang by Jean-Michel Corillion
Youth...
Golden Rickshaw Award: Jinpa by Pema Tseden (China)
Grand jury award: Rona Azim’S Mother by Jamshid Mahmoudi (Afghanistan)
Jury prize: Sub-zero Wind by Kim Yu-ri (South Korea)
Netpac Award (Network for the promotion of Asian cinema): A Family Tour by Ying Liang
Critic Award: Jinpa de Pema Tseden (Chine)
Inalco Jury Award: Rona Azim’S Mother by Jamshid Mahmoudi (Afghanistan)
Inalco special mention: Jinpa by Pema Tseden (China)
Audience award for a Fiction Film ex-aequo:
African Violet by Mona Zandi Haghighi (Iran)
Waiting for Sunset by Carlo Enciso Catu (Philippines)
High Schools Award: African Violet by Mona Zandi Haghighi (Iran)
Audience Award for Documentary Films: A Road for Xiao Jiang by Jean-Michel Corillion
Youth...
- 2/15/2019
- by Don Anelli
- AsianMoviePulse
“My mother is all my life.”
In the constant stream of images of refugees making their way to Europe and the USA, we often tend to forget the stories behind the faces of the people we see on camera and newspaper articles. Since many young families, or the young fathers alone, start the sheer never-ending journey from Africa or Arab countries, their stories speak not only of the possibility of a future they want to create, but also the family they have left behind. Films such as Ai Weiwei’s documentary “Human Flow” or Philippe van Leeuw’s “Insyriated” are only two examples of artists who have decided to focus on these stories, these families and their conflicts, one which is after all ours as well.
In his second feature “Rona, Azim’s Mother” Afghan director Jamshid Mahmoudi tells one of these stories. Similar to his former feature “A Few...
In the constant stream of images of refugees making their way to Europe and the USA, we often tend to forget the stories behind the faces of the people we see on camera and newspaper articles. Since many young families, or the young fathers alone, start the sheer never-ending journey from Africa or Arab countries, their stories speak not only of the possibility of a future they want to create, but also the family they have left behind. Films such as Ai Weiwei’s documentary “Human Flow” or Philippe van Leeuw’s “Insyriated” are only two examples of artists who have decided to focus on these stories, these families and their conflicts, one which is after all ours as well.
In his second feature “Rona, Azim’s Mother” Afghan director Jamshid Mahmoudi tells one of these stories. Similar to his former feature “A Few...
- 2/7/2019
- by Rouven Linnarz
- AsianMoviePulse
The Vesoul International Film Festival of Asian Cinemas (February 5th to 12th 2019) is at the 25th edition and its rich new programme has just been revealed.
Created in 1995, the Vesoul International Film Festival of Asian Cinemas’s purpose is to present & promote the cinema of Asian territories, enhance intrcultural dialog and encourage the discovery of other cultures through cinema. The Festival also promotes its host city of Vesoul, the department of Haute-Saône and the Franche-Comté region.
To mention only few of the enthusiastic staff behind Fica, Martine Therouanne is the Festival Director, Jean-Marc Therouanne the General Manager / Communication and Bastian Meiresonne is the Artistic Director.
This year the Jury includes Fabien Baumann, Frédérique Schneider and our very own Panagiotis Kotzathanasis.
But let’s have a look now at the Programme 2019:
Fiction Feature Competition
Rona Azim’s Mother by Jamshid Mahmoudi – Afghanistan 2018 – European Premiere
Azim, an Afghan refugee, who works at the municipality at night,...
Created in 1995, the Vesoul International Film Festival of Asian Cinemas’s purpose is to present & promote the cinema of Asian territories, enhance intrcultural dialog and encourage the discovery of other cultures through cinema. The Festival also promotes its host city of Vesoul, the department of Haute-Saône and the Franche-Comté region.
To mention only few of the enthusiastic staff behind Fica, Martine Therouanne is the Festival Director, Jean-Marc Therouanne the General Manager / Communication and Bastian Meiresonne is the Artistic Director.
This year the Jury includes Fabien Baumann, Frédérique Schneider and our very own Panagiotis Kotzathanasis.
But let’s have a look now at the Programme 2019:
Fiction Feature Competition
Rona Azim’s Mother by Jamshid Mahmoudi – Afghanistan 2018 – European Premiere
Azim, an Afghan refugee, who works at the municipality at night,...
- 1/17/2019
- by Adriana Rosati
- AsianMoviePulse
Once upon a time, the quintessential foreign-language film submission was a sweeping epic or something to do with WWII. No longer. More challenging and topical pictures have been entered and ultimately rewarded. Think of last year’s Chilean winner, “A Fantastic Woman,” centered on a transgender character.
Among this year’s submissions from 87 countries are at least a baker’s dozen that address the current zeitgeist. There are films about refugees and immigrants, sexuality and gender, single fatherhood, the plight of the urban poor, protecting the environment, anti-Semitism, female sex workers, sexual harassment and civilians caught in current wars.
As the rights of transgender individuals become a politically fraught issue in the U.S., Belgium’s “Girl,” directed by Lukas Dhont, offers a sympathetic,
naturalistically drawn portrait of a still-transitioning 15-year-old who is working toward her dream of becoming a professional ballerina.
“ ‘Girl’ began [with] the need to say something about how we perceive gender,...
Among this year’s submissions from 87 countries are at least a baker’s dozen that address the current zeitgeist. There are films about refugees and immigrants, sexuality and gender, single fatherhood, the plight of the urban poor, protecting the environment, anti-Semitism, female sex workers, sexual harassment and civilians caught in current wars.
As the rights of transgender individuals become a politically fraught issue in the U.S., Belgium’s “Girl,” directed by Lukas Dhont, offers a sympathetic,
naturalistically drawn portrait of a still-transitioning 15-year-old who is working toward her dream of becoming a professional ballerina.
“ ‘Girl’ began [with] the need to say something about how we perceive gender,...
- 12/6/2018
- by Alissa Simon
- Variety Film + TV
Among the 87 entries this year, down five from 2017’s whopping 92, there are more documentaries than ever, plus two African countries submitting for the first time: Malawi and Niger. Here’s a guide to the films, including logline, sales, and production contact.
Afghanistan
“Rona, Azim’s Mother”
Director: Jamshid Mahmoudi
Logline: A touching drama set in the milieu of Afghan immigrants in Iran who lack full citizens’ rights, with laborer Azim struggling to care for his mother.
Key Cast: Mohsen Tanabandeh, Fatemeh Hosseini
Intl. Sales: Noori Pictures
Algeria
“Until the End of Time”
Director: Yasmine Chouikh
Logline: An elderly grave digger and a 60-something widow meet in the cemetery of Sidi Boulekbour and develop feelings for one another.
Key Cast: Djillali Boudjemaa, Djamila Arres
Intl. Sales: MakingOf Film
Argentina
“El Ángel”
Director: Luis Ortega
Logline: A portrait of the infamous teenage serial killer “The Angel of Death,” who took Argentina by...
Afghanistan
“Rona, Azim’s Mother”
Director: Jamshid Mahmoudi
Logline: A touching drama set in the milieu of Afghan immigrants in Iran who lack full citizens’ rights, with laborer Azim struggling to care for his mother.
