Kirill Serebrennikov, the celebrated Russian playwright and director whose last three films competed at Cannes, is set to create and direct a sensual, gothic TV adaptation of “The Phantom of the Opera,” Gaston Leroux’s 19th century novel.
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
- 9/6/2023
- by Elsa Keslassy
- Variety Film + TV
Pathé’s Aude Albano and Dimitri Rassam’s Chapter 2, a Mediawan company, are teaming up with Disney+ on the development of two returning series expanding on their “Three Musketeers” franchise.
The two production banners, together with Alexandre de la Patellière and Matthieu Delaporte’s Fargo Films, are in advanced development of both shows, “Milady Origins” and “Black Musketeer.”
These will be spin offs of Pathé and Chapter 2’s two-part adventure epic saga penned by de la Patellière and Delaporte, based on Alexandre Dumas’s masterpiece. The two films, “The Three Musketeers – D’Artagnan” and “The Three Musketeers – Milady,” shot entirely on location in France with a global budget of 80 million. Both movies were teased by Pathé with an impressive promo at Cannes. They’re slated for a release in theaters next year; the first part in April and the second in December.
“Milady Origins” and “Black Musketeer,” which will shoot in French,...
The two production banners, together with Alexandre de la Patellière and Matthieu Delaporte’s Fargo Films, are in advanced development of both shows, “Milady Origins” and “Black Musketeer.”
These will be spin offs of Pathé and Chapter 2’s two-part adventure epic saga penned by de la Patellière and Delaporte, based on Alexandre Dumas’s masterpiece. The two films, “The Three Musketeers – D’Artagnan” and “The Three Musketeers – Milady,” shot entirely on location in France with a global budget of 80 million. Both movies were teased by Pathé with an impressive promo at Cannes. They’re slated for a release in theaters next year; the first part in April and the second in December.
“Milady Origins” and “Black Musketeer,” which will shoot in French,...
- 10/21/2022
- by Elsa Keslassy
- Variety Film + TV
Pathé, which operates France’s leading cinema circuit, is planning to enter the Paris stock exchange in 2024, Variety has confirmed. The company’s president, Jérôme Seydoux, revealed the group’s long-gestated listing project in an interview with the French publication Les Echos.
Seydoux said the company suffered a loss of approximately €100 million during the financial years 2020 and 2021, mainly due to the fact that theaters in France were shut down for a total of 300 days during the pandemic. While it ruffled feathers by selling “Coda” to Apple at Sundance in 2021 in a splashy 25 million deal, the company was one of the rare French studios which maintained its release plans for major local productions during the health crisis, for instance Martin Bourboulon’s “Eiffel” with Romain Duris and Emma Mackey, and Jean-Jacques Annaud’s “Notre Dame on Fire.”
Entering the Paris stock exchange should allow Pathé to pursue its ambitious plans to...
Seydoux said the company suffered a loss of approximately €100 million during the financial years 2020 and 2021, mainly due to the fact that theaters in France were shut down for a total of 300 days during the pandemic. While it ruffled feathers by selling “Coda” to Apple at Sundance in 2021 in a splashy 25 million deal, the company was one of the rare French studios which maintained its release plans for major local productions during the health crisis, for instance Martin Bourboulon’s “Eiffel” with Romain Duris and Emma Mackey, and Jean-Jacques Annaud’s “Notre Dame on Fire.”
Entering the Paris stock exchange should allow Pathé to pursue its ambitious plans to...
- 9/12/2022
- by Elsa Keslassy
- Variety Film + TV
Less than a year after launching, Pathé’s division dedicated to series is already firing up a flurry of premium projects that are equally as ambitious as its film output.
The first slate of Pathé’s TV arm boasts 12 series in different stages of development. These include two shows based on Alexandre Dumas’ literary classic “The Three Musketeers,” as well as adaptations of “Cyrano de Bergerac” and Joel Dicker’s bestseller “The Last Days of Our Fathers.”
The division is spearheaded by Aude Albano, a well-connected industry player who previously worked alongside Claude Chelli at Capa Drama, where she produced “Versailles,” “Osmosis” and “Marie Antoinette.”
“Our slate spans large-scale series that reflect Pathé’s DNA and the endeavor to expand our brand in the series world,” says Albano. She says the company is following similar guidelines to the film arm. “We’re pursuing high-end and event projects, so it can be historical costume series,...
