Winners in the Jiseok competition included ‘Scent Of Wind’ and ‘Alteration’.
Korean drama A Wild Roomer and Indian feature Shivamma have picked up the top awards at the 27th Busan International Film Festival, which today wraps its first fully-fledged edition in three years.
The two titles were named joint winners of Biff’s New Currents competition, open to first or second features from up-and-coming Asian filmmakers.
Scroll down for full list of winners
A Wild Roomer marks the debut feature of South Korean director Lee Jeong-hong and is an offbeat drama that revolves around a carpenter who becomes close with...
Korean drama A Wild Roomer and Indian feature Shivamma have picked up the top awards at the 27th Busan International Film Festival, which today wraps its first fully-fledged edition in three years.
The two titles were named joint winners of Biff’s New Currents competition, open to first or second features from up-and-coming Asian filmmakers.
Scroll down for full list of winners
A Wild Roomer marks the debut feature of South Korean director Lee Jeong-hong and is an offbeat drama that revolves around a carpenter who becomes close with...
- 10/14/2022
- by Michael Rosser
- ScreenDaily
Korean filmmaker Lee Jeong-hong’s A Wild Roomer and Shivamma, from India’s Jaishankar Aryar, were the winners of the New Currents Awards at the close of an encouragingly busy Busan International Film Festival.
A Wild Roomer, about a 30-something drifter, picked up multiple honors at the festival, also taking the Netpac Award, Critic b Award and Kbs Independent Film Award. Set in an Indian village, Shivamma is about an illiterate woman who falls for a pyramid selling scheme.
The Kim Jiseok Awards went to Scent Of Wind, from Iranian filmmaker Hadi Mohaghegh, which also played as Biff’s opening film, and Alteration from Uzbekistan’s Yalkin Tuychiev.
Other winners included Aamir Bashir’s The Winter Within, which took the Kb New Currents Audience Award, and Vinay Shukla’s documentary While We Watched, which was presented with the Busan Cinephile Award (see full list of winners below...
A Wild Roomer, about a 30-something drifter, picked up multiple honors at the festival, also taking the Netpac Award, Critic b Award and Kbs Independent Film Award. Set in an Indian village, Shivamma is about an illiterate woman who falls for a pyramid selling scheme.
The Kim Jiseok Awards went to Scent Of Wind, from Iranian filmmaker Hadi Mohaghegh, which also played as Biff’s opening film, and Alteration from Uzbekistan’s Yalkin Tuychiev.
Other winners included Aamir Bashir’s The Winter Within, which took the Kb New Currents Audience Award, and Vinay Shukla’s documentary While We Watched, which was presented with the Busan Cinephile Award (see full list of winners below...
- 10/14/2022
- by Liz Shackleton
- Deadline Film + TV
The 27th edition of the Busan International Film Festival startet on 5th of October and will show a new selection of the best from the Asian cinema till 15th of October. One thing is sure from the beginning, it will be a good year for cinema from Iran here as well. Some other international festivals have already come forward, like the Berlinale with “Ta Farda” by Ali Asgari, “Leila’s Brothers” by Saeed Roustaee and “Holy Spider” by Ali Abbasi in Cannes, “No Bears” by Jafar Panahi and “Beyond the Wall” by Vahid Jalilvand in Venice. These films can now also be seen in Busan, as well as “Life & Life” by Ali Qavitan and “Scent of Wind” by Hadi Mohaghegh who opened the festival.
“Scent of Wind” by Hadi Mohaghegh – Dignity in Modesty
The director’s fourth feature film tells a very simple story in itself, but the...
“Scent of Wind” by Hadi Mohaghegh – Dignity in Modesty
The director’s fourth feature film tells a very simple story in itself, but the...
- 10/9/2022
- by Teresa Vena
- AsianMoviePulse
Click here to read the full article.
The 27th Busan International Film Festival opened Wednesday night on a long overdue note of optimism with the premiere of Scent of Wind by Iranian director Hadi Mohaghegh. Festival organizers have indicated that they view the 2022 festival as a full-scale comeback edition, following two hard years of pandemic restrictions and a sequence of prior political challenges.