Key Cast: Mohsen Tanabandeh, Fatemeh Hosseini
Intl. Sales: Noori Pictures
Algeria
“Until the End of Time”
Director: Yasmine Chouikh
Logline: An elderly grave digger and a 60-something widow meet in the cemetery of Sidi Boulekbour and develop feelings for one another.
Key Cast: Djillali Boudjemaa, Djamila Arres
Intl. Sales: MakingOf Film
Argentina
“El Ángel”
Director: Luis Ortega
Logline: A portrait of the infamous teenage serial killer “The Angel of Death,” who took Argentina by...
- 11/8/2018
- by Alissa Simon
- Variety Film + TV
Kim Jiseok Awards went to Jamshid Mahmoudi’s Rona, Azim’s Mother and Zhang Wei’s The Rib.
The 23rd Busan International Film Festival (Biff) wrapped on October 13 with the New Currents Awards going to Chinese director Cui Si Wei’s Savage and Korean filmmaker Kwon Man-ki’s Clean Up.
The New Currents jury, headed by Hong-Joon Kim with Nansun Shi, Jun Kunimura, Labina Mitevska and Nashen Moodley, unanimously awarded Savage as “a strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.”
They also unanimously awarded Clean Up, saying they...
The 23rd Busan International Film Festival (Biff) wrapped on October 13 with the New Currents Awards going to Chinese director Cui Si Wei’s Savage and Korean filmmaker Kwon Man-ki’s Clean Up.
The New Currents jury, headed by Hong-Joon Kim with Nansun Shi, Jun Kunimura, Labina Mitevska and Nashen Moodley, unanimously awarded Savage as “a strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.”
They also unanimously awarded Clean Up, saying they...
- 10/14/2018
- by Jean Noh
- ScreenDaily
Kim Jiseok Awards went to Jamshid Mahmoudi’s Rona, Azim’s Mother and Zhang Wei’s The Rib.
The 23rd Busan International Film Festival (Biff) wrapped on October 13 with the New Currents Awards going to Chinese director Cui Si Wei’s Savage and Korean filmmaker Kwon Man-ki’s Clean Up.
The New Currents jury, headed by Hong-Joon Kim with Nansun Shi, Jun Kunimura, Labina Mitevska and Nashen Moodley, unanimously awarded Savage as “a strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.”
They also unanimously awarded Clean Up, saying they...
The 23rd Busan International Film Festival (Biff) wrapped on October 13 with the New Currents Awards going to Chinese director Cui Si Wei’s Savage and Korean filmmaker Kwon Man-ki’s Clean Up.
The New Currents jury, headed by Hong-Joon Kim with Nansun Shi, Jun Kunimura, Labina Mitevska and Nashen Moodley, unanimously awarded Savage as “a strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.”
They also unanimously awarded Clean Up, saying they...
- 10/14/2018
- ScreenDaily
Chinese title “Savage” and Korean psychodrama “Clean Up” split the prizes in the main New Currents competition at the Busan International Film Festival. The prizes were announced on Saturday morning.
The Kim Ji-seok Award, named after the festival’s co-founder and head selector who died suddenly last year, was also shared. It went jointly to Jamshid Mahmoudi’s “Rona, Azim’s Mother” and to Zhang Wei’s drama about the clash between Christianity and a man who wants a sex change, “The Rib.”
Headed by Korean director Kim Hong-joon, the New Currents jury praised “Savage” as a “strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.” Of “Clean Up,” the jury said that the film was “original, surprising and deeply emotional, with detailed characterization, perfect control and masterful psychological development.” The jury included Japanese actor Kunimura Jun, Macedonian actress Labina Mitevska,...
The Kim Ji-seok Award, named after the festival’s co-founder and head selector who died suddenly last year, was also shared. It went jointly to Jamshid Mahmoudi’s “Rona, Azim’s Mother” and to Zhang Wei’s drama about the clash between Christianity and a man who wants a sex change, “The Rib.”
Headed by Korean director Kim Hong-joon, the New Currents jury praised “Savage” as a “strikingly accomplished and riveting first film, exhibiting a mastery of genre cinema, with multi-dimensional characters and thrilling action sequences.” Of “Clean Up,” the jury said that the film was “original, surprising and deeply emotional, with detailed characterization, perfect control and masterful psychological development.” The jury included Japanese actor Kunimura Jun, Macedonian actress Labina Mitevska,...
- 10/13/2018
- by Sonia Kil and Patrick Frater
- Variety Film + TV
Yesterday afternoon, the Academy of Motion Pictures Arts and Sciences announced which movies will be competing to win the Oscar for Best Foreign Language Feature. This first long list marks an important benchmark in the season. Yes, we can actually begin narrowing things down. To be fair, this is a category that doesn’t get the attention of Best Picture or Best Actor/Best Actress, but it’s still a big deal. The Academy has narrowed things down to 87 films, just shy of the record set last year. That many countries submitting movies for Oscar consideration is wonderful, especially since I’ve seen a handful of these and they’re largely excellent. The only notable exclusion was that Italy did not choose Happy as Lazarro to be their selection, despite the backing of Martin Scorsese and Netflix. That country opted for Dogman from Matteo Garrone, instead. Aside from that, it...
- 10/9/2018
- by Joey Magidson
- Hollywoodnews.com
‘Jirga’
Benjamin Gilmour’s Afghanistan-set drama Jirga will carry Australia’s hopes of being nominated for this year’s Best Foreign Language Film Oscar.
The international recognition as Australia’s official submission follows the film’s international premiere at the Toronto International Film Festival and winning the $100,000 best film prize, Australia’s richest, at CinfestOZ.
Produced and distributed by John Maynard, the film stars Sam Smith as a former Australian soldier who returns to Afghanistan seeking forgiveness and puts his life in the hands of the village justice system – the Jirga.
There are 87 countries vying for the prize, including first-time entrants Malawi and Niger and high-profile contenders such as Mexico’s Roma and Poland’s Cold War, both of which are hoping to break out of the foreign race and earn nominations for best picture, best director and more.
Gilmour said: “We are thrilled about the honour of representing Australia.
Benjamin Gilmour’s Afghanistan-set drama Jirga will carry Australia’s hopes of being nominated for this year’s Best Foreign Language Film Oscar.
The international recognition as Australia’s official submission follows the film’s international premiere at the Toronto International Film Festival and winning the $100,000 best film prize, Australia’s richest, at CinfestOZ.
Produced and distributed by John Maynard, the film stars Sam Smith as a former Australian soldier who returns to Afghanistan seeking forgiveness and puts his life in the hands of the village justice system – the Jirga.
There are 87 countries vying for the prize, including first-time entrants Malawi and Niger and high-profile contenders such as Mexico’s Roma and Poland’s Cold War, both of which are hoping to break out of the foreign race and earn nominations for best picture, best director and more.
Gilmour said: “We are thrilled about the honour of representing Australia.
- 10/8/2018
- by The IF Team
- IF.com.au
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
Eighty-seven countries have submitted films for consideration in the foreign language category for the 91st Academy Awards.
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
- 10/8/2018
- by Dave McNary
- Variety Film + TV
A whopping 87 countries submitted entries in the Foreign-Language Film race at the 2019 Oscars. That is down by five from last year’s record 92 submissions but up by two from 2017, which had broken the benchmark of 83 set in 2015. The nations represented ranged from A (Afghanistan) to Y (Yemen). Among the contenders is the Mexican entry “Roma” by Oscar winner Alfonso Cuaron (“Gravity”). This Venice Film Festival winner is a strong contender in both this and the Best Picture race at the Oscars.