The first slate of Pathé’s TV arm boasts 12 series in different stages of development. These include two shows based on Alexandre Dumas’ literary classic “The Three Musketeers,” as well as adaptations of “Cyrano de Bergerac” and Joel Dicker’s bestseller “The Last Days of Our Fathers.”
The division is spearheaded by Aude Albano, a well-connected industry player who previously worked alongside Claude Chelli at Capa Drama, where she produced “Versailles,” “Osmosis” and “Marie Antoinette.”
“Our slate spans large-scale series that reflect Pathé’s DNA and the endeavor to expand our brand in the series world,” says Albano. She says the company is following similar guidelines to the film arm. “We’re pursuing high-end and event projects, so it can be historical costume series,...
- 5/10/2022
- by Elsa Keslassy
- Variety Film + TV
Exclusive: European film giant Pathé, which owns more than 1,000 cinema screens across the continent, will always be a theatrical-first business. That doesn’t mean it can’t also move with the times.
The French major, whose lifeblood is film exhibition, production and distribution, is riding high off this week’s three Oscar nominations for Coda. But the company is also hiring multiple staff in its fledgling TV division and lining up content collaborations with streamers as it looks to diversify its portfolio in a rapidly shifting media landscape.
Joining Pathé’s TV head Aude Albano in Paris are Development Manager for Series, Gauthier Foll, formerly of WeMake, and Legal Manager Business Affairs for Series, Lise Bouley, formerly of Lagardère and GMT. “We’re structuring the team now”, explains Pathé President Ardavan Safaee.
Also joining the group on the film side in Paris is Executive Vice President of Business Affairs Thibault...
The French major, whose lifeblood is film exhibition, production and distribution, is riding high off this week’s three Oscar nominations for Coda. But the company is also hiring multiple staff in its fledgling TV division and lining up content collaborations with streamers as it looks to diversify its portfolio in a rapidly shifting media landscape.
Joining Pathé’s TV head Aude Albano in Paris are Development Manager for Series, Gauthier Foll, formerly of WeMake, and Legal Manager Business Affairs for Series, Lise Bouley, formerly of Lagardère and GMT. “We’re structuring the team now”, explains Pathé President Ardavan Safaee.
Also joining the group on the film side in Paris is Executive Vice President of Business Affairs Thibault...
- 2/10/2022
- by Andreas Wiseman
- Deadline Film + TV
Filming has begun on “Marie Antoinette,” a new, eight-part drama for Canal Plus Creation Originale.
The story of the incredibly modern young queen was created and written by Deborah Davis (“The Favourite”), who worked alongside co-writers Louise Ironside (“The Split”), Avril E. Russell (“All on a Summer’s Day”) and Chloë Moss (“Run Sister Run”). It is directed by Pete Travis (“Bloodlands”) and Geoffrey Enthoven (“Children of Love”).
Russia-born German actress Emilia Schüle (“Ku’damm 56”) will star as the titular monarch.
The series is produced by Alban Étienne and Stéphanie Chartreux of Banijay Studios France, Claude Chelli and Aude Albano of Capa Drama, and Christophe Toulemonde at Les Gens. It is distributed globally by Banijay Rights.
Filming will take place in evocative historical places, including the Palace of Versailles, Vaux-le-Vicomte, Lésigny, Champs, Voisins and Bry-sur-Marne.
“We are ready to enchant viewers with stunning scenery from beautiful locations across France and illustrate this audacious,...
The story of the incredibly modern young queen was created and written by Deborah Davis (“The Favourite”), who worked alongside co-writers Louise Ironside (“The Split”), Avril E. Russell (“All on a Summer’s Day”) and Chloë Moss (“Run Sister Run”). It is directed by Pete Travis (“Bloodlands”) and Geoffrey Enthoven (“Children of Love”).
Russia-born German actress Emilia Schüle (“Ku’damm 56”) will star as the titular monarch.
The series is produced by Alban Étienne and Stéphanie Chartreux of Banijay Studios France, Claude Chelli and Aude Albano of Capa Drama, and Christophe Toulemonde at Les Gens. It is distributed globally by Banijay Rights.