“We believe that the seat occupancy rates have recovered to about 80 to 90 percent compared to 2019,” said Huh Moon-young, the festival’s director, on opening night.
The opening ceremony, which took place at the festival’s main venue, the Busan Cinema Center, was attended by Asian cinema luminaries and celebrities, including Hong Kong screen icon Tony Leung, Korean star Song Kang-ho, Korean-American actor Daniel Dae Kim, Thai actor-model Mario Maurer and Japanese director Hirokazu Kore-eda.
Leung, who starred last year in Marvel’s Shang-Chi and the Legend of...
The 27th Busan International Film Festival opened Wednesday night on a long overdue note of optimism with the premiere of Scent of Wind by Iranian director Hadi Mohaghegh. Festival organizers have indicated that they view the 2022 festival as a full-scale comeback edition, following two hard years of pandemic restrictions and a sequence of prior political challenges.
“We believe that the seat occupancy rates have recovered to about 80 to 90 percent compared to 2019,” said Huh Moon-young, the festival’s director, on opening night.
The opening ceremony, which took place at the festival’s main venue, the Busan Cinema Center, was attended by Asian cinema luminaries and celebrities, including Hong Kong screen icon Tony Leung, Korean star Song Kang-ho, Korean-American actor Daniel Dae Kim, Thai actor-model Mario Maurer and Japanese director Hirokazu Kore-eda.
Leung, who starred last year in Marvel’s Shang-Chi and the Legend of...
- 10/6/2022
- by Soo-mee Park
- The Hollywood Reporter - Movie News
The star-studded red carpet included Hong Kong star Tony Leung, winner of the Asian Filmmaker of the Year award.
The 27th Busan International Film Festival (Biff) opened with a star-studded red carpet that included Hong Kong star Tony Leung, who accepted the Asian Filmmaker of the Year award last night (October 5).
At the outdoor theatre of the Busan Cinema Center, organizers and filmmakers expressed relief at being back to a fully-fledged in-person event for the first time since the pandemic started - as well as some trepidation about whether audiences would come back to cinemas in similar numbers.
“We share...
The 27th Busan International Film Festival (Biff) opened with a star-studded red carpet that included Hong Kong star Tony Leung, who accepted the Asian Filmmaker of the Year award last night (October 5).
At the outdoor theatre of the Busan Cinema Center, organizers and filmmakers expressed relief at being back to a fully-fledged in-person event for the first time since the pandemic started - as well as some trepidation about whether audiences would come back to cinemas in similar numbers.
“We share...
- 10/6/2022
- by Jean Noh
- ScreenDaily
The Japanese may have invented the haiku, but Iranians perfected its cinematic equivalent: a kind of film that plays almost like a poem — short, sweet and disarmingly profound in its simplicity. Jafar Panahi, director of “The White Balloon,” is the master; Majid Majidi (“Children of Heaven”) a close second. While this pared-down, less-is-more approach hardly applies to all of Iranian cinema, these seemingly elemental Persian narratives have a way of resonating worldwide. It is this discipline that director Hadi Mohaghegh practices with “Scent of Wind,” a film whose title alone evokes the great Abbas Kiarostami (“A Taste of Cherry”), and whose subject could be described with just one word: kindness.
Returning to the Busan Film Festival seven years after earning two major prizes for his previous feature, “Immortal,” Mohaghegh casts himself as the film’s main character, Eskandari, an electrician called out to inspect an issue with a transformer bringing...
Returning to the Busan Film Festival seven years after earning two major prizes for his previous feature, “Immortal,” Mohaghegh casts himself as the film’s main character, Eskandari, an electrician called out to inspect an issue with a transformer bringing...
- 10/5/2022
- by Peter Debruge
- Variety Film + TV
“Avatar” producer Jon Landau, Charles Rivkin, chairman of the Motion Picture Association, and the MPA’s Asia regional chief Belinda Lui, were on hand Wednesday in South Korea to tread the red carpet at the Busan International Film Festival.
