John Lee Hancock's crime drama "The Little Things" premiered in theaters and on HBO Max in January 2021, one of the first films to be released under the Covid-induced deal whereby Warner Bros. films hit the streamer the same day as cinemas. The film involves a serial killer terrorizing Los Angeles in the early 90s, and it follows the two detectives on his tail, trying to catch him before he kills again. Really, though, it's about the cops' obsession with the case and the way that obsession leads them to disregard their morals.
"The Little Things" currently sits at 45% Fresh on Rotten Tomatoes. Many reviews mention the film's unsatisfying ending as a mark against it; after all, "The Little Things" leaves viewers with more questions than answers, which is not what you expect from a detective story. Still, the movie looks great and boasts a talented cast; even Jared Leto...
"The Little Things" currently sits at 45% Fresh on Rotten Tomatoes. Many reviews mention the film's unsatisfying ending as a mark against it; after all, "The Little Things" leaves viewers with more questions than answers, which is not what you expect from a detective story. Still, the movie looks great and boasts a talented cast; even Jared Leto...
- 5/28/2023
- by Eric Langberg
- Slash Film
[Editor’s Note: The following review contains spoilers for “The Americans” Season 6, Episode 4, “Mr. and Mrs. Teacup.”]
Who thought a montage involving Paige making out and Philip line dancing could be so heartbreaking?
Thus is the power of “The Americans,” as showrunners Joel Fields and Joe Weisberg almost simultaneously doled out pleasure and pain in a bone-chilling fourth episode. Philip (Matthew Rhys) clung to his simple pleasures while he could, retreating to his favorite country bar to kick off his boots with coworkers before snacking on potato chips over a pile of mounting bills. Paige’s (Holly Taylor) date turned from a fun night out to a professional conflict as she stared at her sleeping beau’s valuable ID badge. And then there’s Elizabeth (Keri Russell): so close to getting what she needs, only to be left with nothing yet again.
She’s tired, and we’re scared. Much like joy and sorrow are contradictory emotions, each...
Who thought a montage involving Paige making out and Philip line dancing could be so heartbreaking?
Thus is the power of “The Americans,” as showrunners Joel Fields and Joe Weisberg almost simultaneously doled out pleasure and pain in a bone-chilling fourth episode. Philip (Matthew Rhys) clung to his simple pleasures while he could, retreating to his favorite country bar to kick off his boots with coworkers before snacking on potato chips over a pile of mounting bills. Paige’s (Holly Taylor) date turned from a fun night out to a professional conflict as she stared at her sleeping beau’s valuable ID badge. And then there’s Elizabeth (Keri Russell): so close to getting what she needs, only to be left with nothing yet again.
She’s tired, and we’re scared. Much like joy and sorrow are contradictory emotions, each...
- 4/19/2018
- by Ben Travers
- Indiewire
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