Filming will take place in evocative historical places, including the Palace of Versailles, Vaux-le-Vicomte, Lésigny, Champs, Voisins and Bry-sur-Marne.
“We are ready to enchant viewers with stunning scenery from beautiful locations across France and illustrate this audacious,...
- 9/7/2021
- by Rebecca Davis
- Variety Film + TV
Filming is underway on Marie Antoinette, an eight-part drama created and written by Deborah Davis (The Favourite).
The show will tell the story of the famed queen, who was the last queen of France before the French Revolution. Emilia Schüle is in the lead role of Antoinette. Also starring is Jack Archer in a lead role, with other cast including James Purefoy, Louis Cunningham, Jasmine Blackborow, Gaia Weiss, Marthe Keller and Crystal Sheperd.
Additional writers are Louise Ironside (The Split), Avril E. Russell (All on a Summer’s Day) and Chloë Moss (Run Sister Run). The series is directed by Pete Travis (Bloodlands) and Geoffrey Enthoven (Children of Love).
Producers are Claude Chelli and Aude Albano for Capa Drama, Alban Étienne and Stéphanie Chartreux for Banijay Studios France, and Christophe Toulemonde for Les Gens. The eight-part series will be distributed globally by Banijay Rights.
Filming will take place in historical...
The show will tell the story of the famed queen, who was the last queen of France before the French Revolution. Emilia Schüle is in the lead role of Antoinette. Also starring is Jack Archer in a lead role, with other cast including James Purefoy, Louis Cunningham, Jasmine Blackborow, Gaia Weiss, Marthe Keller and Crystal Sheperd.
Additional writers are Louise Ironside (The Split), Avril E. Russell (All on a Summer’s Day) and Chloë Moss (Run Sister Run). The series is directed by Pete Travis (Bloodlands) and Geoffrey Enthoven (Children of Love).
Producers are Claude Chelli and Aude Albano for Capa Drama, Alban Étienne and Stéphanie Chartreux for Banijay Studios France, and Christophe Toulemonde for Les Gens. The eight-part series will be distributed globally by Banijay Rights.
Filming will take place in historical...
- 9/7/2021
- by Tom Grater
- Deadline Film + TV
Pathé, France’s leading film studio and owner of the country’s largest theatrical circuit, is set to leap into television with a dedicated division and an ambitious drama slate from well-known filmmakers.
The new division will be headed by Aude Albano, a former senior executive at Capa Drama, whose track record includes the French-produced international hit period drama “Versailles.” Albano said she was looking forward to “take part in the launch of Pathé’s new series production branch with a focus on developing and producing upscale drama series in France and abroad.”
The roster of series in development at Pathé includes “mostly large-scale period drama revolving around iconic French figures, in line with Pathé’s DNA,” Pathé CEO Ardavan Safaee to Variety.
Among the series developed by the company is a show about Napoléon that Jean-François Richet (“Mesrine”) is creating, along with a series about a Black musketeer created...
The new division will be headed by Aude Albano, a former senior executive at Capa Drama, whose track record includes the French-produced international hit period drama “Versailles.” Albano said she was looking forward to “take part in the launch of Pathé’s new series production branch with a focus on developing and producing upscale drama series in France and abroad.”
The roster of series in development at Pathé includes “mostly large-scale period drama revolving around iconic French figures, in line with Pathé’s DNA,” Pathé CEO Ardavan Safaee to Variety.
Among the series developed by the company is a show about Napoléon that Jean-François Richet (“Mesrine”) is creating, along with a series about a Black musketeer created...
- 6/18/2021
- by Elsa Keslassy
- Variety Film + TV
Lille, France — The series the audience was about to see on Sunday night at Lille’s central Ugc Cine-Cité multiplex wasn’t even playing in Series Mania’s main International Competition.
But in many ways, Netflix’s” “Osmosis” was certainly among the most-anticipated of shows at this year’s festival. The excitement before the screening was palpable, and pointed up multiple paradoxes about France’s current TV scene.
As a service, Netflix has taken France by storm. Launching in Sept, 2014, it has run up at least 5 million household subscriptions, as many as the retail subscriber base of pay TV Canal Plus, a pillar of France’s cultural establishment, which has been in service since 1985.