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
- 10/8/2018
- by Paul Sheehan
- Gold Derby
The Academy of Motion Picture Arts and Sciences has announced the official list of submissions for the 2019 Oscar for best foreign language film. There are 87 countries vying for the prize this awards season, including first-time entrants Malawi and Niger. Included among the titles are high-profile contenders such as Mexico’s “Roma” and Poland’s “Cold War,” both of which are vying to break out of the foreign race and earn nominations for best picture, best director, and more.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
- 10/8/2018
- by Zack Sharf
- Indiewire
The Academy of Motion Picture Arts & Sciences announced today that 87 countries have qualified for this year’s Foreign Language Film competition. With some of the
strongest entries in recent years this is shaping up as one of the richest fields of contenders in memory. Of course one of the Netflix titles, Mexico’s Roma from director Alfonso Cuaron has been widely acclaimed at numerous festivals and already won top prize at Venice which makes it the front runner here. It is also expected to be in contention for a Best Picture nomination as well as other categories and that could enhance its chances. However could an upset be in the offing? I would say there are a number of equally fine movies in the mix here including Japan’s Cannes Palme d’Or winner, Shoplifters; Denmark’s riveting The Guilty; Germany’s epic Never Look Away from previous Oscar winner...
strongest entries in recent years this is shaping up as one of the richest fields of contenders in memory. Of course one of the Netflix titles, Mexico’s Roma from director Alfonso Cuaron has been widely acclaimed at numerous festivals and already won top prize at Venice which makes it the front runner here. It is also expected to be in contention for a Best Picture nomination as well as other categories and that could enhance its chances. However could an upset be in the offing? I would say there are a number of equally fine movies in the mix here including Japan’s Cannes Palme d’Or winner, Shoplifters; Denmark’s riveting The Guilty; Germany’s epic Never Look Away from previous Oscar winner...
- 10/8/2018
- by Pete Hammond
- Deadline Film + TV
Eighty-seven films have qualified in the 2018 Oscars race for Best Foreign Language Film, the Academy announced on Monday.
The number is five less than last year’s record of 92 entries, but significantly larger than the 60-odd qualifying films that were the norm only a few years ago. The 2018 race is also expected to be one of the most competitive in years, with a number of esteemed international directors and award-winning films competing for only nine spots on the shortlist and five nominations.
Los Angeles-based volunteers from all branches of the Academy will now watch all the eligible films at AMPAS screenings at the Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. This year, the Academy has made it easier to qualify to vote, dropping the number of films each voter must see from 17 or 18 down to 12 and eliminating the color-coded groups that made each voter...
The number is five less than last year’s record of 92 entries, but significantly larger than the 60-odd qualifying films that were the norm only a few years ago. The 2018 race is also expected to be one of the most competitive in years, with a number of esteemed international directors and award-winning films competing for only nine spots on the shortlist and five nominations.
Los Angeles-based volunteers from all branches of the Academy will now watch all the eligible films at AMPAS screenings at the Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. This year, the Academy has made it easier to qualify to vote, dropping the number of films each voter must see from 17 or 18 down to 12 and eliminating the color-coded groups that made each voter...
- 10/8/2018
- by Steve Pond
- The Wrap
Nine films chosen from Busan’s A Window on Asian cinema strand will vie for the festival’s annual Kim Ji-seok award this year.
Japan’s Kazuya Shiraishi, whose debut feature “Lost Paradise in Tokyo” was a Busan New Currents award nominee in 2009, is in the running for the Kim Ji-seok prize with “Dare to Stop Us,” pictured above. Award-winning Singaporean director Daniel Hui (“Snakeskin”) is in contention with “Demons”; China is repped by Zhan Wei’s “The Rib.”
India’s Devashish Makhija, whose “Ajji” premiered at Busan in 2017, is a nominee for “Bhonsle” this year, alongside compatriot Praveen Morchhale (“Walking With the Wind”) for “Widow of Silence.” Celebrated Sri Lankan filmmaker Asoka Handagama (“Let Her Cry”) is nominated for “Asandhimitta”; Indonesian filmmaker Ravi Bharwani (“The Rainmaker”) has “27 Steps of May” in the running.
Jamshid Mahmoudi, whose 2014 film “A Few Cubic Meters of Love” was Afghanistan’s entry to the foreign-language Oscar race,...
Japan’s Kazuya Shiraishi, whose debut feature “Lost Paradise in Tokyo” was a Busan New Currents award nominee in 2009, is in the running for the Kim Ji-seok prize with “Dare to Stop Us,” pictured above. Award-winning Singaporean director Daniel Hui (“Snakeskin”) is in contention with “Demons”; China is repped by Zhan Wei’s “The Rib.”
India’s Devashish Makhija, whose “Ajji” premiered at Busan in 2017, is a nominee for “Bhonsle” this year, alongside compatriot Praveen Morchhale (“Walking With the Wind”) for “Widow of Silence.” Celebrated Sri Lankan filmmaker Asoka Handagama (“Let Her Cry”) is nominated for “Asandhimitta”; Indonesian filmmaker Ravi Bharwani (“The Rainmaker”) has “27 Steps of May” in the running.
Jamshid Mahmoudi, whose 2014 film “A Few Cubic Meters of Love” was Afghanistan’s entry to the foreign-language Oscar race,...
- 10/4/2018
- by Naman Ramachandran
- Variety Film + TV
Spring is coming and the race is set for the Golden Gate Awards at the 58th San Francisco International Film Festival this year. Nine films will vie for the Gga Directors Prize for narrative feature: Iris Elezi's Bota, Juan Francisco Olea's El Cordero, Chaitanya Tamhane's Court, Jamshid Mahmoudi's A Few Cubic Meters Of Love (right), Diep Hoang Nguyen's Flapping In The Middle Of Nowhere, Philippe Lacôte's Run, Laura Bispuri's Sworn Virgin, Myroslav Slaboshpytskiy's The Trib…...
- 3/11/2015
- Deadline
Films will be competing for nearly $40,000 in total prizes in various narrative and documentary categories.
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
San Francisco Film Society has unveiled the films in competition for this year’s Golden Gate Awards (Gga).
Films from 20 countries will compete for nearly $40,000 in total prizes at this year’s San Francisco International Film Festival, running April 23-May 7.
The winners of the Gga New Directors Prize and the Gga Documentary Feature will each receive $10,000, while the Gga Bay Area Documentary Feature winner will receive $5,000. Independent juries will select the winners in all categories with the winners announced on May 6.
In addition, the Gga will include competitors in six short film categories. These films will be announced on March 31.
The full list of nominees is as follows:
2015 Gga New Directors Prize (Narrative Feature) COMPETITIONBota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American PremiereEl Cordero, Juan Francisco Olea, ChileCourt, Chaitanya Tamhane, India A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/AfghanistanFlapping...