It has been a struggle for Asian film festivals and rights markets to return to normal as conservative governments and reticent populations warily and belatedly embraced reduced quarantine periods, the end of mandatory mask-wearing and social distancing. But Wednesday night’s hosts were at pains to stress that this year’s 27th Biff is operating at full capacity.
“I can’t tell you how emotional I am tonight,” said Lee Yong-kwan co-founder of the festival and now its chairman.
The Busan festival is Asia’s biggest and most significant talent and film discovery event. But in 2020 it was downsized and held virtually. Last year’s event operated largely behind a cordon...
It has been a struggle for Asian film festivals and rights markets to return to normal as conservative governments and reticent populations warily and belatedly embraced reduced quarantine periods, the end of mandatory mask-wearing and social distancing. But Wednesday night’s hosts were at pains to stress that this year’s 27th Biff is operating at full capacity.
“I can’t tell you how emotional I am tonight,” said Lee Yong-kwan co-founder of the festival and now its chairman.
The Busan festival is Asia’s biggest and most significant talent and film discovery event. But in 2020 it was downsized and held virtually. Last year’s event operated largely behind a cordon...
- 10/5/2022
- by Patrick Frater and Naman Ramachandran
- Variety Film + TV
Click here to read the full article.
The 27th edition of Busan International Film Festival will open with Scent of Wind by the Iranian director Hadi Mohaghegh and close with A Man by Japan’s Kei Ishikawa.
Launched in 1996, Busan has long been considered Asia’s premiere film festival, famous both for launching the careers of exciting new Korean and Asian auteurs, as well as its festive beachfront vibe, with tented restaurants serving soju and Korean seafood specialities into the wee hours.
This year, Busan festival director Heo Moon-young has promised an edition that represents “a full recovery” from the pandemic, restoring various programs and forums that were interrupted over the past two years due to the Seoul government’s social distancing measures. In 2022, the festival will screen 354 films from 71 countries, with various satellite events happening across town.
Scent of Wind is the fourth film by Mohaghegh, whose feature film...
The 27th edition of Busan International Film Festival will open with Scent of Wind by the Iranian director Hadi Mohaghegh and close with A Man by Japan’s Kei Ishikawa.
Launched in 1996, Busan has long been considered Asia’s premiere film festival, famous both for launching the careers of exciting new Korean and Asian auteurs, as well as its festive beachfront vibe, with tented restaurants serving soju and Korean seafood specialities into the wee hours.
This year, Busan festival director Heo Moon-young has promised an edition that represents “a full recovery” from the pandemic, restoring various programs and forums that were interrupted over the past two years due to the Seoul government’s social distancing measures. In 2022, the festival will screen 354 films from 71 countries, with various satellite events happening across town.
Scent of Wind is the fourth film by Mohaghegh, whose feature film...
- 9/12/2022
- by Soomee Park
- The Hollywood Reporter - Movie News
Leung to attend to receive Asian Filmmaker of the Year award and present a showcase of his films.
The 27th Busan International Film Festival is set to open with the international premiere of Hadi Mohaghegh’s Iranian film Scent Of Wind and close with Ishikawa Kei’s Venice title A Man.
Hong Kong star Tony Leung Chiu-Wai will also attend the opening ceremony to receive Biff’s Asian Filmmaker of the Year award. The festival will dedicate a six-film showcase dubbed In The Mood For Tony Leung with titles the actor personally selected, including Happy Together, Infernal Affairs and In The Mood For Love.
The 27th Busan International Film Festival is set to open with the international premiere of Hadi Mohaghegh’s Iranian film Scent Of Wind and close with Ishikawa Kei’s Venice title A Man.
Hong Kong star Tony Leung Chiu-Wai will also attend the opening ceremony to receive Biff’s Asian Filmmaker of the Year award. The festival will dedicate a six-film showcase dubbed In The Mood For Tony Leung with titles the actor personally selected, including Happy Together, Infernal Affairs and In The Mood For Love.
