A sensitive portrait, but often a wretched one, of young people at crossroads, set on a Canadian First Nations reservation but with resonance far beyond. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Shane (Andrew Martin) had been hoping to escape from his rundown First Nations reservation in rural northern Ontario for university in Toronto, but his plans are on hold since his sister committed suicide… an act that has mystified everyone; no one knew how sad she was. (We slowly begin to see the sort of pressure she would have been under as a young woman here.) His widowed mother is paralyzed by grief, their house is literally falling apart, and Shane is struggling to support them both and find money for repairs. But it’s not only the lack of economic opportunity in his dead-end...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Shane (Andrew Martin) had been hoping to escape from his rundown First Nations reservation in rural northern Ontario for university in Toronto, but his plans are on hold since his sister committed suicide… an act that has mystified everyone; no one knew how sad she was. (We slowly begin to see the sort of pressure she would have been under as a young woman here.) His widowed mother is paralyzed by grief, their house is literally falling apart, and Shane is struggling to support them both and find money for repairs. But it’s not only the lack of economic opportunity in his dead-end...
- 11/8/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
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