Released in May 2016, Netflix’s first sortie into French Original Series, “Marseilles,” a political corruption thriller starring Gerard Depardieu, proved polemical, being lambasted by many French critics, newspaper Le Monde dismissing it famously as “cowshit”, and director Julius Berg,...
But in many ways, Netflix’s” “Osmosis” was certainly among the most-anticipated of shows at this year’s festival. The excitement before the screening was palpable, and pointed up multiple paradoxes about France’s current TV scene.
As a service, Netflix has taken France by storm. Launching in Sept, 2014, it has run up at least 5 million household subscriptions, as many as the retail subscriber base of pay TV Canal Plus, a pillar of France’s cultural establishment, which has been in service since 1985.
Released in May 2016, Netflix’s first sortie into French Original Series, “Marseilles,” a political corruption thriller starring Gerard Depardieu, proved polemical, being lambasted by many French critics, newspaper Le Monde dismissing it famously as “cowshit”, and director Julius Berg,...
- 3/25/2019
- by John Hopewell
- Variety Film + TV
Rolling off “Versailles” and “Thanksgiving,” which is competing at Series Mania in Lille, Newen-owned Capa Drama is developing a raft of internationally-driven series with French and U.S. partners, including “The 10 O’Clock People” and “L’Infiltré.”
Headed by Claude Chelli, Capa Drama has partnered up with U.S. company Fabrik Entertainment to co-develop “The 10 O’Clock People,” a series adapted from a short novel by Stephen King which was published in the Nightmares & Dreamscapes collection. The story revolves around a Boston bank employee who discovers that many people, including some powerful ones, are inhuman monsters disguised as people. Pearson finds allies who, like him, have the ability to see these creatures through their disguises and forms a new resistance group. The series will shoot in English and is being developed by Arnaud Figaret and Aude Albano at Capa Drama.
Albano described “The 10 O’Clock People” as a “urban noir...
Headed by Claude Chelli, Capa Drama has partnered up with U.S. company Fabrik Entertainment to co-develop “The 10 O’Clock People,” a series adapted from a short novel by Stephen King which was published in the Nightmares & Dreamscapes collection. The story revolves around a Boston bank employee who discovers that many people, including some powerful ones, are inhuman monsters disguised as people. Pearson finds allies who, like him, have the ability to see these creatures through their disguises and forms a new resistance group. The series will shoot in English and is being developed by Arnaud Figaret and Aude Albano at Capa Drama.
Albano described “The 10 O’Clock People” as a “urban noir...
- 5/4/2018
- by Elsa Keslassy
- Variety Film + TV
Head of fiction programming at Canal Plus since 2002, Fabrice de la Patelliere has been a driving force behind the French pay TV’s channel’s push into ambitious French and English-language drama series, notably “Versailles,” whose third season world premiered at Canneseries on Wednesday, opening the new TV festival.
The French TV maven spoke to Variety about the making of “Versailles” and how the show fits into the editorial line of Canal Plus’ Creation Originale label, He also discussed upcoming projects and new challenges sparked by the high-end drama series boom.
What were the challenges in creating this third season of “Versailles” and why did you decide to make it the final season?
From the start, “Versailles'” producer Claude Chelli had spoken to us about making three seasons. The series was meant to chronicle the coming of age and rise to power of Louis Xiv and show how he...
The French TV maven spoke to Variety about the making of “Versailles” and how the show fits into the editorial line of Canal Plus’ Creation Originale label, He also discussed upcoming projects and new challenges sparked by the high-end drama series boom.
What were the challenges in creating this third season of “Versailles” and why did you decide to make it the final season?
From the start, “Versailles'” producer Claude Chelli had spoken to us about making three seasons. The series was meant to chronicle the coming of age and rise to power of Louis Xiv and show how he...
- 4/7/2018
- by Elsa Keslassy
- Variety Film + TV
Continuing its push into European originals, Netflix has greenlit its second French series, Osmosis. An eight episode sci-fi drama, it’s based on an idea originally produced by Telfrance and will be produced by Versailles‘ Aude Albano and Claude Chelli of Capa Drama. Showrunner is Audrey Fouché (Les Revenants, Borgia). Set in near-future Paris, the story centers on a the titular dating app which can find a perfect match with 100% accuracy, turning the concept of absolute…...
- 5/11/2017
- Deadline TV
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