- 3/11/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
The Palm Springs International Film Festival has increasingly become an important stop on the awards calendar for foreign language films. While the desert fest hands out an international critics prize, it’s more about the filmmakers getting a chance to rub shoulders with Academy members just before nominations ballots are due. The upcoming 26th annual fest is running January 2-12 and has announced the movies that will compete for the Fipresci prize in its Awards Buzz section. Fifty of the 83 official submissions for the Best Foreign Language Film Oscar are on the list with the titles chosen believed by festival programmers to be the strongest entries in this year’s Academy Awards race. A special jury of international film critics will screen the films and hand out a Fipresci for an individual title as well as Best Actor and Best Actress. While the fest doesn’t always match the eventual Oscar winner,...
- 12/2/2014
- by Nancy Tartaglione
- Deadline
The organisers of the 26th annual Palm Springs International Film Festival (Psiff) will screen 50 of the 83 foreign-language Oscar submissions.
A jury of international film critics will be convened to bestow the Fipresci Award for best foreign language film of the year, as well as best actor and best actress in this category.
Further film programmes will be announced in the coming weeks. Psiff is set to run from January 2-12.
The Awards Buzz selections in alphabetical order of country are:
A Few Cubic Meters Of Love (Afghanistan), Jamshid Mahmoudi:
Wild Tales (Argentina), Damián Szifrón;
Charlie’s Country (Australia), Rolf de Heer;
The Dark Valley (Austria), Andreas Prochaska;
Nabat (Azerbaijan), Elchin Musaoglu;
Two Days, One Night (Belgium-France-Italy), Jean-Pierre Dardenne, Luc Dardenne;
The Way He Looks (Brazil), Daniel Ribeiro;
Mommy (Canada), Xavier Dolan;
To Kill A Man (Chile), Alejandro Fernández Almendras;
The Nightingale (China), Philippe Muyl;
Mateo (Colombia), Maria Gamboa;
Cowboys (Croatia), Tomislav Mršić;
Behavior (Cuba), Director [link=nm...
A jury of international film critics will be convened to bestow the Fipresci Award for best foreign language film of the year, as well as best actor and best actress in this category.
Further film programmes will be announced in the coming weeks. Psiff is set to run from January 2-12.
The Awards Buzz selections in alphabetical order of country are:
A Few Cubic Meters Of Love (Afghanistan), Jamshid Mahmoudi:
Wild Tales (Argentina), Damián Szifrón;
Charlie’s Country (Australia), Rolf de Heer;
The Dark Valley (Austria), Andreas Prochaska;
Nabat (Azerbaijan), Elchin Musaoglu;
Two Days, One Night (Belgium-France-Italy), Jean-Pierre Dardenne, Luc Dardenne;
The Way He Looks (Brazil), Daniel Ribeiro;
Mommy (Canada), Xavier Dolan;
To Kill A Man (Chile), Alejandro Fernández Almendras;
The Nightingale (China), Philippe Muyl;
Mateo (Colombia), Maria Gamboa;
Cowboys (Croatia), Tomislav Mršić;
Behavior (Cuba), Director [link=nm...
- 12/2/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Every year Hollywood gets a curated batch of films from dozens of countries seeking an Academy Award nomination for Best Foreign Language Film. One film per nation is chosen to represent the best of its cinematic production during the previous year. Certainly the chosen film is not always the ideal candidate, but the reasoning behind the selection usually follows two patterns: there are countries that go with the best film even if this is not the most appealing choice and there are countries that go with the most ambitious, industry-friendly, and financially successful work. This year the astonishing number of submissions – a total of 83 – makes for an incredible list of films that range from those that sport festival pedigree of the highest caliber, unknown gems looking for an audience, expensive visual achievements, and obscure art house hopefuls.
This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).
With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.
Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.
Period Dramas/Biopics
Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”
Masters and Festival Winners
Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.
Out of the Box
Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.
Documentaries
Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.
Lgbt
Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.
Surprising Choices
As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.
First Timers
The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.
Female Directors
Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”
U.S. Distribution
Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”
To see which distribution company has each of these films please refer to the list below.
Afghanistan
"A Few Cubic Meters of Love" (چند متر مکعب عشق)
Dir: Jamshid Mahmoudi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Austria
"The Dark Valley" (Das finstere Tal)
Dir: Andreas Prochaska
Language: German
U.S Distribution: Film Movement
Isa: Films Distribution
Trailer
Australia
"Charlie's Country"
Dir: Rolf de Heer
Language: Yolŋu Matha/English
U.S Distribution: None Yet
Isa: Visit Films
Trailer
Azerbaijan
"Nabat"
Dir: Elcin Musaoglu
Language: Azerbaijani
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Bangladesh
"Glow of the Firefly" (Jonakir Alo)
Dir: Khalid Mahmood Mithu
Language: Bengali
U.S Distribution: None Yet
PC: Impress Telefilm
Trailer
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Bolivia
"Forgotten" (Olvidados)
Dir: Carlos Bolado
Language: Spanish
U.S Distribution: None Yet
PC: Flor de Loto Pictures
Trailer
Bosnia & Herzegovina
"With Mom" (Sa mamom)
Dir: Faruk Loncarevic
Language: Bosnian
U.S Distribution: None Yet
PC: Scca/pro.ba
TraileR
Brazil
"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
Dir: Daniel Ribeiro
Language: Portuguese
U.S Distribution: Strand Releasing
Isa: Films Boutique Trailer
Bulgaria
"Bulgarian Rhapsody" (българска рапсодия)
Dir: Ivan Nitchev
Language: Bulgarian
U.S Distribution: None Yet
PC: Cinepaz Eood
Trailer
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Chile
"To Kill a Man" (Matar a un Hombre)
Dir: Alejandro Fernández Almendras
Language: Spanish
U.S Distribution: Film Movement
Isa: Film Factory Entertainment
Trailer
China
"The Nightingale" (夜莺/Le promeneur d'oiseau)
Dir: Philippe Muyl
Language: Mandarin
U.S Distribution: None Yet
Isa: Kinology
Trailer
Colombia
"Mateo"
Dir: Maria Gamboa ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Alpha Violet
Trailer
Costa Rica
"Red Princesses" (Princesas Rojas)
Dir: Laura Astorga ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films Trailer
Croatia
"Cowboys" (Kauboji)
Dir: Tomislav Mrsic
Language: Croatian
U.S Distribution: None Yet
Isa: Wide
Trailer
Cuba
"Behavior" (Conducta)
Dir: Ernesto Daranas
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films
Trailer
Czech Republic
"Fair Play"
Dir: Andrea Sedlácková Andrea Sedlácková
Language: Czech
U.S Distribution: None Yet
Isa: IntraMovies
Trailer
Denmark