- 9/7/2022
- by Jean Noh
- ScreenDaily
Korea’s Busan International Film Festival (October 5-14) has announced its full line-up, including opening film Scent Of Wind, directed by Iran’s Hadi Mohaghegh, while Hong Kong actor Tony Leung Chiu-Wai will be honoured as Asian Filmmaker Of The Year.
Leung has credits including Wong Kar Wai’s In The Mood For Love and Happy Together, as well as the Infernal Affairs trilogy, and more recently, Disney’s Shang-Chi And The Legend Of The Ten Rings.
Japanese filmmaker Kei Ishikawa’s A Man, which premiered in Venice, has been set as Busan’s closing film. Opening film, Scent Of Wind, revolves around a disabled man living with his handicapped son in a remote Iranian village. Mohaghegh previously won Busan’s New Currents Award in 2015 for Immortal.
The festival will screen 354 films including 89 world premieres and 13 international premieres, with 100 seating capacity in cinemas, a full program of parties, events and...
Leung has credits including Wong Kar Wai’s In The Mood For Love and Happy Together, as well as the Infernal Affairs trilogy, and more recently, Disney’s Shang-Chi And The Legend Of The Ten Rings.
Japanese filmmaker Kei Ishikawa’s A Man, which premiered in Venice, has been set as Busan’s closing film. Opening film, Scent Of Wind, revolves around a disabled man living with his handicapped son in a remote Iranian village. Mohaghegh previously won Busan’s New Currents Award in 2015 for Immortal.
The festival will screen 354 films including 89 world premieres and 13 international premieres, with 100 seating capacity in cinemas, a full program of parties, events and...
- 9/7/2022
- by Liz Shackleton
- Deadline Film + TV
For the first time since 2019, the Busan International Film Festival (Biff) will return to full force, with a complete lineup for its upcoming 27th edition, which will welcome a full complement of international guests for the first time since the pandemic began. Kicking off on October 5th and running until the 14th, Biff is coming back in grand fashion with a broad program filled with major international titles, and a selection of special programs, including an expanded 'On Screen' section devoted to TV series. The 27th Biff will open with Scent of Wind, the fourth film of Iranian filmmaker Hadi Mohaghegh, while the Japanese film A Man by Ishikawa Kei will wrap up the festival. A total of 243 films from 71 films will...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/7/2022
- Screen Anarchy
Two new sections will showcase a total of 10 world and international premieres.
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
- 8/31/2022
- by Jean Noh
- ScreenDaily
Two new sections will showcase a total of 10 world and international premieres.
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
- 8/31/2022
- by Jean Noh
- ScreenDaily
The Busan International Film Festival will further honor its co-founder and former programmer Kim Jiseok, who died suddenly in 2017, by expanding the existing prize in his name into a fully-fledged competitive section.
Previously, the Kim Jiseok Award was given to one of ten films selected from the ‘A Window on Asian Cinema’ sidebar which introduces new films from significant Asian directors, defined as those who have each made more than three films.
“Starting this year, the Kim Jiseok Award nominees have been sorted into a section of their own, namely the ‘Jiseok’ section. Also, Korean films will be included in the ‘Jiseok’ section,” Busan organizers said. “This program section aims to both reinforce the spirit and determination of [Kim], who devoted himself to the growth and support of Asian films, and direct attention to the nominated works.”
The section comes with two cash prizes of 10,000 each. “Thus, the Jiseok section is...
Previously, the Kim Jiseok Award was given to one of ten films selected from the ‘A Window on Asian Cinema’ sidebar which introduces new films from significant Asian directors, defined as those who have each made more than three films.
“Starting this year, the Kim Jiseok Award nominees have been sorted into a section of their own, namely the ‘Jiseok’ section. Also, Korean films will be included in the ‘Jiseok’ section,” Busan organizers said. “This program section aims to both reinforce the spirit and determination of [Kim], who devoted himself to the growth and support of Asian films, and direct attention to the nominated works.”
The section comes with two cash prizes of 10,000 each. “Thus, the Jiseok section is...
- 8/31/2022
- by Patrick Frater
- Variety Film + TV
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