"Sorrow and Joy" (Sorg og glæde)
Dir: Nils Malmros
Language: Danish
U.S Distribution: None Yet
PC: Nordisk Film Production
Trailer
Dominican Republic
"Cristo Rey"
Dir: Leticia Tonos ♀
Language: Spanish
U.S Distribution: None Yet
Isa: The Little Film Company
Trailer
Ecuador
"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
Dir: Tito Molina
Language: Spanish
U.S Distribution: None Yet
PC: La Facultad
Trailer
Egypt
"Factory Girl" (فتاة المصنع )
Dir: Mohamed Khan
Language: Arabic
U.S Distribution: None Yet
PC: DayDream Art Production
Trailer
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Ethiopia
"Difret"
Dir: Zeresenay Mehari
Language: Amharic
U.S Distribution: None Yet
Isa: Films Boutique Trailer
Finland
"Concrete Night" (Betoniyö)
Dir: Pirjo Honkasalo ♀
Language: Finnish
U.S Distribution: None Yet
Isa: Film Republic Trailer
France
"Saint Laurent"
Dir: Bertrand Bonello
Language: French
U.S Distribution: Sony Pictures Classics
Isa: Europacorp
Trailer
Georgia
"Corn Island" (სიმინდის კუნძული)
Dir: George Ovashvili
Language: Georgian/Abkhazian/Russian
U.S Distribution: None Yet
Isa: Arizona Productions
Trailer
Germany
"Beloved Sisters" (Die geliebten Schwestern)
Dir: Dominik Graf
Language: German /French
U.S Distribution: Music Box Films
Isa: Global Screen
Trailer
Greece
"Little England" (Μικρά Αγγλία)
Dir: Pantelis Voulgaris
Language: Greek
U.S Distribution: None Yet
PC: Black Orange
Trailer
Hong Kong
"The Golden Era" (黄金时代)
Dir: Ann Hui ♀
Language: Mandarin
U.S Distribution: None Yet
Isa: Edko Films
Trailer
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Iceland
"Life in a Fishbowl" (Vonarstræti)
Dir: Baldvin Zophoníasson
Language: None Yet
U.S Distribution: None Yet
Isa: Films Boutique Trailer
India
"Liar's Dice" (लायर्स डाइस)
Dir: Geethu Mohandas ♀
Language: Hindi
U.S Distribution: None Yet
PC: Jar Pictures Trailer
Indonesia
"Soekarno"
Dir: Hanung Bramantyo
Language: Indonesian
U.S Distribution: None Yet
PC: Mvp Pictures
Trailer
Iran
"Today" (امروز )
Dir: Reza Mirkarimi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Iraq
"Mardan"
Dir: Batin Ghobadi
Language: Kurdish
U.S Distribution: None Yet
Isa: Versatile Trailer
Ireland
"The Gift" (An Bronntanas)
Dir: Tom Collins
Language: Irish/English
U.S Distribution: None Yet
PC: Rosg/De Facto Films
Trailer
Israel
"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Italy
"Human Capital" (Il Capitale Umano)
Dir: Paolo Virzì
Language: Italian
U.S Distribution: Film Movement
PC: Indiana Production Company
Trailer
Japan
"The Light Shines Only There" (そこのみにて光輝く)
Dir: Mipo Oh ♀
Language: Japanese
U.S Distribution: None Yet
Isa: Open Sesame
Trailer
Kosovo
"Three Windows and a Hanging" (Tri Dritare dhe një Varje)
Dir: Isa Qosja
Language: Albanian
U.S Distribution: None Yet
PC: CMb Productions
Trailer
Kyrgyzstan
"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)
Dir: Sadyk Sher-Niyaz
Language: Kirghiz
U.S Distribution: None Yet
PC: Aitysh Film
Trailer
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Lebanon
"Ghadi" (غدي)
Dir: Amin Dora
Language: Arabic
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
Lithuania
"The Gambler" (Lošėjas)
Dir: Ignas Jonynas
Language: Lithuanian
U.S Distribution: None Yet
Isa: Wide
Trailer
Luxembourg
"Never Die Young"
Dir: Pol Cruchten
Language: French
U.S Distribution: None Yet
Isa: EastWest Distribution
Trailer
MacEdonia
"To the Hilt" (До балчак)
Dir: Stole Popov
Language: Macedonian/French/English/ Turkish
U.S Distribution: None Yet
PC: Triangle Film- Skopje
Trailer
Malta
"Simshar"
Dir: Rebecca Cremona ♀
Language: Maltese
U.S Distribution: None Yet
PC: Kukumajsa Productions
Trailer
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Mexico
"Cantinflas"
Dir: Sebastian del Amo
Language: Spanish/English
U.S Distribution: Pantelion Films
Isa: 6 Sales
Trailer
Moldova
"The Unsaved" (La Limita de Jos a Cerului)
Dir: Igor Cobileanski
Language: Romanian
U.S Distribution: None Yet
Isa: Insomnia World Sales Trailer
Montenegro
"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)
Dir: Nikola Vukcevic
Language: Serbian
U.S Distribution: None Yet
PC: Artikulacija Production
Trailer
Morocco
"The Red Moon" (القمر الأحمر)
Dir: Hassan Benjelloun
Language: Arabic
U.S Distribution: None Yet
PC: Bentaqerla
Trailer
Nepal
"Jhola" (झोला)
Dir: Yadav Kumar Bhattarai
Language: Nepali
U.S Distribution: None Yet
PC: Media for Culture
Trailer
The Netherlands
"Accused" (Lucia de B.)
Dir: Paula van der Oest ♀
Language: Dutch
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
New Zealand
"The Dead Lands"
Dir: Toa Fraser
Language: Maori
U.S Distribution: None Yet
Isa: Xyz Films
Trailer
Norway
"1001 Grams" (1001 Gram)
Dir: Bent Hamer
Language: Norwegian/French/ English
U.S Distribution: Kino Lorber
Isa: Les Films du Losange
Trailer
Pakistan
"Dukhtar" (دختر، بیٹی)
Dir: Afia Nathaniel ♀
Language: Urdu
U.S Distribution: None Yet
PC: Zambeel Films
Trailer
Palestine
"Eyes of a Thief" (عيون الحراميه)
Dir: Najwa Najjar ♀
Language: Arabic
U.S Distribution: None Yet
PC: Ustura Films Trailer
Panama
"Invasion" (Invasión)
Dir: Abner Benaim
Language: Spanish
U.S Distribution: None Yet
Isa: Apertura Films Trailer
Peru
"The Gospel of the Flesh" (El Evangelio de la Carne)
Dir: Eduardo Mendoza de Echave
Language: Spanish
U.S Distribution: None Yet
PC: La Soga Producciones
Trailer
The Philippines
"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)
Dir: Lav Diaz
Language: Tagalog/English
U.S Distribution: The Cinema Guild
Isa: M-Appeal World Sales
Trailer
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Portugal
"What Now? Remind Me" (E Agora? Lembra-me)
Dir: Joaquim Pinto
Language: Portuguese
U.S Distribution: The Cinema Guild
PC: C.R.I.M Productions
Trailer
Romania
"The Japanese Dog" (Câinele Japonez)
Dir: Tudor Cristian Jurgiu
Language: Romanian/Japanese
U.S Distribution: None Yet
Isa: M-Appeal World Sales
Trailer
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Serbia
"See You in Montevideo" (Montevideo, vidimo se!)
Dir: Dragan Bjelogrlic
Language: Serbian/Spanish/ English
U.S Distribution: None Yet
PC: Intermedia Network
Trailer
Singapore
"Sayang Disayang"
Dir: Sanif Olek
Language: Malay/Indonesian
U.S Distribution: None Yet
PC: ReelJuice
Trailer
Slovakia
"A Step Into the Dark" (Krok do tmy)
Dir: Miloslav Luther
Language: Slovak
U.S Distribution: None Yet
PC: Trigon Production Trailer
Slovenia
"Seduce Me" (Zapelji me)
Dir: Marko Santic
Language: Slovenian
U.S Distribution: None Yet
PC: Radio-Television Slovenia
Trailer
South Africa
"Elelwani"
Dir: Ntshaveni Wa Luruli
Language: Venda
U.S Distribution: None Yet
Isa: EastWest FilmDistribution
Trailer
South Korea
"Haemoo" (해무)
Dir: Sung Bo Shim
Language: Korean
U.S Distribution: None Yet
Isa: Finecut
Trailer
Spain
"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)
Dir: David Trueba
Language: Spanish
U.S Distribution: Outsider Pictures
Isa: 6 Sales
Trailer
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Switzerland
"The Circle" (Der Kreis)
Dir: Stefan Haupt
Language: Swiss German/ German/ French
U.S Distribution: Wolfe Video
Isa: Wide House
Trailer
Taiwan
"Ice Poison" (冰毒)
Dir: Midi Z.
Language: Burmese/Chinese
U.S Distribution: None Yet
Isa: Flash Forward Enterteinment
Trailer
Thailand
"The Teacher's Diary" (คิดถึงวิทยา)
Dir: Nithiwat Tharathorn
Language: Thai
U.S Distribution: None Yet
Isa: Gth
Trailer
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Ukraine
"The Guide" (Поводир)
Dir: Oles Sanin
Language: Ukrainian/Russia/English
U.S Distribution: None Yet
PC: Pronto Film
Trailer
United Kingdom
"Little Happiness" (Uzun Yol)
Dir: Nihat Seven
Language: Turkish
U.S Distribution: None Yet
Isa: 7&7 Producers' Sales Services
Trailer
Uruguay
"Mr. Kaplan"
Dir: Álvaro Brechner
Language: Spanish
U.S Distribution: None Yet
Isa: Memento Films International
Trailer
Venezuela
"The Liberator" (Libertador)
Dir: Alberto Arvelo
Language: Spanish/English/ French
U.S Distribution: Cohen Media Group
Isa: Mundial
Trailer...
This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).
With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.
Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.
Period Dramas/Biopics
Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”
Masters and Festival Winners
Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.
Out of the Box
Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.
Documentaries
Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.
Lgbt
Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.
Surprising Choices
As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.
First Timers
The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.
Female Directors
Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”
U.S. Distribution
Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”
To see which distribution company has each of these films please refer to the list below.
Afghanistan
"A Few Cubic Meters of Love" (چند متر مکعب عشق)
Dir: Jamshid Mahmoudi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Austria
"The Dark Valley" (Das finstere Tal)
Dir: Andreas Prochaska
Language: German
U.S Distribution: Film Movement
Isa: Films Distribution
Trailer
Australia
"Charlie's Country"
Dir: Rolf de Heer
Language: Yolŋu Matha/English
U.S Distribution: None Yet
Isa: Visit Films
Trailer
Azerbaijan
"Nabat"
Dir: Elcin Musaoglu
Language: Azerbaijani
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Bangladesh
"Glow of the Firefly" (Jonakir Alo)
Dir: Khalid Mahmood Mithu
Language: Bengali
U.S Distribution: None Yet
PC: Impress Telefilm
Trailer
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Bolivia
"Forgotten" (Olvidados)
Dir: Carlos Bolado
Language: Spanish
U.S Distribution: None Yet
PC: Flor de Loto Pictures
Trailer
Bosnia & Herzegovina
"With Mom" (Sa mamom)
Dir: Faruk Loncarevic
Language: Bosnian
U.S Distribution: None Yet
PC: Scca/pro.ba
TraileR
Brazil
"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
Dir: Daniel Ribeiro
Language: Portuguese
U.S Distribution: Strand Releasing
Isa: Films Boutique Trailer
Bulgaria
"Bulgarian Rhapsody" (българска рапсодия)
Dir: Ivan Nitchev
Language: Bulgarian
U.S Distribution: None Yet
PC: Cinepaz Eood
Trailer
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Chile
"To Kill a Man" (Matar a un Hombre)
Dir: Alejandro Fernández Almendras
Language: Spanish
U.S Distribution: Film Movement
Isa: Film Factory Entertainment
Trailer
China
"The Nightingale" (夜莺/Le promeneur d'oiseau)
Dir: Philippe Muyl
Language: Mandarin
U.S Distribution: None Yet
Isa: Kinology
Trailer
Colombia
"Mateo"
Dir: Maria Gamboa ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Alpha Violet
Trailer
Costa Rica
"Red Princesses" (Princesas Rojas)
Dir: Laura Astorga ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films Trailer
Croatia
"Cowboys" (Kauboji)
Dir: Tomislav Mrsic
Language: Croatian
U.S Distribution: None Yet
Isa: Wide
Trailer
Cuba
"Behavior" (Conducta)
Dir: Ernesto Daranas
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films
Trailer
Czech Republic
"Fair Play"
Dir: Andrea Sedlácková Andrea Sedlácková
Language: Czech
U.S Distribution: None Yet
Isa: IntraMovies
Trailer
Denmark
"Sorrow and Joy" (Sorg og glæde)
Dir: Nils Malmros
Language: Danish
U.S Distribution: None Yet
PC: Nordisk Film Production
Trailer
Dominican Republic
"Cristo Rey"
Dir: Leticia Tonos ♀
Language: Spanish
U.S Distribution: None Yet
Isa: The Little Film Company
Trailer
Ecuador
"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
Dir: Tito Molina
Language: Spanish
U.S Distribution: None Yet
PC: La Facultad
Trailer
Egypt
"Factory Girl" (فتاة المصنع )
Dir: Mohamed Khan
Language: Arabic
U.S Distribution: None Yet
PC: DayDream Art Production
Trailer
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Ethiopia
"Difret"
Dir: Zeresenay Mehari
Language: Amharic
U.S Distribution: None Yet
Isa: Films Boutique Trailer
Finland
"Concrete Night" (Betoniyö)
Dir: Pirjo Honkasalo ♀
Language: Finnish
U.S Distribution: None Yet
Isa: Film Republic Trailer
France
"Saint Laurent"
Dir: Bertrand Bonello
Language: French
U.S Distribution: Sony Pictures Classics
Isa: Europacorp
Trailer
Georgia
"Corn Island" (სიმინდის კუნძული)
Dir: George Ovashvili
Language: Georgian/Abkhazian/Russian
U.S Distribution: None Yet
Isa: Arizona Productions
Trailer
Germany
"Beloved Sisters" (Die geliebten Schwestern)
Dir: Dominik Graf
Language: German /French
U.S Distribution: Music Box Films
Isa: Global Screen
Trailer
Greece
"Little England" (Μικρά Αγγλία)
Dir: Pantelis Voulgaris
Language: Greek
U.S Distribution: None Yet
PC: Black Orange
Trailer
Hong Kong
"The Golden Era" (黄金时代)
Dir: Ann Hui ♀
Language: Mandarin
U.S Distribution: None Yet
Isa: Edko Films
Trailer
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Iceland
"Life in a Fishbowl" (Vonarstræti)
Dir: Baldvin Zophoníasson
Language: None Yet
U.S Distribution: None Yet
Isa: Films Boutique Trailer
India
"Liar's Dice" (लायर्स डाइस)
Dir: Geethu Mohandas ♀
Language: Hindi
U.S Distribution: None Yet
PC: Jar Pictures Trailer
Indonesia
"Soekarno"
Dir: Hanung Bramantyo
Language: Indonesian
U.S Distribution: None Yet
PC: Mvp Pictures
Trailer
Iran
"Today" (امروز )
Dir: Reza Mirkarimi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Iraq
"Mardan"
Dir: Batin Ghobadi
Language: Kurdish
U.S Distribution: None Yet
Isa: Versatile Trailer
Ireland
"The Gift" (An Bronntanas)
Dir: Tom Collins
Language: Irish/English
U.S Distribution: None Yet
PC: Rosg/De Facto Films
Trailer
Israel
"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Italy
"Human Capital" (Il Capitale Umano)
Dir: Paolo Virzì
Language: Italian
U.S Distribution: Film Movement
PC: Indiana Production Company
Trailer
Japan
"The Light Shines Only There" (そこのみにて光輝く)
Dir: Mipo Oh ♀
Language: Japanese
U.S Distribution: None Yet
Isa: Open Sesame
Trailer
Kosovo
"Three Windows and a Hanging" (Tri Dritare dhe një Varje)
Dir: Isa Qosja
Language: Albanian
U.S Distribution: None Yet
PC: CMb Productions
Trailer
Kyrgyzstan
"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)
Dir: Sadyk Sher-Niyaz
Language: Kirghiz
U.S Distribution: None Yet
PC: Aitysh Film
Trailer
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Lebanon
"Ghadi" (غدي)
Dir: Amin Dora
Language: Arabic
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
Lithuania
"The Gambler" (Lošėjas)
Dir: Ignas Jonynas
Language: Lithuanian
U.S Distribution: None Yet
Isa: Wide
Trailer
Luxembourg
"Never Die Young"
Dir: Pol Cruchten
Language: French
U.S Distribution: None Yet
Isa: EastWest Distribution
Trailer
MacEdonia
"To the Hilt" (До балчак)
Dir: Stole Popov
Language: Macedonian/French/English/ Turkish
U.S Distribution: None Yet
PC: Triangle Film- Skopje
Trailer
Malta
"Simshar"
Dir: Rebecca Cremona ♀
Language: Maltese
U.S Distribution: None Yet
PC: Kukumajsa Productions
Trailer
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Mexico
"Cantinflas"
Dir: Sebastian del Amo
Language: Spanish/English
U.S Distribution: Pantelion Films
Isa: 6 Sales
Trailer
Moldova
"The Unsaved" (La Limita de Jos a Cerului)
Dir: Igor Cobileanski
Language: Romanian
U.S Distribution: None Yet
Isa: Insomnia World Sales Trailer
Montenegro
"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)
Dir: Nikola Vukcevic
Language: Serbian
U.S Distribution: None Yet
PC: Artikulacija Production
Trailer
Morocco
"The Red Moon" (القمر الأحمر)
Dir: Hassan Benjelloun
Language: Arabic
U.S Distribution: None Yet
PC: Bentaqerla
Trailer
Nepal
"Jhola" (झोला)
Dir: Yadav Kumar Bhattarai
Language: Nepali
U.S Distribution: None Yet
PC: Media for Culture
Trailer
The Netherlands
"Accused" (Lucia de B.)
Dir: Paula van der Oest ♀
Language: Dutch
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
New Zealand
"The Dead Lands"
Dir: Toa Fraser
Language: Maori
U.S Distribution: None Yet
Isa: Xyz Films
Trailer
Norway
"1001 Grams" (1001 Gram)
Dir: Bent Hamer
Language: Norwegian/French/ English
U.S Distribution: Kino Lorber
Isa: Les Films du Losange
Trailer
Pakistan
"Dukhtar" (دختر، بیٹی)
Dir: Afia Nathaniel ♀
Language: Urdu
U.S Distribution: None Yet
PC: Zambeel Films
Trailer
Palestine
"Eyes of a Thief" (عيون الحراميه)
Dir: Najwa Najjar ♀
Language: Arabic
U.S Distribution: None Yet
PC: Ustura Films Trailer
Panama
"Invasion" (Invasión)
Dir: Abner Benaim
Language: Spanish
U.S Distribution: None Yet
Isa: Apertura Films Trailer
Peru
"The Gospel of the Flesh" (El Evangelio de la Carne)
Dir: Eduardo Mendoza de Echave
Language: Spanish
U.S Distribution: None Yet
PC: La Soga Producciones
Trailer
The Philippines
"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)
Dir: Lav Diaz
Language: Tagalog/English
U.S Distribution: The Cinema Guild
Isa: M-Appeal World Sales
Trailer
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Portugal
"What Now? Remind Me" (E Agora? Lembra-me)
Dir: Joaquim Pinto
Language: Portuguese
U.S Distribution: The Cinema Guild
PC: C.R.I.M Productions
Trailer
Romania
"The Japanese Dog" (Câinele Japonez)
Dir: Tudor Cristian Jurgiu
Language: Romanian/Japanese
U.S Distribution: None Yet
Isa: M-Appeal World Sales
Trailer
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Serbia
"See You in Montevideo" (Montevideo, vidimo se!)
Dir: Dragan Bjelogrlic
Language: Serbian/Spanish/ English
U.S Distribution: None Yet
PC: Intermedia Network
Trailer
Singapore
"Sayang Disayang"
Dir: Sanif Olek
Language: Malay/Indonesian
U.S Distribution: None Yet
PC: ReelJuice
Trailer
Slovakia
"A Step Into the Dark" (Krok do tmy)
Dir: Miloslav Luther
Language: Slovak
U.S Distribution: None Yet
PC: Trigon Production Trailer
Slovenia
"Seduce Me" (Zapelji me)
Dir: Marko Santic
Language: Slovenian
U.S Distribution: None Yet
PC: Radio-Television Slovenia
Trailer
South Africa
"Elelwani"
Dir: Ntshaveni Wa Luruli
Language: Venda
U.S Distribution: None Yet
Isa: EastWest FilmDistribution
Trailer
South Korea
"Haemoo" (해무)
Dir: Sung Bo Shim
Language: Korean
U.S Distribution: None Yet
Isa: Finecut
Trailer
Spain
"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)
Dir: David Trueba
Language: Spanish
U.S Distribution: Outsider Pictures
Isa: 6 Sales
Trailer
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Switzerland
"The Circle" (Der Kreis)
Dir: Stefan Haupt
Language: Swiss German/ German/ French
U.S Distribution: Wolfe Video
Isa: Wide House
Trailer
Taiwan
"Ice Poison" (冰毒)
Dir: Midi Z.
Language: Burmese/Chinese
U.S Distribution: None Yet
Isa: Flash Forward Enterteinment
Trailer
Thailand
"The Teacher's Diary" (คิดถึงวิทยา)
Dir: Nithiwat Tharathorn
Language: Thai
U.S Distribution: None Yet
Isa: Gth
Trailer
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Ukraine
"The Guide" (Поводир)
Dir: Oles Sanin
Language: Ukrainian/Russia/English
U.S Distribution: None Yet
PC: Pronto Film
Trailer
United Kingdom
"Little Happiness" (Uzun Yol)
Dir: Nihat Seven
Language: Turkish
U.S Distribution: None Yet
Isa: 7&7 Producers' Sales Services
Trailer
Uruguay
"Mr. Kaplan"
Dir: Álvaro Brechner
Language: Spanish
U.S Distribution: None Yet
Isa: Memento Films International
Trailer
Venezuela
"The Liberator" (Libertador)
Dir: Alberto Arvelo
Language: Spanish/English/ French
U.S Distribution: Cohen Media Group
Isa: Mundial
Trailer...
- 11/11/2014
- by Carlos Aguilar
- Sydney's Buzz
Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner among critics choices.
This year’s Talinn Black Nights Film Festival (Nov 13 – 30) will host a strand of 13 films curated by Screen International critics.
The strand includes Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner, The Tribe and ‘71.
Wendy Mitchell, editor of Screen International commented: “Screen International is proud to present our Critics Choice at Tallinn’s Black Nights Film Festival. 2014 has been a banner year for filmmaking, as evidenced by the diversity and quality of the global films our critics have championed, everything from the showbiz skewering of Birdman to a remarkable Ukrainian dialogue-free thriller, the Tribe.”
Screen International critics’ selection in the programme of Black Nights:
• “Tales” (Iran / director Rakhshan Bani Etemad)
• “Black Souls” (Italy / director Francesco Munzi)
• “The Wonders” (Italy, Switzerland / director Alice Rohrwac)
• “Eden” (France / director Mia Hansen Love)
• “A Pigeon sat on a branch reflecting on existence” (Sweden, Germany, Norway, France / director Roy Andersson)
• “Mr Turner” (United Kingdom / director...
This year’s Talinn Black Nights Film Festival (Nov 13 – 30) will host a strand of 13 films curated by Screen International critics.
The strand includes Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner, The Tribe and ‘71.
Wendy Mitchell, editor of Screen International commented: “Screen International is proud to present our Critics Choice at Tallinn’s Black Nights Film Festival. 2014 has been a banner year for filmmaking, as evidenced by the diversity and quality of the global films our critics have championed, everything from the showbiz skewering of Birdman to a remarkable Ukrainian dialogue-free thriller, the Tribe.”
Screen International critics’ selection in the programme of Black Nights:
• “Tales” (Iran / director Rakhshan Bani Etemad)
• “Black Souls” (Italy / director Francesco Munzi)
• “The Wonders” (Italy, Switzerland / director Alice Rohrwac)
• “Eden” (France / director Mia Hansen Love)
• “A Pigeon sat on a branch reflecting on existence” (Sweden, Germany, Norway, France / director Roy Andersson)
• “Mr Turner” (United Kingdom / director...
- 10/27/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
x
A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.
The 2014 submissions are:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić,...
A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.
The 2014 submissions are:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić,...
- 10/10/2014
- by Michelle McCue
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan's Canadian drama Mommy, a favorite at this year's Cannes, Sweden's Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes. Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last...
- 10/9/2014
- by Jake Perlman
- EW - Inside Movies
The Academy of Motion Picture Arts and Sciences has released the list of submissions for the 2015 Best Foreign Language Film Academy Award. According to the Academy's press release, a record 83 countries have submitted films for consideration, including first-timers Kosovo, Malta, Mauritania, and Panama. Now, if only all those movies were made available for online viewing — or at least on DVD (outside of their respective countries). The 2015 Oscar nominations will be announced live on Thursday, January 15, at 5:30 a.m. Pt in the Academy's Samuel Goldwyn Theater in Beverly Hills. The 2015 Oscar ceremony will be held on Sunday, February 22, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. In the United States, the Oscarcast will be televised live by ABC; additionally, the Oscars will be televised live in more than 225 countries and territories worldwide. See below the full list of 2015 Best Foreign Language Film Oscar submissions. Afghanistan, A Few Cubic Meters of Love,...
- 10/9/2014
- by Steve Montgomery
- Alt Film Guide
The Academy has announced the complete list of 2015 Foreign Language Oscar contenders for the 2015 Oscar awards and again its a new record, topping last year's record 76 submissions, this year the list reaches 83 total submissions. Kosovo, Malta, Mauritania and Panama are first-time entrants. I've seen a few more on the list than I did last year and I actually have to assume with the buzz from those I've seen they may end up being major players. I'm particularly happy to see Xavier Dolan's Mommy in the field from Canada and it's great seeing the hilarious Wild Tales submitted by Argentina. The Russian submission of Leviathan (Leviafan) came, I think, as a bit of a surprise to everyone considering its subject matter, which could be looked at as critical of its native country. The Dardennes' Two Days, One Night has received a lot of acclaim everywhere it has played and we...
- 10/9/2014
- by Brad Brevet
- Rope of Silicon
- 10/9/2014
- by Sasha Stone
- AwardsDaily.com
The Academy has received a record 83 submissions for the Best Foreign-Language Film Oscar.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
The 2014 submissions are (in alphabetical order of country):
Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi
Argentina, Wild Tales, Damián Szifrón
Australia, Charlie’s Country, Rolf de Heer
Austria, The Dark Valley, Andreas Prochaska
Azerbaijan, Nabat, Elchin Musaoglu
Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu
Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne
Bolivia, Forgotten, Carlos Bolado
Bosnia and Herzegovina, With Mom, Faruk Lončarevič
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Canada, Mommy, Xavier Dolan
Chile, To Kill A...
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
The 2014 submissions are (in alphabetical order of country):
Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi
Argentina, Wild Tales, Damián Szifrón
Australia, Charlie’s Country, Rolf de Heer
Austria, The Dark Valley, Andreas Prochaska
Azerbaijan, Nabat, Elchin Musaoglu
Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu
Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne
Bolivia, Forgotten, Carlos Bolado
Bosnia and Herzegovina, With Mom, Faruk Lončarevič
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Canada, Mommy, Xavier Dolan
Chile, To Kill A...
- 10/9/2014
- ScreenDaily
Keeping track of the Foreign Language submissions for the Oscars each year is something I constantly forget to keep on top of, but I have just done a full update as we are now up to 56 total submissions, only 20 shy of last year's record-breaking 76 submissions with only eight days to go before the October 1 submission deadline. Notable new entries on the list include Belguim's submission of Jean-Pierre and Luc Dardenne's festival favorite Two Days, One Night as well as Canada submitting Xavier Dolan's Mommy, which knocked the socks of Cannes audiences and did the same to me in Toronto this year (read my review here). It should also be noted France has submitted Bertrand Bonello's Saint Laurent instead of last year's buzzy title Blue is the Warmest Color, which missed the release date cut off date last year, making it eligible for this year's Oscars, but the...
- 9/23/2014
- by Brad Brevet
- Rope of Silicon
Entries for the Best Foreign-Language Film at the Academy Awards 2015.
Submissions for the Best Foreign-Language Film at the 87th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
This year’s nominations must be submitted by Oct 1.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
Afghanistan, A Few Cubic Meters of Love, Jamshid Mahmoudi
Austria, The Dark Valley, Andreas Prochaska
Bolivia, Olvidados, Carlos Bolado
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Chile, To Kill a Man, Alejandro Fernández Almendras
Colombia, Mateo, Maria Gamboa
Croatia, Cowboys, Tomislav Mršić
Czech Republic, Fair Play, Andrea...
Submissions for the Best Foreign-Language Film at the 87th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
This year’s nominations must be submitted by Oct 1.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
Afghanistan, A Few Cubic Meters of Love, Jamshid Mahmoudi
Austria, The Dark Valley, Andreas Prochaska
Bolivia, Olvidados, Carlos Bolado
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Chile, To Kill a Man, Alejandro Fernández Almendras
Colombia, Mateo, Maria Gamboa
Croatia, Cowboys, Tomislav Mršić
Czech Republic, Fair Play, Andrea...
- 9/18/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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